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Cousin Betty

by Honore de Balzac

Translated by James Waring

May, 1999  [Etext #1749]


The Project Gutenberg Etext of Cousin Betty, by Honore de Balzac
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Etext prepared by Dagny, [e-mail]
and John Bickers, [e-mail]





Cousin Betty

by Honore de Balzac


Translated by James Waring




DEDICATION

  To Don Michele Angelo Cajetani, Prince of Teano.

  It is neither to the Roman Prince, nor to the representative of
  the illustrious house of Cajetani, which has given more than one
  Pope to the Christian Church, that I dedicate this short portion
  of a long history; it is to the learned commentator of Dante.

  It was you who led me to understand the marvelous framework of
  ideas on which the great Italian poet built his poem, the only
  work which the moderns can place by that of Homer. Till I heard
  you, the Divine Comedy was to me a vast enigma to which none had
  found the clue--the commentators least of all. Thus, to understand
  Dante is to be as great as he; but every form of greatness is
  familiar to you.

  A French savant could make a reputation, earn a professor's chair,
  and a dozen decorations, by publishing in a dogmatic volume the
  improvised lecture by which you lent enchantment to one of those
  evenings which are rest after seeing Rome. You do not know,
  perhaps, that most of our professors live on Germany, on England,
  on the East, or on the North, as an insect lives on a tree; and,
  like the insect, become an integral part of it, borrowing their
  merit from that of what they feed on. Now, Italy hitherto has not
  yet been worked out in public lectures. No one will ever give me
  credit for my literary honesty. Merely by plundering you I might
  have been as learned as three Schlegels in one, whereas I mean to
  remain a humble Doctor of the Faculty of Social Medicine, a
  veterinary surgeon for incurable maladies. Were it only to lay a
  token of gratitude at the feet of my cicerone, I would fain add
  your illustrious name to those of Porcia, of San-Severino, of
  Pareto, of di Negro, and of Belgiojoso, who will represent in this
  "Human Comedy" the close and constant alliance between Italy and
  France, to which Bandello did honor in the same way in the
  sixteenth century--Bandello, the bishop and author of some strange
  tales indeed, who left us the splendid collection of romances
  whence Shakespeare derived many of his plots and even complete
  characters, word for word.

  The two sketches I dedicate to you are the two eternal aspects of
  one and the same fact. Homo duplex, said the great Buffon: why not
  add Res duplex? Everything has two sides, even virtue. Hence
  Moliere always shows us both sides of every human problem; and
  Diderot, imitating him, once wrote, "This is not a mere tale"--in
  what is perhaps Diderot's masterpiece, where he shows us the
  beautiful picture of Mademoiselle de Lachaux sacrificed by
  Gardanne, side by side with that of a perfect lover dying for his
  mistress.

  In the same way, these two romances form a pair, like twins of
  opposite sexes. This is a literary vagary to which a writer may
  for once give way, especially as part of a work in which I am
  endeavoring to depict every form that can serve as a garb to mind.

  Most human quarrels arise from the fact that both wise men and
  dunces exist who are so constituted as to be incapable of seeing
  more than one side of any fact or idea, while each asserts that
  the side he sees is the only true and right one. Thus it is
  written in the Holy Book, "God will deliver the world over to
  divisions." I must confess that this passage of Scripture alone
  should persuade the Papal See to give you the control of the two
  Chambers to carry out the text which found its commentary in 1814,
  in the decree of Louis XVIII.

  May your wit and the poetry that is in you extend a protecting
  hand over these two histories of "The Poor Relations"

Of your affectionate humble servant,

DE BALZAC.
PARIS, August-September, 1846.




COUSIN BETTY



PART I

THE PRODIGAL FATHER

One day, about the middle of July 1838, one of the carriages, then
lately introduced to Paris cabstands, and known as /Milords/, was
driving down the Rue de l'Universite, conveying a stout man of middle
height in the uniform of a captain of the National Guard.

Among the Paris crowd, who are supposed to be so clever, there are
some men who fancy themselves infinitely more attractive in uniform
than in their ordinary clothes, and who attribute to women so depraved
a taste that they believe they will be favorably impressed by the
aspect of a busby and of military accoutrements.

The countenance of this Captain of the Second Company beamed with a
self-satisfaction that added splendor to his ruddy and somewhat chubby
face. The halo of glory that a fortune made in business gives to a
retired tradesman sat on his brow, and stamped him as one of the elect
of Paris--at least a retired deputy-mayor of his quarter of the town.
And you may be sure that the ribbon of the Legion of Honor was not
missing from his breast, gallantly padded /a la Prussienne/. Proudly
seated in one corner of the /milord/, this splendid person let his
gaze wander over the passers-by, who, in Paris, often thus meet an
ingratiating smile meant for sweet eyes that are absent.

The vehicle stopped in the part of the street between the Rue de
Bellechasse and the Rue de Bourgogne, at the door of a large, newly-
build house, standing on part of the court-yard of an ancient mansion
that had a garden. The old house remained in its original state,
beyond the courtyard curtailed by half its extent.

Only from the way in which the officer accepted the assistance of the
coachman to help him out, it was plain that he was past fifty. There
are certain movements so undisguisedly heavy that they are as tell-
tale as a register of birth. The captain put on his lemon-colored
right-hand glove, and, without any question to the gatekeeper, went up
the outer steps to the ground of the new house with a look that
proclaimed, "She is mine!"

The /concierges/ of Paris have sharp eyes; they do not stop visitors
who wear an order, have a blue uniform, and walk ponderously; in
short, they know a rich man when they see him.

This ground floor was entirely occupied by Monsieur le Baron Hulot
d'Ervy, Commissary General under the Republic, retired army
contractor, and at the present time at the head of one of the most
important departments of the War Office, Councillor of State, officer
of the Legion of Honor, and so forth.

This Baron Hulot had taken the name of d'Ervy--the place of his birth
--to distinguish him from his brother, the famous General Hulot,
Colonel of the Grenadiers of the Imperial Guard, created by the
Emperor Comte de Forzheim after the campaign of 1809. The Count, the
elder brother, being responsible for his junior, had, with paternal
care, placed him in the commissariat, where, thanks to the services of
the two brothers, the Baron deserved and won Napoleon's good graces.
After 1807, Baron Hulot was Commissary General for the army in Spain.

Having rung the bell, the citizen-captain made strenuous efforts to
pull his coat into place, for it had rucked up as much at the back as
in front, pushed out of shape by the working of a piriform stomach.
Being admitted as soon as the servant in livery saw him, the important
and imposing personage followed the man, who opened the door of the
drawing-room, announcing:

"Monsieur Crevel."

On hearing the name, singularly appropriate to the figure of the man
who bore it, a tall, fair woman, evidently young-looking for her age,
rose as if she had received an electric shock.

"Hortense, my darling, go into the garden with your Cousin Betty," she
said hastily to her daughter, who was working at some embroidery at
her mother's side.

After curtseying prettily to the captain, Mademoiselle Hortense went
out by a glass door, taking with her a withered-looking spinster, who
looked older than the Baroness, though she was five years younger.

"They are settling your marriage," said Cousin Betty in the girl's
ear, without seeming at all offended at the way in which the Baroness
had dismissed them, counting her almost as zero.

The cousin's dress might, at need, have explained this free-and-easy
demeanor. The old maid wore a merino gown of a dark plum color, of
which the cut and trimming dated from the year of the Restoration; a
little worked collar, worth perhaps three francs; and a common straw
hat with blue satin ribbons edged with straw plait, such as the old-
clothes buyers wear at market. On looking down at her kid shoes, made,
it was evident, by the veriest cobbler, a stranger would have
hesitated to recognize Cousin Betty as a member of the family, for she
looked exactly like a journeywoman sempstress. But she did not leave
the room without bestowing a little friendly nod on Monsieur Crevel,
to which that gentleman responded by a look of mutual understanding.

"You are coming to us to-morrow, I hope, Mademoiselle Fischer?" said
he.

"You have no company?" asked Cousin Betty.

"My children and yourself, no one else," replied the visitor.

"Very well," replied she; "depend on me."

"And here am I, madame, at your orders," said the citizen-captain,
bowing again to Madame Hulot.

He gave such a look at Madame Hulot as Tartuffe casts at Elmire--when
a provincial actor plays the part and thinks it necessary to emphasize
its meaning--at Poitiers, or at Coutances.

"If you will come into this room with me, we shall be more
conveniently placed for talking business than we are in this room,"
said Madame Hulot, going to an adjoining room, which, as the apartment
was arranged, served as a cardroom.

It was divided by a slight partition from a boudoir looking out on the
garden, and Madame Hulot left her visitor to himself for a minute, for
she thought it wise to shut the window and the door of the boudoir, so
that no one should get in and listen. She even took the precaution of
shutting the glass door of the drawing-room, smiling on her daughter
and her cousin, whom she saw seated in an old summer-house at the end
of the garden. As she came back she left the cardroom door open, so as
to hear if any one should open that of the drawing-room to come in.

As she came and went, the Baroness, seen by nobody, allowed her face
to betray all her thoughts, and any one who could have seen her would
have been shocked to see her agitation. But when she finally came back
from the glass door of the drawing-room, as she entered the cardroom,
her face was hidden behind the impenetrable reserve which every woman,
even the most candid, seems to have at her command.

During all these preparations--odd, to say the least--the National
Guardsman studied the furniture of the room in which he found himself.
As he noted the silk curtains, once red, now faded to dull purple by
the sunshine, and frayed in the pleats by long wear; the carpet, from
which the hues had faded; the discolored gilding of the furniture; and
the silk seats, discolored in patches, and wearing into strips--
expressions of scorn, satisfaction, and hope dawned in succession
without disguise on his stupid tradesman's face. He looked at himself
in the glass over an old clock of the Empire, and was contemplating
the general effect, when the rustle of her silk skirt announced the
Baroness. He at once struck at attitude.

After dropping on to a sofa, which had been a very handsome one in the
year 1809, the Baroness, pointing to an armchair with the arms ending
in bronze sphinxes' heads, while the paint was peeling from the wood,
which showed through in many places, signed to Crevel to be seated.

"All the precautions you are taking, madame, would seem full of
promise to a----"

"To a lover," said she, interrupting him.

"The word is too feeble," said he, placing his right hand on his
heart, and rolling his eyes in a way which almost always makes a woman
laugh when she, in cold blood, sees such a look. "A lover! A lover?
Say a man bewitched----"

"Listen, Monsieur Crevel," said the Baroness, too anxious to be able
to laugh, "you are fifty--ten years younger than Monsieur Hulot, I
know; but at my age a woman's follies ought to be justified by beauty,
youth, fame, superior merit--some one of the splendid qualities which
can dazzle us to the point of making us forget all else--even at our
age. Though you may have fifty thousand francs a year, your age
counterbalances your fortune; thus you have nothing whatever of what a
woman looks for----"

"But love!" said the officer, rising and coming forward. "Such love
as----"

"No, monsieur, such obstinacy!" said the Baroness, interrupting him to
put an end to his absurdity.

"Yes, obstinacy," said he, "and love; but something stronger still--a
claim----"

"A claim!" cried Madame Hulot, rising sublime with scorn, defiance,
and indignation. "But," she went on, "this will bring us to no issues;
I did not ask you to come here to discuss the matter which led to your
banishment in spite of the connection between our families----"

"I had fancied so."

"What! still?" cried she. "Do you not see, monsieur, by the entire
ease and freedom with which I can speak of lovers and love, of
everything least creditable to a woman, that I am perfectly secure in
my own virtue? I fear nothing--not even to shut myself in alone with
you. Is that the conduct of a weak woman? You know full well why I
begged you to come."

"No, madame," replied Crevel, with an assumption of great coldness. He
pursed up his lips, and again struck an attitude.

"Well, I will be brief, to shorten our common discomfort," said the
Baroness, looking at Crevel.

Crevel made an ironical bow, in which a man who knew the race would
have recognized the graces of a bagman.

"Our son married your daughter----"

"And if it were to do again----" said Crevel.

"It would not be done at all, I suspect," said the baroness hastily.
"However, you have nothing to complain of. My son is not only one of
the leading pleaders of Paris, but for the last year he has sat as
Deputy, and his maiden speech was brilliant enough to lead us to
suppose that ere long he will be in office. Victorin has twice been
called upon to report on important measures; and he might even now, if
he chose, be made Attorney-General in the Court of Appeal. So, if you
mean to say that your son-in-law has no fortune----"

"Worse than that, madame, a son-in-law whom I am obliged to maintain,"
replied Crevel. "Of the five hundred thousand francs that formed my
daughter's marriage portion, two hundred thousand have vanished--God
knows how!--in paying the young gentleman's debts, in furnishing his
house splendaciously--a house costing five hundred thousand francs,
and bringing in scarcely fifteen thousand, since he occupies the
larger part of it, while he owes two hundred and sixty thousand francs
of the purchase-money. The rent he gets barely pays the interest on
the debt. I have had to give my daughter twenty thousand francs this
year to help her to make both ends meet. And then my son-in-law, who
was making thirty thousand francs a year at the Assizes, I am told, is
going to throw that up for the Chamber----"

"This, again, Monsieur Crevel, is beside the mark; we are wandering
from the point. Still, to dispose of it finally, it may be said that
if my son gets into office, if he has you made an officer of the
Legion of Honor and councillor of the municipality of Paris, you, as a
retired perfumer, will not have much to complain of----"

"Ah! there we are again, madame! Yes, I am a tradesman, a shopkeeper,
a retail dealer in almond-paste, eau-de-Portugal, and hair-oil, and
was only too much honored when my only daughter was married to the son
of Monsieur le Baron Hulot d'Ervy--my daughter will be a Baroness!
This is Regency, Louis XV., (Eil-de-boeuf--quite tip-top!--very good.)
I love Celestine as a man loves his only child--so well indeed, that,
to preserve her from having either brother or sister, I resigned
myself to all the privations of a widower--in Paris, and in the prime
of life, madame. But you must understand that, in spite of this
extravagant affection for my daughter, I do not intend to reduce my
fortune for the sake of your son, whose expenses are not wholly
accounted for--in my eyes, as an old man of business."

"Monsieur, you may at this day see in the Ministry of Commerce
Monsieur Popinot, formerly a druggist in the Rue des Lombards----"

"And a friend of mine, madame," said the ex-perfumer. "For I, Celestin
Crevel, foreman once to old Cesar Birotteau, brought up the said Cesar
Birotteau's stock; and he was Popinot's father-in-law. Why, that very
Popinot was no more than a shopman in the establishment, and he is the
first to remind me of it; for he is not proud, to do him justice, to
men in a good position with an income of sixty thousand francs in the
funds."

"Well then, monsieur, the notions you term 'Regency' are quite out of
date at a time when a man is taken at his personal worth; and that is
what you did when you married your daughter to my son."

"But you do not know how the marriage was brought about!" cried
Crevel. "Oh, that cursed bachelor life! But for my misconduct, my
Celestine might at this day be Vicomtesse Popinot!"

"Once more have done with recriminations over accomplished facts,"
said the Baroness anxiously. "Let us rather discuss the complaints I
have found on your strange behavior. My daughter Hortense had a chance
of marrying; the match depended entirely on you; I believed you felt
some sentiments of generosity; I thought you would do justice to a
woman who has never had a thought in her heart for any man but her
husband, that you would have understood how necessary it is for her
not to receive a man who may compromise her, and that for the honor of
the family with which you are allied you would have been eager to
promote Hortense's settlement with Monsieur le Conseiller Lebas.--And
it is you, monsieur, you have hindered the marriage."

"Madame," said the ex-perfumer, "I acted the part of an honest man. I
was asked whether the two hundred thousand francs to be settled on
Mademoiselle Hortense would be forthcoming. I replied exactly in these
words: 'I would not answer for it. My son-in-law, to whom the Hulots
had promised the same sum, was in debt; and I believe that if Monsieur
Hulot d'Ervy were to die to-morrow, his widow would have nothing to
live on.'--There, fair lady."

"And would you have said as much, monsieur," asked Madame Hulot,
looking Crevel steadily in the face, "if I had been false to my duty?"

"I should not be in a position to say it, dearest Adeline," cried this
singular adorer, interrupting the Baroness, "for you would have found
the amount in my pocket-book."

And adding action to word, the fat guardsman knelt down on one knee
and kissed Madame Hulot's hand, seeing that his speech had filled her
with speechless horror, which he took for hesitancy.

"What, buy my daughter's fortune at the cost of----? Rise, monsieur--
or I ring the bell."

Crevel rose with great difficulty. This fact made him so furious that
he again struck his favorite attitude. Most men have some habitual
position by which they fancy that they show to the best advantage the
good points bestowed on them by nature. This attitude in Crevel
consisted in crossing his arms like Napoleon, his head showing three-
quarters face, and his eyes fixed on the horizon, as the painter has
shown the Emperor in his portrait.

"To be faithful," he began, with well-acted indignation, "so faithful
to a liber----"

"To a husband who is worthy of such fidelity," Madame Hulot put in, to
hinder Crevel from saying a word she did not choose to hear.

"Come, madame; you wrote to bid me here, you ask the reasons for my
conduct, you drive me to extremities with your imperial airs, your
scorn, and your contempt! Any one might think I was a Negro. But I
repeat it, and you may believe me, I have a right to--to make love to
you, for---- But no; I love you well enough to hold my tongue."

"You may speak, monsieur. In a few days I shall be eight-and-forty; I
am no prude; I can hear whatever you can say."

"Then will you give me your word of honor as an honest woman--for you
are, alas for me! an honest woman--never to mention my name or to say
that it was I who betrayed the secret?"

"If that is the condition on which you speak, I will swear never to
tell any one from whom I heard the horrors you propose to tell me, not
even my husband."

"I should think not indeed, for only you and he are concerned."

Madame Hulot turned pale.

"Oh, if you still really love Hulot, it will distress you. Shall I say
no more?"

"Speak, monsieur; for by your account you wish to justify in my eyes
the extraordinary declarations you have chosen to make me, and your
persistency in tormenting a woman of my age, whose only wish is to see
her daughter married, and then--to die in peace----"

"You see; you are unhappy."

"I, monsieur?"

"Yes, beautiful, noble creature!" cried Crevel. "You have indeed been
too wretched!"

"Monsieur, be silent and go--or speak to me as you ought."

"Do you know, madame, how Master Hulot and I first made acquaintance?
--At our mistresses', madame."

"Oh, monsieur!"

"Yes, madame, at our mistresses'," Crevel repeated in a melodramatic
tone, and leaving his position to wave his right hand.

"Well, and what then?" said the Baroness coolly, to Crevel's great
amazement.

Such mean seducers cannot understand a great soul.

"I, a widower five years since," Crevel began, in the tone of a man
who has a story to tell, "and not wishing to marry again for the sake
of the daughter I adore, not choosing either to cultivate any such
connection in my own establishment, though I had at the time a very
pretty lady-accountant. I set up, 'on her own account,' as they say, a
little sempstress of fifteen--really a miracle of beauty, with whom I
fell desperately in love. And in fact, madame, I asked an aunt of my
own, my mother's sister, whom I sent for from the country, to live
with the sweet creature and keep an eye on her, that she might behave
as well as might be in this rather--what shall I say--shady?--no,
delicate position.

"The child, whose talent for music was striking, had masters, she was
educated--I had to give her something to do. Besides, I wished to be
at once her father, her benefactor, and--well, out with it--her lover;
to kill two birds with one stone, a good action and a sweetheart. For
five years I was very happy. The girl had one of those voices that
make the fortune of a theatre; I can only describe her by saying that
she is a Duprez in petticoats. It cost me two thousand francs a year
only to cultivate her talent as a singer. She made me music-mad; I
took a box at the opera for her and for my daughter, and went there
alternate evenings with Celestine or Josepha."

"What, the famous singer?"

"Yes, madame," said Crevel with pride, "the famous Josepha owes
everything to me.--At last, in 1834, when the child was twenty,
believing that I had attached her to me for ever, and being very weak
where she was concerned, I thought I would give her a little
amusement, and I introduced her to a pretty little actress, Jenny
Cadine, whose life had been somewhat like her own. This actress also
owed everything to a protector who had brought her up in leading-
strings. That protector was Baron Hulot."

"I know that," said the Baroness, in a calm voice without the least
agitation.

"Bless me!" cried Crevel, more and more astounded. "Well! But do you
know that your monster of a husband took Jenny Cadine in hand at the
age of thirteen?"

"What then?" said the Baroness.

"As Jenny Cadine and Josepha were both aged twenty when they first
met," the ex-tradesman went on, "the Baron had been playing the part
of Louis XV. to Mademoiselle de Romans ever since 1826, and you were
twelve years younger then----"

"I had my reasons, monsieur, for leaving Monsieur Hulot his liberty."

"That falsehood, madame, will surely be enough to wipe out every sin
you have ever committed, and to open to you the gates of Paradise,"
replied Crevel, with a knowing air that brought the color to the
Baroness' cheeks. "Sublime and adored woman, tell that to those who
will believe it, but not to old Crevel, who has, I may tell you,
feasted too often as one of four with your rascally husband not to
know what your high merits are! Many a time has he blamed himself when
half tipsy as he has expatiated on your perfections. Oh, I know you
well!--A libertine might hesitate between you and a girl of twenty. I
do not hesitate----"

"Monsieur!"

"Well, I say no more. But you must know, saintly and noble woman, that
a husband under certain circumstances will tell things about his wife
to his mistress that will mightily amuse her."

Tears of shame hanging to Madame Hulot's long lashes checked the
National Guardsman. He stopped short, and forgot his attitude.

"To proceed," said he. "We became intimate, the Baron and I, through
the two hussies. The Baron, like all bad lots, is very pleasant, a
thoroughly jolly good fellow. Yes, he took my fancy, the old rascal.
He could be so funny!--Well, enough of those reminiscences. We got to
be like brothers. The scoundrel--quite Regency in his notions--tried
indeed to deprave me altogether, preached Saint-Simonism as to women,
and all sorts of lordly ideas; but, you see, I was fond enough of my
girl to have married her, only I was afraid of having children.

"Then between two old daddies, such friends as--as we were, what more
natural than that we should think of our children marrying each other?
--Three months after his son had married my Celestine, Hulot--I don't
know how I can utter the wretch's name! he has cheated us both, madame
--well, the villain did me out of my little Josepha. The scoundrel
knew that he was supplanted in the heart of Jenny Cadine by a young
lawyer and by an artist--only two of them!--for the girl had more and
more of a howling success, and he stole my sweet little girl, a
perfect darling--but you must have seen her at the opera; he got her
an engagement there. Your husband is not so well behaved as I am. I am
ruled as straight as a sheet of music-paper. He had dropped a good
deal of money on Jenny Cadine, who must have cost him near on thirty
thousand francs a year. Well, I can only tell you that he is ruining
himself outright for Josepha.

"Josepha, madame, is a Jewess. Her name is Mirah, the anagram of
Hiram, an Israelite mark that stamps her, for she was a foundling
picked up in Germany, and the inquiries I have made prove that she is
the illegitimate child of a rich Jew banker. The life of the theatre,
and, above all, the teaching of Jenny Cadine, Madame Schontz, Malaga,
and Carabine, as to the way to treat an old man, have developed, in
the child whom I had kept in a respectable and not too expensive way
of life, all the native Hebrew instinct for gold and jewels--for the
golden calf.

"So this famous singer, hungering for plunder, now wants to be rich,
very rich. She tried her 'prentice hand on Baron Hulot, and soon
plucked him bare--plucked him, ay, and singed him to the skin. The
miserable man, after trying to vie with one of the Kellers and with
the Marquis d'Esgrignon, both perfectly mad about Josepha, to say
nothing of unknown worshipers, is about to see her carried off by that
very rich Duke, who is such a patron of the arts. Oh, what is his
name?--a dwarf.--Ah, the Duc d'Herouville. This fine gentleman insists
on having Josepha for his very own, and all that set are talking about
it; the Baron knows nothing of it as yet; for it is the same in the
Thirteenth Arrondissement as in every other: the lover, like the
husband, is last to get the news.

"Now, do you understand my claim? Your husband, dear lady, has robbed
me of my joy in life, the only happiness I have known since I became a
widower. Yes, if I had not been so unlucky as to come across that old
rip, Josepha would still be mine; for I, you know, should never have
placed her on the stage. She would have lived obscure, well conducted,
and mine. Oh! if you could but have seen her eight years ago, slight
and wiry, with the golden skin of an Andalusian, as they say, black
hair as shiny as satin, an eye that flashed lightning under long brown
lashes, the style of a duchess in every movement, the modesty of a
dependent, decent grace, and the pretty ways of a wild fawn. And by
that Hulot's doing all this charm and purity has been degraded to a
man-trap, a money-box for five-franc pieces! The girl is the Queen of
Trollops; and nowadays she humbugs every one--she who knew nothing,
not even that word."

At this stage the retired perfumer wiped his eyes, which were full of
tears. The sincerity of his grief touched Madame Hulot, and roused her
from the meditation into which she had sunk.

"Tell me, madame, is a man of fifty-two likely to find such another
jewel? At my age love costs thirty thousand francs a year. It is
through your husband's experience that I know the price, and I love
Celestine too truly to be her ruin. When I saw you, at the first
evening party you gave in our honor, I wondered how that scoundrel
Hulot could keep a Jenny Cadine--you had the manner of an Empress. You
do not look thirty," he went on. "To me, madame, you look young, and
you are beautiful. On my word of honor, that evening I was struck to
the heart. I said to myself, 'If I had not Josepha, since old Hulot
neglects his wife, she would fit me like a glove.' Forgive me--it is a
reminiscence of my old business. The perfumer will crop up now and
then, and that is what keeps me from standing to be elected deputy.

"And then, when I was so abominably deceived by the Baron, for really
between old rips like us our friend's mistress should be sacred, I
swore I would have his wife. It is but justice. The Baron could say
nothing; we are certain of impunity. You showed me the door like a
mangy dog at the first words I uttered as to the state of my feelings;
you only made my passion--my obstinacy, if you will--twice as strong,
and you shall be mine."

"Indeed; how?"

"I do not know; but it will come to pass. You see, madame, an idiot of
a perfumer--retired from business--who has but one idea in his head,
is stronger than a clever fellow who has a thousand. I am smitten with
you, and you are the means of my revenge; it is like being in love
twice over. I am speaking to you quite frankly, as a man who knows
what he means. I speak coldly to you, just as you do to me, when you
say, 'I never will be yours,' In fact, as they say, I play the game
with the cards on the table. Yes, you shall be mine, sooner or later;
if you were fifty, you should still be my mistress. And it will be;
for I expect anything from your husband!"

Madame Hulot looked at this vulgar intriguer with such a fixed stare
of terror, that he thought she had gone mad, and he stopped.

"You insisted on it, you heaped me with scorn, you defied me--and I
have spoken," said he, feeling that he must justify the ferocity of
his last words.

"Oh, my daughter, my daughter," moaned the Baroness in a voice like a
dying woman's.

"Oh! I have forgotten all else," Crevel went on. "The day when I was
robbed of Josepha I was like a tigress robbed of her cubs; in short,
as you see me now.--Your daughter? Yes, I regard her as the means of
winning you. Yes, I put a spoke in her marriage--and you will not get
her married without my help! Handsome as Mademoiselle Hortense is, she
needs a fortune----"

"Alas! yes," said the Baroness, wiping her eyes.

"Well, just ask your husband for ten thousand francs," said Crevel,
striking his attitude once more. He waited a minute, like an actor who
has made a point.

"If he had the money, he would give it to the woman who will take
Josepha's place," he went on, emphasizing his tones. "Does a man ever
pull up on the road he has taken? In the first place, he is too sweet
on women. There is a happy medium in all things, as our King has told
us. And then his vanity is implicated! He is a handsome man!--He would
bring you all to ruin for his pleasure; in fact, you are already on
the highroad to the workhouse. Why, look, never since I set foot in
your house have you been able to do up your drawing-room furniture.
'Hard up' is the word shouted by every slit in the stuff. Where will
you find a son-in-law who would not turn his back in horror of the
ill-concealed evidence of the most cruel misery there is--that of
people in decent society? I have kept shop, and I know. There is no
eye so quick as that of the Paris tradesman to detect real wealth from
its sham.--You have no money," he said, in a lower voice. "It is
written everywhere, even on your man-servant's coat.

"Would you like me to disclose any more hideous mysteries that are
kept from you?"

"Monsieur," cried Madame Hulot, whose handkerchief was wet through
with her tears, "enough, enough!"

"My son-in-law, I tell you, gives his father money, and this is what I
particularly wanted to come to when I began by speaking of your son's
expenses. But I keep an eye on my daughter's interests, be easy."

"Oh, if I could but see my daughter married, and die!" cried the poor
woman, quite losing her head.

"Well, then, this is the way," said the ex-perfumer.

Madame Hulot looked at Crevel with a hopeful expression, which so
completely changed her countenance, that this alone ought to have
touched the man's feelings and have led him to abandon his monstrous
schemes.

"You will still be handsome ten years hence," Crevel went on, with his
arms folded; "be kind to me, and Mademoiselle Hulot will marry. Hulot
has given me the right, as I have explained to you, to put the matter
crudely, and he will not be angry. In three years I have saved the
interest on my capital, for my dissipations have been restricted. I
have three hundred thousand francs in the bank over and above my
invested fortune--they are yours----"

"Go," said Madame Hulot. "Go, monsieur, and never let me see you
again. But for the necessity in which you placed me to learn the
secret of your cowardly conduct with regard to the match I had planned
for Hortense--yes, cowardly!" she repeated, in answer to a gesture
from Crevel. "How can you load a poor girl, a pretty, innocent
creature, with such a weight of enmity? But for the necessity that
goaded me as a mother, you would never have spoken to me again, never
again have come within my doors. Thirty-two years of an honorable and
loyal life shall not be swept away by a blow from Monsieur Crevel----"

"The retired perfumer, successor to Cesar Birotteau at the /Queen of
the Roses/, Rue Saint-Honore," added Crevel, in mocking tones.
"Deputy-mayor, captain in the National Guard, Chevalier of the Legion
of Honor--exactly what my predecessor was!"

"Monsieur," said the Baroness, "if, after twenty years of constancy,
Monsieur Hulot is tired of his wife, that is nobody's concern but
mine. As you see, he has kept his infidelity a mystery, for I did not
know that he had succeeded you in the affections of Mademoiselle
Josepha----"

"Oh, it has cost him a pretty penny, madame. His singing-bird has cost
him more than a hundred thousand francs in these two years. Ah, ha!
you have not seen the end of it!"

"Have done with all this, Monsieur Crevel. I will not, for your sake,
forego the happiness a mother knows who can embrace her children
without a single pang of remorse in her heart, who sees herself
respected and loved by her family; and I will give up my soul to God
unspotted----"

"Amen!" exclaimed Crevel, with the diabolical rage that embitters the
face of these pretenders when they fail for the second time in such an
attempt. "You do not yet know the latter end of poverty--shame,
disgrace.--I have tried to warn you; I would have saved you, you and
your daughter. Well, you must study the modern parable of the
/Prodigal Father/ from A to Z. Your tears and your pride move me
deeply," said Crevel, seating himself, "for it is frightful to see the
woman one loves weeping. All I can promise you, dear Adeline, is to do
nothing against your interests or your husband's. Only never send to
me for information. That is all."

"What is to be done?" cried Madame Hulot.

Up to now the Baroness had bravely faced the threefold torment which
this explanation inflicted on her; for she was wounded as a woman, as
a mother, and as a wife. In fact, so long as her son's father-in-law
was insolent and offensive, she had found the strength in her
resistance to the aggressive tradesman; but the sort of good-nature he
showed, in spite of his exasperation as a mortified adorer and as a
humiliated National Guardsman, broke down her nerve, strung to the
point of snapping. She wrung her hands, melted into tears, and was in
a state of such helpless dejection, that she allowed Crevel to kneel
at her feet, kissing her hands.

"Good God! what will become of us!" she went on, wiping away her
tears. "Can a mother sit still and see her child pine away before her
eyes? What is to be the fate of that splendid creature, as strong in
her pure life under her mother's care as she is by every gift of
nature? There are days when she wanders round the garden, out of
spirits without knowing why; I find her with tears in her eyes----"

"She is one-and-twenty," said Crevel.

"Must I place her in a convent?" asked the Baroness. "But in such
cases religion is impotent to subdue nature, and the most piously
trained girls lose their head!--Get up, pray, monsieur; do you not
understand that everything is final between us? that I look upon you
with horror? that you have crushed a mother's last hopes----"

"But if I were to restore them," asked he.

Madame Hulot looked at Crevel with a frenzied expression that really
touched him. But he drove pity back to the depths of his heart; she
had said, "I look upon you with horror."

Virtue is always a little too rigid; it overlooks the shades and
instincts by help of which we are able to tack when in a false
position.

"So handsome a girl as Mademoiselle Hortense does not find a husband
nowadays if she is penniless," Crevel remarked, resuming his
starchiest manner. "Your daughter is one of those beauties who rather
alarm intending husbands; like a thoroughbred horse, which is too
expensive to keep up to find a ready purchaser. If you go out walking
with such a woman on your arm, every one will turn to look at you, and
follow and covet his neighbor's wife. Such success is a source of much
uneasiness to men who do not want to be killing lovers; for, after
all, no man kills more than one. In the position in which you find
yourself there are just three ways of getting your daughter married:
Either by my help--and you will have none of it! That is one.--Or by
finding some old man of sixty, very rich, childless, and anxious to
have children; that is difficult, still such men are to be met with.
Many old men take up with a Josepha, a Jenny Cadine, why should not
one be found who is ready to make a fool of himself under legal
formalities? If it were not for Celestine and our two grandchildren, I
would marry Hortense myself. That is two.--The last way is the
easiest----"

Madame Hulot raised her head, and looked uneasily at the ex-perfumer.

"Paris is a town whither every man of energy--and they sprout like
saplings on French soil--comes to meet his kind; talent swarms here
without hearth or home, and energy equal to anything, even to making a
fortune. Well, these youngsters--your humble servant was such a one in
his time, and how many he has known! What had du Tillet or Popinot
twenty years since? They were both pottering round in Daddy
Birotteau's shop, with not a penny of capital but their determination
to get on, which, in my opinion, is the best capital a man can have.
Money may be eaten through, but you don't eat through your
determination. Why, what had I? The will to get on, and plenty of
pluck. At this day du Tillet is a match for the greatest folks; little
Popinot, the richest druggist of the Rue des Lombards, became a
deputy, now he is in office.--Well, one of these free lances, as we
say on the stock market, of the pen, or of the brush, is the only man
in Paris who would marry a penniless beauty, for they have courage
enough for anything. Monsieur Popinot married Mademoiselle Birotteau
without asking for a farthing. Those men are madmen, to be sure! They
trust in love as they trust in good luck and brains!--Find a man of
energy who will fall in love with your daughter, and he will marry
without a thought of money. You must confess that by way of an enemy I
am not ungenerous, for this advice is against my own interests."

"Oh, Monsieur Crevel, if you would indeed be my friend and give up
your ridiculous notions----"

"Ridiculous? Madame, do not run yourself down. Look at yourself--I
love you, and you will come to be mine. The day will come when I shall
say to Hulot, 'You took Josepha, I have taken your wife!'

"It is the old law of tit-for-tat! And I will persevere till I have
attained my end, unless you should become extremely ugly.--I shall
succeed; and I will tell you why," he went on, resuming his attitude,
and looking at Madame Hulot. "You will not meet with such an old man,
or such a young lover," he said after a pause, "because you love your
daughter too well to hand her over to the manoeuvres of an old
libertine, and because you--the Baronne Hulot, sister of the old
Lieutenant-General who commanded the veteran Grenadiers of the Old
Guard--will not condescend to take a man of spirit wherever you may
find him; for he might be a mere craftsman, as many a millionaire of
to-day was ten years ago, a working artisan, or the foreman of a
factory.

"And then, when you see the girl, urged by her twenty years, capable
of dishonoring you all, you will say to yourself, 'It will be better
that I should fall! If Monsieur Crevel will but keep my secret, I will
earn my daughter's portion--two hundred thousand francs for ten years'
attachment to that old gloveseller--old Crevel!'--I disgust you no
doubt, and what I am saying is horribly immoral, you think? But if you
happened to have been bitten by an overwhelming passion, you would
find a thousand arguments in favor of yielding--as women do when they
are in love.--Yes, and Hortense's interests will suggest to your
feelings such terms of surrendering your conscience----"

"Hortense has still an uncle."

"What! Old Fischer? He is winding up his concerns, and that again is
the Baron's fault; his rake is dragged over every till within his
reach."

"Comte Hulot----"

"Oh, madame, your husband has already made thin air of the old
General's savings. He spent them in furnishing his singer's rooms.--
Now, come; am I to go without a hope?"

"Good-bye, monsieur. A man easily gets over a passion for a woman of
my age, and you will fall back on Christian principles. God takes care
of the wretched----"

The Baroness rose to oblige the captain to retreat, and drove him back
into the drawing-room.

"Ought the beautiful Madame Hulot to be living amid such squalor?"
said he, and he pointed to an old lamp, a chandelier bereft of its
gilding, the threadbare carpet, the very rags of wealth which made the
large room, with its red, white, and gold, look like a corpse of
Imperial festivities.

"Monsieur, virtue shines on it all. I have no wish to owe a handsome
abode to having made of the beauty you are pleased to ascribe to me a
/man-trap/ and /a money-box for five-franc pieces/!"

The captain bit his lips as he recognized the words he had used to
vilify Josepha's avarice.

"And for whom are you so magnanimous?" said he. By this time the
baroness had got her rejected admirer as far as the door.--"For a
libertine!" said he, with a lofty grimace of virtue and superior
wealth.

"If you are right, my constancy has some merit, monsieur. That is
all."

After bowing to the officer as a woman bows to dismiss an importune
visitor, she turned away too quickly to see him once more fold his
arms. She unlocked the doors she had closed, and did not see the
threatening gesture which was Crevel's parting greeting. She walked
with a proud, defiant step, like a martyr to the Coliseum, but her
strength was exhausted; she sank on the sofa in her blue room, as if
she were ready to faint, and sat there with her eyes fixed on the
tumble-down summer-house, where her daughter was gossiping with Cousin
Betty.



From the first days of her married life to the present time the
Baroness had loved her husband, as Josephine in the end had loved
Napoleon, with an admiring, maternal, and cowardly devotion. Though
ignorant of the details given her by Crevel, she knew that for twenty
years past Baron Hulot been anything rather than a faithful husband;
but she had sealed her eyes with lead, she had wept in silence, and no
word of reproach had ever escaped her. In return for this angelic
sweetness, she had won her husband's veneration and something
approaching to worship from all who were about her.

A wife's affection for her husband and the respect she pays him are
infectious in a family. Hortense believed her father to be a perfect
model of conjugal affection; as to their son, brought up to admire the
Baron, whom everybody regarded as one of the giants who so effectually
backed Napoleon, he knew that he owed his advancement to his father's
name, position, and credit; and besides, the impressions of childhood
exert an enduring influence. He still was afraid of his father; and if
he had suspected the misdeeds revealed by Crevel, as he was too much
overawed by him to find fault, he would have found excuses in the view
every man takes of such matters.

It now will be necessary to give the reasons for the extraordinary
self-devotion of a good and beautiful woman; and this, in a few words,
is her past history.



Three brothers, simple laboring men, named Fischer, and living in a
village situated on the furthest frontier of Lorraine, were compelled
by the Republican conscription to set out with the so-called army of
the Rhine.

In 1799 the second brother, Andre, a widower, and Madame Hulot's
father, left his daughter to the care of his elder brother, Pierre
Fischer, disabled from service by a wound received in 1797, and made a
small private venture in the military transport service, an opening he
owed to the favor of Hulot d'Ervy, who was high in the commissariat.
By a very obvious chance Hulot, coming to Strasbourg, saw the Fischer
family. Adeline's father and his younger brother were at that time
contractors for forage in the province of Alsace.

Adeline, then sixteen years of age, might be compared with the famous
Madame du Barry, like her, a daughter of Lorraine. She was one of
those perfect and striking beauties--a woman like Madame Tallien,
finished with peculiar care by Nature, who bestows on them all her
choicest gifts--distinction, dignity, grace, refinement, elegance,
flesh of a superior texture, and a complexion mingled in the unknown
laboratory where good luck presides. These beautiful creatures all
have something in common: Bianca Capella, whose portrait is one of
Bronzino's masterpieces; Jean Goujon's Venus, painted from the famous
Diane de Poitiers; Signora Olympia, whose picture adorns the Doria
gallery; Ninon, Madame du Barry, Madame Tallien, Mademoiselle Georges,
Madame Recamier.--all these women who preserved their beauty in spite
of years, of passion, and of their life of excess and pleasure, have
in figure, frame, and in the character of their beauty certain
striking resemblances, enough to make one believe that there is in the
ocean of generations an Aphrodisian current whence every such Venus is
born, all daughters of the same salt wave.

Adeline Fischer, one of the loveliest of this race of goddesses, had
the splendid type, the flowing lines, the exquisite texture of a woman
born a queen. The fair hair that our mother Eve received from the hand
of God, the form of an Empress, an air of grandeur, and an august line
of profile, with her rural modesty, made every man pause in delight as
she passed, like amateurs in front of a Raphael; in short, having once
seen her, the Commissariat officer made Mademoiselle Adeline Fischer
his wife as quickly as the law would permit, to the great astonishment
of the Fischers, who had all been brought up in the fear of their
betters.

The eldest, a soldier of 1792, severely wounded in the attack on the
lines at Wissembourg, adored the Emperor Napoleon and everything that
had to do with the /Grande Armee/. Andre and Johann spoke with respect
of Commissary Hulot, the Emperor's protege, to whom indeed they owed
their prosperity; for Hulot d'Ervy, finding them intelligent and
honest, had taken them from the army provision wagons to place them in
charge of a government contract needing despatch. The brothers Fischer
had done further service during the campaign of 1804. At the peace
Hulot had secured for them the contract for forage from Alsace, not
knowing that he would presently be sent to Strasbourg to prepare for
the campaign of 1806.

This marriage was like an Assumption to the young peasant girl. The
beautiful Adeline was translated at once from the mire of her village
to the paradise of the Imperial Court; for the contractor, one of the
most conscientious and hard-working of the Commissariat staff, was
made a Baron, obtained a place near the Emperor, and was attached to
the Imperial Guard. The handsome rustic bravely set to work to educate
herself for love of her husband, for she was simply crazy about him;
and, indeed, the Commissariat office was as a man a perfect match for
Adeline as a woman. He was one of the picked corps of fine men. Tall,
well-built, fair, with beautiful blue eyes full of irresistible fire
and life, his elegant appearance made him remarkable by the side of
d'Orsay, Forbin, Ouvrard; in short, in the battalion of fine men that
surrounded the Emperor. A conquering "buck," and holding the ideas of
the Directoire with regard to women, his career of gallantry was
interrupted for some long time by his conjugal affection.

To Adeline the Baron was from the first a sort of god who could do no
wrong. To him she owed everything: fortune--she had a carriage, a fine
house, every luxury of the day; happiness--he was devoted to her in
the face of the world; a title, for she was a Baroness; fame, for she
was spoken of as the beautiful Madame Hulot--and in Paris! Finally,
she had the honor of refusing the Emperor's advances, for Napoleon
made her a present of a diamond necklace, and always remembered her,
asking now and again, "And is the beautiful Madame Hulot still a model
of virtue?" in the tone of a man who might have taken his revenge on
one who should have triumphed where he had failed.

So it needs no great intuition to discern what were the motives in a
simple, guileless, and noble soul for the fanaticism of Madame Hulot's
love. Having fully persuaded herself that her husband could do her no
wrong, she made herself in the depths of her heart the humble, abject,
and blindfold slave of the man who had made her. It must be noted,
too, that she was gifted with great good sense--the good sense of the
people, which made her education sound. In society she spoke little,
and never spoke evil of any one; she did not try to shine; she thought
out many things, listened well, and formed herself on the model of the
best-conducted women of good birth.

In 1815 Hulot followed the lead of the Prince de Wissembourg, his
intimate friend, and became one of the officers who organized the
improvised troops whose rout brought the Napoleonic cycle to a close
at Waterloo. In 1816 the Baron was one of the men best hated by the
Feltre administration, and was not reinstated in the Commissariat till
1823, when he was needed for the Spanish war. In 1830 he took office
as the fourth wheel of the coach, at the time of the levies, a sort of
conscription made by Louis Philippe on the old Napoleonic soldiery.
From the time when the younger branch ascended the throne, having
taken an active part in bringing that about, he was regarded as an
indispensable authority at the War Office. He had already won his
Marshal's baton, and the King could do no more for him unless by
making him minister or a peer of France.

From 1818 till 1823, having no official occupation, Baron Hulot had
gone on active service to womankind. Madame Hulot dated her Hector's
first infidelities from the grand /finale/ of the Empire. Thus, for
twelve years the Baroness had filled the part in her household of
/prima donna assoluta/, without a rival. She still could boast of the
old-fashioned, inveterate affection which husbands feel for wives who
are resigned to be gentle and virtuous helpmates; she knew that if she
had a rival, that rival would not subsist for two hours under a word
of reproof from herself; but she shut her eyes, she stopped her ears,
she would know nothing of her husband's proceedings outside his home.
In short, she treated her Hector as a mother treats a spoilt child.

Three years before the conversation reported above, Hortense, at the
Theatre des Varietes, had recognized her father in a lower tier stage-
box with Jenny Cadine, and had exclaimed:

"There is papa!"

"You are mistaken, my darling; he is at the Marshal's," the Baroness
replied.

She too had seen Jenny Cadine; but instead of feeling a pang when she
saw how pretty she was, she said to herself, "That rascal Hector must
think himself very lucky."

She suffered nevertheless; she gave herself up in secret to rages of
torment; but as soon as she saw Hector, she always remembered her
twelve years of perfect happiness, and could not find it in her to
utter a word of complaint. She would have been glad if the Baron would
have taken her into his confidence; but she never dared to let him see
that she knew of his kicking over the traces, out of respect for her
husband. Such an excess of delicacy is never met with but in those
grand creatures, daughters of the soil, whose instinct it is to take
blows without ever returning them; the blood of the early martyrs
still lives in their veins. Well-born women, their husbands' equals,
feel the impulse to annoy them, to mark the points of their tolerance,
like points at billiards, by some stinging word, partly in the spirit
of diabolical malice, and to secure the upper hand or the right of
turning the tables.

The Baroness had an ardent admirer in her brother-in-law, Lieutenant-
General Hulot, the venerable Colonel of the Grenadiers of the Imperial
Infantry Guard, who was to have a Marshal's baton in his old age. This
veteran, after having served from 1830 to 1834 as Commandant of the
military division, including the departments of Brittany, the scene of
his exploits in 1799 and 1800, had come to settle in Paris near his
brother, for whom he had a fatherly affection.

This old soldier's heart was in sympathy with his sister-in-law; he
admired her as the noblest and saintliest of her sex. He had never
married, because he hoped to find a second Adeline, though he had
vainly sought for her through twenty campaigns in as many lands. To
maintain her place in the esteem of this blameless and spotless old
republican--of whom Napoleon had said, "That brave old Hulot is the
most obstinate republican, but he will never be false to me"--Adeline
would have endured griefs even greater than those that had just come
upon her. But the old soldier, seventy-two years of age, battered by
thirty campaigns, and wounded for the twenty-seventh time at Waterloo,
was Adeline's admirer, and not a "protector." The poor old Count,
among other infirmities, could only hear through a speaking trumpet.

So long as Baron Hulot d'Ervy was a fine man, his flirtations did not
damage his fortune; but when a man is fifty, the Graces claim payment.
At that age love becomes vice; insensate vanities come into play.
Thus, at about that time, Adeline saw that her husband was incredibly
particular about his dress; he dyed his hair and whiskers, and wore a
belt and stays. He was determined to remain handsome at any cost. This
care of his person, a weakness he had once mercilessly mocked at, was
carried out in the minutest details.

At last Adeline perceived that the Pactolus poured out before the
Baron's mistresses had its source in her pocket. In eight years he had
dissipated a considerable amount of money; and so effectually, that,
on his son's marriage two years previously, the Baron had been
compelled to explain to his wife that his pay constituted their whole
income.

"What shall we come to?" asked Adeline.

"Be quite easy," said the official, "I will leave the whole of my
salary in your hands, and I will make a fortune for Hortense, and some
savings for the future, in business."

The wife's deep belief in her husband's power and superior talents, in
his capabilities and character, had, in fact, for the moment allayed
her anxiety.

What the Baroness' reflections and tears were after Crevel's departure
may now be clearly imagined. The poor woman had for two years past
known that she was at the bottom of a pit, but she had fancied herself
alone in it. How her son's marriage had been finally arranged she had
not known; she had known nothing of Hector's connection with the
grasping Jewess; and, above all, she hoped that no one in the world
knew anything of her troubles. Now, if Crevel went about so ready to
talk of the Baron's excesses, Hector's reputation would suffer. She
could see, under the angry ex-perfumer's coarse harangue, the odious
gossip behind the scenes which led to her son's marriage. Two
reprobate hussies had been the priestesses of this union planned at
some orgy amid the degrading familiarities of two tipsy old sinners.

"And has he forgotten Hortense!" she wondered.

"But he sees her every day; will he try to find her a husband among
his good-for-nothing sluts?"

At this moment it was the mother that spoke rather than the wife, for
she saw Hortense laughing with her Cousin Betty--the reckless laughter
of heedless youth; and she knew that such hysterical laughter was
quite as distressing a symptom as the tearful reverie of solitary
walks in the garden.

Hortense was like her mother, with golden hair that waved naturally,
and was amazingly long and thick. Her skin had the lustre of mother-
of-pearl. She was visibly the offspring of a true marriage, of a pure
and noble love in its prime. There was a passionate vitality in her
countenance, a brilliancy of feature, a full fount of youth, a fresh
vigor and abundance of health, which radiated from her with electric
flashes. Hortense invited the eye.

When her eye, of deep ultramarine blue, liquid with the moisture of
innocent youth, rested on a passer-by, he was involuntarily thrilled.
Nor did a single freckle mar her skin, such as those with which many a
white and golden maid pays toll for her milky whiteness. Tall, round
without being fat, with a slender dignity as noble as her mother's,
she really deserved the name of goddess, of which old authors were so
lavish. In fact, those who saw Hortense in the street could hardly
restrain the exclamation, "What a beautiful girl!"

She was so genuinely innocent, that she could say to her mother:

"What do they mean, mamma, by calling me a beautiful girl when I am
with you? Are not you much handsomer than I am?"

And, in point of fact, at seven-and-forty the Baroness might have been
preferred to her daughter by amateurs of sunset beauty; for she had
not yet lost any of her charms, by one of those phenomena which are
especially rare in Paris, where Ninon was regarded as scandalous,
simply because she thus seemed to enjoy such an unfair advantage over
the plainer women of the seventeenth century.

Thinking of her daughter brought her back to the father; she saw him
sinking by degrees, day after day, down to the social mire, and even
dismissed some day from his appointment. The idea of her idol's fall,
with a vague vision of the disasters prophesied by Crevel, was such a
terror to the poor woman, that she became rapt in the contemplation
like an ecstatic.

Cousin Betty, from time to time, as she chatted with Hortense, looked
round to see when they might return to the drawing-room; but her young
cousin was pelting her with questions, and at the moment when the
Baroness opened the glass door she did not happen to be looking.



Lisbeth Fischer, though the daughter of the eldest of the three
brothers, was five years younger than Madame Hulot; she was far from
being as handsome as her cousin, and had been desperately jealous of
Adeline. Jealousy was the fundamental passion of this character,
marked by eccentricities--a word invented by the English to describe
the craziness not of the asylum, but of respectable households. A
native of the Vosges, a peasant in the fullest sense of the word,
lean, brown, with shining black hair and thick eyebrows joining in a
tuft, with long, strong arms, thick feet, and some moles on her narrow
simian face--such is a brief description of the elderly virgin.

The family, living all under one roof, had sacrificed the common-
looking girl to the beauty, the bitter fruit to the splendid flower.
Lisbeth worked in the fields, while her cousin was indulged; and one
day, when they were alone together, she had tried to destroy Adeline's
nose, a truly Greek nose, which the old mothers admired. Though she
was beaten for this misdeed, she persisted nevertheless in tearing the
favorite's gowns and crumpling her collars.

At the time of Adeline's wonderful marriage, Lisbeth had bowed to
fate, as Napoleon's brothers and sisters bowed before the splendor of
the throne and the force of authority.

Adeline, who was extremely sweet and kind, remembered Lisbeth when she
found herself in Paris, and invited her there in 1809, intending to
rescue her from poverty by finding her a husband. But seeing that it
was impossible to marry the girl out of hand, with her black eyes and
sooty brows, unable, too, to read or write, the Baron began by
apprenticing her to a business; he placed her as a learner with the
embroiderers to the Imperial Court, the well-known Pons Brothers.

Lisbeth, called Betty for short, having learned to embroider in gold
and silver, and possessing all the energy of a mountain race, had
determination enough to learn to read, write, and keep accounts; for
her cousin the Baron had pointed out the necessity for these
accomplishments if she hoped to set up in business as an embroiderer.

She was bent on making a fortune; in two years she was another
creature. In 1811 the peasant woman had become a very presentable,
skilled, and intelligent forewoman.

Her department, that of gold and silver lace-work, as it is called,
included epaulettes, sword-knots, aiguillettes; in short, the immense
mass of glittering ornaments that sparkled on the rich uniforms of the
French army and civil officials. The Emperor, a true Italian in his
love of dress, had overlaid the coats of all his servants with silver
and gold, and the Empire included a hundred and thirty-three
Departments. These ornaments, usually supplied to tailors who were
solvent and wealthy paymasters, were a very secure branch of trade.

Just when Cousin Betty, the best hand in the house of Pons Brothers,
where she was forewoman of the embroidery department, might have set
up in business on her own account, the Empire collapsed. The olive-
branch of peace held out by the Bourbons did not reassure Lisbeth; she
feared a diminution of this branch of trade, since henceforth there
were to be but eighty-six Departments to plunder, instead of a hundred
and thirty-three, to say nothing of the immense reduction of the army.
Utterly scared by the ups and downs of industry, she refused the
Baron's offers of help, and he thought she must be mad. She confirmed
this opinion by quarreling with Monsieur Rivet, who bought the
business of Pons Brothers, and with whom the Baron wished to place her
in partnership; she would be no more than a workwoman. Thus the
Fischer family had relapsed into the precarious mediocrity from which
Baron Hulot had raised it.

The three brothers Fischer, who had been ruined by the abdication at
Fontainebleau, in despair joined the irregular troops in 1815. The
eldest, Lisbeth's father, was killed. Adeline's father, sentenced to
death by court-martial, fled to Germany, and died at Treves in 1820.
Johann, the youngest, came to Paris, a petitioner to the queen of the
family, who was said to dine off gold and silver plate, and never to
be seen at a party but with diamonds in her hair as big as hazel-nuts,
given to her by the Emperor.

Johann Fischer, then aged forty-three, obtained from Baron Hulot a
capital of ten thousand francs with which to start a small business as
forage-dealer at Versailles, under the patronage of the War Office,
through the influence of the friends still in office, of the late
Commissary-General.

These family catastrophes, Baron Hulot's dismissal, and the knowledge
that he was a mere cipher in that immense stir of men and interests
and things which makes Paris at once a paradise and a hell, quite
quelled Lisbeth Fischer. She gave up all idea of rivalry and
comparison with her cousin after feeling her great superiority; but
envy still lurked in her heart, like a plague-germ that may hatch and
devastate a city if the fatal bale of wool is opened in which it is
concealed.

Now and again, indeed, she said to herself:

"Adeline and I are the same flesh and blood, our fathers were brothers
--and she is in a mansion, while I am in a garret."

But every New Year Lisbeth had presents from the Baron and Baroness;
the Baron, who was always good to her, paid for her firewood in the
winter; old General Hulot had her to dinner once a week; and there was
always a cover laid for her at her cousin's table. They laughed at her
no doubt, but they never were ashamed to own her. In short, they had
made her independent in Paris, where she lived as she pleased.

The old maid had, in fact, a terror of any kind of tie. Her cousin had
offered her a room in her own house--Lisbeth suspected the halter of
domestic servitude; several times the Baron had found a solution of
the difficult problem of her marriage; but though tempted in the first
instance, she would presently decline, fearing lest she should be
scorned for her want of education, her general ignorance, and her
poverty; finally, when the Baroness suggested that she should live
with their uncle Johann, and keep house for him, instead of the upper
servant, who must cost him dear, Lisbeth replied that that was the
very last way she should think of marrying.

Lisbeth Fischer had the sort of strangeness in her ideas which is
often noticeable in characters that have developed late, in savages,
who think much and speak little. Her peasant's wit had acquired a good
deal of Parisian asperity from hearing the talk of workshops and
mixing with workmen and workwomen. She, whose character had a marked
resemblance to that of the Corsicans, worked upon without fruition by
the instincts of a strong nature, would have liked to be the
protectress of a weak man; but, as a result of living in the capital,
the capital had altered her superficially. Parisian polish became rust
on this coarsely tempered soul. Gifted with a cunning which had become
unfathomable, as it always does in those whose celibacy is genuine,
with the originality and sharpness with which she clothed her ideas,
in any other position she would have been formidable. Full of spite,
she was capable of bringing discord into the most united family.

In early days, when she indulged in certain secret hopes which she
confided to none, she took to wearing stays, and dressing in the
fashion, and so shone in splendor for a short time, that the Baron
thought her marriageable. Lisbeth at that stage was the piquante
brunette of old-fashioned novels. Her piercing glance, her olive skin,
her reed-like figure, might invite a half-pay major; but she was
satisfied, she would say laughing, with her own admiration.

And, indeed, she found her life pleasant enough when she had freed it
from practical anxieties, for she dined out every evening after
working hard from sunrise. Thus she had only her rent and her midday
meal to provide for; she had most of her clothes given her, and a
variety of very acceptable stores, such as coffee, sugar, wine, and so
forth.

In 1837, after living for twenty-seven years, half maintained by the
Hulots and her Uncle Fischer, Cousin Betty, resigned to being nobody,
allowed herself to be treated so. She herself refused to appear at any
grand dinners, preferring the family party, where she held her own and
was spared all slights to her pride.

Wherever she went--at General Hulot's, at Crevel's, at the house of
the young Hulots, or at Rivet's (Pons' successor, with whom she made
up her quarrel, and who made much of her), and at the Baroness' table
--she was treated as one of the family; in fact, she managed to make
friends of the servants by making them an occasional small present,
and always gossiping with them for a few minutes before going into the
drawing-room. This familiarity, by which she uncompromisingly put
herself on their level, conciliated their servile good-nature, which
is indispensable to a parasite. "She is a good, steady woman," was
everybody's verdict.

Her willingness to oblige, which knew no bounds when it was not
demanded of her, was indeed, like her assumed bluntness, a necessity
of her position. She had at length understood what her life must be,
seeing that she was at everybody's mercy; and needing to please
everybody, she would laugh with young people, who liked her for a sort
of wheedling flattery which always wins them; guessing and taking part
with their fancies, she would make herself their spokeswoman, and they
thought her a delightful /confidante/, since she had no right to find
fault with them.

Her absolute secrecy also won her the confidence of their seniors;
for, like Ninon, she had certain manly qualities. As a rule, our
confidence is given to those below rather than above us. We employ our
inferiors rather than our betters in secret transactions, and they
thus become the recipients of our inmost thoughts, and look on at our
meditations; Richelieu thought he had achieved success when he was
admitted to the Council. This penniless woman was supposed to be so
dependent on every one about her, that she seemed doomed to perfect
silence. She herself called herself the Family Confessional.

The Baroness only, remembering her ill-usage in childhood by the
cousin who, though younger, was stronger than herself, never wholly
trusted her. Besides, out of sheer modesty, she would never have told
her domestic sorrows to any one but God.

It may here be well to add that the Baron's house preserved all its
magnificence in the eyes of Lisbeth Fischer, who was not struck, as
the parvenu perfumer had been, with the penury stamped on the shabby
chairs, the dirty hangings, and the ripped silk. The furniture we live
with is in some sort like our own person; seeing ourselves every day,
we end, like the Baron, by thinking ourselves but little altered, and
still youthful, when others see that our head is covered with
chinchilla, our forehead scarred with circumflex accents, our stomach
assuming the rotundity of a pumpkin. So these rooms, always blazing in
Betty's eyes with the Bengal fire of Imperial victory, were to her
perennially splendid.

As time went on, Lisbeth had contracted some rather strange old-
maidish habits. For instance, instead of following the fashions, she
expected the fashion to accept her ways and yield to her always out-
of-date notions. When the Baroness gave her a pretty new bonnet, or a
gown in the fashion of the day, Betty remade it completely at home,
and spoilt it by producing a dress of the style of the Empire or of
her old Lorraine costume. A thirty-franc bonnet came out a rag, and
the gown a disgrace. On this point, Lisbeth was as obstinate as a
mule; she would please no one but herself and believed herself
charming; whereas this assimilative process--harmonious, no doubt, in
so far as that it stamped her for an old maid from head to foot--made
her so ridiculous, that, with the best will in the world, no one could
admit her on any smart occasion.

This refractory, capricious, and independent spirit, and the
inexplicable wild shyness of the woman for whom the Baron had four
times found a match--an employe in his office, a retired major, an
army contractor, and a half-pay captain--while she had refused an army
lacemaker, who had since made his fortune, had won her the name of the
Nanny Goat, which the Baron gave her in jest. But this nickname only
met the peculiarities that lay on the surface, the eccentricities
which each of us displays to his neighbors in social life. This woman,
who, if closely studied, would have shown the most savage traits of
the peasant class, was still the girl who had clawed her cousin's
nose, and who, if she had not been trained to reason, would perhaps
have killed her in a fit of jealousy.

It was only her knowledge of the laws and of the world that enabled
her to control the swift instinct with which country folk, like wild
men, reduce impulse to action. In this alone, perhaps, lies the
difference between natural and civilized man. The savage has only
impulse; the civilized man has impulses and ideas. And in the savage
the brain retains, as we may say, but few impressions, it is wholly at
the mercy of the feeling that rushes in upon it; while in the
civilized man, ideas sink into the heart and change it; he has a
thousand interests and many feelings, where the savage has but one at
a time. This is the cause of the transient ascendency of a child over
its parents, which ceases as soon as it is satisfied; in the man who
is still one with nature, this contrast is constant. Cousin Betty, a
savage of Lorraine, somewhat treacherous too, was of this class of
natures, which are commoner among the lower orders than is supposed,
accounting for the conduct of the populace during revolutions.



At the time when this /Drama/ opens, if Cousin Betty would have
allowed herself to be dressed like other people; if, like the women of
Paris, she had been accustomed to wear each fashion in its turn, she
would have been presentable and acceptable, but she preserved the
stiffness of a stick. Now a woman devoid of all the graces, in Paris
simply does not exist. The fine but hard eyes, the severe features,
the Calabrian fixity of complexion which made Lisbeth like a figure by
Giotto, and of which a true Parisian would have taken advantage, above
all, her strange way of dressing, gave her such an extraordinary
appearance that she sometimes looked like one of those monkeys in
petticoats taken about by little Savoyards. As she was well known in
the houses connected by family which she frequented, and restricted
her social efforts to that little circle, as she liked her own home,
her singularities no longer astonished anybody; and out of doors they
were lost in the immense stir of Paris street-life, where only pretty
women are ever looked at.

Hortense's laughter was at this moment caused by a victory won over
her Cousin Lisbeth's perversity; she had just wrung from her an avowal
she had been hoping for these three years past. However secretive an
old maid may be, there is one sentiment which will always avail to
make her break her fast from words, and that is her vanity. For the
last three years, Hortense, having become very inquisitive on such
matters, had pestered her cousin with questions, which, however, bore
the stamp of perfect innocence. She wanted to know why her cousin had
never married. Hortense, who knew of the five offers that she had
refused, had constructed her little romance; she supposed that Lisbeth
had had a passionate attachment, and a war of banter was the result.
Hortense would talk of "We young girls!" when speaking of herself and
her cousin.

Cousin Betty had on several occasions answered in the same tone--"And
who says I have not a lover?" So Cousin Betty's lover, real or
fictitious, became a subject of mild jesting. At last, after two years
of this petty warfare, the last time Lisbeth had come to the house
Hortense's first question had been:

"And how is your lover?"

"Pretty well, thank you," was the answer. "He is rather ailing, poor
young man."

"He has delicate health?" asked the Baroness, laughing.

"I should think so! He is fair. A sooty thing like me can love none
but a fair man with a color like the moon."

"But who is he? What does he do?" asked Hortense. "Is he a prince?"

"A prince of artisans, as I am queen of the bobbin. Is a poor woman
like me likely to find a lover in a man with a fine house and money in
the funds, or in a duke of the realm, or some Prince Charming out of a
fairy tale?"

"Oh, I should so much like to see him!" cried Hortense, smiling.

"To see what a man can be like who can love the Nanny Goat?" retorted
Lisbeth.

"He must be some monster of an old clerk, with a goat's beard!"
Hortense said to her mother.

"Well, then, you are quite mistaken, mademoiselle."

"Then you mean that you really have a lover?" Hortense exclaimed in
triumph.

"As sure as you have not!" retorted Lisbeth, nettled.

"But if you have a lover, why don't you marry him, Lisbeth?" said the
Baroness, shaking her head at her daughter. "We have been hearing
rumors about him these three years. You have had time to study him;
and if he has been faithful so long, you should not persist in a delay
which must be hard upon him. After all, it is a matter of conscience;
and if he is young, it is time to take a brevet of dignity."

Cousin Betty had fixed her gaze on Adeline, and seeing that she was
jesting, she replied:

"It would be marrying hunger and thirst; he is a workman, I am a
workwoman. If we had children, they would be workmen.--No, no; we love
each other spiritually; it is less expensive."

"Why do you keep him in hiding?" Hortense asked.

"He wears a round jacket," replied the old maid, laughing.

"You truly love him?" the Baroness inquired.

"I believe you! I love him for his own sake, the dear cherub. For four
years his home has been in my heart."

"Well, then, if you love him for himself," said the Baroness gravely,
"and if he really exists, you are treating him criminally. You do not
know how to love truly."

"We all know that from our birth," said Lisbeth.

"No, there are women who love and yet are selfish, and that is your
case."

Cousin Betty's head fell, and her glance would have made any one
shiver who had seen it; but her eyes were on her reel of thread.

"If you would introduce your so-called lover to us, Hector might find
him employment, or put him in a position to make money."

"That is out of the question," said Cousin Betty.

"And why?"

"He is a sort of Pole--a refugee----"

"A conspirator?" cried Hortense. "What luck for you!--Has he had any
adventures?"

"He has fought for Poland. He was a professor in the school where the
students began the rebellion; and as he had been placed there by the
Grand Duke Constantine, he has no hope of mercy----"

"A professor of what?"

"Of fine arts."

"And he came to Paris when the rebellion was quelled?"

"In 1833. He came through Germany on foot."

"Poor young man! And how old is he?"

"He was just four-and-twenty when the insurrection broke out--he is
twenty-nine now."

"Fifteen years your junior," said the Baroness.

"And what does he live on?" asked Hortense.

"His talent."

"Oh, he gives lessons?"

"No," said Cousin Betty; "he gets them, and hard ones too!"

"And his Christian name--is it a pretty name?"

"Wenceslas."

"What a wonderful imagination you old maids have!" exclaimed the
Baroness. "To hear you talk, Lisbeth, one might really believe you."

"You see, mamma, he is a Pole, and so accustomed to the knout that
Lisbeth reminds him of the joys of his native land."

They all three laughed, and Hortense sang /Wenceslas! idole de mon
ame!/ instead of /O Mathilde/.

Then for a few minutes there was a truce.

"These children," said Cousin Betty, looking at Hortense as she went
up to her, "fancy that no one but themselves can have lovers."

"Listen," Hortense replied, finding herself alone with her cousin, "if
you prove to me that Wenceslas is not a pure invention, I will give
you my yellow cashmere shawl."

"He is a Count."

"Every Pole is a Count!"

"But he is not a Pole; he comes from Liva--Litha----"

"Lithuania?"

"No."

"Livonia?"

"Yes, that's it!"

"But what is his name?"

"I wonder if you are capable of keeping a secret."

"Cousin Betty, I will be as mute!----"

"As a fish?"

"As a fish."

"By your life eternal?"

"By my life eternal!"

"No, by your happiness in this world?"

"Yes."

"Well, then, his name is Wenceslas Steinbock."

"One of Charles XII.'s Generals was named Steinbock."

"He was his grand-uncle. His own father settled in Livonia after the
death of the King of Sweden; but he lost all his fortune during the
campaign of 1812, and died, leaving the poor boy at the age of eight
without a penny. The Grand Duke Constantine, for the honor of the name
of Steinbock, took him under his protection and sent him to school."

"I will not break my word," Hortense replied; "prove his existence,
and you shall have the yellow shawl. The color is most becoming to
dark skins."

"And you will keep my secret?"

"And tell you mine."

"Well, then, the next time I come you shall have the proof."

"But the proof will be the lover," said Hortense.

Cousin Betty, who, since her first arrival in Paris, had been bitten
by a mania for shawls, was bewitched by the idea of owning the yellow
cashmere given to his wife by the Baron in 1808, and handed down from
mother to daughter after the manner of some families in 1830. The
shawl had been a good deal worn ten years ago; but the costly object,
now always kept in its sandal-wood box, seemed to the old maid ever
new, like the drawing-room furniture. So she brought in her handbag a
present for the Baroness' birthday, by which she proposed to prove the
existence of her romantic lover.

This present was a silver seal formed of three little figures back to
back, wreathed with foliage, and supporting the Globe. They
represented Faith, Hope, and Charity; their feet rested on monsters
rending each other, among them the symbolical serpent. In 1846, now
that such immense strides have been made in the art of which Benvenuto
Cellini was the master, by Mademoiselle de Fauveau, Wagner, Jeanest,
Froment-Meurice, and wood-carvers like Lienard, this little
masterpiece would amaze nobody; but at that time a girl who understood
the silversmith's art stood astonished as she held the seal which
Lisbeth put into her hands, saying:

"There! what do you think of that?"

In design, attitude, and drapery the figures were of the school of
Raphael; but the execution was in the style of the Florentine metal
workers--the school created by Donatello, Brunelleschi, Ghiberti,
Benvenuto Cellini, John of Bologna, and others. The French masters of
the Renaissance had never invented more strangely twining monsters
than these that symbolized the evil passions. The palms, ferns, reeds,
and foliage that wreathed the Virtues showed a style, a taste, a
handling that might have driven a practised craftsman to despair; a
scroll floated above the three figures; and on its surface, between
the heads, were a W, a chamois, and the word /fecit/.

"Who carved this?" asked Hortense.

"Well, just my lover," replied Lisbeth. "There are ten months' work in
it; I could earn more at making sword-knots.--He told me that
Steinbock means a rock goat, a chamois, in German. And he intends to
mark all his work in that way.--Ah, ha! I shall have the shawl."

"What for?"

"Do you suppose I could buy such a thing, or order it? Impossible!
Well, then, it must have been given to me. And who would make me such
a present? A lover!"

Hortense, with an artfulness that would have frightened Lisbeth
Fischer if she had detected it, took care not to express all her
admiration, though she was full of the delight which every soul that
is open to a sense of beauty must feel on seeing a faultless piece of
work--perfect and unexpected.

"On my word," said she, "it is very pretty."

"Yes, it is pretty," said her cousin; "but I like an orange-colored
shawl better.--Well, child, my lover spends his time in doing such
work as that. Since he came to Paris he has turned out three or four
little trifles in that style, and that is the fruit of four years'
study and toil. He has served as apprentice to founders, metal-
casters, and goldsmiths.--There he has paid away thousands and
hundreds of francs. And my gentleman tells me that in a few months now
he will be famous and rich----"

"Then you often see him?"

"Bless me, do you think it is all a fable? I told you truth in jest."

"And he is in love with you?" asked Hortense eagerly.

"He adores me," replied Lisbeth very seriously. "You see, child, he
had never seen any women but the washed out, pale things they all are
in the north, and a slender, brown, youthful thing like me warmed his
heart.--But, mum; you promised, you know!"

"And he will fare like the five others," said the girl ironically, as
she looked at the seal.

"Six others, miss. I left one in Lorraine, who, to this day, would
fetch the moon down for me."

"This one does better than that," said Hortense; "he has brought down
the sun."

"Where can that be turned into money?" asked her cousin. "It takes
wide lands to benefit by the sunshine."

These witticisms, fired in quick retort, and leading to the sort of
giddy play that may be imagined, had given cause for the laughter
which had added to the Baroness' troubles by making her compare her
daughter's future lot with the present, when she was free to indulge
the light-heartedness of youth.

"But to give you a gem which cost him six months of work, he must be
under some great obligations to you?" said Hortense, in whom the
silver seal had suggested very serious reflections.

"Oh, you want to know too much at once!" said her cousin. "But,
listen, I will let you into a little plot."

"Is your lover in it too?"

"Oh, ho! you want so much to see him! But, as you may suppose, an old
maid like Cousin Betty, who had managed to keep a lover for five
years, keeps him well hidden.--Now, just let me alone. You see, I have
neither cat nor canary, neither dog nor a parrot, and the old Nanny
Goat wanted something to pet and tease--so I treated myself to a
Polish Count."

"Has he a moustache?"

"As long as that," said Lisbeth, holding up her shuttle filled with
gold thread. She always took her lace-work with her, and worked till
dinner was served.

"If you ask too many questions, you will be told nothing," she went
on. "You are but two-and-twenty, and you chatter more than I do though
I am forty-two--not to say forty-three."

"I am listening; I am a wooden image," said Hortense.

"My lover has finished a bronze group ten inches high," Lisbeth went
on. "It represents Samson slaying a lion, and he has kept it buried
till it is so rusty that you might believe it to be as old as Samson
himself. This fine piece is shown at the shop of one of the old
curiosity sellers on the Place du Carrousel, near my lodgings. Now,
your father knows Monsieur Popinot, the Minister of Commerce and
Agriculture, and the Comte de Rastignac, and if he would mention the
group to them as a fine antique he had seen by chance! It seems that
such things take the fancy of your grand folks, who don't care so much
about gold lace, and that my man's fortune would be made if one of
them would buy or even look at the wretched piece of metal. The poor
fellow is sure that it might be mistaken for old work, and that the
rubbish is worth a great deal of money. And then, if one of the
ministers should purchase the group, he would go to pay his respects,
and prove that he was the maker, and be almost carried in triumph! Oh!
he believes he has reached the pinnacle; poor young man, and he is as
proud as two newly-made Counts."

"Michael Angelo over again; but, for a lover, he has kept his head on
his shoulders!" said Hortense. "And how much does he want for it?"

"Fifteen hundred francs. The dealer will not let it go for less, since
he must take his commission."

"Papa is in the King's household just now," said Hortense. "He sees
those two ministers every day at the Chamber, and he will do the thing
--I undertake that. You will be a rich woman, Madame la Comtesse de
Steinbock."

"No, the boy is too lazy; for whole weeks he sits twiddling with bits
of red wax, and nothing comes of it. Why, he spends all his days at
the Louvre and the Library, looking at prints and sketching things. He
is an idler!"

The cousins chatted and giggled; Hortense laughing a forced laugh, for
she was invaded by a kind of love which every girl has gone through--
the love of the unknown, love in its vaguest form, when every thought
is accreted round some form which is suggested by a chance word, as
the efflorescence of hoar-frost gathers about a straw that the wind
has blown against the window-sill.

For the past ten months she had made a reality of her cousin's
imaginary romance, believing, like her mother, that Lisbeth would
never marry; and now, within a week, this visionary being had become
Comte Wenceslas Steinbock, the dream had a certificate of birth, the
wraith had solidified into a young man of thirty. The seal she held in
her hand--a sort of Annunciation in which genius shone like an
immanent light--had the powers of a talisman. Hortense felt such a
surge of happiness, that she almost doubted whether the tale were
true; there was a ferment in her blood, and she laughed wildly to
deceive her cousin.

"But I think the drawing-room door is open," said Lisbeth; "let us go
and see if Monsieur Crevel is gone."

"Mamma has been very much out of spirits these two days. I suppose the
marriage under discussion has come to nothing!"

"Oh, it may come on again. He is--I may tell you so much--a Councillor
of the Supreme Court. How would you like to be Madame la Presidente?
If Monsieur Crevel has a finger in it, he will tell me about it if I
ask him. I shall know by to-morrow if there is any hope."

"Leave the seal with me," said Hortense; "I will not show it--mamma's
birthday is not for a month yet; I will give it to you that morning."

"No, no. Give it back to me; it must have a case."

"But I will let papa see it, that he may know what he is talking about
to the ministers, for men in authority must be careful what they say,"
urged the girl.

"Well, do not show it to your mother--that is all I ask; for if she
believed I had a lover, she would make game of me."

"I promise."

The cousins reached the drawing-room just as the Baroness turned
faint. Her daughter's cry of alarm recalled her to herself. Lisbeth
went off to fetch some salts. When she came back, she found the mother
and daughter in each other's arms, the Baroness soothing her
daughter's fears, and saying:

"It was nothing; a little nervous attack.--There is your father," she
added, recognizing the Baron's way of ringing the bell. "Say not a
word to him."

Adeline rose and went to meet her husband, intending to take him into
the garden and talk to him till dinner should be served of the
difficulties about the proposed match, getting him to come to some
decision as to the future, and trying to hint at some warning advice.



Baron Hector Hulot came in, in a dress at once lawyer-like and
Napoleonic, for Imperial men--men who had been attached to the Emperor
--were easily distinguishable by their military deportment, their blue
coats with gilt buttons, buttoned to the chin, their black silk stock,
and an authoritative demeanor acquired from a habit of command in
circumstances requiring despotic rapidity. There was nothing of the
old man in the Baron, it must be admitted; his sight was still so
good, that he could read without spectacles; his handsome oval face,
framed in whiskers that were indeed too black, showed a brilliant
complexion, ruddy with the veins that characterize a sanguine
temperament; and his stomach, kept in order by a belt, had not
exceeded the limits of "the majestic," as Brillat-Savarin says. A fine
aristocratic air and great affability served to conceal the libertine
with whom Crevel had had such high times. He was one of those men
whose eyes always light up at the sight of a pretty woman, even of
such as merely pass by, never to be seen again.

"Have you been speaking, my dear?" asked Adeline, seeing him with an
anxious brow.

"No," replied Hector, "but I am worn out with hearing others speak for
two hours without coming to a vote. They carry on a war of words, in
which their speeches are like a cavalry charge which has no effect on
the enemy. Talk has taken the place of action, which goes very much
against the grain with men who are accustomed to marching orders, as I
said to the Marshal when I left him. However, I have enough of being
bored on the ministers' bench; here I may play.--How do, la Chevre!--
Good morning, little kid," and he took his daughter round the neck,
kissed her, and made her sit on his knee, resting her head on his
shoulder, that he might feel her soft golden hair against his cheek.

"He is tired and worried," said his wife to herself. "I shall only
worry him more.--I will wait.--Are you going to be at home this
evening?" she asked him.

"No, children. After dinner I must go out. If it had not been the day
when Lisbeth and the children and my brother come to dinner, you would
not have seen me at all."

The Baroness took up the newspaper, looked down the list of theatres,
and laid it down again when she had seen that Robert /le Diable/ was
to be given at the Opera. Josepha, who had left the Italian Opera six
months since for the French Opera, was to take the part of Alice.

This little pantomime did not escape the Baron, who looked hard at his
wife. Adeline cast down her eyes and went out into the garden; her
husband followed her.

"Come, what is it, Adeline?" said he, putting his arm round her waist
and pressing her to his side. "Do not you know that I love you more
than----"

"More than Jenny Cadine or Josepha!" said she, boldly interrupting
him.

"Who put that into your head?" exclaimed the Baron, releasing his
wife, and starting back a step or two.

"I got an anonymous letter, which I burnt at once, in which I was
told, my dear, that the reason Hortense's marriage was broken off was
the poverty of our circumstances. Your wife, my dear Hector, would
never have said a word; she knew of your connection with Jenny Cadine,
and did she ever complain?--But as the mother of Hortense, I am bound
to speak the truth."

Hulot, after a short silence, which was terrible to his wife, whose
heart beat loud enough to be heard, opened his arms, clasped her to
his heart, kissed her forehead, and said with the vehemence of
enthusiasm:

"Adeline, you are an angel, and I am a wretch----"

"No, no," cried the Baroness, hastily laying her hand upon his lips to
hinder him from speaking evil of himself.

"Yes, for I have not at this moment a sou to give to Hortense, and I
am most unhappy. But since you open your heart to me, I may pour into
it the trouble that is crushing me.--Your Uncle Fischer is in
difficulties, and it is I who dragged him there, for he has accepted
bills for me to the amount of twenty-five thousand francs! And all for
a woman who deceives me, who laughs at me behind my back, and calls me
an old dyed Tom. It is frightful! A vice which costs me more than it
would to maintain a family!--And I cannot resist!--I would promise you
here and now never to see that abominable Jewess again; but if she
wrote me two lines, I should go to her, as we marched into fire under
the Emperor."

"Do not be so distressed," cried the poor woman in despair, but
forgetting her daughter as she saw the tears in her husband's eyes.
"There are my diamonds; whatever happens, save my uncle."

"Your diamonds are worth scarcely twenty thousand francs nowadays.
That would not be enough for old Fischer, so keep them for Hortense; I
will see the Marshal to-morrow."

"My poor dear!" said the Baroness, taking her Hector's hands and
kissing them.

This was all the scolding he got. Adeline sacrificed her jewels, the
father made them a present to Hortense, she regarded this as a sublime
action, and she was helpless.

"He is the master; he could take everything, and he leaves me my
diamonds; he is divine!"

This was the current of her thoughts; and indeed the wife had gained
more by her sweetness than another perhaps could have achieved by a
fit of angry jealousy.

The moralist cannot deny that, as a rule, well-bred though very wicked
men are far more attractive and lovable than virtuous men; having
crimes to atone for, they crave indulgence by anticipation, by being
lenient to the shortcomings of those who judge them, and they are
thought most kind. Though there are no doubt some charming people
among the virtuous, Virtue considers itself fair enough, unadorned, to
be at no pains to please; and then all really virtuous persons, for
the hypocrites do not count, have some slight doubts as to their
position; they believe that they are cheated in the bargain of life on
the whole, and they indulge in acid comments after the fashion of
those who think themselves unappreciated.

Hence the Baron, who accused himself of ruining his family, displayed
all his charm of wit and his most seductive graces for the benefit of
his wife, for his children, and his Cousin Lisbeth.

Then, when his son arrived with Celestine, Crevel's daughter, who was
nursing the infant Hulot, he was delightful to his daughter-in-law,
loading her with compliments--a treat to which Celestine's vanity was
little accustomed for no moneyed bride more commonplace or more
utterly insignificant was ever seen. The grandfather took the baby
from her, kissed it, declared it was a beauty and a darling; he spoke
to it in baby language, prophesied that it would grow to be taller
than himself, insinuated compliments for his son's benefit, and
restored the child to the Normandy nurse who had charge of it.
Celestine, on her part, gave the Baroness a look, as much as to say,
"What a delightful man!" and she naturally took her father-in-law's
part against her father.

After thus playing the charming father-in-law and the indulgent
grandpapa, the Baron took his son into the garden, and laid before him
a variety of observations full of good sense as to the attitude to be
taken up by the Chamber on a certain ticklish question which had that
morning come under discussion. The young lawyer was struck with
admiration for the depth of his father's insight, touched by his
cordiality, and especially by the deferential tone which seemed to
place the two men on a footing of equality.

Monsieur Hulot /junior/ was in every respect the young Frenchman, as
he has been moulded by the Revolution of 1830; his mind infatuated
with politics, respectful of his own hopes, and concealing them under
an affectation of gravity, very envious of successful men, making
sententiousness do the duty of witty rejoinders--the gems of the
French language--with a high sense of importance, and mistaking
arrogance for dignity.

Such men are walking coffins, each containing a Frenchman of the past;
now and again the Frenchman wakes up and kicks against his English-
made casing; but ambition stifles him, and he submits to be smothered.
The coffin is always covered with black cloth.

"Ah, here is my brother!" said Baron Hulot, going to meet the Count at
the drawing-room door.

Having greeted the probable successor of the late Marshal Montcornet,
he led him forward by the arm with every show of affection and
respect.

The older man, a member of the Chamber of Peers, but excused from
attendance on account of his deafness, had a handsome head, chilled by
age, but with enough gray hair still to be marked in a circle by the
pressure of his hat. He was short, square, and shrunken, but carried
his hale old age with a free-and-easy air; and as he was full of
excessive activity, which had now no purpose, he divided his time
between reading and taking exercise. In a drawing-room he devoted his
attention to waiting on the wishes of the ladies.

"You are very merry here," said he, seeing that the Baron shed a
spirit of animation on the little family gathering. "And yet Hortense
is not married," he added, noticing a trace of melancholy on his
sister-in-law's countenance.

"That will come all in good time," Lisbeth shouted in his ear in a
formidable voice.

"So there you are, you wretched seedling that could never blossom,"
said he, laughing.

The hero of Forzheim rather liked Cousin Betty, for there were certain
points of resemblance between them. A man of the ranks, without any
education, his courage had been the sole mainspring of his military
promotion, and sound sense had taken the place of brilliancy. Of the
highest honor and clean-handed, he was ending a noble life in full
contentment in the centre of his family, which claimed all his
affections, and without a suspicion of his brother's still
undiscovered misconduct. No one enjoyed more than he the pleasing
sight of this family party, where there never was the smallest
disagreement, for the brothers and sisters were all equally attached,
Celestine having been at once accepted as one of the family. But the
worthy little Count wondered now and then why Monsieur Crevel never
joined the party. "Papa is in the country," Celestine shouted, and it
was explained to him that the ex-perfumer was away from home.

This perfect union of all her family made Madame Hulot say to herself,
"This, after all, is the best kind of happiness, and who can deprive
us of it?"

The General, on seeing his favorite Adeline the object of her
husband's attentions, laughed so much about it that the Baron, fearing
to seem ridiculous, transferred his gallantries to his daughter-in-
law, who at these family dinners was always the object of his flattery
and kind care, for he hoped to win Crevel back through her, and make
him forego his resentment.

Any one seeing this domestic scene would have found it hard to believe
that the father was at his wits' end, the mother in despair, the son
anxious beyond words as to his father's future fate, and the daughter
on the point of robbing her cousin of her lover.



At seven o'clock the Baron, seeing his brother, his son, the Baroness,
and Hortense all engaged at whist, went off to applaud his mistress at
the Opera, taking with him Lisbeth Fischer, who lived in the Rue du
Doyenne, and who always made an excuse of the solitude of that
deserted quarter to take herself off as soon as dinner was over.
Parisians will all admit that the old maid's prudence was but
rational.

The existence of the maze of houses under the wing of the old Louvre
is one of those protests against obvious good sense which Frenchmen
love, that Europe may reassure itself as to the quantum of brains they
are known to have, and not be too much alarmed. Perhaps without
knowing it, this reveals some profound political idea.

It will surely not be a work of supererogation to describe this part
of Paris as it is even now, when we could hardly expect its survival;
and our grandsons, who will no doubt see the Louvre finished, may
refuse to believe that such a relic of barbarism should have survived
for six-and-thirty years in the heart of Paris and in the face of the
palace where three dynasties of kings have received, during those
thirty-six years, the elite of France and of Europe.

Between the little gate leading to the Bridge of the Carrousel and the
Rue du Musee, every one having come to Paris, were it but for a few
days, must have seen a dozen of houses with a decayed frontage where
the dejected owners have attempted no repairs, the remains of an old
block of buildings of which the destruction was begun at the time when
Napoleon determined to complete the Louvre. This street, and the blind
alley known as the Impasse du Doyenne, are the only passages into this
gloomy and forsaken block, inhabited perhaps by ghosts, for there
never is anybody to be seen. The pavement is much below the footway of
the Rue du Musee, on a level with that of the Rue Froidmanteau. Thus,
half sunken by the raising of the soil, these houses are also wrapped
in the perpetual shadow cast by the lofty buildings of the Louvre,
darkened on that side by the northern blast. Darkness, silence, an icy
chill, and the cavernous depth of the soil combine to make these
houses a kind of crypt, tombs of the living. As we drive in a hackney
cab past this dead-alive spot, and chance to look down the little Rue
du Doyenne, a shudder freezes the soul, and we wonder who can lie
there, and what things may be done there at night, at an hour when the
alley is a cut-throat pit, and the vices of Paris run riot there under
the cloak of night. This question, frightful in itself, becomes
appalling when we note that these dwelling-houses are shut in on the
side towards the Rue de Richelieu by marshy ground, by a sea of
tumbled paving-stones between them and the Tuileries, by little
garden-plots and suspicious-looking hovels on the side of the great
galleries, and by a desert of building-stone and old rubbish on the
side towards the old Louvre. Henri III. and his favorites in search of
their trunk-hose, and Marguerite's lovers in search of their heads,
must dance sarabands by moonlight in this wilderness overlooked by the
roof of a chapel still standing there as if to prove that the Catholic
religion--so deeply rooted in France--survives all else.

For forty years now has the Louvre been crying out by every gap in
these damaged walls, by every yawning window, "Rid me of these warts
upon my face!" This cutthroat lane has no doubt been regarded as
useful, and has been thought necessary as symbolizing in the heart of
Paris the intimate connection between poverty and the splendor that is
characteristic of the queen of cities. And indeed these chill ruins,
among which the Legitimist newspaper contracted the disease it is
dying of--the abominable hovels of the Rue du Musee, and the hoarding
appropriated by the shop stalls that flourish there--will perhaps live
longer and more prosperously than three successive dynasties.

In 1823 the low rents in these already condemned houses had tempted
Lisbeth Fischer to settle there, notwithstanding the necessity imposed
upon her by the state of the neighborhood to get home before
nightfall. This necessity, however, was in accordance with the country
habits she retained, of rising and going to bed with the sun, an
arrangement which saves country folk considerable sums in lights and
fuel. She lived in one of the houses which, since the demolition of
the famous Hotel Cambaceres, command a view of the square.

Just as Baron Hulot set his wife's cousin down at the door of this
house, saying, "Good-night, Cousin," an elegant-looking woman, young,
small, slender, pretty, beautifully dressed, and redolent of some
delicate perfume, passed between the wall and the carriage to go in.
This lady, without any premeditation, glanced up at the Baron merely
to see the lodger's cousin, and the libertine at once felt the swift
impression which all Parisians know on meeting a pretty woman,
realizing, as entomologists have it, their /desiderata/; so he waited
to put on one of his gloves with judicious deliberation before getting
into the carriage again, to give himself an excuse for allowing his
eye to follow the young woman, whose skirts were pleasingly set out by
something else than these odious and delusive crinoline bustles.

"That," said he to himself, "is a nice little person whose happiness I
should like to provide for, as she would certainly secure mine."

When the unknown fair had gone into the hall at the foot of the stairs
going up to the front rooms, she glanced at the gate out of the corner
of her eye without precisely looking round, and she could see the
Baron riveted to the spot in admiration, consumed by curiosity and
desire. This is to every Parisian woman a sort of flower which she
smells at with delight, if she meets it on her way. Nay, certain
women, though faithful to their duties, pretty, and virtuous, come
home much put out if they have failed to cull such a posy in the
course of their walk.

The lady ran upstairs, and in a moment a window on the second floor
was thrown open, and she appeared at it, but accompanied by a man
whose baldhead and somewhat scowling looks announced him as her
husband.

"If they aren't sharp and ingenious, the cunning jades!" thought the
Baron. "She does that to show me where she lives. But this is getting
rather warm, especially for this part of Paris. We must mind what we
are at."

As he got into the /milord/, he looked up, and the lady and the
husband hastily vanished, as though the Baron's face had affected them
like the mythological head of Medusa.

"It would seem that they know me," thought the Baron. "That would
account for everything."

As the carriage went up the Rue du Musee, he leaned forward to see the
lady again, and in fact she was again at the window. Ashamed of being
caught gazing at the hood under which her admirer was sitting, the
unknown started back at once.

"Nanny shall tell me who it is," said the Baron to himself.

The sight of the Government official had, as will be seen, made a deep
impression on this couple.

"Why, it is Baron Hulot, the chief of the department to which my
office belongs!" exclaimed the husband as he left the window.

"Well, Marneffe, the old maid on the third floor at the back of the
courtyard, who lives with that young man, is his cousin. Is it not odd
that we should never have known that till to-day, and now find it out
by chance?"

"Mademoiselle Fischer living with a young man?" repeated the husband.
"That is porter's gossip; do not speak so lightly of the cousin of a
Councillor of State who can blow hot and cold in the office as he
pleases. Now, come to dinner; I have been waiting for you since four
o'clock."

Pretty--very pretty--Madame Marneffe, the natural daughter of Comte
Montcornet, one of Napoleon's most famous officers, had, on the
strength of a marriage portion of twenty thousand francs, found a
husband in an inferior official at the War Office. Through the
interest of the famous lieutenant-general--made marshal of France six
months before his death--this quill-driver had risen to unhoped-for
dignity as head-clerk of his office; but just as he was to be promoted
to be deputy-chief, the marshal's death had cut off Marneffe's
ambitions and his wife's at the root. The very small salary enjoyed by
Sieur Marneffe had compelled the couple to economize in the matter of
rent; for in his hands Mademoiselle Valerie Fortin's fortune had
already melted away--partly in paying his debts, and partly in the
purchase of necessaries for furnishing a house, but chiefly in
gratifying the requirements of a pretty young wife, accustomed in her
mother's house to luxuries she did not choose to dispense with. The
situation of the Rue du Doyenne, within easy distance of the War
Office, and the gay part of Paris, smiled on Monsieur and Madame
Marneffe, and for the last four years they had dwelt under the same
roof as Lisbeth Fischer.

Monsieur Jean-Paul-Stanislas Marneffe was one of the class of employes
who escape sheer brutishness by the kind of power that comes of
depravity. The small, lean creature, with thin hair and a starved
beard, an unwholesome pasty face, worn rather than wrinkled, with red-
lidded eyes harnessed with spectacles, shuffling in his gait, and yet
meaner in his appearance, realized the type of man that any one would
conceive of as likely to be placed in the dock for an offence against
decency.

The rooms inhabited by this couple had the illusory appearance of sham
luxury seen in many Paris homes, and typical of a certain class of
household. In the drawing-room, the furniture covered with shabby
cotton velvet, the plaster statuettes pretending to be Florentine
bronze, the clumsy cast chandelier merely lacquered, with cheap glass
saucers, the carpet, whose small cost was accounted for in advancing
life by the quality of cotton used in the manufacture, now visible to
the naked eye,--everything, down to the curtains, which plainly showed
that worsted damask has not three years of prime, proclaimed poverty
as loudly as a beggar in rags at a church door.

The dining-room, badly kept by a single servant, had the sickening
aspect of a country inn; everything looked greasy and unclean.

Monsieur's room, very like a schoolboy's, furnished with the bed and
fittings remaining from his bachelor days, as shabby and worn as he
was, dusted perhaps once a week--that horrible room where everything
was in a litter, with old socks hanging over the horsehair-seated
chairs, the pattern outlined in dust, was that of a man to whom home
is a matter of indifference, who lives out of doors, gambling in cafes
or elsewhere.

Madame's room was an exception to the squalid slovenliness that
disgraced the living rooms, where the curtains were yellow with smoke
and dust, and where the child, evidently left to himself, littered
every spot with his toys. Valerie's room and dressing-room were
situated in the part of the house which, on one side of the courtyard,
joined the front half, looking out on the street, to the wing forming
the inner side of the court backing against the adjoining property.
Handsomely hung with chintz, furnished with rosewood, and thickly
carpeted, they proclaimed themselves as belonging to a pretty woman--
and indeed suggested the kept mistress. A clock in the fashionable
style stood on the velvet-covered mantelpiece. There was a nicely
fitted cabinet, and the Chinese flower-stands were handsomely filled.
The bed, the toilet-table, the wardrobe with its mirror, the little
sofa, and all the lady's frippery bore the stamp of fashion or
caprice. Though everything was quite third-rate as to elegance or
quality, and nothing was absolutely newer than three years old, a
dandy would have had no fault to find but that the taste of all this
luxury was commonplace. Art, and the distinction that comes of the
choice of things that taste assimilates, was entirely wanting. A
doctor of social science would have detected a lover in two or three
specimens of costly trumpery, which could only have come there through
that demi-god--always absent, but always present if the lady is
married.

The dinner, four hours behind time, to which the husband, wife, and
child sat down, betrayed the financial straits in which the household
found itself, for the table is the surest thermometer for gauging the
income of a Parisian family. Vegetable soup made with the water
haricot beans had been boiled in, a piece of stewed veal and potatoes
sodden with water by way of gravy, a dish of haricot beans, and cheap
cherries, served and eaten in cracked plates and dishes, with the
dull-looking and dull-sounding forks of German silver--was this a
banquet worthy of this pretty young woman? The Baron would have wept
could he have seen it. The dingy decanters could not disguise the vile
hue of wine bought by the pint at the nearest wineshop. The table-
napkins had seen a week's use. In short, everything betrayed
undignified penury, and the equal indifference of the husband and wife
to the decencies of home. The most superficial observer on seeing them
would have said that these two beings had come to the stage when the
necessity of living had prepared them for any kind of dishonor that
might bring luck to them. Valerie's first words to her husband will
explain the delay that had postponed the dinner by the not
disinterested devotion of the cook.

"Samanon will only take your bills at fifty per cent, and insists on a
lien on your salary as security."

So poverty, still unconfessed in the house of the superior official,
and hidden under a stipend of twenty-four thousand francs,
irrespective of presents, had reached its lowest stage in that of the
clerk.

"You have caught on with the chief," said the man, looking at his
wife.

"I rather think so," replied she, understanding the full meaning of
his slang expression.

"What is to become of us?" Marneffe went on. "The landlord will be
down on us to-morrow. And to think of your father dying without making
a will! On my honor, those men of the Empire all think themselves as
immortal as their Emperor."

"Poor father!" said she. "I was his only child, and he was very fond
of me. The Countess probably burned the will. How could he forget me
when he used to give us as much as three or four thousand-franc notes
at once, from time to time?"

"We owe four quarters' rent, fifteen hundred francs. Is the furniture
worth so much? /That is the question/, as Shakespeare says."

"Now, good-bye, ducky!" said Valerie, who had only eaten a few
mouthfuls of the veal, from which the maid had extracted all the gravy
for a brave soldier just home from Algiers. "Great evils demand heroic
remedies."

"Valerie, where are you off to?" cried Marneffe, standing between his
wife and the door.

"I am going to see the landlord," she replied, arranging her ringlets
under her smart bonnet. "You had better try to make friends with that
old maid, if she really is your chief's cousin."



The ignorance in which the dwellers under one roof can exist as to the
social position of their fellow-lodgers is a permanent fact which, as
much as any other, shows what the rush of Paris life is. Still, it is
easily conceivable that a clerk who goes early every morning to his
office, comes home only to dinner, and spends every evening out, and a
woman swallowed up in a round of pleasures, should know nothing of an
old maid living on the third floor beyond the courtyard of the house
they dwell in, especially when she lives as Mademoiselle Fischer did.

Up in the morning before any one else, Lisbeth went out to buy her
bread, milk, and live charcoal, never speaking to any one, and she
went to bed with the sun; she never had a letter or a visitor, nor
chatted with her neighbors. Here was one of those anonymous,
entomological existences such as are to be met with in many large
tenements where, at the end of four years, you unexpectedly learn that
up on the fourth floor there is an old man lodging who knew Voltaire,
Pilatre de Rozier, Beaujon, Marcel, Mole, Sophie Arnould, Franklin,
and Robespierre. What Monsieur and Madame Marneffe had just said
concerning Lisbeth Fischer they had come to know, in consequence,
partly, of the loneliness of the neighborhood, and of the alliance, to
which their necessities had led, between them and the doorkeepers,
whose goodwill was too important to them not to have been carefully
encouraged.

Now, the old maid's pride, silence, and reserve had engendered in the
porter and his wife the exaggerated respect and cold civility which
betray the unconfessed annoyance of an inferior. Also, the porter
thought himself in all essentials the equal of any lodger whose rent
was no more than two hundred and fifty francs. Cousin Betty's
confidences to Hortense were true; and it is evident that the porter's
wife might be very likely to slander Mademoiselle Fischer in her
intimate gossip with the Marneffes, while only intending to tell
tales.

When Lisbeth had taken her candle from the hands of worthy Madame
Olivier the portress, she looked up to see whether the windows of the
garret over her own rooms were lighted up. At that hour, even in July,
it was so dark within the courtyard that the old maid could not get to
bed without a light.

"Oh, you may be quite easy, Monsieur Steinbock is in his room. He has
not been out even," said Madame Olivier, with meaning.

Lisbeth made no reply. She was still a peasant, in so far that she was
indifferent to the gossip of persons unconnected with her. Just as a
peasant sees nothing beyond his village, she cared for nobody's
opinion outside the little circle in which she lived. So she boldly
went up, not to her own room, but to the garret; and this is why. At
dessert she had filled her bag with fruit and sweets for her lover,
and she went to give them to him, exactly as an old lady brings home a
biscuit for her dog.

She found the hero of Hortense's dreams working by the light of a
small lamp, of which the light was intensified by the use of a bottle
of water as a lens--a pale young man, seated at a workman's bench
covered with a modeler's tools, wax, chisels, rough-hewn stone, and
bronze castings; he wore a blouse, and had in his hand a little group
in red wax, which he gazed at like a poet absorbed in his labors.

"Here, Wenceslas, see what I have brought you," said she, laying her
handkerchief on a corner of the table; then she carefully took the
sweetmeats and fruit out of her bag.

"You are very kind, mademoiselle," replied the exile in melancholy
tones.

"It will do you good, poor boy. You get feverish by working so hard;
you were not born to such a rough life."

Wenceslas Steinbock looked at her with a bewildered air.

"Eat--come, eat," said she sharply, "instead of looking at me as you
do at one of your images when you are satisfied with it."

On being thus smacked with words, the young man seemed less puzzled,
for this, indeed, was the female Mentor whose tender moods were always
a surprise to him, so much more accustomed was he to be scolded.

Though Steinbock was nine-and-twenty, like many fair men, he looked
five or six years younger; and seeing his youth, though its freshness
had faded under the fatigue and stress of life in exile, by the side
of that dry, hard face, it seemed as though Nature had blundered in
the distribution of sex. He rose and threw himself into a deep chair
of Louis XV. pattern, covered with yellow Utrecht velvet, as if to
rest himself. The old maid took a greengage and offered it to him.

"Thank you," said he, taking the plum.

"Are you tired?" said she, giving him another.

"I am not tired with work, but tired of life," said he.

"What absurd notions you have!" she exclaimed with some annoyance.
"Have you not had a good genius to keep an eye on you?" she said,
offering him the sweetmeats, and watching him with pleasure as he ate
them all. "You see, I thought of you when dining with my cousin."

"I know," said he, with a look at Lisbeth that was at once
affectionate and plaintive, "but for you I should long since have
ceased to live. But, my dear lady, artists require relaxation----"

"Ah! there we come to the point!" cried she, interrupting him, her
hands on her hips, and her flashing eyes fixed on him. "You want to go
wasting your health in the vile resorts of Paris, like so many
artisans, who end by dying in the workhouse. No, no, make a fortune,
and then, when you have money in the funds, you may amuse yourself,
child; then you will have enough to pay for the doctor and for your
pleasure, libertine that you are."

Wenceslas Steinbock, on receiving this broadside, with an
accompaniment of looks that pierced him like a magnetic flame, bent
his head. The most malignant slanderer on seeing this scene would at
once have understood that the hints thrown out by the Oliviers were
false. Everything in this couple, their tone, manner, and way of
looking at each other, proved the purity of their private live. The
old maid showed the affection of rough but very genuine maternal
feeling; the young man submitted, as a respectful son yields to the
tyranny of a mother. The strange alliance seemed to be the outcome of
a strong will acting constantly on a weak character, on the fluid
nature peculiar to the Slavs, which, while it does not hinder them
from showing heroic courage in battle, gives them an amazing
incoherency of conduct, a moral softness of which physiologists ought
to try to detect the causes, since physiologists are to political life
what entomologists are to agriculture.

"But if I die before I am rich?" said Wenceslas dolefully.

"Die!" cried she. "Oh, I will not let you die. I have life enough for
both, and I would have my blood injected into your veins if
necessary."

Tears rose to Steinbock's eyes as he heard her vehement and artless
speech.

"Do not be unhappy, my little Wenceslas," said Lisbeth with feeling.
"My cousin Hortense thought your seal quite pretty, I am sure; and I
will manage to sell your bronze group, you will see; you will have
paid me off, you will be able to do as you please, you will soon be
free. Come, smile a little!"

"I can never repay you, mademoiselle," said the exile.

"And why not?" asked the peasant woman, taking the Livonian's part
against herself.

"Because you not only fed me, lodged me, cared for me in my poverty,
but you also gave me strength. You have made me what I am; you have
often been stern, you have made me very unhappy----"

"I?" said the old maid. "Are you going to pour out all your nonsense
once more about poetry and the arts, and to crack your fingers and
stretch your arms while you spout about the ideal, and beauty, and all
your northern madness?--Beauty is not to compare with solid pudding--
and what am I!--You have ideas in your brain? What is the use of them?
I too have ideas. What is the good of all the fine things you may have
in your soul if you can make no use of them? Those who have ideas do
not get so far as those who have none, if they don't know which way to
go.

"Instead of thinking over your ideas you must work.--Now, what have
you done while I was out?"

"What did your pretty cousin say?"

"Who told you she was pretty?" asked Lisbeth sharply, in a tone hollow
with tiger-like jealousy.

"Why, you did."

"That was only to see your face. Do you want to go trotting after
petticoats? You who are so fond of women, well, make them in bronze.
Let us see a cast of your desires, for you will have to do without the
ladies for some little time yet, and certainly without my cousin, my
good fellow. She is not game for your bag; that young lady wants a man
with sixty thousand francs a year--and has found him!

"Why, your bed is not made!" she exclaimed, looking into the adjoining
room. "Poor dear boy, I quite forgot you!"

The sturdy woman pulled off her gloves, her cape and bonnet, and
remade the artist's little camp bed as briskly as any housemaid. This
mixture of abruptness, of roughness even, with real kindness, perhaps
accounts for the ascendency Lisbeth had acquired over the man whom she
regarded as her personal property. Is not our attachment to life based
on its alternations of good and evil?

If the Livonian had happened to meet Madame Marneffe instead of
Lisbeth Fischer, he would have found a protectress whose complaisance
must have led him into some boggy or discreditable path, where he
would have been lost. He would certainly never have worked, nor the
artist have been hatched out. Thus, while he deplored the old maid's
grasping avarice, his reason bid him prefer her iron hand to the life
of idleness and peril led by many of his fellow-countrymen.



This was the incident that had given rise to the coalition of female
energy and masculine feebleness--a contrast in union said not to be
uncommon in Poland.

In 1833 Mademoiselle Fischer, who sometimes worked into the night when
business was good, at about one o'clock one morning perceived a strong
smell of carbonic acid gas, and heard the groans of a dying man. The
fumes and the gasping came from a garret over the two rooms forming
her dwelling, and she supposed that a young man who had but lately
come to lodge in this attic--which had been vacant for three years--
was committing suicide. She ran upstairs, broke in the door by a push
with her peasant strength, and found the lodger writhing on a camp-bed
in the convulsions of death. She extinguished the brazier; the door
was open, the air rushed in, and the exile was saved. Then, when
Lisbeth had put him to bed like a patient, and he was asleep, she
could detect the motives of his suicide in the destitution of the
rooms, where there was nothing whatever but a wretched table, the
camp-bed, and two chairs.

On the table lay a document, which she read:

  "I am Count Wenceslas Steinbock, born at Prelia, in Livonia.

  "No one is to be accused of my death; my reasons for killing
  myself are, in the words of Kosciusko, /Finis Polonioe/!

  "The grand-nephew of a valiant General under Charles XII. could
  not beg. My weakly constitution forbids my taking military
  service, and I yesterday saw the last of the hundred thalers which
  I had brought with me from Dresden to Paris. I have left twenty-
  five francs in the drawer of this table to pay the rent I owe to
  the landlord.

  "My parents being dead, my death will affect nobody. I desire that
  my countrymen will not blame the French Government. I have never
  registered myself as a refugee, and I have asked for nothing; I
  have met none of my fellow-exiles; no one in Paris knows of my
  existence.

  "I am dying in Christian beliefs. May God forgive the last of the
  Steinbocks!

"WENCESLAS."


Mademoiselle Fischer, deeply touched by the dying man's honesty,
opened the drawer and found the five five-franc pieces to pay his
rent.

"Poor young man!" cried she. "And with no one in the world to care
about him!"

She went downstairs to fetch her work, and sat stitching in the
garret, watching over the Livonian gentleman.

When he awoke his astonishment may be imagined on finding a woman
sitting by his bed; it was like the prolongation of a dream. As she
sat there, covering aiguillettes with gold thread, the old maid had
resolved to take charge of the poor youth whom she admired as he lay
sleeping.

As soon as the young Count was fully awake, Lisbeth talked to give him
courage, and questioned him to find out how he might make a living.
Wenceslas, after telling his story, added that he owed his position to
his acknowledged talent for the fine arts. He had always had a
preference for sculpture; the necessary time for study had, however,
seemed to him too long for a man without money; and at this moment he
was far too weak to do any hard manual labor or undertake an important
work in sculpture. All this was Greek to Lisbeth Fischer. She replied
to the unhappy man that Paris offered so many openings that any man
with will and courage might find a living there. A man of spirit need
never perish if he had a certain stock of endurance.

"I am but a poor girl myself, a peasant, and I have managed to make
myself independent," said she in conclusion. "If you will work in
earnest, I have saved a little money, and I will lend you, month by
month, enough to live upon; but to live frugally, and not to play
ducks and drakes with or squander in the streets. You can dine in
Paris for twenty-five sous a day, and I will get you your breakfast
with mine every day. I will furnish your rooms and pay for such
teaching as you may think necessary. You shall give me formal
acknowledgment for the money I may lay out for you, and when you are
rich you shall repay me all. But if you do not work, I shall not
regard myself as in any way pledged to you, and I shall leave you to
your fate."

"Ah!" cried the poor fellow, still smarting from the bitterness of his
first struggle with death, "exiles from every land may well stretch
out their hands to France, as the souls in Purgatory do to Paradise.
In what other country is such help to be found, and generous hearts
even in such a garret as this? You will be everything to me, my
beloved benefactress; I am your slave! Be my sweetheart," he added,
with one of the caressing gestures familiar to the Poles, for which
they are unjustly accused of servility.

"Oh, no; I am too jealous, I should make you unhappy; but I will
gladly be a sort of comrade," replied Lisbeth.

"Ah, if only you knew how I longed for some fellow-creature, even a
tyrant, who would have something to say to me when I was struggling in
the vast solitude of Paris!" exclaimed Wenceslas. "I regretted
Siberia, whither I should be sent by the Emperor if I went home.--Be
my Providence!--I will work; I will be a better man than I am, though
I am not such a bad fellow!"

"Will you do whatever I bid you?" she asked.

"Yes."

"Well, then, I will adopt you as my child," said she lightly. "Here I
am with a son risen from the grave. Come! we will begin at once. I
will go out and get what I want; you can dress, and come down to
breakfast with me when I knock on the ceiling with the broomstick."

That day, Mademoiselle Fischer made some inquiries, at the houses to
which she carried her work home, as to the business of a sculptor. By
dint of many questions she ended by hearing of the studio kept by
Florent and Chanor, a house that made a special business of casting
and finishing decorative bronzes and handsome silver plate. Thither
she went with Steinbock, recommending him as an apprentice in
sculpture, an idea that was regarded as too eccentric. Their business
was to copy the works of the greatest artists, but they did not teach
the craft. The old maid's persistent obstinacy so far succeeded that
Steinbock was taken on to design ornament. He very soon learned to
model ornament, and invented novelties; he had a gift for it.

Five months after he was out of his apprenticeship as a finisher, he
made acquaintance with Stidmann, the famous head of Florent's studios.
Within twenty months Wenceslas was ahead of his master; but in thirty
months the old maid's savings of sixteen years had melted entirely.
Two thousand five hundred francs in gold!--a sum with which she had
intended to purchase an annuity; and what was there to show for it? A
Pole's receipt! And at this moment Lisbeth was working as hard as in
her young days to supply the needs of her Livonian.

When she found herself the possessor of a piece of paper instead of
her gold louis, she lost her head, and went to consult Monsieur Rivet,
who for fifteen years had been his clever head-worker's friend and
counselor. On hearing her story, Monsieur and Madame Rivet scolded
Lisbeth, told her she was crazy, abused all refugees whose plots for
reconstructing their nation compromised the prosperity of the country
and the maintenance of peace; and they urged Lisbeth to find what in
trade is called security.

"The only hold you have over this fellow is on his liberty," observed
Monsieur Rivet.

Monsieur Achille Rivet was assessor at the Tribunal of Commerce.

"Imprisonment is no joke for a foreigner," said he. "A Frenchman
remains five years in prison and comes out, free of his debts to be
sure, for he is thenceforth bound only by his conscience, and that
never troubles him; but a foreigner never comes out.--Give me your
promissory note; my bookkeeper will take it up; he will get it
protested; you will both be prosecuted and both be condemned to
imprisonment in default of payment; then, when everything is in due
form, you must sign a declaration. By doing this your interest will be
accumulating, and you will have a pistol always primed to fire at your
Pole!"

The old maid allowed these legal steps to be taken, telling her
protege not to be uneasy, as the proceedings were merely to afford a
guarantee to a money-lender who agreed to advance them certain sums.
This subterfuge was due to the inventive genius of Monsieur Rivet. The
guileless artist, blindly trusting to his benefactress, lighted his
pipe with the stamped paper, for he smoked as all men do who have
sorrows or energies that need soothing.

One fine day Monsieur Rivet showed Mademoiselle Fischer a schedule,
and said to her:

"Here you have Wenceslas Steinbock bound hand and foot, and so
effectually, that within twenty-four hours you can have him snug in
Clichy for the rest of his days."

This worthy and honest judge at the Chamber of Commerce experienced
that day the satisfaction that must come of having done a malignant
good action. Beneficence has so many aspects in Paris that this
contradictory expression really represents one of them. The Livonian
being fairly entangled in the toils of commercial procedure, the point
was to obtain payment; for the illustrious tradesman looked on
Wenceslas as a swindler. Feeling, sincerity, poetry, were in his eyes
mere folly in business matters.

So Rivet went off to see, in behalf of that poor Mademoiselle Fischer,
who, as he said, had been "done" by the Pole, the rich manufacturers
for whom Steinbock had worked. It happened that Stidmann--who, with
the help of these distinguished masters of the goldsmiths' art, was
raising French work to the perfection it has now reached, allowing it
to hold its own against Florence and the Renaissance--Stidmann was in
Chanor's private room when the army lace manufacturer called to make
inquiries as to "One Steinbock, a Polish refugee."

"Whom do you call 'One Steinbock'? Do you mean a young Livonian who
was a pupil of mine?" cried Stidmann ironically. "I may tell you,
monsieur, that he is a very great artist. It is said of me that I
believe myself to be the Devil. Well, that poor fellow does not know
that he is capable of becoming a god."

"Indeed," said Rivet, well pleased. And then he added, "Though you
take a rather cavalier tone with a man who has the honor to be an
Assessor on the Tribunal of Commerce of the Department of the Seine."

"Your pardon, Consul!" said Stidmann, with a military salute.

"I am delighted," the Assessor went on, "to hear what you say. The man
may make money then?"

"Certainly," said Chanor; "but he must work. He would have a tidy sum
by now if he had stayed with us. What is to be done? Artists have a
horror of not being free."

"They have a proper sense of their value and dignity," replied
Stidmann. "I do not blame Wenceslas for walking alone, trying to make
a name, and to become a great man; he had a right to do so! But he was
a great loss to me when he left."

"That, you see," exclaimed Rivet, "is what all young students aim at
as soon as they are hatched out of the school-egg. Begin by saving
money, I say, and seek glory afterwards."

"It spoils your touch to be picking up coin," said Stidmann. "It is
Glory's business to bring us wealth."

"And, after all," said Chanor to Rivet, "you cannot tether them."

"They would eat the halter," replied Stidmann.

"All these gentlemen have as much caprice as talent," said Chanor,
looking at Stidmann. "They spend no end of money; they keep their
girls, they throw coin out of window, and then they have no time to
work. They neglect their orders; we have to employ workmen who are
very inferior, but who grow rich; and then they complain of the hard
times, while, if they were but steady, they might have piles of gold."

"You old Lumignon," said Stidmann, "you remind me of the publisher
before the Revolution who said--'If only I could keep Montesquieu,
Voltaire, and Rousseau very poor in my backshed, and lock up their
breeches in a cupboard, what a lot of nice little books they would
write to make my fortune.'--If works of art could be hammered out like
nails, workmen would make them.--Give me a thousand francs, and don't
talk nonsense."

Worthy Monsieur Rivet went home, delighted for poor Mademoiselle
Fischer, who dined with him every Monday, and whom he found waiting
for him.

"If you can only make him work," said he, "you will have more luck
than wisdom; you will be repaid, interest, capital, and costs. This
Pole has talent, he can make a living; but lock up his trousers and
his shoes, do not let him go to the /Chaumiere/ or the parish of
Notre-Dame de Lorette, keep him in leading-strings. If you do not take
such precautions, your artist will take to loafing, and if you only
knew what these artists mean by loafing! Shocking! Why, I have just
heard that they will spend a thousand-franc note in a day!"

This episode had a fatal influence on the home-life of Wenceslas and
Lisbeth. The benefactress flavored the exile's bread with the wormwood
of reproof, now that she saw her money in danger, and often believed
it to be lost. From a kind mother she became a stepmother; she took
the poor boy to task, she nagged him, scolded him for working too
slowly, and blamed him for having chosen so difficult a profession.
She could not believe that those models in red wax--little figures and
sketches for ornamental work--could be of any value. Before long,
vexed with herself for her severity, she would try to efface the tears
by her care and attention.

Then the poor young man, after groaning to think that he was dependent
on this shrew and under the thumb of a peasant of the Vosges, was
bewitched by her coaxing ways and by a maternal affection that
attached itself solely to the physical and material side of life. He
was like a woman who forgives a week of ill-usage for the sake of a
kiss and a brief reconciliation.

Thus Mademoiselle Fischer obtained complete power over his mind. The
love of dominion that lay as a germ in the old maid's heart developed
rapidly. She could now satisfy her pride and her craving for action;
had she not a creature belonging to her, to be schooled, scolded,
flattered, and made happy, without any fear of a rival? Thus the good
and bad sides of her nature alike found play. If she sometimes
victimized the poor artist, she had, on the other hand, delicate
impulses like the grace of wild flowers; it was a joy to her to
provide for all his wants; she would have given her life for him, and
Wenceslas knew it. Like every noble soul, the poor fellow forgot the
bad points, the defects of the woman who had told him the story of her
life as an excuse for her rough ways, and he remembered only the
benefits she had done him.

One day, exasperated with Wenceslas for having gone out walking
instead of sitting at work, she made a great scene.

"You belong to me," said she. "If you were an honest man, you would
try to repay me the money you owe as soon as possible."

The gentleman, in whose veins the blood of the Steinbocks was fired,
turned pale.

"Bless me," she went on, "we soon shall have nothing to live on but
the thirty sous I earn--a poor work-woman!"

The two penniless creatures, worked up by their own war of words, grew
vehement; and for the first time the unhappy artist reproached his
benefactress for having rescued him from death only to make him lead
the life of a galley slave, worse than the bottomless void, where at
least, said he, he would have found rest. And he talked of flight.

"Flight!" cried Lisbeth. "Ah, Monsieur Rivet was right."

And she clearly explained to the Pole that within twenty-four hours he
might be clapped into prison for the rest of his days. It was a
crushing blow. Steinbock sank into deep melancholy and total silence.

In the course of the following night, Lisbeth hearing overhead some
preparations for suicide, went up to her pensioner's room, and gave
him the schedule and a formal release.

"Here, dear child, forgive me," she said with tears in her eyes. "Be
happy; leave me! I am too cruel to you; only tell me that you will
sometimes remember the poor girl who has enabled you to make a living.
--What can I say? You are the cause of my ill-humor. I might die;
where would you be without me? That is the reason of my being
impatient to see you do some salable work. I do not want my money back
for myself, I assure you! I am only frightened at your idleness, which
you call meditation; at your ideas, which take up so many hours when
you sit gazing at the sky; I want you to get into habits of industry."

All this was said with an emphasis, a look, and tears that moved the
high-minded artist; he clasped his benefactress to his heart and
kissed her forehead.

"Keep these pieces," said he with a sort of cheerfulness. "Why should
you send me to Clichy? Am I not a prisoner here out of gratitude?"

This episode of their secret domestic life had occurred six months
previously, and had led to Steinbock's producing three finished works:
the seal in Hortense's possession, the group he had placed with the
curiosity dealer, and a beautiful clock to which he was putting the
last touches, screwing in the last rivets.

This clock represented the twelve Hours, charmingly personified by
twelve female figures whirling round in so mad and swift a dance that
three little Loves perched on a pile of fruit and flowers could not
stop one of them; only the torn skirts of Midnight remained in the
hand of the most daring cherub. The group stood on an admirably
treated base, ornamented with grotesque beasts. The hours were told by
a monstrous mouth that opened to yawn, and each Hour bore some
ingeniously appropriate symbol characteristic of the various
occupations of the day.

It is now easy to understand the extraordinary attachment of
Mademoiselle Fischer for her Livonian; she wanted him to be happy, and
she saw him pining, fading away in his attic. The causes of this
wretched state of affairs may be easily imagined. The peasant woman
watched this son of the North with the affection of a mother, with the
jealousy of a wife, and the spirit of a dragon; hence she managed to
put every kind of folly or dissipation out of his power by leaving him
destitute of money. She longed to keep her victim and companion for
herself alone, well conducted perforce, and she had no conception of
the cruelty of this senseless wish, since she, for her own part, was
accustomed to every privation. She loved Steinbock well enough not to
marry him, and too much to give him up to any other woman; she could
not resign herself to be no more than a mother to him, though she saw
that she was mad to think of playing the other part.

These contradictions, this ferocious jealousy, and the joy of having a
man to herself, all agitated her old maid's heart beyond measure.
Really in love as she had been for four years, she cherished the
foolish hope of prolonging this impossible and aimless way of life in
which her persistence would only be the ruin of the man she thought of
as her child. This contest between her instincts and her reason made
her unjust and tyrannical. She wreaked on the young man her vengeance
for her own lot in being neither young, rich, nor handsome; then,
after each fit of rage, recognizing herself wrong, she stooped to
unlimited humility, infinite tenderness. She never could sacrifice to
her idol till she had asserted her power by blows of the axe. In fact,
it was the converse of Shakespeare's /Tempest/--Caliban ruling Ariel
and Prospero.

As to the poor youth himself, high-minded, meditative, and inclined to
be lazy, the desert that his protectress made in his soul might be
seen in his eyes, as in those of a caged lion. The penal servitude
forced on him by Lisbeth did not fulfil the cravings of his heart. His
weariness became a physical malady, and he was dying without daring to
ask, or knowing where to procure, the price of some little necessary
dissipation. On some days of special energy, when a feeling of utter
ill-luck added to his exasperation, he would look at Lisbeth as a
thirsty traveler on a sandy shore must look at the bitter sea-water.

These harsh fruits of indigence, and this isolation in the midst of
Paris, Lisbeth relished with delight. And besides, she foresaw that
the first passion would rob her of her slave. Sometimes she even
blamed herself because her own tyranny and reproaches had compelled
the poetic youth to become so great an artist of delicate work, and
she had thus given him the means of casting her off.



On the day after, these three lives, so differently but so utterly
wretched--that of a mother in despair, that of the Marneffe household,
and that of the unhappy exile--were all to be influenced by Hortense's
guileless passion, and by the strange outcome of the Baron's luckless
passion for Josepha.

Just as Hulot was going into the opera-house, he was stopped by the
darkened appearance of the building and of the Rue le Peletier, where
there were no gendarmes, no lights, no theatre-servants, no barrier to
regulate the crowd. He looked up at the announcement-board, and beheld
a strip of white paper, on which was printed the solemn notice:

"CLOSED ON ACCOUNT OF ILLNESS."

He rushed off to Josepha's lodgings in the Rue Chauchat; for, like all
the singers, she lived close at hand.

"Whom do you want, sir?" asked the porter, to the Baron's great
astonishment.

"Have you forgotten me?" said Hulot, much puzzled.

"On the contrary, sir, it is because I have the honor to remember you
that I ask you, Where are you going?"

A mortal chill fell upon the Baron.

"What has happened?" he asked.

"If you go up to Mademoiselle Mirah's rooms, Monsieur le Baron, you
will find Mademoiselle Heloise Brisetout there--and Monsieur Bixiou,
Monsieur Leon de Lora, Monsieur Lousteau, Monsieur de Vernisset,
Monsieur Stidmann; and ladies smelling of patchouli--holding a
housewarming."

"Then, where--where is----?"

"Mademoiselle Mirah?--I don't know that I ought to tell you."

The Baron slipped two five-franc pieces into the porter's hand.

"Well, she is now in the Rue de la Ville l'Eveque, in a fine house,
given to her, they say, by the Duc d'Herouville," replied the man in a
whisper.

Having ascertained the number of the house, Monsieur Hulot called a
/milord/ and drove to one of those pretty modern houses with double
doors, where everything, from the gaslight at the entrance, proclaims
luxury.

The Baron, in his blue cloth coat, white neckcloth, nankeen trousers,
patent leather boots, and stiffly starched shirt-frill, was supposed
to be a guest, though a late arrival, by the janitor of this new Eden.
His alacrity of manner and quick step justified this opinion.

The porter rang a bell, and a footman appeared in the hall. This man,
as new as the house, admitted the visitor, who said to him in an
imperious tone, and with a lordly gesture:

"Take in this card to Mademoiselle Josepha."

The victim mechanically looked round the room in which he found
himself--an anteroom full of choice flowers and of furniture that must
have cost twenty thousand francs. The servant, on his return, begged
monsieur to wait in the drawing-room till the company came to their
coffee.

Though the Baron had been familiar with Imperial luxury, which was
undoubtedly prodigious, while its productions, though not durable in
kind, had nevertheless cost enormous sums, he stood dazzled,
dumfounded, in this drawing-room with three windows looking out on a
garden like fairyland, one of those gardens that are created in a
month with a made soil and transplanted shrubs, while the grass seems
as if it must be made to grow by some chemical process. He admired not
only the decoration, the gilding, the carving, in the most expensive
Pompadour style, as it is called, and the magnificent brocades, all of
which any enriched tradesman could have procured for money; but he
also noted such treasures as only princes can select and find, can pay
for and give away; two pictures by Greuze, two by Watteau, two heads
by Vandyck, two landscapes by Ruysdael, and two by le Guaspre, a
Rembrandt, a Holbein, a Murillo, and a Titian, two paintings, by
Teniers, and a pair by Metzu, a Van Huysum, and an Abraham Mignon--in
short, two hundred thousand francs' worth of pictures superbly framed.
The gilding was worth almost as much as the paintings.

"Ah, ha! Now you understand, my good man?" said Josepha.

She had stolen in on tiptoe through a noiseless door, over Persian
carpets, and came upon her adorer, standing lost in amazement--in the
stupid amazement when a man's ears tingle so loudly that he hears
nothing but that fatal knell.

The words "my good man," spoken to an official of such high
importance, so perfectly exemplified the audacity with which these
creatures pour contempt on the loftiest, that the Baron was nailed to
the spot. Josepha, in white and yellow, was so beautifully dressed for
the banquet, that amid all this lavish magnificence she still shone
like a rare jewel.

"Isn't this really fine?" said she. "The Duke has spent all the money
on it that he got out of floating a company, of which the shares all
sold at a premium. He is no fool, is my little Duke. There is nothing
like a man who has been a grandee in his time for turning coals into
gold. Just before dinner the notary brought me the title-deeds to sign
and the bills receipted!--They are all a first-class set in there--
d'Esgrignon, Rastignac, Maxime, Lenoncourt, Verneuil, Laginski,
Rochefide, la Palferine, and from among the bankers Nucingen and du
Tillet, with Antonia, Malaga, Carabine, and la Schontz; and they all
feel for you deeply.--Yes, old boy, and they hope you will join them,
but on condition that you forthwith drink up to two bottles full of
Hungarian wine, Champagne, or Cape, just to bring you up to their
mark.--My dear fellow, we are all so much /on/ here, that it was
necessary to close the Opera. The manager is as drunk as a cornet-a-
piston; he is hiccuping already."

"Oh, Josepha!----" cried the Baron.

"Now, can anything be more absurd than explanations?" she broke in
with a smile. "Look here; can you stand six hundred thousand francs
which this house and furniture cost? Can you give me a bond to the
tune of thirty thousand francs a year, which is what the Duke has just
given me in a packet of common sugared almonds from the grocer's?--a
pretty notion that----"

"What an atrocity!" cried Hulot, who in his fury would have given his
wife's diamonds to stand in the Duc d'Herouville's shoes for twenty-
four hours.

"Atrocity is my trade," said she. "So that is how you take it? Well,
why don't you float a company? Goodness me! my poor dyed Tom, you
ought to be grateful to me; I have thrown you over just when you would
have spent on me your widow's fortune, your daughter's portion.--What,
tears! The Empire is a thing of the past--I hail the coming Empire!"

She struck a tragic attitude, and exclaimed:

  "They call you Hulot! Nay, I know you not--"

And she went into the other room.

Through the door, left ajar, there came, like a lightning-flash, a
streak of light with an accompaniment of the crescendo of the orgy and
the fragrance of a banquet of the choicest description.

The singer peeped through the partly open door, and seeing Hulot
transfixed as if he had been a bronze image, she came one step forward
into the room.

"Monsieur," said she, "I have handed over the rubbish in the Rue
Chauchat to Bixiou's little Heloise Brisetout. If you wish to claim
your cotton nightcap, your bootjack, your belt, and your wax dye, I
have stipulated for their return."

This insolent banter made the Baron leave the room as precipitately as
Lot departed from Gomorrah, but he did not look back like Mrs. Lot.

Hulot went home, striding along in a fury, and talking to himself; he
found his family still playing the game of whist at two sous a point,
at which he left them. On seeing her husband return, poor Adeline
imagined something dreadful, some dishonor; she gave her cards to
Hortense, and led Hector away into the very room where, only five
hours since, Crevel had foretold her the utmost disgrace of poverty.

"What is the matter?" she said, terrified.

"Oh, forgive me--but let me tell you all these horrors." And for ten
minutes he poured out his wrath.

"But, my dear," said the unhappy woman, with heroic courage, "these
creatures do not know what love means--such pure and devoted love as
you deserve. How could you, so clear-sighted as you are, dream of
competing with millions?"

"Dearest Adeline!" cried the Baron, clasping her to his heart.

The Baroness' words had shed balm on the bleeding wounds to his
vanity.

"To be sure, take away the Duc d'Herouville's fortune, and she could
not hesitate between us!" said the Baron.

"My dear," said Adeline with a final effort, "if you positively must
have mistresses, why do you not seek them, like Crevel, among women
who are less extravagant, and of a class that can for a time be
content with little? We should all gain by that arrangement.--I
understand your need--but I do not understand that vanity----"

"Oh, what a kind and perfect wife you are!" cried he. "I am an old
lunatic, I do not deserve to have such a wife!"

"I am simply the Josephine of my Napoleon," she replied, with a touch
of melancholy.

"Josephine was not to compare with you!" said he. "Come; I will play a
game of whist with my brother and the children. I must try my hand at
the business of a family man; I must get Hortense a husband, and bury
the libertine."

His frankness so greatly touched poor Adeline, that she said:

"The creature has no taste to prefer any man in the world to my
Hector. Oh, I would not give you up for all the gold on earth. How can
any woman throw you over who is so happy as to be loved by you?"

The look with which the Baron rewarded his wife's fanaticism confirmed
her in her opinion that gentleness and docility were a woman's
strongest weapons.

But in this she was mistaken. The noblest sentiments, carried to an
excess, can produce mischief as great as do the worst vices. Bonaparte
was made Emperor for having fired on the people, at a stone's throw
from the spot where Louis XVI. lost his throne and his head because he
would not allow a certain Monsieur Sauce to be hurt.



On the following morning, Hortense, who had slept with the seal under
her pillow, so as to have it close to her all night, dressed very
early, and sent to beg her father to join her in the garden as soon as
he should be down.

By about half-past nine, the father, acceding to his daughter's
petition, gave her his arm for a walk, and they went along the quays
by the Pont Royal to the Place du Carrousel.

"Let us look into the shop windows, papa," said Hortense, as they went
through the little gate to cross the wide square.

"What--here?" said her father, laughing at her.

"We are supposed to have come to see the pictures, and over there"--
and she pointed to the stalls in front of the houses at a right angle
to the Rue du Doyenne--"look! there are dealers in curiosities and
pictures----"

"Your cousin lives there."

"I know it, but she must not see us."

"And what do you want to do?" said the Baron, who, finding himself
within thirty yards of Madame Marneffe's windows, suddenly remembered
her.

Hortense had dragged her father in front of one of the shops forming
the angle of a block of houses built along the front of the Old
Louvre, and facing the Hotel de Nantes. She went into this shop; her
father stood outside, absorbed in gazing at the windows of the pretty
little lady, who, the evening before, had left her image stamped on
the old beau's heart, as if to alleviate the wound he was so soon to
receive; and he could not help putting his wife's sage advice into
practice.

"I will fall back on a simple little citizen's wife," said he to
himself, recalling Madame Marneffe's adorable graces. "Such a woman as
that will soon make me forget that grasping Josepha."

Now, this was what was happening at the same moment outside and inside
the curiosity shop.

As he fixed his eyes on the windows of his new /belle/, the Baron saw
the husband, who, while brushing his coat with his own hands, was
apparently on the lookout, expecting to see some one on the square.
Fearing lest he should be seen, and subsequently recognized, the
amorous Baron turned his back on the Rue du Doyenne, or rather stood
at three-quarters' face, as it were, so as to be able to glance round
from time to time. This manoeuvre brought him face to face with Madame
Marneffe, who, coming up from the quay, was doubling the promontory of
houses to go home.

Valerie was evidently startled as she met the Baron's astonished eye,
and she responded with a prudish dropping of her eyelids.

"A pretty woman," exclaimed he, "for whom a man would do many foolish
things."

"Indeed, monsieur?" said she, turning suddenly, like a woman who has
just come to some vehement decision, "you are Monsieur le Baron Hulot,
I believe?"

The Baron, more and more bewildered, bowed assent.

"Then, as chance has twice made our eyes meet, and I am so fortunate
as to have interested or puzzled you, I may tell you that, instead of
doing anything foolish, you ought to do justice.--My husband's fate
rests with you."

"And how may that be?" asked the gallant Baron.

"He is employed in your department in the War Office, under Monsieur
Lebrun, in Monsieur Coquet's room," said she with a smile.

"I am quite disposed, Madame--Madame----?"

"Madame Marneffe."

"Dear little Madame Marneffe, to do injustice for your sake.--I have a
cousin living in your house; I will go to see her one day soon--as
soon as possible; bring your petition to me in her rooms."

"Pardon my boldness, Monsieur le Baron; you must understand that if I
dare to address you thus, it is because I have no friend to protect
me----"

"Ah, ha!"

"Monsieur, you misunderstand me," said she, lowering her eyelids.

Hulot felt as if the sun had disappeared.

"I am at my wits' end, but I am an honest woman!" she went on. "About
six months ago my only protector died, Marshal Montcornet--"

"Ah! You are his daughter?"

"Yes, monsieur; but he never acknowledged me."

"That was that he might leave you part of his fortune."

"He left me nothing; he made no will."

"Indeed! Poor little woman! The Marshal died suddenly of apoplexy.
But, come, madame, hope for the best. The State must do something for
the daughter of one of the Chevalier Bayards of the Empire."

Madame Marneffe bowed gracefully and went off, as proud of her success
as the Baron was of his.

"Where the devil has she been so early?" thought he watching the flow
of her skirts, to which she contrived to impart a somewhat exaggerated
grace. "She looks too tired to have just come from a bath, and her
husband is waiting for her. It is strange, and puzzles me altogether."

Madame Marneffe having vanished within, the Baron wondered what his
daughter was doing in the shop. As he went in, still staring at Madame
Marneffe's windows, he ran against a young man with a pale brow and
sparkling gray eyes, wearing a summer coat of black merino, coarse
drill trousers, and tan shoes, with gaiters, rushing away headlong; he
saw him run to the house in the Rue du Doyenne, into which he went.

Hortense, on going into the shop, had at once recognized the famous
group, conspicuously placed on a table in the middle and in front of
the door. Even without the circumstances to which she owed her
knowledge of this masterpiece, it would probably have struck her by
the peculiar power which we must call the /brio/--the /go/--of great
works; and the girl herself might in Italy have been taken as a model
for the personification of /Brio/.

Not every work by a man of genius has in the same degree that
brilliancy, that glory which is at once patent even to the most
ignoble beholder. Thus, certain pictures by Raphael, such as the
famous /Transfiguration/, the /Madonna di Foligno/, and the frescoes
of the /Stanze/ in the Vatican, do not at first captivate our
admiration, as do the /Violin-player/ in the Sciarra Palace, the
portraits of the Doria family, and the /Vision of Ezekiel/ in the
Pitti Gallery, the /Christ bearing His Cross/ in the Borghese
collection, and the /Marriage of the Virgin/ in the Brera at Milan.
The /Saint John the Baptist/ of the Tribuna, and /Saint Luke painting
the Virgin's portrait/ in the Accademia at Rome, have not the charm of
the /Portrait of Leo X./, and of the /Virgin/ at Dresden.

And yet they are all of equal merit. Nay, more. The /Stanze/, the
/Transfiguration/, the panels, and the three easel pictures in the
Vatican are in the highest degree perfect and sublime. But they demand
a stress of attention, even from the most accomplished beholder, and
serious study, to be fully understood; while the /Violin-player/, the
/Marriage of the Virgin/, and the /Vision of Ezekiel/ go straight to
the heart through the portal of sight, and make their home there. It
is a pleasure to receive them thus without an effort; if it is not the
highest phase of art, it is the happiest. This fact proves that, in
the begetting of works of art, there is as much chance in the
character of the offspring as there is in a family of children; that
some will be happily graced, born beautiful, and costing their mothers
little suffering, creatures on whom everything smiles, and with whom
everything succeeds; in short, genius, like love, has its fairer
blossoms.

This /brio/, an Italian word which the French have begun to use, is
characteristic of youthful work. It is the fruit of an impetus and
fire of early talent--an impetus which is met with again later in some
happy hours; but this particular /brio/ no longer comes from the
artist's heart; instead of his flinging it into his work as a volcano
flings up its fires, it comes to him from outside, inspired by
circumstances, by love, or rivalry, often by hatred, and more often
still by the imperious need of glory to be lived up to.

This group by Wenceslas was to his later works what the /Marriage of
the Virgin/ is to the great mass of Raphael's, the first step of a
gifted artist taken with the inimitable grace, the eagerness, and
delightful overflowingness of a child, whose strength is concealed
under the pink-and-white flesh full of dimples which seem to echo to a
mother's laughter. Prince Eugene is said to have paid four hundred
thousand francs for this picture, which would be worth a million to
any nation that owned no picture by Raphael, but no one would give
that sum for the finest of the frescoes, though their value is far
greater as works of art.

Hortense restrained her admiration, for she reflected on the amount of
her girlish savings; she assumed an air of indifference, and said to
the dealer:

"What is the price of that?"

"Fifteen hundred francs," replied the man, sending a glance of
intelligence to a young man seated on a stool in the corner.

The young man himself gazed in a stupefaction at Monsieur Hulot's
living masterpiece. Hortense, forewarned, at once identified him as
the artist, from the color that flushed a face pale with endurance;
she saw the spark lighted up in his gray eyes by her question; she
looked on the thin, drawn features, like those of a monk consumed by
asceticism; she loved the red, well-formed mouth, the delicate chin,
and the Pole's silky chestnut hair.

"If it were twelve hundred," said she, "I would beg you to send it to
me."

"It is antique, mademoiselle," the dealer remarked, thinking, like all
his fraternity, that, having uttered this /ne plus ultra/ of bric-a-
brac, there was no more to be said.

"Excuse me, monsieur," she replied very quietly, "it was made this
year; I came expressly to beg you, if my price is accepted, to send
the artist to see us, as it might be possible to procure him some
important commissions."

"And if he is to have the twelve hundred francs, what am I to
get? I am the dealer," said the man, with candid good-humor.

"To be sure!" replied the girl, with a slight curl of disdain.

"Oh! mademoiselle, take it; I will make terms with the dealer,"
cried the Livonian, beside himself.

Fascinated by Hortense's wonderful beauty and the love of art she
displayed, he added:

"I am the sculptor of the group, and for ten days I have come here
three times a day to see if anybody would recognize its merit and
bargain for it. You are my first admirer--take it!"

"Come, then, monsieur, with the dealer, an hour hence.--Here is my
father's card," replied Hortense.

Then, seeing the shopkeeper go into a back room to wrap the group in a
piece of linen rag, she added in a low voice, to the great
astonishment of the artist, who thought he must be dreaming:

"For the benefit of your future prospects, Monsieur Wenceslas, do not
mention the name of the purchaser to Mademoiselle Fischer, for she is
our cousin."

The word cousin dazzled the artist's mind; he had a glimpse of
Paradise whence this daughter of Eve had come to him. He had dreamed
of the beautiful girl of whom Lisbeth had told him, as Hortense had
dreamed of her cousin's lover; and, as she had entered the shop--

"Ah!" thought he, "if she could but be like this!"

The look that passed between the lovers may be imagined; it was a
flame, for virtuous lovers have no hypocrisies.

"Well, what the deuce are you doing here?" her father asked her.

"I have been spending twelve hundred francs that I had saved. Come."
And she took her father's arm.

"Twelve hundred francs?" he repeated.

"To be exact, thirteen hundred; you will lend me the odd hundred?"

"And on what, in such a place, could you spend so much?"

"Ah! that is the question!" replied the happy girl. "If I have got a
husband, he is not dear at the money."

"A husband! In that shop, my child?"

"Listen, dear little father; would you forbid my marrying a great
artist?"

"No, my dear. A great artist in these days is a prince without a title
--he has glory and fortune, the two chief social advantages--next to
virtue," he added, in a smug tone.

"Oh, of course!" said Hortense. "And what do you think of sculpture?"

"It is very poor business," replied Hulot, shaking his head. "It needs
high patronage as well as great talent, for Government is the only
purchaser. It is an art with no demand nowadays, where there are no
princely houses, no great fortunes, no entailed mansions, no
hereditary estates. Only small pictures and small figures can find a
place; the arts are endangered by this need of small things."

"But if a great artist could find a demand?" said Hortense.

"That indeed would solve the problem."

"Or had some one to back him?"

"That would be even better."

"If he were of noble birth?"

"Pooh!"

"A Count."

"And a sculptor?"

"He has no money."

"And so he counts on that of Mademoiselle Hortense Hulot?" said the
Baron ironically, with an inquisitorial look into his daughter's eyes.

"This great artist, a Count and a sculptor, has just seen your
daughter for the first time in his life, and for the space of five
minutes, Monsieur le Baron," Hortense calmly replied. "Yesterday, you
must know, dear little father, while you were at the Chamber, mamma
had a fainting fit. This, which she ascribed to a nervous attack, was
the result of some worry that had to do with the failure of my
marriage, for she told me that to get rid of me---"

"She is too fond of you to have used an expression----"

"So unparliamentary!" Hortense put in with a laugh. "No, she did not
use those words; but I know that a girl old enough to marry and who
does not find a husband is a heavy cross for respectable parents to
bear.--Well, she thinks that if a man of energy and talent could be
found, who would be satisfied with thirty thousand francs for my
marriage portion, we might all be happy. In fact, she thought it
advisable to prepare me for the modesty of my future lot, and to
hinder me from indulging in too fervid dreams.--Which evidently meant
an end to the intended marriage, and no settlements for me!"

"Your mother is a very good woman, noble, admirable!" replied the
father, deeply humiliated, though not sorry to hear this confession.

"She told me yesterday that she had your permission to sell her
diamonds so as to give me something to marry on; but I should like her
to keep her jewels, and to find a husband myself. I think I have found
the man, the possible husband, answering to mamma's prospectus----"

"There?--in the Place du Carrousel?--and in one morning?"

"Oh, papa, the mischief lies deeper!" said she archly.

"Well, come, my child, tell the whole story to your good old father,"
said he persuasively, and concealing his uneasiness.

Under promise of absolute secrecy, Hortense repeated the upshot of her
various conversations with her Cousin Betty. Then, when they got home,
she showed the much-talked-of-seal to her father in evidence of the
sagacity of her views. The father, in the depth of his heart, wondered
at the skill and acumen of girls who act on instinct, discerning the
simplicity of the scheme which her idealized love had suggested in the
course of a single night to his guileless daughter.

"You will see the masterpiece I have just bought; it is to be brought
home, and that dear Wenceslas is to come with the dealer.--The man who
made that group ought to make a fortune; only use your influence to
get him an order for a statue, and rooms at the Institut----"

"How you run on!" cried her father. "Why, if you had your own way, you
would be man and wife within the legal period--in eleven days----"

"Must we wait so long?" said she, laughing. "But I fell in love with
him in five minutes, as you fell in love with mamma at first sight.
And he loves me as if we had known each other for two years. Yes," she
said in reply to her father's look, "I read ten volumes of love in his
eyes. And will not you and mamma accept him as my husband when you see
that he is a man of genius? Sculpture is the greatest of the Arts,"
she cried, clapping her hands and jumping. "I will tell you
everything----"

"What, is there more to come?" asked her father, smiling.

The child's complete and effervescent innocence had restored her
father's peace of mind.

"A confession of the first importance," said she. "I loved him without
knowing him; and, for the last hour, since seeing him, I am crazy
about him."

"A little too crazy!" said the Baron, who was enjoying the sight of
this guileless passion.

"Do not punish me for confiding in you," replied she. "It is so
delightful to say to my father's heart, 'I love him! I am so happy in
loving him!'--You will see my Wenceslas! His brow is so sad. The sun
of genius shines in his gray eyes--and what an air he has! What do you
think of Livonia? Is it a fine country?--The idea of Cousin Betty's
marrying that young fellow! She might be his mother. It would be
murder! I am quite jealous of all she has ever done for him. But I
don't think my marriage will please her."

"See, my darling, we must hide nothing from your mother."

"I should have to show her the seal, and I promised not to betray
Cousin Lisbeth, who is afraid, she says, of mamma's laughing at her,"
said Hortense.

"You have scruples about the seal, and none about robbing your cousin
of her lover."

"I promised about the seal--I made no promise about the sculptor."

This adventure, patriarchal in its simplicity, came admirably /a
propos/ to the unconfessed poverty of the family; the Baron, while
praising his daughter for her candor, explained to her that she must
now leave matters to the discretion of her parents.

"You understand, my child, that it is not your part to ascertain
whether your cousin's lover is a Count, if he has all his papers
properly certified, and if his conduct is a guarantee for his
respectability.--As for your cousin, she refused five offers when she
was twenty years younger; that will prove no obstacle, I undertake to
say."

"Listen to me, papa; if you really wish to see me married, never say a
word to Lisbeth about it till just before the contract is signed. I
have been catechizing her about this business for the last six months!
Well, there is something about her quite inexplicable----"

"What?" said her father, puzzled.

"Well, she looks evil when I say too much, even in joke, about her
lover. Make inquiries, but leave me to row my own boat. My confidence
ought to reassure you."

"The Lord said, 'Suffer little children to come unto Me.' You are one
of those who have come back again," replied the Baron with a touch of
irony.

After breakfast the dealer was announced, and the artist with his
group. The sudden flush that reddened her daughter's face at once made
the Baroness suspicious and then watchful, and the girl's confusion
and the light in her eyes soon betrayed the mystery so badly guarded
in her simple heart.

Count Steinbock, dressed in black, struck the Baron as a very
gentlemanly young man.

"Would you undertake a bronze statue?" he asked, as he held up the
group.

After admiring it on trust, he passed it on to his wife, who knew
nothing about sculpture.

"It is beautiful, isn't it, mamma?" said Hortense in her mother' ear.

"A statue! Monsieur, it is less difficult to execute a statue than to
make a clock like this, which my friend here has been kind enough to
bring," said the artist in reply.

The dealer was placing on the dining-room sideboard the wax model of
the twelve Hours that the Loves were trying to delay.

"Leave the clock with me," said the Baron, astounded at the beauty of
the sketch. "I should like to show it to the Ministers of the Interior
and of Commerce."

"Who is the young man in whom you take so much interest?" the Baroness
asked her daughter.

"An artist who could afford to execute this model could get a hundred
thousand francs for it," said the curiosity-dealer, putting on a
knowing and mysterious look as he saw that the artist and the girl
were interchanging glances. "He would only need to sell twenty copies
at eight thousand francs each--for the materials would cost about a
thousand crowns for each example. But if each copy were numbered and
the mould destroyed, it would certainly be possible to meet with
twenty amateurs only too glad to possess a replica of such a work."

"A hundred thousand francs!" cried Steinbock, looking from the dealer
to Hortense, the Baron, and the Baroness.

"Yes, a hundred thousand francs," repeated the dealer. "If I were rich
enough, I would buy it of you myself for twenty thousand francs; for
by destroying the mould it would become a valuable property. But one
of the princes ought to pay thirty or forty thousand francs for such a
work to ornament his drawing-room. No man has ever succeeded in making
a clock satisfactory alike to the vulgar and to the connoisseur, and
this one, sir, solves the difficulty."

"This is for yourself, monsieur," said Hortense, giving six gold
pieces to the dealer.

"Never breath a word of this visit to any one living," said the artist
to his friend, at the door. "If you should be asked where we sold the
group, mention the Duc d'Herouville, the famous collector in the Rue
de Varenne."

The dealer nodded assent.

"And your name?" said Hulot to the artist when he came back.

"Count Steinbock."

"Have you the papers that prove your identity?"

"Yes, Monsieur le Baron. They are in Russian and in German, but not
legalized."

"Do you feel equal to undertaking a statue nine feet high?"

"Yes, monsieur."

"Well, then, if the persons whom I shall consult are satisfied with
your work, I can secure you the commission for the statue of Marshal
Montcornet, which is to be erected on his monument at Pere-Lachaise.
The Minister of War and the old officers of the Imperial Guard have
subscribed a sum large enough to enable us to select our artist."

"Oh, monsieur, it will make my fortune!" exclaimed Steinbock,
overpowered by so much happiness at once.

"Be easy," replied the Baron graciously. "If the two ministers to whom
I propose to show your group and this sketch in wax are delighted with
these two pieces, your prospects of a fortune are good."

Hortense hugged her father's arm so tightly as to hurt him.

"Bring me your papers, and say nothing of your hopes to anybody, not
even to our old Cousin Betty."

"Lisbeth?" said Madame Hulot, at last understanding the end of all
this, though unable to guess the means.

"I could give proof of my skill by making a bust of the Baroness,"
added Wenceslas.

The artist, struck by Madame Hulot's beauty, was comparing the mother
and daughter.

"Indeed, monsieur, life may smile upon you," said the Baron, quite
charmed by Count Steinbock's refined and elegant manner. "You will
find out that in Paris no man is clever for nothing, and that
persevering toil always finds its reward here."

Hortense, with a blush, held out to the young man a pretty Algerine
purse containing sixty gold pieces. The artist, with something still
of a gentleman's pride, responded with a mounting color easy enough to
interpret.

"This, perhaps, is the first money your works have brought you?" said
Adeline.

"Yes, madame--my works of art. It is not the first-fruits of my labor,
for I have been a workman."

"Well, we must hope my daughter's money will bring you good luck,"
said she.

"And take it without scruple," added the Baron, seeing that Wenceslas
held the purse in his hand instead of pocketing it. "The sum will be
repaid by some rich man, a prince perhaps, who will offer it with
interest to possess so fine a work."

"Oh, I want it too much myself, papa, to give it up to anybody in the
world, even a royal prince!"

"I can make a far prettier thing than that for you, mademoiselle."

"But it would not be this one," replied she; and then, as if ashamed
of having said too much, she ran out into the garden.

"Then I shall break the mould and the model as soon as I go home,"
said Steinbock.

"Fetch me your papers, and you will hear of me before long, if you are
equal to what I expect of you, monsieur."

The artist on this could but take leave. After bowing to Madame Hulot
and Hortense, who came in from the garden on purpose, he went off to
walk in the Tuileries, not bearing--not daring--to return to his
attic, where his tyrant would pelt him with questions and wring his
secret from him.

Hortense's adorer conceived of groups and statues by the hundred; he
felt strong enough to hew the marble himself, like Canova, who was
also a feeble man, and nearly died of it. He was transfigured by
Hortense, who was to him inspiration made visible.

"Now then," said the Baroness to her daughter, "what does all this
mean?"

"Well, dear mamma, you have just seen Cousin Lisbeth's lover, who now,
I hope, is mine. But shut your eyes, know nothing. Good Heavens! I was
to keep it all from you, and I cannot help telling you everything----"

"Good-bye, children!" said the Baron, kissing his wife and daughter;
"I shall perhaps go to call on the Nanny, and from her I shall hear a
great deal about our young man."

"Papa, be cautious!" said Hortense.

"Oh! little girl!" cried the Baroness when Hortense had poured out her
poem, of which the morning's adventure was the last canto, "dear
little girl, Artlessness will always be the artfulest puss on earth!"

Genuine passions have an unerring instinct. Set a greedy man before a
dish of fruit and he will make no mistake, but take the choicest even
without seeing it. In the same way, if you allow a girl who is well
brought up to choose a husband for herself, if she is in a position to
meet the man of her heart, rarely will she blunder. The act of nature
in such cases is known as love at first sight; and in love, first
sight is practically second sight.

The Baroness' satisfaction, though disguised under maternal dignity,
was as great as her daughter's; for, of the three ways of marrying
Hortense of which Crevel had spoken, the best, as she opined, was
about to be realized. And she regarded this little drama as an answer
by Providence to her fervent prayers.



Mademoiselle Fischer's galley slave, obliged at last to go home,
thought he might hide his joy as a lover under his glee as an artist
rejoicing over his first success.

"Victory! my group is sold to the Duc d'Herouville, who is going to
give me some commissions," cried he, throwing the twelve hundred
francs in gold on the table before the old maid.

He had, as may be supposed concealed Hortense's purse; it lay next to
his heart.

"And a very good thing too," said Lisbeth. "I was working myself to
death. You see, child, money comes in slowly in the business you have
taken up, for this is the first you have earned, and you have been
grinding at it for near on five years now. That money barely repays me
for what you have cost me since I took your promissory note; that is
all I have got by my savings. But be sure of one thing," she said,
after counting the gold, "this money will all be spent on you. There
is enough there to keep us going for a year. In a year you may now be
able to pay your debt and have a snug little sum of your own, if you
go on in the same way."

Wenceslas, finding his trick successful, expatiated on the Duc
d'Herouville.

"I will fit you out in a black suit, and get you some new linen," said
Lisbeth, "for you must appear presentably before your patrons; and
then you must have a larger and better apartment than your horrible
garret, and furnish it property.--You look so bright, you are not like
the same creature," she added, gazing at Wenceslas.

"But my work is pronounced a masterpiece."

"Well, so much the better! Do some more," said the arid creature, who
was nothing but practical, and incapable of understanding the joy of
triumph or of beauty in Art. "Trouble your head no further about what
you have sold; make something else to sell. You have spent two hundred
francs in money, to say nothing of your time and your labor, on that
devil of a /Samson/. Your clock will cost you more than two thousand
francs to execute. I tell you what, if you will listen to me, you will
finish the two little boys crowning the little girl with cornflowers;
that would just suit the Parisians.--I will go round to Monsieur Graff
the tailor before going to Monsieur Crevel.--Go up now and leave me to
dress."

Next day the Baron, perfectly crazy about Madame Marneffe, went to see
Cousin Betty, who was considerably amazed on opening the door to see
who her visitor was, for he had never called on her before. She at
once said to herself, "Can it be that Hortense wants my lover?"--for
she had heard the evening before, at Monsieur Crevel's, that the
marriage with the Councillor of the Supreme Court was broken off.

"What, Cousin! you here? This is the first time you have ever been to
see me, and it is certainly not for love of my fine eyes that you have
come now."

"Fine eyes is the truth," said the Baron; "you have as fine eyes as I
have ever seen----"

"Come, what are you here for? I really am ashamed to receive you in
such a kennel."

The outer room of the two inhabited by Lisbeth served her as sitting-
room, dining-room, kitchen, and workroom. The furniture was such as
beseemed a well-to-do artisan--walnut-wood chairs with straw seats, a
small walnut-wood dining table, a work table, some colored prints in
black wooden frames, short muslin curtains to the windows, the floor
well polished and shining with cleanliness, not a speck of dust
anywhere, but all cold and dingy, like a picture by Terburg in every
particular, even to the gray tone given by a wall paper once blue and
now faded to gray. As to the bedroom, no human being had ever
penetrated its secrets.

The Baron took it all in at a glance, saw the sign-manual of
commonness on every detail, from the cast-iron stove to the household
utensils, and his gorge rose as he said to himself, "And /this/ is
virtue!--What am I here for?" said he aloud. "You are far too cunning
not to guess, and I had better tell you plainly," cried he, sitting
down and looking out across the courtyard through an opening he made
in the puckered curtain. "There is a very pretty woman in the
house----"

"Madame Marneffe! Now I understand!" she exclaimed, seeing it all.
"But Josepha?"

"Alas, Cousin, Josepha is no more. I was turned out of doors like a
discarded footman."

"And you would like . . .?" said Lisbeth, looking at the Baron with
the dignity of a prude on her guard a quarter of an hour too soon.

"As Madame Marneffe is very much the lady, and the wife of an employe,
you can meet her without compromising yourself," the Baron went on,
"and I should like to see you neighborly. Oh! you need not be alarmed;
she will have the greatest consideration for the cousin of her
husband's chief."

At this moment the rustle of a gown was heard on the stairs and the
footstep of a woman wearing the thinnest boots. The sound ceased on
the landing. There was a tap at the door, and Madame Marneffe came in.

"Pray excuse me, mademoiselle, for thus intruding upon you, but I
failed to find you yesterday when I came to call; we are near
neighbors; and if I had known that you were related to Monsieur le
Baron, I should long since have craved your kind interest with him. I
saw him come in, so I took the liberty of coming across; for my
husband, Monsieur le Baron, spoke to me of a report on the office
clerks which is to be laid before the minister to-morrow."

She seemed quite agitated and nervous--but she had only run upstairs.

"You have no need to play the petitioner, fair lady," replied the
Baron. "It is I who should ask the favor of seeing you."

"Very well, if mademoiselle allows it, pray come!" said Madame
Marneffe.

"Yes--go, Cousin, I will join you," said Lisbeth judiciously.

The Parisienne had so confidently counted on the chief's visit and
intelligence, that not only had she dressed herself for so important
an interview--she had dressed her room. Early in the day it had been
furnished with flowers purchased on credit. Marneffe had helped his
wife to polish the furniture, down to the smallest objects, washing,
brushing, and dusting everything. Valerie wished to be found in an
atmosphere of sweetness, to attract the chief and to please him enough
to have a right to be cruel; to tantalize him as a child would, with
all the tricks of fashionable tactics. She had gauged Hulot. Give a
Paris woman at bay four-and-twenty hours, and she will overthrow a
ministry.

The man of the Empire, accustomed to the ways to the Empire, was no
doubt quite ignorant of the ways of modern love-making, of the
scruples in vogue and the various styles of conversation invented
since 1830, which led to the poor weak woman being regarded as the
victim of her lover's desires--a Sister of Charity salving a wound, an
angel sacrificing herself.

This modern art of love uses a vast amount of evangelical phrases in
the service of the Devil. Passion is martyrdom. Both parties aspire to
the Ideal, to the Infinite; love is to make them so much better. All
these fine words are but a pretext for putting increased ardor into
the practical side of it, more frenzy into a fall than of old. This
hypocrisy, a characteristic of the times, is a gangrene in gallantry.
The lovers are both angels, and they behave, if they can, like two
devils.

Love had no time for such subtle analysis between two campaigns, and
in 1809 its successes were as rapid as those of the Empire. So, under
the Restoration, the handsome Baron, a lady's man once more, had begun
by consoling some old friends now fallen from the political firmament,
like extinguished stars, and then, as he grew old, was captured by
Jenny Cadine and Josepha.

Madame Marneffe had placed her batteries after due study of the
Baron's past life, which her husband had narrated in much detail,
after picking up some information in the offices. The comedy of modern
sentiment might have the charm of novelty to the Baron; Valerie had
made up her mind as to her scheme; and we may say the trial of her
power that she made this morning answered her highest expectations.
Thanks to her manoeuvres, sentimental, high-flown, and romantic,
Valerie, without committing herself to any promises, obtained for her
husband the appointment as deputy head of the office and the Cross of
the Legion of Honor.

The campaign was not carried out without little dinners at the /Rocher
de Cancale/, parties to the play, and gifts in the form of lace,
scarves, gowns, and jewelry. The apartment in the Rue du Doyenne was
not satisfactory; the Baron proposed to furnish another magnificently
in a charming new house in the Rue Vanneau.

Monsieur Marneffe got a fortnight's leave, to be taken a month hence
for urgent private affairs in the country, and a present in money; he
promised himself that he would spend both in a little town in
Switzerland, studying the fair sex.

While Monsieur Hulot thus devoted himself to the lady he was
"protecting," he did not forget the young artist. Comte Popinot,
Minister of Commerce, was a patron of Art; he paid two thousand francs
for a copy of the /Samson/ on condition that the mould should be
broken, and that there should be no /Samson/ but his and Mademoiselle
Hulot's. The group was admired by a Prince, to whom the model sketch
for the clock was also shown, and who ordered it; but that again was
to be unique, and he offered thirty thousand francs for it.

Artists who were consulted, and among them Stidmann, were of opinion
that the man who had sketched those two models was capable of
achieving a statue. The Marshal Prince de Wissembourg, Minister of
War, and President of the Committee for the subscriptions to the
monument of Marshal Montcornet, called a meeting, at which it was
decided that the execution of the work should be placed in Steinbock's
hands. The Comte de Rastignac, at that time Under-secretary of State,
wished to possess a work by the artist, whose glory was waxing amid
the acclamations of his rivals. Steinbock sold to him the charming
group of two little boys crowning a little girl, and he promised to
secure for the sculptor a studio attached to the Government marble-
quarries, situated, as all the world knows, at Le Gros-Caillou.

This was a success, such success as is won in Paris, that is to say,
stupendous success, that crushes those whose shoulders and loins are
not strong enough to bear it--as, be it said, not unfrequently is the
case. Count Wenceslas Steinbock was written about in all the
newspapers and reviews without his having the least suspicion of it,
any more than had Mademoiselle Fischer. Every day, as soon as Lisbeth
had gone out to dinner, Wenceslas went to the Baroness' and spent an
hour or two there, excepting on the evenings when Lisbeth dined with
the Hulots.



This state of things lasted for several days.

The Baron, assured of Count Steinbock's titles and position; the
Baroness, pleased with his character and habits; Hortense, proud of
her permitted love and of her suitor's fame, none of them hesitated to
speak of the marriage; in short, the artist was in the seventh heaven,
when an indiscretion on Madame Marneffe's part spoilt all.

And this was how.

Lisbeth, whom the Baron wished to see intimate with Madame Marneffe,
that she might keep an eye on the couple, had already dined with
Valerie; and she, on her part, anxious to have an ear in the Hulot
house, made much of the old maid. It occurred to Valerie to invite
Mademoiselle Fischer to a house-warming in the new apartments she was
about to move into. Lisbeth, glad to have found another house to dine
in, and bewitched by Madame Marneffe, had taken a great fancy to
Valerie. Of all the persons she had made acquaintance with, no one had
taken so much pains to please her. In fact, Madame Marneffe, full of
attentions for Mademoiselle Fischer, found herself in the position
towards Lisbeth that Lisbeth held towards the Baroness, Monsieur
Rivet, Crevel, and the others who invited her to dinner.

The Marneffes had excited Lisbeth's compassion by allowing her to see
the extreme poverty of the house, while varnishing it as usual with
the fairest colors; their friends were under obligations to them and
ungrateful; they had had much illness; Madame Fortin, her mother, had
never known of their distress, and had died believing herself wealthy
to the end, thanks to their superhuman efforts--and so forth.

"Poor people!" said she to her Cousin Hulot, "you are right to do what
you can for them; they are so brave and so kind! They can hardly live
on the thousand crowns he gets as deputy-head of the office, for they
have got into debt since Marshal Montcornet's death. It is barbarity
on the part of the Government to suppose that a clerk with a wife and
family can live in Paris on two thousand four hundred francs a year."

And so, within a very short time, a young woman who affected regard
for her, who told her everything, and consulted her, who flattered
her, and seemed ready to yield to her guidance, had become dearer to
the eccentric Cousin Lisbeth than all her relations.

The Baron, on his part, admiring in Madame Marneffe such propriety,
education, and breeding as neither Jenny Cadine nor Josepha, nor any
friend of theirs had to show, had fallen in love with her in a month,
developing a senile passion, a senseless passion, which had an
appearance of reason. In fact, he found here neither the banter, nor
the orgies, nor the reckless expenditure, nor the depravity, nor the
scorn of social decencies, nor the insolent independence which had
brought him to grief alike with the actress and the singer. He was
spared, too, the rapacity of the courtesan, like unto the thirst of
dry sand.

Madame Marneffe, of whom he had made a friend and confidante, made the
greatest difficulties over accepting any gift from him.

"Appointments, official presents, anything you can extract from the
Government; but do not begin by insulting a woman whom you profess to
love," said Valerie. "If you do, I shall cease to believe you--and I
like to believe you," she added, with a glance like Saint Theresa
leering at heaven.

Every time he made her a present there was a fortress to be stormed, a
conscience to be over-persuaded. The hapless Baron laid deep
stratagems to offer her some trifle--costly, nevertheless--proud of
having at last met with virtue and the realization of his dreams. In
this primitive household, as he assured himself, he was the god as
much as in his own. And Monsieur Marneffe seemed at a thousand leagues
from suspecting that the Jupiter of his office intended to descend on
his wife in a shower of gold; he was his august chief's humblest
slave.

Madame Marneffe, twenty-three years of age, a pure and bashful middle-
class wife, a blossom hidden in the Rue du Doyenne, could know nothing
of the depravity and demoralizing harlotry which the Baron could no
longer think of without disgust, for he had never known the charm of
recalcitrant virtue, and the coy Valerie made him enjoy it to the
utmost--all along the line, as the saying goes.

The question having come to this point between Hector and Valerie, it
is not astonishing that Valerie should have heard from Hector the
secret of the intended marriage between the great sculptor Steinbock
and Hortense Hulot. Between a lover on his promotion and a lady who
hesitates long before becoming his mistress, there are contests,
uttered or unexpressed, in which a word often betrays a thought; as,
in fencing, the foils fly as briskly as the swords in duel. Then a
prudent man follows the example of Monsieur de Turenne. Thus the Baron
had hinted at the greater freedom his daughter's marriage would allow
him, in reply to the tender Valerie, who more than once had exclaimed:

"I cannot imagine how a woman can go wrong for a man who is not wholly
hers."

And a thousand times already the Baron had declared that for five-and-
twenty years all had been at an end between Madame Hulot and himself.

"And they say she is so handsome!" replied Madame Marneffe. "I want
proof."

"You shall have it," said the Baron, made happy by this demand, by
which his Valerie committed herself.

Hector had then been compelled to reveal his plans, already being
carried into effect in the Rue Vanneau, to prove to Valerie that he
intended to devote to her that half of his life which belonged to his
lawful wife, supposing that day and night equally divide the existence
of civilized humanity. He spoke of decently deserting his wife,
leaving her to herself as soon as Hortense should be married. The
Baroness would then spend all her time with Hortense or the young
Hulot couple; he was sure of her submission.

"And then, my angel, my true life, my real home will be in the Rue
Vanneau."

"Bless me, how you dispose of me!" said Madame Marneffe. "And my
husband----"

"That rag!"

"To be sure, as compared with you so he is!" said she with a laugh.

Madame Marneffe, having heard Steinbock's history, was frantically
eager to see the young Count; perhaps she wished to have some trifle
of his work while they still lived under the same roof. This curiosity
so seriously annoyed the Baron that Valerie swore to him that she
would never even look at Wenceslas. But though she obtained, as the
reward of her surrender of this wish, a little tea-service of old
Sevres /pate tendre/, she kept her wish at the bottom of her heart, as
if written on tablets.

So one day when she had begged "/my/ Cousin Betty" to come to take
coffee with her in her room, she opened on the subject of her lover,
to know how she might see him without risk.

"My dear child," said she, for they called each my dear, "why have you
never introduced your lover to me? Do you know that within a short
time he has become famous?"

"He famous?"

"He is the one subject of conversation."

"Pooh!" cried Lisbeth.

"He is going to execute the statue of my father, and I could be of
great use to him and help him to succeed in the work; for Madame
Montcornet cannot lend him, as I can, a miniature by Sain, a beautiful
thing done in 1809, before the Wagram Campaign, and given to my poor
mother--Montcornet when he was young and handsome."

Sain and Augustin between them held the sceptre of miniature painting
under the Empire.

"He is going to make a statue, my dear, did you say?"

"Nine feet high--by the orders of the Minister of War. Why, where have
you dropped from that I should tell you the news? Why, the Government
is going to give Count Steinbock rooms and a studio at Le Gros-
Caillou, the depot for marble; your Pole will be made the Director, I
should not wonder, with two thousand francs a year and a ring on his
finger."

"How do you know all this when I have heard nothing about it?" said
Lisbeth at last, shaking off her amazement.

"Now, my dear little Cousin Betty," said Madame Marneffe, in an
insinuating voice, "are you capable of devoted friendship, put to any
test? Shall we henceforth be sisters? Will you swear to me never to
have a secret from me any more than I from you--to act as my spy, as I
will be yours?--Above all, will you pledge yourself never to betray me
either to my husband or to Monsieur Hulot, and never reveal that it
was I who told you----?"

Madame Marneffe broke off in this spurring harangue; Lisbeth
frightened her. The peasant-woman's face was terrible; her piercing
black eyes had the glare of the tiger's; her face was like that we
ascribe to a pythoness; she set her teeth to keep them from
chattering, and her whole frame quivered convulsively. She had pushed
her clenched fingers under her cap to clutch her hair and support her
head, which felt too heavy; she was on fire. The smoke of the flame
that scorched her seemed to emanate from her wrinkles as from the
crevasses rent by a volcanic eruption. It was a startling spectacle.

"Well, why do you stop?" she asked in a hollow voice. "I will be all
to you that I have been to him.--Oh, I would have given him my life-
blood!"

"You loved him then?"

"Like a child of my own!"

"Well, then," said Madame Marneffe, with a breath of relief, "if you
only love him in that way, you will be very happy--for you wish him to
be happy?"

Lisbeth replied by a nod as hasty as a madwoman's.

"He is to marry your Cousin Hortense in a month's time."

"Hortense!" shrieked the old maid, striking her forehead, and starting
to her feet.

"Well, but then you were really in love with this young man?" asked
Valerie.

"My dear, we are bound for life and death, you and I," said
Mademoiselle Fischer. "Yes, if you have any love affairs, to me they
are sacred. Your vices will be virtues in my eyes.--For I shall need
your vices!"

"Then did you live with him?" asked Valerie.

"No; I meant to be a mother to him."

"I give it up. I cannot understand," said Valerie. "In that case you
are neither betrayed nor cheated, and you ought to be very happy to
see him so well married; he is now fairly afloat. And, at any rate,
your day is over. Our artist goes to Madame Hulot's every evening as
soon as you go out to dinner."

"Adeline!" muttered Lisbeth. "Oh, Adeline, you shall pay for this! I
will make you uglier than I am."

"You are as pale as death!" exclaimed Valerie. "There is something
wrong?--Oh, what a fool I am! The mother and daughter must have
suspected that you would raise some obstacles in the way of this
affair since they have kept it from you," said Madame Marneffe. "But
if you did not live with the young man, my dear, all this is a greater
puzzle to me than my husband's feelings----"

"Ah, you don't know," said Lisbeth; "you have no idea of all their
tricks. It is the last blow that kills. And how many such blows have I
had to bruise my soul! You don't know that from the time when I could
first feel, I have been victimized for Adeline. I was beaten, and she
was petted; I was dressed like a scullion, and she had clothes like a
lady's; I dug in the garden and cleaned the vegetables, and she--she
never lifted a finger for anything but to make up some finery!--She
married the Baron, she came to shine at the Emperor's Court, while I
stayed in our village till 1809, waiting for four years for a suitable
match; they brought me away, to be sure, but only to make me a work-
woman, and to offer me clerks or captains like coalheavers for a
husband! I have had their leavings for twenty-six years!--And now like
the story in the Old Testament, the poor relation has one ewe-lamb
which is all her joy, and the rich man who has flocks covets the ewe-
lamb and steals it--without warning, without asking. Adeline has
meanly robbed me of my happiness!--Adeline! Adeline! I will see you in
the mire, and sunk lower than myself!--And Hortense--I loved her, and
she has cheated me. The Baron.--No, it is impossible. Tell me again
what is really true of all this."

"Be calm, my dear child."

"Valerie, my darling, I will be calm," said the strange creature,
sitting down again. "One thing only can restore me to reason; give me
proofs."

"Your Cousin Hortense has the /Samson/ group--here is a lithograph
from it published in a review. She paid for it out of her pocket-
money, and it is the Baron who, to benefit his future son-in-law, is
pushing him, getting everything for him."

"Water!--water!" said Lisbeth, after glancing at the print, below
which she read, "A group belonging to Mademoiselle Hulot d'Ervy."
"Water! my head is burning, I am going mad!"

Madame Marneffe fetched some water. Lisbeth took off her cap,
unfastened her black hair, and plunged her head into the basin her new
friend held for her. She dipped her forehead into it several times,
and checked the incipient inflammation. After this douche she
completely recovered her self-command.

"Not a word," said she to Madame Marneffe as she wiped her face--"not
a word of all this.--You see, I am quite calm; everything is
forgotten. I am thinking of something very different."

"She will be in Charenton to-morrow, that is very certain," thought
Madame Marneffe, looking at the old maid.

"What is to be done?" Lisbeth went on. "You see, my angel, there is
nothing for it but to hold my tongue, bow my head, and drift to the
grave, as all water runs to the river. What could I try to do? I
should like to grind them all--Adeline, her daughter, and the Baron--
all to dust! But what can a poor relation do against a rich family? It
would be the story of the earthen pot and the iron pot."

"Yes; you are right," said Valerie. "You can only pull as much hay as
you can to your side of the manger. That is all the upshot of life in
Paris."

"Besides," said Lisbeth, "I shall soon die, I can tell you, if I lose
that boy to whom I fancied I could always be a mother, and with whom I
counted on living all my days----"

There were tears in her eyes, and she paused. Such emotion in this
woman made of sulphur and flame, made Valerie shudder.

"Well, at any rate, I have found you," said Lisbeth, taking Valerie's
hand, "that is some consolation in this dreadful trouble.--We shall be
true friends; and why should we ever part? I shall never cross your
track. No one will ever be in love with me!--Those who would have
married me, would only have done it to secure my Cousin Hulot's
interest. With energy enough to scale Paradise, to have to devote it
to procuring bread and water, a few rags, and a garret!--That is
martyrdom, my dear, and I have withered under it."

She broke off suddenly, and shot a black flash into Madame Marneffe's
blue eyes, a glance that pierced the pretty woman's soul, as the point
of a dagger might have pierced her heart.

"And what is the use of talking?" she exclaimed in reproof to herself.
"I never said so much before, believe me! The tables will be turned
yet!" she added after a pause. "As you so wisely say, let us sharpen
our teeth, and pull down all the hay we can get."

"You are very wise," said Madame Marneffe, who had been frightened by
this scene, and had no remembrance of having uttered this maxim. "I am
sure you are right, my dear child. Life is not so long after all, and
we must make the best of it, and make use of others to contribute to
our enjoyment. Even I have learned that, young as I am. I was brought
up a spoilt child, my father married ambitiously, and almost forgot
me, after making me his idol and bringing me up like a queen's
daughter! My poor mother, who filled my head with splendid visions,
died of grief at seeing me married to an office clerk with twelve
hundred francs a year, at nine-and-thirty an aged and hardened
libertine, as corrupt as the hulks, looking on me, as others looked on
you, as a means of fortune!--Well, in that wretched man, I have found
the best of husbands. He prefers the squalid sluts he picks up at the
street corners, and leaves me free. Though he keeps all his salary to
himself, he never asks me where I get money to live on----"

And she in her turn stopped short, as a woman does who feels herself
carried away by the torrent of her confessions; struck, too, by
Lisbeth's eager attention, she thought well to make sure of Lisbeth
before revealing her last secrets.

"You see, dear child, how entire is my confidence in you!" she
presently added, to which Lisbeth replied by a most comforting nod.

An oath may be taken by a look and a nod more solemnly than in a court
of justice.

"I keep up every appearance of respectability," Valerie went on,
laying her hand on Lisbeth's as if to accept her pledge. "I am a
married woman, and my own mistress, to such a degree, that in the
morning, when Marneffe sets out for the office, if he takes it into
his head to say good-bye and finds my door locked, he goes off without
a word. He cares less for his boy than I care for one of the marble
children that play at the feet of one of the river-gods in the
Tuileries. If I do not come home to dinner, he dines quite contentedly
with the maid, for the maid is devoted to monsieur; and he goes out
every evening after dinner, and does not come in till twelve or one
o'clock. Unfortunately, for a year past, I have had no ladies' maid,
which is as much as to say that I am a widow!

"I have had one passion, once have been happy--a rich Brazilian--who
went away a year ago--my only lapse!--He went away to sell his
estates, to realize his land, and come back to live in France. What
will he find left of his Valerie? A dunghill. Well! it is his fault
and not mine; why does he delay coming so long? Perhaps he has been
wrecked--like my virtue."

"Good-bye, my dear," said Lisbeth abruptly; "we are friends for ever.
I love you, I esteem you, I am wholly yours! My cousin is tormenting
me to go and live in the house you are moving to, in the Rue Vanneau;
but I would not go, for I saw at once the reasons for this fresh piece
of kindness----"

"Yes; you would have kept an eye on me, I know!" said Madame Marneffe.

"That was, no doubt, the motive of his generosity," replied Lisbeth.
"In Paris, most beneficence is a speculation, as most acts of
ingratitude are revenge! To a poor relation you behave as you do to
rats to whom you offer a bit of bacon. Now, I will accept the Baron's
offer, for this house has grown intolerable to me. You and I have wit
enough to hold our tongues about everything that would damage us, and
tell all that needs telling. So, no blabbing--and we are friends."

"Through thick and thin!" cried Madame Marneffe, delighted to have a
sheep-dog, a confidante, a sort of respectable aunt. "Listen to me;
the Baron is doing a great deal in the Rue Vanneau----"

"I believe you!" interrupted Lisbeth. "He has spent thirty thousand
francs! Where he got the money, I am sure I don't know, for Josepha
the singer bled him dry.--Oh! you are in luck," she went on. "The
Baron would steal for a woman who held his heart in two little white
satin hands like yours!"

"Well, then," said Madame Marneffe, with the liberality of such
creatures, which is mere recklessness, "look here, my dear child; take
away from here everything that may serve your turn in your new
quarters--that chest of drawers, that wardrobe and mirror, the carpet,
the curtains----"

Lisbeth's eyes dilated with excessive joy; she was incredulous of such
a gift.

"You are doing more for me in a breath than my rich relations have
done in thirty years!" she exclaimed. "They have never even asked
themselves whether I had any furniture at all. On his first visit, a
few weeks ago, the Baron made a rich man's face on seeing how poor I
was.--Thank you, my dear; and I will give you your money's worth, you
will see how by and by."

Valerie went out on the landing with /her/ Cousin Betty, and the two
women embraced.

"Pouh! How she stinks of hard work!" said the pretty little woman to
herself when she was alone. "I shall not embrace you often, my dear
cousin! At the same time, I must look sharp. She must be skilfully
managed, for she can be of use, and help me to make my fortune."



Like the true Creole of Paris, Madame Marneffe abhorred trouble; she
had the calm indifference of a cat, which never jumps or runs but when
urged by necessity. To her, life must be all pleasure; and the
pleasure without difficulties. She loved flowers, provided they were
brought to her. She could not imagine going to the play but to a good
box, at her own command, and in a carriage to take her there. Valerie
inherited these courtesan tastes from her mother, on whom General
Montcornet had lavished luxury when he was in Paris, and who for
twenty years had seen all the world at her feet; who had been wasteful
and prodigal, squandering her all in the luxurious living of which the
programme has been lost since the fall of Napoleon.

The grandees of the Empire were a match in their follies for the great
nobles of the last century. Under the Restoration the nobility cannot
forget that it has been beaten and robbed, and so, with two or three
exceptions, it has become thrifty, prudent, and stay-at-home, in
short, bourgeois and penurious. Since then, 1830 has crowned the work
of 1793. In France, henceforth, there will be great names, but no
great houses, unless there should be political changes which we can
hardly foresee. Everything takes the stamp of individuality. The
wisest invest in annuities. Family pride is destroyed.

The bitter pressure of poverty which had stung Valerie to the quick on
the day when, to use Marneffe's expression, she had "caught on" with
Hulot, had brought the young woman to the conclusion that she would
make a fortune by means of her good looks. So, for some days, she had
been feeling the need of having a friend about her to take the place
of a mother--a devoted friend, to whom such things may be told as must
be hidden from a waiting-maid, and who could act, come and go, and
think for her, a beast of burden resigned to an unequal share of life.
Now, she, quite as keenly as Lisbeth, had understood the Baron's
motives for fostering the intimacy between his cousin and herself.

Prompted by the formidable perspicacity of the Parisian half-breed,
who spends her days stretched on a sofa, turning the lantern of her
detective spirit on the obscurest depths of souls, sentiments, and
intrigues, she had decided on making an ally of the spy. This
supremely rash step was, perhaps premeditated; she had discerned the
true nature of this ardent creature, burning with wasted passion, and
meant to attach her to herself. Thus, their conversation was like the
stone a traveler casts into an abyss to demonstrate its depth. And
Madame Marneffe had been terrified to find this old maid a combination
of Iago and Richard III., so feeble as she seemed, so humble, and so
little to be feared.

For that instant, Lisbeth Fischer had been her real self; that
Corsican and savage temperament, bursting the slender bonds that held
it under, had sprung up to its terrible height, as the branch of a
tree flies up from the hand of a child that has bent it down to gather
the green fruit.

To those who study the social world, it must always be a matter of
astonishment to see the fulness, the perfection, and the rapidity with
which an idea develops in a virgin nature.

Virginity, like every other monstrosity, has its special richness, its
absorbing greatness. Life, whose forces are always economized, assumes
in the virgin creature an incalculable power of resistance and
endurance. The brain is reinforced in the sum-total of its reserved
energy. When really chaste natures need to call on the resources of
body or soul, and are required to act or to think, they have muscles
of steel, or intuitive knowledge in their intelligence--diabolical
strength, or the black magic of the Will.

From this point of view the Virgin Mary, even if we regard her only as
a symbol, is supremely great above every other type, whether Hindoo,
Egyptian, or Greek. Virginity, the mother of great things, /magna
parens rerum/, holds in her fair white hands the keys of the upper
worlds. In short, that grand and terrible exception deserves all the
honors decreed to her by the Catholic Church.

Thus, in one moment, Lisbeth Fischer had become the Mohican whose
snares none can escape, whose dissimulation is inscrutable, whose
swift decisiveness is the outcome of the incredible perfection of
every organ of sense. She was Hatred and Revenge, as implacable as
they are in Italy, Spain, and the East. These two feelings, the
obverse of friendship and love carried to the utmost, are known only
in lands scorched by the sun. But Lisbeth was also a daughter of
Lorraine, bent on deceit.

She accepted this detail of her part against her will; she began by
making a curious attempt, due to her ignorance. She fancied, as
children do, that being imprisoned meant the same thing as solitary
confinement. But this is the superlative degree of imprisonment, and
that superlative is the privilege of the Criminal Bench.

As soon as she left Madame Marneffe, Lisbeth hurried off to Monsieur
Rivet, and found him in his office.

"Well, my dear Monsieur Rivet," she began, when she had bolted the
door of the room. "You were quite right. Those Poles! They are low
villains--all alike, men who know neither law nor fidelity."

"And who want to set Europe on fire," said the peaceable Rivet, "to
ruin every trade and every trader for the sake of a country that is
all bog-land, they say, and full of horrible Jews, to say nothing of
the Cossacks and the peasants--a sort of wild beasts classed by
mistake with human beings. Your Poles do not understand the times we
live in; we are no longer barbarians. War is coming to an end, my dear
mademoiselle; it went out with the Monarchy. This is the age of
triumph for commerce, and industry, and middle-class prudence, such as
were the making of Holland.

"Yes," he went on with animation, "we live in a period when nations
must obtain all they need by the legal extension of their liberties
and by the pacific action of Constitutional Institutions; that is what
the Poles do not see, and I hope----

"You were saying, my dear?--" he added, interrupting himself when he
saw from his work-woman's face that high politics were beyond her
comprehension.

"Here is the schedule," said Lisbeth. "If I don't want to lose my
three thousand two hundred and ten francs, I must clap this rogue into
prison."

"Didn't I tell you so?" cried the oracle of the Saint-Denis quarter.

The Rivets, successor to Pons Brothers, had kept their shop still in
the Rue des Mauvaises-Paroles, in the ancient Hotel Langeais, built by
that illustrious family at the time when the nobility still gathered
round the Louvre.

"Yes, and I blessed you on my way here," replied Lisbeth.

"If he suspects nothing, he can be safe in prison by eight o'clock in
the morning," said Rivet, consulting the almanac to ascertain the hour
of sunrise; "but not till the day after to-morrow, for he cannot be
imprisoned till he has had notice that he is to be arrested by writ,
with the option of payment or imprisonment. And so----"

"What an idiotic law!" exclaimed Lisbeth. "Of course the debtor
escapes."

"He has every right to do so," said the Assessor, smiling. "So this is
the way----"

"As to that," said Lisbeth, interrupting him, "I will take the paper
and hand it to him, saying that I have been obliged to raise the
money, and that the lender insists on this formality. I know my
gentleman. He will not even look at the paper; he will light his pipe
with it."

"Not a bad idea, not bad, Mademoiselle Fischer! Well, make your mind
easy; the job shall be done.--But stop a minute; to put your man in
prison is not the only point to be considered; you only want to
indulge in that legal luxury in order to get your money. Who is to pay
you?"

"Those who give him money."

"To be sure; I forgot that the Minister of War had commissioned him to
erect a monument to one of our late customers. Ah! the house has
supplied many an uniform to General Montcornet; he soon blackened them
with the smoke of cannon. A brave man, he was! and he paid on the
nail."

A marshal of France may have saved the Emperor or his country; "He
paid on the nail" will always be the highest praise he can have from a
tradesman.

"Very well. And on Saturday, Monsieur Rivet, you shall have the flat
tassels.--By the way, I am moving from the Rue du Doyenne; I am going
to live in the Rue Vanneau."

"You are very right. I could not bear to see you in that hole which,
in spite of my aversion to the Opposition, I must say is a disgrace; I
repeat it, yes! is a disgrace to the Louvre and the Place du
Carrousel. I am devoted to Louis-Philippe, he is my idol; he is the
august and exact representative of the class on whom he founded his
dynasty, and I can never forget what he did for the trimming-makers by
restoring the National Guard----"

"When I hear you speak so, Monsieur Rivet, I cannot help wondering why
you are not made a deputy."

"They are afraid of my attachment to the dynasty," replied Rivet. "My
political enemies are the King's. He has a noble character! They are a
fine family; in short," said he, returning to the charge, "he is our
ideal: morality, economy, everything. But the completion of the Louvre
is one of the conditions on which we gave him the crown, and the civil
list, which, I admit, had no limits set to it, leaves the heart of
Paris in a most melancholy state.--It is because I am so strongly in
favor of the middle course that I should like to see the middle of
Paris in a better condition. Your part of the town is positively
terrifying. You would have been murdered there one fine day.--And so
your Monsieur Crevel has been made Major of his division! He will come
to us, I hope, for his big epaulette."

"I am dining with him to-night, and will send him to you."

Lisbeth believed that she had secured her Livonian to herself by
cutting him off from all communication with the outer world. If he
could no longer work, the artist would be forgotten as completely as a
man buried in a cellar, where she alone would go to see him. Thus she
had two happy days, for she hoped to deal a mortal blow at the
Baroness and her daughter.

To go to Crevel's house, in the Rue des Saussayes, she crossed the
Pont du Carrousel, went along the Quai Voltaire, the Quai d'Orsay, the
Rue Bellechasse, Rue de l'Universite, the Pont de la Concorde, and the
Avenue de Marigny. This illogical route was traced by the logic of
passion, always the foe of the legs.

Cousin Betty, as long as she followed the line of the quays, kept
watch on the opposite shore of the Seine, walking very slowly. She had
guessed rightly. She had left Wenceslas dressing; she at once
understood that, as soon as he should be rid of her, the lover would
go off to the Baroness' by the shortest road. And, in fact, as she
wandered along by the parapet of the Quai Voltaire, in fancy
suppressing the river and walking along the opposite bank, she
recognized the artist as he came out of the Tuileries to cross the
Pont Royal. She there came up with the faithless one, and could follow
him unseen, for lovers rarely look behind them. She escorted him as
far as Madame Hulot's house, where he went in like an accustomed
visitor.

This crowning proof, confirming Madame Marneffe's revelations, put
Lisbeth quite beside herself.

She arrived at the newly promoted Major's door in the state of mental
irritation which prompts men to commit murder, and found Monsieur
Crevel /senior/ in his drawing-room awaiting his children, Monsieur
and Madame Hulot /junior/.

But Celestin Crevel was so unconscious and so perfect a type of the
Parisian parvenu, that we can scarcely venture so unceremoniously into
the presence of Cesar Birotteau's successor. Celestin Crevel was a
world in himself; and he, even more than Rivet, deserves the honors of
the palette by reason of his importance in this domestic drama.



Have you ever observed how in childhood, or at the early stages of
social life, we create a model for our own imitation, with our own
hands as it were, and often without knowing it? The banker's clerk,
for instance, as he enters his master's drawing-room, dreams of
possessing such another. If he makes a fortune, it will not be the
luxury of the day, twenty years later, that you will find in his
house, but the old-fashioned splendor that fascinated him of yore. It
is impossible to tell how many absurdities are due to this
retrospective jealousy; and in the same way we know nothing of the
follies due to the covert rivalry that urges men to copy the type they
have set themselves, and exhaust their powers in shining with a
reflected light, like the moon.

Crevel was deputy mayor because his predecessor had been; he was Major
because he coveted Cesar Birotteau's epaulettes. In the same way,
struck by the marvels wrought by Grindot the architect, at the time
when Fortune had carried his master to the top of the wheel, Crevel
had "never looked at both sides of a crown-piece," to use his own
language, when he wanted to "do up" his rooms; he had gone with his
purse open and his eyes shut to Grindot, who by this time was quite
forgotten. It is impossible to guess how long an extinct reputation
may survive, supported by such stale admiration.

So Grindot, for the thousandth time had displayed his white-and-gold
drawing-room paneled with crimson damask. The furniture, of rosewood,
clumsily carved, as such work is done for the trade, had in the
country been the source of just pride in Paris workmanship on the
occasion of an industrial exhibition. The candelabra, the fire-dogs,
the fender, the chandelier, the clock, were all in the most unmeaning
style of scroll-work; the round table, a fixture in the middle of the
room, was a mosaic of fragments of Italian and antique marbles,
brought from Rome, where these dissected maps are made of
mineralogical specimens--for all the world like tailors' patterns--an
object of perennial admiration to Crevel's citizen friends. The
portraits of the late lamented Madame Crevel, of Crevel himself, of
his daughter and his son-in-law, hung on the walls, two and two; they
were the work of Pierre Grassou, the favored painter of the
bourgeoisie, to whom Crevel owed his ridiculous Byronic attitude. The
frames, costing a thousand francs each, were quite in harmony with
this coffee-house magnificence, which would have made any true artist
shrug his shoulders.

Money never yet missed the smallest opportunity of being stupid. We
should have in Paris ten Venices if our retired merchants had had the
instinct for fine things characteristic of the Italians. Even in our
own day a Milanese merchant could leave five hundred thousand francs
to the Duomo, to regild the colossal statue of the Virgin that crowns
the edifice. Canova, in his will, desired his brother to build a
church costing four million francs, and that brother adds something on
his own account. Would a citizen of Paris--and they all, like Rivet,
love their Paris in their heart--ever dream of building the spires
that are lacking to the towers of Notre-Dame? And only think of the
sums that revert to the State in property for which no heirs are
found.

All the improvements of Paris might have been completed with the money
spent on stucco castings, gilt mouldings, and sham sculpture during
the last fifteen years by individuals of the Crevel stamp.

Beyond this drawing-room was a splendid boudoir furnished with tables
and cabinets in imitation of Boulle.

The bedroom, smart with chintz, also opened out of the drawing-room.
Mahogany in all its glory infested the dining-room, and Swiss views,
gorgeously framed, graced the panels. Crevel, who hoped to travel in
Switzerland, had set his heart on possessing the scenery in painting
till the time should come when he might see it in reality.

So, as will have been seen, Crevel, the Mayor's deputy, of the Legion
of Honor and of the National Guard, had faithfully reproduced all the
magnificence, even as to furniture, of his luckless predecessor. Under
the Restoration, where one had sunk, this other, quite overlooked, had
come to the top--not by any strange stroke of fortune, but by the
force of circumstance. In revolutions, as in storms at sea, solid
treasure goes to the bottom, and light trifles are floated to the
surface. Cesar Birotteau, a Royalist, in favor and envied, had been
made the mark of bourgeois hostility, while bourgeoisie triumphant
found its incarnation in Crevel.

This apartment, at a rent of a thousand crowns, crammed with all the
vulgar magnificence that money can buy, occupied the first floor of a
fine old house between a courtyard and a garden. Everything was as
spick-and-span as the beetles in an entomological case, for Crevel
lived very little at home.

This gorgeous residence was the ambitious citizen's legal domicile.
His establishment consisted of a woman-cook and a valet; he hired two
extra men, and had a dinner sent in by Chevet, whenever he gave a
banquet to his political friends, to men he wanted to dazzle or to a
family party.

The seat of Crevel's real domesticity, formerly in the Rue Notre-Dame
de Lorette, with Mademoiselle Heloise Brisetout, had lately been
transferred, as we have seen, to the Rue Chauchat. Every morning the
retired merchant--every ex-tradesman is a retired merchant--spent two
hours in the Rue des Saussayes to attend to business, and gave the
rest of his time to Mademoiselle Zaire, which annoyed Zaire very much.
Orosmanes-Crevel had a fixed bargain with Mademoiselle Heloise; she
owed him five hundred francs worth of enjoyment every month, and no
"bills delivered." He paid separately for his dinner and all extras.
This agreement, with certain bonuses, for he made her a good many
presents, seemed cheap to the ex-attache of the great singer; and he
would say to widowers who were fond of their daughters, that it paid
better to job your horses than to have a stable of your own. At the
same time, if the reader remembers the speech made to the Baron by the
porter at the Rue Chauchat, Crevel did not escape the coachman and the
groom.

Crevel, as may be seen, had turned his passionate affection for his
daughter to the advantage of his self-indulgence. The immoral aspect
of the situation was justified by the highest morality. And then the
ex-perfumer derived from this style of living--it was the inevitable,
a free-and-easy life, /Regence, Pompadour, Marechal de Richelieu/,
what not--a certain veneer of superiority. Crevel set up for being a
man of broad views, a fine gentleman with an air and grace, a liberal
man with nothing narrow in his ideas--and all for the small sum of
about twelve to fifteen hundred francs a month. This was the result
not of hypocritical policy, but of middle-class vanity, though it came
to the same in the end.

On the Bourse Crevel was regarded as a man superior to his time, and
especially as a man of pleasure, a /bon vivant/. In this particular
Crevel flattered himself that he had overtopped his worthy friend
Birotteau by a hundred cubits.

"And is it you?" cried Crevel, flying into a rage as he saw Lisbeth
enter the room, "who have plotted this marriage between Mademoiselle
Hulot and your young Count, whom you have been bringing up by hand for
her?"

"You don't seem best pleased at it?" said Lisbeth, fixing a piercing
eye on Crevel. "What interest can you have in hindering my cousin's
marriage? For it was you, I am told, who hindered her marrying
Monsieur Lebas' son."

"You are a good soul and to be trusted," said Crevel. "Well, then, do
you suppose that I will ever forgive Monsieur Hulot for the crime of
having robbed me of Josepha--especially when he turned a decent girl,
whom I should have married in my old age, into a good-for-nothing
slut, a mountebank, an opera singer!--No, no. Never!"

"He is a very good fellow, too, is Monsieur Hulot," said Cousin Betty.

"Amiable, very amiable--too amiable," replied Crevel. "I wish him no
harm; but I do wish to have my revenge, and I will have it. It is my
one idea."

"And is that desire the reason why you no longer visit Madame Hulot?"

"Possibly."

"Ah, ha! then you were courting my fair cousin?" said Lisbeth, with a
smile. "I thought as much."

"And she treated me like a dog!--worse, like a footman; nay, I might
say like a political prisoner.--But I will succeed yet," said he,
striking his brow with his clenched fist.

"Poor man! It would be dreadful to catch his wife deceiving him after
being packed off by his mistress."

"Josepha?" cried Crevel. "Has Josepha thrown him over, packed him off,
turned him out neck and crop? Bravo, Josepha, you have avenged me! I
will send you a pair of pearls to hang in your ears, my ex-sweetheart!
--I knew nothing of it; for after I had seen you, on the day after
that when the fair Adeline had shown me the door, I went back to visit
the Lebas, at Corbeil, and have but just come back. Heloise played the
very devil to get me into the country, and I have found out the
purpose of her game; she wanted me out of the way while she gave a
house-warming in the Rue Chauchat, with some artists, and players, and
writers.--She took me in! But I can forgive her, for Heloise amuses
me. She is a Dejazet under a bushel. What a character the hussy is!
There is the note I found last evening:

  " 'DEAR OLD CHAP,--I have pitched my tent in the Rue Chauchat. I
  have taken the precaution of getting a few friends to clean up the
  paint. All is well. Come when you please, monsieur; Hagar awaits
  her Abraham.'

"Heloise will have some news for me, for she has her bohemia at her
fingers' end."

"But Monsieur Hulot took the disaster very calmly," said Lisbeth.

"Impossible!" cried Crevel, stopping in a parade as regular as the
swing of a pendulum.

"Monsieur Hulot is not as young as he was," Lisbeth remarked
significantly.

"I know that," said Crevel, "but in one point we are alike: Hulot
cannot do without an attachment. He is capable of going back to his
wife. It would be a novelty for him, but an end to my vengeance. You
smile, Mademoiselle Fischer--ah! perhaps you know something?"

"I am smiling at your notions," replied Lisbeth. "Yes, my cousin is
still handsome enough to inspire a passion. I should certainly fall in
love with her if I were a man."

"Cut and come again!" exclaimed Crevel. "You are laughing at me.--The
Baron has already found consolation?"

Lisbeth bowed affirmatively.

"He is a lucky man if he can find a second Josepha within twenty-four
hours!" said Crevel. "But I am not altogether surprised, for he told
me one evening at supper that when he was a young man he always had
three mistresses on hand that he might not be left high and dry--the
one he was giving over, the one in possession, and the one he was
courting for a future emergency. He had some smart little work-woman
in reserve, no doubt--in his fish-pond--his /Parc-aux-cerfs/! He is
very Louis XV., is my gentleman. He is in luck to be so handsome!--
However, he is ageing; his face shows it.--He has taken up with some
little milliner?"

"Dear me, no," replied Lisbeth.

"Oh!" cried Crevel, "what would I not do to hinder him from hanging up
his hat! I could not win back Josepha; women of that kind never come
back to their first love.--Besides, it is truly said, such a return is
not love.--But, Cousin Betty, I would pay down fifty thousand francs--
that is to say, I would spend it--to rob that great good-looking
fellow of his mistress, and to show him that a Major with a portly
stomach and a brain made to become Mayor of Paris, though he is a
grandfather, is not to have his mistress tickled away by a poacher
without turning the tables."

"My position," said Lisbeth, "compels me to hear everything and know
nothing. You may talk to me without fear; I never repeat a word of
what any one may choose to tell me. How can you suppose I should ever
break that rule of conduct? No one would ever trust me again."

"I know," said Crevel; "you are the very jewel of old maids. Still,
come, there are exceptions. Look here, the family have never settled
an allowance on you?"

"But I have my pride," said Lisbeth. "I do not choose to be an expense
to anybody."

"If you will but help me to my revenge," the tradesman went on, "I
will sink ten thousand francs in an annuity for you. Tell me, my fair
cousin, tell me who has stepped into Josepha's shoes, and you will
have money to pay your rent, your little breakfast in the morning, the
good coffee you love so well--you might allow yourself pure Mocha,
heh! And a very good thing is pure Mocha!"

"I do not care so much for the ten thousand francs in an annuity,
which would bring me nearly five hundred francs a year, as for
absolute secrecy," said Lisbeth. "For, you see, my dear Monsieur
Crevel, the Baron is very good to me; he is to pay my rent----"

"Oh yes, long may that last! I advise you to trust him," cried Crevel.
"Where will he find the money?"

"Ah, that I don't know. At the same time, he is spending more than
thirty thousand francs on the rooms he is furnishing for this little
lady."

"A lady! What, a woman in society; the rascal, what luck he has! He is
the only favorite!"

"A married woman, and quite the lady," Lisbeth affirmed.

"Really and truly?" cried Crevel, opening wide eyes flashing with
envy, quite as much as at the magic words /quite the lady/.

"Yes, really," said Lisbeth. "Clever, a musician, three-and-twenty, a
pretty, innocent face, a dazzling white skin, teeth like a puppy's,
eyes like stars, a beautiful forehead--and tiny feet, I never saw the
like, they are not wider than her stay-busk."

"And ears?" asked Crevel, keenly alive to this catalogue of charms.

"Ears for a model," she replied.

"And small hands?"

"I tell you, in few words, a gem of a woman--and high-minded, and
modest, and refined! A beautiful soul, an angel--and with every
distinction, for her father was a Marshal of France----"

"A Marshal of France!" shrieked Crevel, positively bounding with
excitement. "Good Heavens! by the Holy Piper! By all the joys in
Paradise!--The rascal!--I beg your pardon, Cousin, I am going crazy!--
I think I would give a hundred thousand francs----"

"I dare say you would, and, I tell you, she is a respectable woman--a
woman of virtue. The Baron has forked out handsomely."

"He has not a sou, I tell you."

"There is a husband he has pushed----"

"Where did he push him?" asked Crevel, with a bitter laugh.

"He is promoted to be second in his office--this husband who will
oblige, no doubt;--and his name is down for the Cross of the Legion of
Honor."

"The Government ought to be judicious and respect those who have the
Cross by not flinging it broadcast," said Crevel, with the look of an
aggrieved politician. "But what is there about the man--that old
bulldog of a Baron?" he went on. "It seems to me that I am quite a
match for him," and he struck an attitude as he looked at himself in
the glass. "Heloise has told me many a time, at moments when a woman
speaks the truth, that I was wonderful."

"Oh," said Lisbeth, "women like big men; they are almost always good-
natured; and if I had to decide between you and the Baron, I should
choose you. Monsieur Hulot is amusing, handsome, and has a figure; but
you, you are substantial, and then--you see--you look an even greater
scamp than he does."

"It is incredible how all women, even pious women, take to men who
have that about them!" exclaimed Crevel, putting his arm round
Lisbeth's waist, he was so jubilant.

"The difficulty does not lie there," said Betty. "You must see that a
woman who is getting so many advantages will not be unfaithful to her
patron for nothing; and it would cost you more than a hundred odd
thousand francs, for our little friend can look forward to seeing her
husband at the head of his office within two years' time.--It is
poverty that is dragging the poor little angel into that pit."

Crevel was striding up and down the drawing-room in a state of frenzy.

"He must be uncommonly fond of the woman?" he inquired after a pause,
while his desires, thus goaded by Lisbeth, rose to a sort of madness.

"You may judge for yourself," replied Lisbeth. I don't believe he has
had /that/ of her," said she, snapping her thumbnail against one of
her enormous white teeth, "and he has given her ten thousand francs'
worth of presents already."

"What a good joke it would be!" cried Crevel, "if I got to the winning
post first!"

"Good heavens! It is too bad of me to be telling you all this tittle-
tattle," said Lisbeth, with an air of compunction.

"No.--I mean to put your relations to the blush. To-morrow I shall
invest in your name such a sum in five-per-cents as will give you six
hundred francs a year; but then you must tell me everything--his
Dulcinea's name and residence. To you I will make a clean breast of
it.--I never have had a real lady for a mistress, and it is the height
of my ambition. Mahomet's houris are nothing in comparison with what I
fancy a woman of fashion must be. In short, it is my dream, my mania,
and to such a point, that I declare to you the Baroness Hulot to me
will never be fifty," said he, unconsciously plagiarizing one of the
greatest wits of the last century. "I assure you, my good Lisbeth, I
am prepared to sacrifice a hundred, two hundred--Hush! Here are the
young people, I see them crossing the courtyard. I shall never have
learned anything through you, I give you my word of honor; for I do
not want you to lose the Baron's confidence, quite the contrary. He
must be amazingly fond of this woman--that old boy."

"He is crazy about her," said Lisbeth. "He could not find forty
thousand francs to marry his daughter off, but he has got them somehow
for his new passion."

"And do you think that she loves him?"

"At his age!" said the old maid.

"Oh, what an owl I am!" cried Crevel, "when I myself allowed Heloise
to keep her artist exactly as Henri IX. allowed Gabrielle her
Bellegrade. Alas! old age, old age!--Good-morning, Celestine. How do,
my jewel!--And the brat? Ah! here he comes; on my honor, he is
beginning to be like me!--Good-day, Hulot--quite well? We shall soon
be having another wedding in the family."

Celestine and her husband, as a hint to their father, glanced at the
old maid, who audaciously asked, in reply to Crevel:

"Indeed--whose?"

Crevel put on an air of reserve which was meant to convey that he
would make up for her indiscretions.

"That of Hortense," he replied; "but it is not yet quite settled. I
have just come from the Lebas', and they were talking of Mademoiselle
Popinot as a suitable match for their son, the young councillor, for
he would like to get the presidency of a provincial court.--Now, come
to dinner."



By seven o'clock Lisbeth had returned home in an omnibus, for she was
eager to see Wenceslas, whose dupe she had been for three weeks, and
to whom she was carrying a basket filled with fruit by the hands of
Crevel himself, whose attentions were doubled towards /his/ Cousin
Betty.

She flew up to the attic at a pace that took her breath away, and
found the artist finishing the ornamentation of a box to be presented
to the adored Hortense. The framework of the lid represented
hydrangeas--in French called /Hortensias/--among which little Loves
were playing. The poor lover, to enable him to pay for the materials
of the box, of which the panels were of malachite, had designed two
candlesticks for Florent and Chanor, and sold them the copyright--two
admirable pieces of work.

"You have been working too hard these last few days, my dear fellow,"
said Lisbeth, wiping the perspiration from his brow, and giving him a
kiss. "Such laborious diligence is really dangerous in the month of
August. Seriously, you may injure your health. Look, here are some
peaches and plums from Monsieur Crevel.--Now, do not worry yourself so
much; I have borrowed two thousand francs, and, short of some
disaster, we can repay them when you sell your clock. At the same
time, the lender seems to me suspicious, for he has just sent in this
document."

She laid the writ under the model sketch of the statue of General
Montcornet.

"For whom are you making this pretty thing?" said she, taking up the
model sprays of hydrangea in red wax which Wenceslas had laid down
while eating the fruit.

"For a jeweler."

"For what jeweler?"

"I do not know. Stidmann asked me to make something out of them, as he
is very busy."

"But these," she said in a deep voice, "are /Hortensias/. How is it
that you have never made anything in wax for me? Is it so difficult to
design a pin, a little box--what not, as a keepsake?" and she shot a
fearful glance at the artist, whose eyes were happily lowered. "And
yet you say you love me?"

"Can you doubt it, mademoiselle?"

"That is indeed an ardent /mademoiselle/!--Why, you have been my only
thought since I found you dying--just there. When I saved you, you
vowed you were mine, I mean to hold you to that pledge; but I made a
vow to myself! I said to myself, 'Since the boy says he is mine, I
mean to make him rich and happy!' Well, and I can make your fortune."

"How?" said the hapless artist, at the height of joy, and too artless
to dream of a snare.

"Why, thus," said she.

Lisbeth could not deprive herself of the savage pleasure of gazing at
Wenceslas, who looked up at her with filial affection, the expression
really of his love for Hortense, which deluded the old maid. Seeing in
a man's eyes, for the first time in her life, the blazing torch of
passion, she fancied it was for her that it was lighted.

"Monsieur Crevel will back us to the extent of a hundred thousand
francs to start in business, if, as he says, you will marry me. He has
queer ideas, has the worthy man.--Well, what do you say to it?" she
added.

The artist, as pale as the dead, looked at his benefactress with a
lustreless eye, which plainly spoke his thoughts. He stood stupefied
and open-mouthed.

"I never before was so distinctly told that I am hideous," said she,
with a bitter laugh.

"Mademoiselle," said Steinbock, "my benefactress can never be ugly in
my eyes; I have the greatest affection for you. But I am not yet
thirty, and----"

"I am forty-three," said Lisbeth. "My cousin Adeline is forty-eight,
and men are still madly in love with her; but then she is handsome--
she is!"

"Fifteen years between us, mademoiselle! How could we get on together!
For both our sakes I think we should be wise to think it over. My
gratitude shall be fully equal to your great kindness.--And your money
shall be repaid in a few days."

"My money!" cried she. "You treat me as if I were nothing but an
unfeeling usurer."

"Forgive me," said Wenceslas, "but you remind me of it so often.--
Well, it is you who have made me; do not crush me."

"You mean to be rid of me, I can see," said she, shaking her head.
"Who has endowed you with this strength of ingratitude--you who are a
man of papier-mache? Have you ceased to trust me--your good genius?--
me, when I have spent so many nights working for you--when I have
given you every franc I have saved in my lifetime--when for four years
I have shared my bread with you, the bread of a hard-worked woman, and
given you all I had, to my very courage."

"Mademoiselle--no more, no more!" he cried, kneeling before her with
uplifted hands. "Say not another word! In three days I will tell you,
you shall know all.--Let me, let me be happy," and he kissed her
hands. "I love--and I am loved."

"Well, well, my child, be happy," she said, lifting him up. And she
kissed his forehead and hair with the eagerness that a man condemned
to death must feel as he lives through the last morning.

"Ah! you are of all creatures the noblest and best! You are a match
for the woman I love," said the poor artist.

"I love you well enough to tremble for your future fate," said she
gloomily. "Judas hanged himself--the ungrateful always come to a bad
end! You are deserting me, and you will never again do any good work.
Consider whether, without being married--for I know I am an old maid,
and I do not want to smother the blossom of your youth, your poetry,
as you call it, in my arms, that are like vine-stocks--but whether,
without being married, we could not get on together? Listen; I have
the commercial spirit; I could save you a fortune in the course of ten
years' work, for Economy is my name!--while, with a young wife, who
would be sheer Expenditure, you would squander everything; you would
work only to indulge her. But happiness creates nothing but memories.
Even I, when I am thinking of you, sit for hours with my hands in my
lap----

"Come, Wenceslas, stay with me.--Look here, I understand all about it;
you shall have your mistresses; pretty ones too, like that little
Marneffe woman who wants to see you, and who will give you happiness
you could never find with me. Then, when I have saved you thirty
thousand francs a year in the funds----"

"Mademoiselle, you are an angel, and I shall never forget this hour,"
said Wenceslas, wiping away his tears.

"That is how I like to see you, my child," said she, gazing at him
with rapture.

Vanity is so strong a power in us all that Lisbeth believed in her
triumph. She had conceded so much when offering him Madame Marneffe.
It was the crowning emotion of her life; for the first time she felt
the full tide of joy rising in her heart. To go through such an
experience again she would have sold her soul to the Devil.

"I am engaged to be married," Steinbock replied, "and I love a woman
with whom no other can compete or compare.--But you are, and always
will be, to me the mother I have lost."

The words fell like an avalanche of snow on a burning crater. Lisbeth
sat down. She gazed with despondent eyes on the youth before her, on
his aristocratic beauty--the artist's brow, the splendid hair,
everything that appealed to her suppressed feminine instincts, and
tiny tears moistened her eyes for an instant and immediately dried up.
She looked like one of those meagre statues which the sculptors of the
Middle Ages carved on monuments.

"I cannot curse you," said she, suddenly rising. "You--you are but a
boy. God preserve you!"

She went downstairs and shut herself into her own room.

"She is in love with me, poor creature!" said Wenceslas to himself.
"And how fervently eloquent! She is crazy."

This last effort on the part of an arid and narrow nature to keep hold
on an embodiment of beauty and poetry was, in truth, so violent that
it can only be compared to the frenzied vehemence of a shipwrecked
creature making the last struggle to reach shore.

On the next day but one, at half-past four in the morning, when Count
Steinbock was sunk in the deepest sleep, he heard a knock at the door
of his attic; he rose to open it, and saw two men in shabby clothing,
and a third, whose dress proclaimed him a bailiff down on his luck.

"You are Monsieur Wenceslas, Count Steinbock?" said this man.

"Yes, monsieur."

"My name is Grasset, sir, successor to Louchard, sheriff's
officer----"

"What then?"

"You are under arrest, sir. You must come with us to prison--to
Clichy.--Please to get dressed.--We have done the civil, as you see; I
have brought no police, and there is a hackney cab below."

"You are safely nabbed, you see," said one of the bailiffs; "and we
look to you to be liberal."

Steinbock dressed and went downstairs, a man holding each arm; when he
was in the cab, the driver started without orders, as knowing where he
was to go, and within half an hour the unhappy foreigner found himself
safely under bolt and bar without even a remonstrance, so utterly
amazed was he.

At ten o'clock he was sent for to the prison-office, where he found
Lisbeth, who, in tears, gave him some money to feed himself adequately
and to pay for a room large enough to work in.

"My dear boy," said she, "never say a word of your arrest to anybody,
do not write to a living soul; it would ruin you for life; we must
hide this blot on your character. I will soon have you out. I will
collect the money--be quite easy. Write down what you want for your
work. You shall soon be free, or I will die for it."

"Oh, I shall owe you my life a second time!" cried he, "for I should
lose more than my life if I were thought a bad fellow."

Lisbeth went off in great glee; she hoped, by keeping her artist under
lock and key, to put a stop to his marriage by announcing that he was
a married man, pardoned by the efforts of his wife, and gone off to
Russia.

To carry out this plan, at about three o'clock she went to the
Baroness, though it was not the day when she was due to dine with her;
but she wished to enjoy the anguish which Hortense must endure at the
hour when Wenceslas was in the habit of making his appearance.

"Have you come to dinner?" asked the Baroness, concealing her
disappointment.

"Well, yes."

"That's well," replied Hortense. "I will go and tell them to be
punctual, for you do not like to be kept waiting."

Hortense nodded reassuringly to her mother, for she intended to tell
the man-servant to send away Monsieur Steinbock if he should call; the
man, however, happened to be out, so Hortense was obliged to give her
orders to the maid, and the girl went upstairs to fetch her needlework
and sit in the ante-room.

"And about my lover?" said Cousin Betty to Hortense, when the girl
came back. "You never ask about him now?"

"To be sure, what is he doing?" said Hortense. "He has become famous.
You ought to be very happy," she added in an undertone to Lisbeth.
"Everybody is talking of Monsieur Wenceslas Steinbock."

"A great deal too much," replied she in her clear tones. "Monsieur is
departing.--If it were only a matter of charming him so far as to defy
the attractions of Paris, I know my power; but they say that in order
to secure the services of such an artist, the Emperor Nichols has
pardoned him----"

"Nonsense!" said the Baroness.

"When did you hear that?" asked Hortense, who felt as if her heart had
the cramp.

"Well," said the villainous Lisbeth, "a person to whom he is bound by
the most sacred ties--his wife--wrote yesterday to tell him so. He
wants to be off. Oh, he will be a great fool to give up France to go
to Russia!--"

Hortense looked at her mother, but her head sank on one side; the
Baroness was only just in time to support her daughter, who dropped
fainting, and as white as her lace kerchief.

"Lisbeth! you have killed my child!" cried the Baroness. "You were
born to be our curse!"

"Bless me! what fault of mine is this, Adeline?" replied Lisbeth, as
she rose with a menacing aspect, of which the Baroness, in her alarm,
took no notice.

"I was wrong," said Adeline, supporting the girl. "Ring."

At this instant the door opened, the women both looked round, and saw
Wenceslas Steinbock, who had been admitted by the cook in the maid's
absence.

"Hortense!" cried the artist, with one spring to the group of women.
And he kissed his betrothed before her mother's eyes, on the forehead,
and so reverently, that the Baroness could not be angry. It was a
better restorative than any smelling salts. Hortense opened her eyes,
saw Wenceslas, and her color came back. In a few minutes she had quite
recovered.

"So this was your secret?" said Lisbeth, smiling at Wenceslas, and
affecting to guess the facts from her two cousins' confusion.

"But how did you steal away my lover?" said she, leading Hortense into
the garden.

Hortense artlessly told the romance of her love. Her father and
mother, she said, being convinced that Lisbeth would never marry, had
authorized the Count's visits. Only Hortense, like a full-blown Agnes,
attributed to chance her purchase of the group and the introduction of
the artist, who, by her account, had insisted on knowing the name of
his first purchaser.

Presently Steinbock came out to join the cousins, and thanked the old
maid effusively for his prompt release. Lisbeth replied Jesuitically
that the creditor having given very vague promises, she had not hoped
to be able to get him out before the morrow, and that the person who
had lent her the money, ashamed, perhaps, of such mean conduct, had
been beforehand with her. The old maid appeared to be perfectly
content, and congratulated Wenceslas on his happiness.

"You bad boy!" said she, before Hortense and her mother, "if you had
only told me the evening before last that you loved my cousin
Hortense, and that she loved you, you would have spared me many tears.
I thought that you were deserting your old friend, your governess;
while, on the contrary, you are to become my cousin; henceforth, you
will be connected with me, remotely, it is true, but by ties that
amply justify the feelings I have for you." And she kissed Wenceslas
on the forehead.

Hortense threw herself into Lisbeth's arms and melted into tears.

"I owe my happiness to you," said she, "and I will never forget it."

"Cousin Betty," said the Baroness, embracing Lisbeth in her excitement
at seeing matters so happily settled, "the Baron and I owe you a debt
of gratitude, and we will pay it. Come and talk things over with me,"
she added, leading her away.

So Lisbeth, to all appearances, was playing the part of a good angel
to the whole family; she was adored by Crevel and Hulot, by Adeline
and Hortense.

"We wish you to give up working," said the Baroness. "If you earn
forty sous a day, Sundays excepted, that makes six hundred francs a
year. Well, then, how much have you saved?"

"Four thousand five hundred francs."

"Poor Betty!" said her cousin.

She raised her eyes to heaven, so deeply was she moved at the thought
of all the labor and privation such a sum must represent accumulated
during thirty years.

Lisbeth, misunderstanding the meaning of the exclamation, took it as
the ironical pity of the successful woman, and her hatred was
strengthened by a large infusion of venom at the very moment when her
cousin had cast off her last shred of distrust of the tyrant of her
childhood.

"We will add ten thousand five hundred francs to that sum," said
Adeline, "and put it in trust so that you shall draw the interest for
life with reversion to Hortense. Thus, you will have six hundred
francs a year."

Lisbeth feigned the utmost satisfaction. When she went in, her
handkerchief to her eyes, wiping away tears of joy, Hortense told her
of all the favors being showered on Wenceslas, beloved of the family.

So when the Baron came home, he found his family all present; for the
Baroness had formally accepted Wenceslas by the title of Son, and the
wedding was fixed, if her husband should approve, for a day a
fortnight hence. The moment he came into the drawing-room, Hulot was
rushed at by his wife and daughter, who ran to meet him, Adeline to
speak to him privately, and Hortense to kiss him.

"You have gone too far in pledging me to this, madame," said the Baron
sternly. "You are not married yet," he added with a look at Steinbock,
who turned pale.

"He has heard of my imprisonment," said the luckless artist to
himself.

"Come, children," said he, leading his daughter and the young man into
the garden; they all sat down on the moss-eaten seat in the summer-
house.

"Monsieur le Comte, do you love my daughter as well as I loved her
mother?" he asked.

"More, monsieur," said the sculptor.

"Her mother was a peasant's daughter, and had not a farthing of her
own."

"Only give me Mademoiselle Hortense just as she is, without a
trousseau even----"

"So I should think!" said the Baron, smiling. "Hortense is the
daughter of the Baron Hulot d'Ervy, Councillor of State, high up in
the War Office, Grand Commander of the Legion of Honor, and the
brother to Count Hulot, whose glory is immortal, and who will ere long
be Marshal of France! And--she has a marriage portion.

"It is true," said the impassioned artist. "I must seem very
ambitious. But if my dear Hortense were a laborer's daughter, I would
marry her----"

"That is just what I wanted to know," replied the Baron. "Run away,
Hortense, and leave me to talk business with Monsieur le Comte.--He
really loves you, you see!"

"Oh, papa, I was sure you were only in jest," said the happy girl.

"My dear Steinbock," said the Baron, with elaborate grace of diction
and the most perfect manners, as soon as he and the artist were alone,
"I promised my son a fortune of two hundred thousand francs, of which
the poor boy has never had a sou; and he never will get any of it. My
daughter's fortune will also be two hundred thousand francs, for which
you will give a receipt----"

"Yes, Monsieur le Baron."

"You go too fast," said Hulot. "Have the goodness to hear me out. I
cannot expect from a son-in-law such devotion as I look for from my
son. My son knew exactly all I could and would do for his future
promotion: he will be a Minister, and will easily make good his two
hundred thousand francs. But with you, young man, matters are
different. I shall give you a bond for sixty thousand francs in State
funds at five per cent, in your wife's name. This income will be
diminished by a small charge in the form of an annuity to Lisbeth; but
she will not live long; she is consumptive, I know. Tell no one; it is
a secret; let the poor soul die in peace.--My daughter will have a
trousseau worth twenty thousand francs; her mother will give her six
thousand francs worth of diamonds.

"Monsieur, you overpower me!" said Steinbock, quite bewildered.

"As to the remaining hundred and twenty thousand francs----"

"Say no more, monsieur," said Wenceslas. "I ask only for my beloved
Hortense----"

"Will you listen to me, effervescent youth!--As to the remaining
hundred and twenty thousand francs, I have not got them; but you will
have them--"

"Monsieur?"

"You will get them from the Government, in payment for commissions
which I will secure for you, I pledge you my word of honor. You are to
have a studio, you see, at the Government depot. Exhibit a few fine
statues, and I will get you received at the Institute. The highest
personages have a regard for my brother and for me, and I hope to
succeed in securing for you a commission for sculpture at Versailles
up to a quarter of the whole sum. You will have orders from the City
of Paris and from the Chamber of Peers; in short, my dear fellow, you
will have so many that you will be obliged to get assistants. In that
way I shall pay off my debt to you. You must say whether this way of
giving a portion will suit you; whether you are equal to it."

"I am equal to making a fortune for my wife single-handed if all else
failed!" cried the artist-nobleman.

"That is what I admire!" cried the Baron. "High-minded youth that
fears nothing. Come," he added, clasping hands with the young sculptor
to conclude the bargain, "you have my consent. We will sign the
contract on Sunday next, and the wedding shall be on the following
Saturday, my wife's fete-day."

"It is alright," said the Baroness to her daughter, who stood glued to
the window. "Your suitor and your father are embracing each other."

On going home in the evening, Wenceslas found the solution of the
mystery of his release. The porter handed him a thick sealed packet,
containing the schedule of his debts, with a signed receipt affixed at
the bottom of the writ, and accompanied by this letter:--

  "MY DEAR WENCESLAS,--I went to fetch you at ten o'clock this
  morning to introduce you to a Royal Highness who wishes to see
  you. There I learned that the duns had had you conveyed to a
  certain little domain--chief town, /Clichy Castle/.

  "So off I went to Leon de Lora, and told him, for a joke, that you
  could not leave your country quarters for lack of four thousand
  francs, and that you would spoil your future prospects if you did
  not make your bow to your royal patron. Happily, Bridau was there
  --a man of genius, who has known what it is to be poor, and has
  heard your story. My boy, between them they have found the money,
  and I went off to pay the Turk who committed treason against
  genius by putting you in quod. As I had to be at the Tuileries at
  noon, I could not wait to see you sniffing the outer air. I know
  you to be a gentleman, and I answered for you to my two friends--
  but look them up to-morrow.

  "Leon and Bridau do not want your cash; they will ask you to do
  them each a group--and they are right. At least, so thinks the man
  who wishes he could sign himself your rival, but is only your
  faithful ally,

"STIDMANN.

  "P. S.--I told the Prince you were away, and would not return till
  to-morrow, so he said, 'Very good--to-morrow.' "


Count Wenceslas went to bed in sheets of purple, without a rose-leaf
to wrinkle them, that Favor can make for us--Favor, the halting
divinity who moves more slowly for men of genius than either Justice
or Fortune, because Jove has not chosen to bandage her eyes. Hence,
lightly deceived by the display of impostors, and attracted by their
frippery and trumpets, she spends the time in seeing them and the
money in paying them which she ought to devote to seeking out men of
merit in the nooks where they hide.

It will now be necessary to explain how Monsieur le Baron Hulot had
contrived to count up his expenditure on Hortense's wedding portion,
and at the same time to defray the frightful cost of the charming
rooms where Madame Marneffe was to make her home. His financial scheme
bore that stamp of talent which leads prodigals and men in love into
the quagmires where so many disasters await them. Nothing can
demonstrate more completely the strange capacity communicated by vice,
to which we owe the strokes of skill which ambitious or voluptuous men
can occasionally achieve--or, in short, any of the Devil's pupils.

On the day before, old Johann Fischer, unable to pay thirty thousand
francs drawn for on him by his nephew, had found himself under the
necessity of stopping payment unless the Baron could remit the sum.

This ancient worthy, with the white hairs of seventy years, had such
blind confidence in Hulot--who, to the old Bonapartist, was an
emanation from the Napoleonic sun--that he was calmly pacing his
anteroom with the bank clerk, in the little ground-floor apartment
that he rented for eight hundred francs a year as the headquarters of
his extensive dealings in corn and forage.

"Marguerite is gone to fetch the money from close by," said he.

The official, in his gray uniform braided with silver, was so
convinced of the old Alsatian's honesty, that he was prepared to leave
the thirty thousand francs' worth of bills in his hands; but the old
man would not let him go, observing that the clock had not yet struck
eight. A cab drew up, the old man rushed into the street, and held out
his hand to the Baron with sublime confidence--Hulot handed him out
thirty thousand-franc notes.

"Go on three doors further, and I will tell you why," said Fischer.

"Here, young man," he said, returning to count out the money to the
bank emissary, whom he then saw to the door.

When the clerk was out of sight, Fischer called back the cab
containing his august nephew, Napoleon's right hand, and said, as he
led him into the house:

"You do not want them to know at the Bank of France that you paid me
the thirty thousand francs, after endorsing the bills?--It was bad
enough to see them signed by such a man as you!--"

"Come to the bottom of your little garden, Father Fischer," said the
important man. "You are hearty?" he went on, sitting down under a vine
arbor and scanning the old man from head to foot, as a dealer in human
flesh scans a substitute for the conscription.

"Ay, hearty enough for a tontine," said the lean little old man; his
sinews were wiry, and his eye bright.

"Does heat disagree with you?"

"Quite the contrary."

"What do you say to Africa?"

"A very nice country!--The French went there with the little Corporal"
(Napoleon).

"To get us all out of the present scrape, you must go to Algiers,"
said the Baron.

"And how about my business?"

"An official in the War Office, who has to retire, and has not enough
to live on with his pension, will buy your business."

"And what am I to do in Algiers?"

"Supply the Commissariat with victuals, corn, and forage; I have your
commission ready filled in and signed. You can collect supplies in the
country at seventy per cent below the prices at which you can credit
us."

"How shall we get them?"

"Oh, by raids, by taxes in kind, and the Khaliphat.--The country is
little known, though we settled there eight years ago; Algeria
produces vast quantities of corn and forage. When this produce belongs
to Arabs, we take it from them under various pretences; when it
belongs to us, the Arabs try to get it back again. There is a great
deal of fighting over the corn, and no one ever knows exactly how much
each party has stolen from the other. There is not time in the open
field to measure the corn as we do in the Paris market, or the hay as
it is sold in the Rue d'Enfer. The Arab chiefs, like our Spahis,
prefer hard cash, and sell the plunder at a very low price. The
Commissariat needs a fixed quantity and must have it. It winks at
exorbitant prices calculated on the difficulty of procuring food, and
the dangers to which every form of transport is exposed. That is
Algiers from the army contractor's point of view.

"It is a muddle tempered by the ink-bottle, like every incipient
government. We shall not see our way through it for another ten years
--we who have to do the governing; but private enterprise has sharp
eyes.--So I am sending you there to make a fortune; I give you the
job, as Napoleon put an impoverished Marshal at the head of a kingdom
where smuggling might be secretly encouraged.

"I am ruined, my dear Fischer; I must have a hundred thousand francs
within a year."

"I see no harm in getting it out of the Bedouins," said the Alsatian
calmly. "It was always done under the Empire----"

"The man who wants to buy your business will be here this morning, and
pay you ten thousand francs down," the Baron went on. "That will be
enough, I suppose, to take you to Africa?"

The old man nodded assent.

"As to capital out there, be quite easy. I will draw the remainder of
the money due if I find it necessary."

"All I have is yours--my very blood," said old Fischer.

"Oh, do not be uneasy," said Hulot, fancying that his uncle saw more
clearly than was the fact. "As to our excise dealings, your character
will not be impugned. Everything depends on the authority at your
back; now I myself appointed the authorities out there; I am sure of
them. This, Uncle Fischer, is a dead secret between us. I know you
well, and I have spoken out without concealment or circumlocution."

"It shall be done," said the old man. "And it will go on----?"

"For two years, You will have made a hundred thousand francs of your
own to live happy on in the Vosges."

"I will do as you wish; my honor is yours," said the little old man
quietly.

"That is the sort of man I like.--However, you must not go till you
have seen your grand-niece happily married. She is to be a Countess."

But even taxes and raids and the money paid by the War Office clerk
for Fischer's business could not forthwith provide sixty thousand
francs to give Hortense, to say nothing of her trousseau, which was to
cost about five thousand, and the forty thousand spent--or to be spent
--on Madame Marneffe.

Where, then had the Baron found the thirty thousand francs he had just
produced? This was the history.

A few days previously Hulot had insured his life for the sum of a
hundred and fifty thousand francs, for three years, in two separate
companies. Armed with the policies, of which he paid the premium, he
had spoken as follows to the Baron de Nucingen, a peer of the Chamber,
in whose carriage he found himself after a sitting, driving home, in
fact, to dine with him:--

"Baron, I want seventy thousand francs, and I apply to you. You must
find some one to lend his name, to whom I will make over the right to
draw my pay for three years; it amounts to twenty-five thousand francs
a year--that is, seventy-five thousand francs.--You will say, 'But you
may die' "--the banker signified his assent--"Here, then, is a policy
of insurance for a hundred and fifty thousand francs, which I will
deposit with you till you have drawn up the eighty thousand francs,"
said Hulot, producing the document form his pocket.

"But if you should lose your place?" said the millionaire Baron,
laughing.

The other Baron--not a millionaire--looked grave.

"Be quite easy; I only raised the question to show you that I was not
devoid of merit in handing you the sum. Are you so short of cash? for
the Bank will take your signature."

"My daughter is to be married," said Baron Hulot, "and I have no
fortune--like every one else who remains in office in these thankless
times, when five hundred ordinary men seated on benches will never
reward the men who devote themselves to the service as handsomely as
the Emperor did."

"Well, well; but you had Josepha on your hands!" replied Nucingen,
"and that accounts for everything. Between ourselves, the Duc
d'Herouville has done you a very good turn by removing that leech from
sucking your purse dry. 'I have known what that is, and can pity your
case,' " he quoted. "Take a friend's advice: Shut up shop, or you will
be done for."

This dirty business was carried out in the name of one Vauvinet, a
small money-lender; one of those jobbers who stand forward to screen
great banking houses, like the little fish that is said to attend the
shark. This stock-jobber's apprentice was so anxious to gain the
patronage of Monsieur le Baron Hulot, that he promised the great man
to negotiate bills of exchange for thirty thousand francs at eighty
days, and pledged himself to renew them four times, and never pass
them out of his hands.

Fischer's successor was to pay forty thousand francs for the house and
the business, with the promise that he should supply forage to a
department close to Paris.

This was the desperate maze of affairs into which a man who had
hitherto been absolutely honest was led by his passions--one of the
best administrative officials under Napoleon--peculation to pay the
money-lenders, and borrowing of the money-lenders to gratify his
passions and provide for his daughter. All the efforts of this
elaborate prodigality were directed at making a display before Madame
Marneffe, and to playing Jupiter to this middle-class Danae. A man
could not expend more activity, intelligence, and presence of mind in
the honest acquisition of a fortune than the Baron displayed in
shoving his head into a wasp's nest: He did all the business of his
department, he hurried on the upholsterers, he talked to the workmen,
he kept a sharp lookout on the smallest details of the house in the
Rue Vanneau. Wholly devoted to Madame Marneffe, he nevertheless
attended the sittings of the Chambers; he was everywhere at once, and
neither his family nor anybody else discovered where his thoughts
were.

Adeline, quite amazed to hear that her uncle was rescued, and to see a
handsome sum figure in the marriage-contract, was not altogether easy,
in spite of her joy at seeing her daughter married under such
creditable circumstances. But, on the day before the wedding, fixed by
the Baron to coincide with Madame Marneffe's removal to her new
apartment, Hector allayed his wife's astonishment by this ministerial
communication:--

"Now, Adeline, our girl is married; all our anxieties on the subject
are at an end. The time is come for us to retire from the world: I
shall not remain in office more than three years longer--only the time
necessary to secure my pension. Why, henceforth, should we be at any
unnecessary expense? Our apartment costs us six thousand francs a year
in rent, we have four servants, we eat thirty thousand francs' worth
of food in a year. If you want me to pay off my bills--for I have
pledged my salary for the sums I needed to give Hortense her little
money, and pay off your uncle----"

"You did very right!" said she, interrupting her husband, and kissing
his hands.

This explanation relieved Adeline of all her fears.

"I shall have to ask some little sacrifices of you," he went on,
disengaging his hands and kissing his wife's brow. "I have found in
the Rue Plumet a very good flat on the first floor, handsome,
splendidly paneled, at only fifteen hundred francs a year, where you
would only need one woman to wait on you, and I could be quite content
with a boy."

"Yes, my dear."

"If we keep house in a quiet way, keeping up a proper appearance of
course, we should not spend more than six thousand francs a year,
excepting my private account, which I will provide for."

The generous-hearted woman threw her arms round her husband's neck in
her joy.

"How happy I shall be, beginning again to show you how truly I love
you!" she exclaimed. "And what a capital manager you are!"

"We will have the children to dine with us once a week. I, as you
know, rarely dine at home. You can very well dine twice a week with
Victorin and twice a week with Hortense. And, as I believe, I may
succeed in making matters up completely between Crevel and us; we can
dine once a week with him. These five dinners and our own at home will
fill up the week all but one day, supposing that we may occasionally
be invited to dine elsewhere."

"I shall save a great deal for you," said Adeline.

"Oh!" he cried, "you are the pearl of women!"

"My kind, divine Hector, I shall bless you with my latest breath,"
said she, "for you have done well for my dear Hortense."

This was the beginning of the end of the beautiful Madame Hulot's
home; and, it may be added, of her being totally neglected, as Hulot
had solemnly promised Madame Marneffe.

Crevel, the important and burly, being invited as a matter of course
to the party given for the signing of the marriage-contract, behaved
as though the scene with which this drama opened had never taken
place, as though he had no grievance against the Baron. Celestin
Crevel was quite amiable; he was perhaps rather too much the
ex-perfumer, but as a Major he was beginning to acquire majestic
dignity. He talked of dancing at the wedding.

"Fair lady," said he politely to the Baroness, "people like us know
how to forget. Do not banish me from your home; honor me, pray, by
gracing my house with your presence now and then to meet your
children. Be quite easy; I will never say anything of what lies buried
at the bottom of my heart. I behaved, indeed, like an idiot, for I
should lose too much by cutting myself off from seeing you."

"Monsieur, an honest woman has no ears for such speeches as those you
refer to. If you keep your word, you need not doubt that it will give
me pleasure to see the end of a coolness which must always be painful
in a family."

"Well, you sulky old fellow," said Hulot, dragging Crevel out into the
garden, "you avoid me everywhere, even in my own house. Are two
admirers of the fair sex to quarrel for ever over a petticoat? Come;
this is really too plebeian!"

"I, monsieur, am not such a fine man as you are, and my small
attractions hinder me from repairing my losses so easily as you
can----"

"Sarcastic!" said the Baron.

"Irony is allowable from the vanquished to the conquerer."

The conversation, begun in this strain, ended in a complete
reconciliation; still Crevel maintained his right to take his revenge.



Madame Marneffe particularly wished to be invited to Mademoiselle
Hulot's wedding. To enable him to receive his future mistress in his
drawing-room, the great official was obliged to invite all the clerks
of his division down to the deputy head-clerks inclusive. Thus a grand
ball was a necessity. The Baroness, as a prudent housewife, calculated
that an evening party would cost less than a dinner, and allow of a
larger number of invitations; so Hortense's wedding was much talked
about.

Marshal Prince Wissembourg and the Baron de Nucingen signed in behalf
of the bride, the Comtes de Rastignac and Popinot in behalf of
Steinbock. Then, as the highest nobility among the Polish emigrants
had been civil to Count Steinbock since he had become famous, the
artist thought himself bound to invite them. The State Council, and
the War Office to which the Baron belonged, and the army, anxious to
do honor to the Comte de Forzheim, were all represented by their
magnates. There were nearly two hundred indispensable invitations. How
natural, then, that little Madame Marneffe was bent on figuring in all
her glory amid such an assembly. The Baroness had, a month since, sold
her diamonds to set up her daughter's house, while keeping the finest
for the trousseau. The sale realized fifteen thousand francs, of which
five thousand were sunk in Hortense's clothes. And what was ten
thousand francs for the furniture of the young folks' apartment,
considering the demands of modern luxury? However, young Monsieur and
Madame Hulot, old Crevel, and the Comte de Forzheim made very handsome
presents, for the old soldier had set aside a sum for the purchase of
plate. Thanks to these contributions, even an exacting Parisian would
have been pleased with the rooms the young couple had taken in the Rue
Saint-Dominique, near the Invalides. Everything seemed in harmony with
their love, pure, honest, and sincere.

At last the great day dawned--for it was to be a great day not only
for Wenceslas and Hortense, but for old Hulot too. Madame Marneffe was
to give a house-warming in her new apartment the day after becoming
Hulot's mistress /en titre/, and after the marriage of the lovers.

Who but has once in his life been a guest at a wedding-ball? Every
reader can refer to his reminiscences, and will probably smile as he
calls up the images of all that company in their Sunday-best faces as
well as their finest frippery.

If any social event can prove the influence of environment, is it not
this? In fact, the Sunday-best mood of some reacts so effectually on
the rest that the men who are most accustomed to wearing full dress
look just like those to whom the party is a high festival, unique in
their life. And think too of the serious old men to whom such things
are so completely a matter of indifference, that they are wearing
their everyday black coats; the long-married men, whose faces betray
their sad experience of the life the young pair are but just entering
on; and the lighter elements, present as carbonic-acid gas is in
champagne; and the envious girls, the women absorbed in wondering if
their dress is a success, the poor relations whose parsimonious "get-
up" contrasts with that of the officials in uniform; and the greedy
ones, thinking only of the supper; and the gamblers, thinking only of
cards.

There are some of every sort, rich and poor, envious and envied,
philosophers and dreamers, all grouped like the plants in a flower-bed
round the rare, choice blossom, the bride. A wedding-ball is an
epitome of the world.

At the liveliest moment of the evening Crevel led the Baron aside, and
said in a whisper, with the most natural manner possible:

"By Jove! that's a pretty woman--the little lady in pink who has
opened a racking fire on you from her eyes."

"Which?"

"The wife of that clerk you are promoting, heaven knows how!--Madame
Marneffe."

"What do you know about it?"

"Listen, Hulot; I will try to forgive you the ill you have done me if
only you will introduce me to her--I will take you to Heloise.
Everybody is asking who is that charming creature. Are you sure that
it will strike no one how and why her husband's appointment got itself
signed?--You happy rascal, she is worth a whole office.--I would serve
in her office only too gladly.--Come, cinna, let us be friends."

"Better friends than ever," said the Baron to the perfumer, "and I
promise you I will be a good fellow. Within a month you shall dine
with that little angel.--For it is an angel this time, old boy. And I
advise you, like me, to have done with the devils."

Cousin Betty, who had moved to the Rue Vanneau, into a nice little
apartment on the third floor, left the ball at ten o'clock, but came
back to see with her own eyes the two bonds bearing twelve hundred
francs interest; one of them was the property of the Countess
Steinbock, the other was in the name of Madame Hulot.

It is thus intelligible that Monsieur Crevel should have spoken to
Hulot about Madame Marneffe, as knowing what was a secret to the rest
of the world; for, as Monsieur Marneffe was away, no one but Lisbeth
Fischer, besides the Baron and Valerie, was initiated into the
mystery.

The Baron had made a blunder in giving Madame Marneffe a dress far too
magnificent for the wife of a subordinate official; other women were
jealous alike of her beauty and of her gown. There was much whispering
behind fans, for the poverty of the Marneffes was known to every one
in the office; the husband had been petitioning for help at the very
moment when the Baron had been so smitten with madame. Also, Hector
could not conceal his exultation at seeing Valerie's success; and she,
severely proper, very lady-like, and greatly envied, was the object of
that strict examination which women so greatly fear when they appear
for the first time in a new circle of society.

After seeing his wife into a carriage with his daughter and his son-
in-law, Hulot managed to escape unperceived, leaving his son and
Celestine to do the honors of the house. He got into Madame Marneffe's
carriage to see her home, but he found her silent and pensive, almost
melancholy.

"My happiness makes you very sad, Valerie," said he, putting his arm
round her and drawing her to him.

"Can you wonder, my dear," said she, "that a hapless woman should be a
little depressed at the thought of her first fall from virtue, even
when her husband's atrocities have set her free? Do you suppose that I
have no soul, no beliefs, no religion? Your glee this evening has been
really too barefaced; you have paraded me odiously. Really, a
schoolboy would have been less of a coxcomb. And the ladies have
dissected me with their side-glances and their satirical remarks.
Every woman has some care for her reputation, and you have wrecked
mine.

"Oh, I am yours and no mistake! And I have not an excuse left but that
of being faithful to you.--Monster that you are!" she added, laughing,
and allowing him to kiss her, "you knew very well what you were doing!
Madame Coquet, our chief clerk's wife, came to sit down by me, and
admired my lace. 'English point!' said she. 'Was it very expensive,
madame?'--'I do not know. This lace was my mother's. I am not rich
enough to buy the like,' said I."

Madame Marneffe, in short, had so bewitched the old beau, that he
really believed she was sinning for the first time for his sake, and
that he had inspired such a passion as had led her to this breach of
duty. She told him that the wretch Marneffe had neglected her after
they had been three days married, and for the most odious reasons.
Since then she had lived as innocently as a girl; marriage had seemed
to her so horrible. This was the cause of her present melancholy.

"If love should prove to be like marriage----" said she in tears.

These insinuating lies, with which almost every woman in Valerie's
predicament is ready, gave the Baron distant visions of the roses of
the seventh heaven. And so Valerie coquetted with her lover, while the
artist and Hortense were impatiently awaiting the moment when the
Baroness should have given the girl her last kiss and blessing.

At seven in the morning the Baron, perfectly happy--for his Valerie
was at once the most guileless of girls and the most consummate of
demons--went back to release his son and Celestine from their duties.
All the dancers, for the most part strangers, had taken possession of
the territory, as they do at every wedding-ball, and were keeping up
the endless figures of the cotillions, while the gamblers were still
crowding round the /bouillotte/ tables, and old Crevel had won six
thousand francs.

The morning papers, carried round the town, contained this paragraph
in the Paris article:--

  "The marriage was celebrated this morning, at the Church of Saint-
  Thomas d'Aquin, between Monsieur le Comte Steinbock and
  Mademoiselle Hortense Hulot, daughter of Baron Hulot d'Ervy,
  Councillor of State, and a Director at the War Office; niece of
  the famous General Comte de Forzheim. The ceremony attracted a
  large gathering. There were present some of the most distinguished
  artists of the day: Leon de Lora, Joseph Bridau, Stidmann, and
  Bixiou; the magnates of the War Office, of the Council of State,
  and many members of the two Chambers; also the most distinguished
  of the Polish exiles living in Paris: Counts Paz, Laginski, and
  others.

  "Monsieur le Comte Wenceslas Steinbock is grandnephew to the
  famous general who served under Charles XII., King of Sweden. The
  young Count, having taken part in the Polish rebellion, found a
  refuge in France, where his well-earned fame as a sculptor has
  procured him a patent of naturalization."

And so, in spite of the Baron's cruel lack of money, nothing was
lacking that public opinion could require, not even the trumpeting of
the newspapers over his daughter's marriage, which was solemnized in
the same way, in every particular, as his son's had been to
Mademoiselle Crevel. This display moderated the reports current as to
the Baron's financial position, while the fortune assigned to his
daughter explained the need for having borrowed money.

Here ends what is, in a way, the introduction to this story. It is to
the drama that follows that the premise is to a syllogism, what the
prologue is to a classical tragedy.



In Paris, when a woman determines to make a business, a trade, of her
beauty, it does not follow that she will make a fortune. Lovely
creatures may be found there, and full of wit, who are in wretched
circumstances, ending in misery a life begun in pleasure. And this is
why. It is not enough merely to accept the shameful life of a
courtesan with a view to earning its profits, and at the same time to
bear the simple garb of a respectable middle-class wife. Vice does not
triumph so easily; it resembles genius in so far that they both need a
concurrence of favorable conditions to develop the coalition of
fortune and gifts. Eliminate the strange prologue of the Revolution,
and the Emperor would never have existed; he would have been no more
than a second edition of Fabert. Venal beauty, if it finds no
amateurs, no celebrity, no cross of dishonor earned by squandering
men's fortunes, is Correggio in a hay-loft, is genius starving in a
garret. Lais, in Paris, must first and foremost find a rich man mad
enough to pay her price. She must keep up a very elegant style, for
this is her shop-sign; she must be sufficiently well bred to flatter
the vanity of her lovers; she must have the brilliant wit of a Sophie
Arnould, which diverts the apathy of rich men; finally, she must
arouse the passions of libertines by appearing to be mistress to one
man only who is envied by the rest.

These conditions, which a woman of that class calls being in luck, are
difficult to combine in Paris, although it is a city of millionaires,
of idlers, of used-up and capricious men.

Providence has, no doubt, vouchsafed protection to clerks and middle-
class citizens, for whom obstacles of this kind are at least double in
the sphere in which they move. At the same time, there are enough
Madame Marneffes in Paris to allow of our taking Valerie to figure as
a type in this picture of manners. Some of these women yield to the
double pressure of a genuine passion and of hard necessity, like
Madame Colleville, who was for long attached to one of the famous
orators of the left, Keller the banker. Others are spurred by vanity,
like Madame de la Baudraye, who remained almost respectable in spite
of her elopement with Lousteau. Some, again, are led astray by the
love of fine clothes, and some by the impossibility of keeping a house
going on obviously too narrow means. The stinginess of the State--or
of Parliament--leads to many disasters and to much corruption.

At the present moment the laboring classes are the fashionable object
of compassion; they are being murdered--it is said--by the
manufacturing capitalist; but the Government is a hundred times harder
than the meanest tradesman, it carries its economy in the article of
salaries to absolute folly. If you work harder, the merchant will pay
you more in proportion; but what does the State do for its crowd of
obscure and devoted toilers?

In a married woman it is an inexcusable crime when she wanders from
the path of honor; still, there are degrees even in such a case. Some
women, far from being depraved, conceal their fall and remain to all
appearances quite respectable, like those two just referred to, while
others add to their fault the disgrace of speculation. Thus Madame
Marneffe is, as it were, the type of those ambitious married
courtesans who from the first accept depravity with all its
consequences, and determine to make a fortune while taking their
pleasure, perfectly unscrupulous as to the means. But almost always a
woman like Madame Marneffe has a husband who is her confederate and
accomplice. These Machiavellis in petticoats are the most dangerous of
the sisterhood; of every evil class of Parisian woman, they are the
worst.

A mere courtesan--a Josepha, a Malaga, a Madame Schontz, a Jenny
Cadine--carries in her frank dishonor a warning signal as conspicuous
as the red lamp of a house of ill-fame or the flaring lights of a
gambling hell. A man knows that they light him to his ruin.

But mealy-mouthed propriety, the semblance of virtue, the hypocritical
ways of a married woman who never allows anything to be seen but the
vulgar needs of the household, and affects to refuse every kind of
extravagance, leads to silent ruin, dumb disaster, which is all the
more startling because, though condoned, it remains unaccounted for.
It is the ignoble bill of daily expenses and not gay dissipation that
devours the largest fortune. The father of a family ruins himself
ingloriously, and the great consolation of gratified vanity is wanting
in his misery.

This little sermon will go like a javelin to the heart of many a home.
Madame Marneffes are to be seen in every sphere of social life, even
at Court; for Valerie is a melancholy fact, modeled from the life in
the smallest details. And, alas! the portrait will not cure any man of
the folly of loving these sweetly-smiling angels, with pensive looks
and candid faces, whose heart is a cash-box.



About three years after Hortense's marriage, in 1841, Baron Hulot
d'Ervy was supposed to have sown his wild oats, to have "put up his
horses," to quote the expression used by Louis XV.'s head surgeon, and
yet Madame Marneffe was costing him twice as much as Josepha had ever
cost him. Still, Valerie, though always nicely dressed, affected the
simplicity of a subordinate official's wife; she kept her luxury for
her dressing-gowns, her home wear. She thus sacrificed her Parisian
vanity to her dear Hector. At the theatre, however, she always
appeared in a pretty bonnet and a dress of extreme elegance; and the
Baron took her in a carriage to a private box.

Her rooms, the whole of the second floor of a modern house in the Rue
Vanneau, between a fore-court and a garden, was redolent of
respectability. All its luxury was in good chintz hangings and
handsome convenient furniture.

Her bedroom, indeed, was the exception, and rich with such profusion
as Jenny Cadine or Madame Schontz might have displayed. There were
lace curtains, cashmere hangings, brocade portieres, a set of chimney
ornaments modeled by Stidmann, a glass cabinet filled with dainty
nicknacks. Hulot could not bear to see his Valerie in a bower of
inferior magnificence to the dunghill of gold and pearls owned by a
Josepha. The drawing-room was furnished with red damask, and the
dining-room had carved oak panels. But the Baron, carried away by his
wish to have everything in keeping, had at the end of six months,
added solid luxury to mere fashion, and had given her handsome
portable property, as, for instance, a service of plate that was to
cost more than twenty-four thousand francs.

Madame Marneffe's house had in a couple of years achieved a reputation
for being a very pleasant one. Gambling went on there. Valerie herself
was soon spoken of as an agreeable and witty woman. To account for her
change of style, a rumor was set going of an immense legacy bequeathed
to her by her "natural father," Marshal Montcornet, and left in trust.

With an eye to the future, Valerie had added religious to social
hypocrisy. Punctual at the Sunday services, she enjoyed all the honors
due to the pious. She carried the bag for the offertory, she was a
member of a charitable association, presented bread for the sacrament,
and did some good among the poor, all at Hector's expense. Thus
everything about the house was extremely seemly. And a great many
persons maintained that her friendship with the Baron was entirely
innocent, supporting the view by the gentleman's mature age, and
ascribing to him a Platonic liking for Madame Marneffe's pleasant wit,
charming manners, and conversation--such a liking as that of the late
lamented Louis XVIII. for a well-turned note.

The Baron always withdrew with the other company at about midnight,
and came back a quarter of an hour later.

The secret of this secrecy was as follows. The lodge-keepers of the
house were a Monsieur and Madame Olivier, who, under the Baron's
patronage, had been promoted from their humble and not very lucrative
post in the Rue du Doyenne to the highly-paid and handsome one in the
Rue Vanneau. Now, Madame Olivier, formerly a needlewoman in the
household of Charles X., who had fallen in the world with the
legitimate branch, had three children. The eldest, an under-clerk in a
notary's office, was object of his parents' adoration. This Benjamin,
for six years in danger of being drawn for the army, was on the point
of being interrupted in his legal career, when Madame Marneffe
contrived to have him declared exempt for one of those little
malformations which the Examining Board can always discern when
requested in a whisper by some power in the ministry. So Olivier,
formerly a huntsman to the King, and his wife would have crucified the
Lord again for the Baron or for Madame Marneffe.

What could the world have to say? It knew nothing of the former
episode of the Brazilian, Monsieur Montes de Montejanos--it could say
nothing. Besides, the world is very indulgent to the mistress of a
house where amusement is to be found.

And then to all her charms Valerie added the highly-prized advantage
of being an occult power. Claude Vignon, now secretary to Marshal the
Prince de Wissembourg, and dreaming of promotion to the Council of
State as a Master of Appeals, was constantly seen in her rooms, to
which came also some Deputies--good fellows and gamblers. Madame
Marneffe had got her circle together with prudent deliberation; only
men whose opinions and habits agreed foregathered there, men whose
interest it was to hold together and to proclaim the many merits of
the lady of the house. Scandal is the true Holy Alliance in Paris.
Take that as an axiom. Interests invariably fall asunder in the end;
vicious natures can always agree.

Within three months of settling in the Rue Vanneau, Madame Marneffe
had entertained Monsieur Crevel, who by that time was Mayor of his
/arrondissement/ and Officer of the Legion of Honor. Crevel had
hesitated; he would have to give up the famous uniform of the National
Guard in which he strutted at the Tuileries, believing himself quite
as much a soldier as the Emperor himself; but ambition, urged by
Madame Marneffe, had proved stronger than vanity. Then Monsieur le
Maire had considered his connection with Mademoiselle Heloise
Brisetout as quite incompatible with his political position.

Indeed, long before his accession to the civic chair of the Mayoralty,
his gallant intimacies had been wrapped in the deepest mystery. But,
as the reader may have guessed, Crevel had soon purchased the right of
taking his revenge, as often as circumstances allowed, for having been
bereft of Josepha, at the cost of a bond bearing six thousand francs
of interest in the name of Valerie Fortin, wife of Sieur Marneffe, for
her sole and separate use. Valerie, inheriting perhaps from her mother
the special acumen of the kept woman, read the character of her
grotesque adorer at a glance. The phrase "I never had a lady for a
mistress," spoken by Crevel to Lisbeth, and repeated by Lisbeth to her
dear Valerie, had been handsomely discounted in the bargain by which
she got her six thousand francs a year in five per cents. And since
then she had never allowed her prestige to grow less in the eyes of
Cesar Birotteau's erewhile bagman.

Crevel himself had married for money the daughter of a miller of la
Brie, an only child indeed, whose inheritance constituted three-
quarters of his fortune; for when retail-dealers grow rich, it is
generally not so much by trade as through some alliance between the
shop and rural thrift. A large proportion of the farmers, corn-
factors, dairy-keepers, and market-gardeners in the neighborhood of
Paris, dream of the glories of the desk for their daughters, and look
upon a shopkeeper, a jeweler, or a money-changer as a son-in-law after
their own heart, in preference to a notary or an attorney, whose
superior social position is a ground of suspicion; they are afraid of
being scorned in the future by these citizen bigwigs.

Madame Crevel, ugly, vulgar, and silly, had given her husband no
pleasures but those of paternity; she died young. Her libertine
husband, fettered at the beginning of his commercial career by the
necessity for working, and held in thrall by want of money, had led
the life of Tantalus. Thrown in--as he phrased it--with the most
elegant women in Paris, he let them out of the shop with servile
homage, while admiring their grace, their way of wearing the fashions,
and all the nameless charms of what is called breeding. To rise to the
level of one of these fairies of the drawing-room was a desire formed
in his youth, but buried in the depths of his heart. Thus to win the
favors of Madame Marneffe was to him not merely the realization of his
chimera, but, as has been shown, a point of pride, of vanity, of self-
satisfaction. His ambition grew with success; his brain was turned
with elation; and when the mind is captivated, the heart feels more
keenly, every gratification is doubled.

Also, it must be said that Madame Marneffe offered to Crevel a
refinement of pleasure of which he had no idea; neither Josepha nor
Heloise had loved him; and Madame Marneffe thought it necessary to
deceive him thoroughly, for this man, she saw, would prove an
inexhaustible till. The deceptions of a venal passion are more
delightful than the real thing. True love is mixed up with birdlike
squabbles, in which the disputants wound each other to the quick; but
a quarrel without animus is, on the contrary, a piece of flattery to
the dupe's conceit.

The rare interviews granted to Crevel kept his passion at white heat.
He was constantly blocked by Valerie's virtuous severity; she acted
remorse, and wondered what her father must be thinking of her in the
paradise of the brave. Again and again he had to contend with a sort
of coldness, which the cunning slut made him believe he had overcome
by seeming to surrender to the man's crazy passion; and then, as if
ashamed, she entrenched herself once more in her pride of
respectability and airs of virtue, just like an Englishwoman, neither
more nor less; and she always crushed her Crevel under the weight of
her dignity--for Crevel had, in the first instance, swallowed her
pretensions to virtue.

In short, Valerie had special veins of affections which made her
equally indispensable to Crevel and to the Baron. Before the world she
displayed the attractive combination of modest and pensive innocence,
of irreproachable propriety, with a bright humor enhanced by the
suppleness, the grace and softness of the Creole; but in a /tete-a-
tete/ she would outdo any courtesan; she was audacious, amusing, and
full of original inventiveness. Such a contrast is irresistible to a
man of the Crevel type; he is flattered by believing himself sole
author of the comedy, thinking it is performed for his benefit alone,
and he laughs at the exquisite hypocrisy while admiring the hypocrite.

Valerie had taken entire possession of Baron Hulot; she had persuaded
him to grow old by one of those subtle touches of flattery which
reveal the diabolical wit of women like her. In all evergreen
constitutions a moment arrives when the truth suddenly comes out, as
in a besieged town which puts a good face on affairs as long as
possible. Valerie, foreseeing the approaching collapse of the old beau
of the Empire, determined to forestall it.

"Why give yourself so much bother, my dear old veteran?" said she one
day, six months after their doubly adulterous union. "Do you want to
be flirting? To be unfaithful to me? I assure you, I should like you
better without your make-up. Oblige me by giving up all your
artificial charms. Do you suppose that it is for two sous' worth of
polish on your boots that I love you? For your india-rubber belt, your
strait-waistcoat, and your false hair? And then, the older you look,
the less need I fear seeing my Hulot carried off by a rival."

And Hulot, trusting to Madame Marneffe's heavenly friendship as much
as to her love, intending, too, to end his days with her, had taken
this confidential hint, and ceased to dye his whiskers and hair. After
this touching declaration from his Valerie, handsome Hector made his
appearance one morning perfectly white. Madame Marneffe could assure
him that she had a hundred times detected the white line of the growth
of the hair.

"And white hair suits your face to perfection," said she; "it softens
it. You look a thousand times better, quite charming."

The Baron, once started on this path of reform, gave up his leather
waistcoat and stays; he threw off all his bracing. His stomach fell
and increased in size. The oak became a tower, and the heaviness of
his movements was all the more alarming because the Baron grew
immensely older by playing the part of Louis XII. His eyebrows were
still black, and left a ghostly reminiscence of Handsome Hulot, as
sometimes on the wall of some feudal building a faint trace of
sculpture remains to show what the castle was in the days of its
glory. This discordant detail made his eyes, still bright and
youthful, all the more remarkable in his tanned face, because it had
so long been ruddy with the florid hues of a Rubens; and now a certain
discoloration and the deep tension of the wrinkles betrayed the
efforts of a passion at odds with natural decay. Hulot was now one of
those stalwart ruins in which virile force asserts itself by tufts of
hair in the ears and nostrils and on the fingers, as moss grows on the
almost eternal monuments of the Roman Empire.

How had Valerie contrived to keep Crevel and Hulot side by side, each
tied to an apron-string, when the vindictive Mayor only longed to
triumph openly over Hulot? Without immediately giving an answer to
this question, which the course of the story will supply, it may be
said that Lisbeth and Valerie had contrived a powerful piece of
machinery which tended to this result. Marneffe, as he saw his wife
improved in beauty by the setting in which she was enthroned, like the
sun at the centre of the sidereal system, appeared, in the eyes of the
world, to have fallen in love with her again himself; he was quite
crazy about her. Now, though his jealousy made him somewhat of a
marplot, it gave enhanced value to Valerie's favors. Marneffe
meanwhile showed a blind confidence in his chief, which degenerated
into ridiculous complaisance. The only person whom he really would not
stand was Crevel.

Marneffe, wrecked by the debauchery of great cities, described by
Roman authors, though modern decency has no name for it, was as
hideous as an anatomical figure in wax. But this disease on feet,
clothed in good broadcloth, encased his lathlike legs in elegant
trousers. The hollow chest was scented with fine linen, and musk
disguised the odors of rotten humanity. This hideous specimen of
decaying vice, trotting in red heels--for Valerie dressed the man as
beseemed his income, his cross, and his appointment--horrified Crevel,
who could not meet the colorless eyes of the Government clerk.
Marneffe was an incubus to the Mayor. And the mean rascal, aware of
the strange power conferred on him by Lisbeth and his wife, was amused
by it; he played on it as on an instrument; and cards being the last
resource of a mind as completely played out as the body, he plucked
Crevel again and again, the Mayor thinking himself bound to
subserviency to the worthy official whom /he was cheating/.

Seeing Crevel a mere child in the hands of that hideous and atrocious
mummy, of whose utter vileness the Mayor knew nothing; and seeing him,
yet more, an object of deep contempt to Valerie, who made game of
Crevel as of some mountebank, the Baron apparently thought him so
impossible as a rival that he constantly invited him to dinner.

Valerie, protected by two lovers on guard, and by a jealous husband,
attracted every eye, and excited every desire in the circle she shone
upon. And thus, while keeping up appearances, she had, in the course
of three years, achieved the most difficult conditions of the success
a courtesan most cares for and most rarely attains, even with the help
of audacity and the glitter of an existence in the light of the sun.
Valerie's beauty, formerly buried in the mud of the Rue du Doyenne,
now, like a well-cut diamond exquisitely set by Chanor, was worth more
than its real value--it could break hearts. Claude Vignon adored
Valerie in secret.



This retrospective explanation, quite necessary after the lapse of
three years, shows Valerie's balance-sheet. Now for that of her
partner, Lisbeth.

Lisbeth Fischer filled the place in the Marneffe household of a
relation who combines the functions of a lady companion and a
housekeeper; but she suffered from none of the humiliations which, for
the most part, weigh upon the women who are so unhappy as to be
obliged to fill these ambiguous situations. Lisbeth and Valerie
offered the touching spectacle of one of those friendships between
women, so cordial and so improbable, that men, always too keen-tongued
in Paris, forthwith slander them. The contrast between Lisbeth's dry
masculine nature and Valerie's creole prettiness encouraged calumny.
And Madame Marneffe had unconsciously given weight to the scandal by
the care she took of her friend, with matrimonial views, which were,
as will be seen, to complete Lisbeth's revenge.

An immense change had taken place in Cousin Betty; and Valerie, who
wanted to smarten her, had turned it to the best account. The strange
woman had submitted to stays, and laced tightly, she used bandoline to
keep her hair smooth, wore her gowns as the dressmaker sent them home,
neat little boots, and gray silk stockings, all of which were included
in Valerie's bills, and paid for by the gentleman in possession. Thus
furbished up, and wearing the yellow cashmere shawl, Lisbeth would
have been unrecognizable by any one who had not seen her for three
years.

This other diamond--a black diamond, the rarest of all--cut by a
skilled hand, and set as best became her, was appreciated at her full
value by certain ambitious clerks. Any one seeing her for the first
time might have shuddered involuntarily at the look of poetic wildness
which the clever Valerie had succeeded in bringing out by the arts of
dress in this Bleeding Nun, framing the ascetic olive face in thick
bands of hair as black as the fiery eyes, and making the most of the
rigid, slim figure. Lisbeth, like a Virgin by Cranach or Van Eyck, or
a Byzantine Madonna stepped out of its frame, had all the stiffness,
the precision of those mysterious figures, the more modern cousins of
Isis and her sister goddesses sheathed in marble folds by Egyptian
sculptors. It was granite, basalt, porphyry, with life and movement.

Saved from want for the rest of her life, Lisbeth was most amiable;
wherever she dined she brought merriment. And the Baron paid the rent
of her little apartment, furnished, as we know, with the leavings of
her friend Valerie's former boudoir and bedroom.

"I began," she would say, "as a hungry nanny goat, and I am ending as
a /lionne/."

She still worked for Monsieur Rivet at the more elaborate kinds of
gold-trimming, merely, as she said, not to lose her time. At the same
time, she was, as we shall see, very full of business; but it is
inherent in the nature of country-folks never to give up bread-
winning; in this they are like the Jews.

Every morning, very early, Cousin Betty went off to market with the
cook. It was part of Lisbeth's scheme that the house-book, which was
ruining Baron Hulot, was to enrich her dear Valerie--as it did indeed.

Is there a housewife who, since 1838, has not suffered from the evil
effects of Socialist doctrines diffused among the lower classes by
incendiary writers? In every household the plague of servants is
nowadays the worst of financial afflictions. With very few exceptions,
who ought to be rewarded with the Montyon prize, the cook, male or
female, is a domestic robber, a thief taking wages, and perfectly
barefaced, with the Government for a fence, developing the tendency to
dishonesty, which is almost authorized in the cook by the time-honored
jest as to the "handle of the basket." The women who formerly picked
up their forty sous to buy a lottery ticket now take fifty francs to
put into the savings bank. And the smug Puritans who amuse themselves
in France with philanthropic experiments fancy that they are making
the common people moral!

Between the market and the master's table the servants have their
secret toll, and the municipality of Paris is less sharp in collecting
the city-dues than the servants are in taking theirs on every single
thing. To say nothing of fifty per cent charged on every form of food,
they demand large New Year's premiums from the tradesmen. The best
class of dealers tremble before this occult power, and subsidize it
without a word--coachmakers, jewelers, tailors, and all. If any
attempt is made to interfere with them, the servants reply with
impudent retorts, or revenge themselves by the costly blunders of
assumed clumsiness; and in these days they inquire into their master's
character as, formerly, the master inquired into theirs. This mischief
is now really at its height, and the law-courts are beginning to take
cognizance of it; but in vain, for it cannot be remedied but by a law
which shall compel domestic servants, like laborers, to have a pass-
book as a guarantee of conduct. Then the evil will vanish as if by
magic. If every servant were obliged to show his pass-book, and if
masters were required to state in it the cause of his dismissal, this
would certainly prove a powerful check to the evil.

The men who are giving their attentions to the politics of the day
know not to what lengths the depravity of the lower classes has gone.
Statistics are silent as to the startling number of working men of
twenty who marry cooks of between forty and fifty enriched by robbery.
We shudder to think of the result of such unions from the three points
of view of increasing crime, degeneracy of the race, and miserable
households.

As to the mere financial mischief that results from domestic
peculation, that too is immense from a political point of view. Life
being made to cost double, any superfluity becomes impossible in most
households. Now superfluity means half the trade of the world, as it
is half the elegance of life. Books and flowers are to many persons as
necessary as bread.

Lisbeth, well aware of this dreadful scourge of Parisian households,
determined to manage Valerie's, promising her every assistance in the
terrible scene when the two women had sworn to be like sisters. So she
had brought from the depths of the Vosges a humble relation on her
mother's side, a very pious and honest soul, who had been cook to the
Bishop of Nancy. Fearing, however, her inexperience of Paris ways, and
yet more the evil counsel which wrecks such fragile virtue, at first
Lisbeth always went to market with Mathurine, and tried to teach her
what to buy. To know the real prices of things and command the
salesman's respect; to purchase unnecessary delicacies, such as fish,
only when they were cheap; to be well informed as to the price current
of groceries and provisions, so as to buy when prices are low in
anticipation of a rise,--all this housekeeping skill is in Paris
essential to domestic economy. As Mathurine got good wages and many
presents, she liked the house well enough to be glad to drive good
bargains. And by this time Lisbeth had made her quite a match for
herself, sufficiently experienced and trustworthy to be sent to market
alone, unless Valerie was giving a dinner--which, in fact, was not
unfrequently the case. And this was how it came about.

The Baron had at first observed the strictest decorum; but his passion
for Madame Marneffe had ere long become so vehement, so greedy, that
he would never quit her if he could help it. At first he dined there
four times a week; then he thought it delightful to dine with her
every day. Six months after his daughter's marriage he was paying her
two thousand francs a month for his board. Madame Marneffe invited any
one her dear Baron wished to entertain. The dinner was always arranged
for six; he could bring in three unexpected guests. Lisbeth's economy
enabled her to solve the extraordinary problem of keeping up the table
in the best style for a thousand francs a month, giving the other
thousand to Madame Marneffe. Valerie's dress being chiefly paid for by
Crevel and the Baron, the two women saved another thousand francs a
month on this.

And so this pure and innocent being had already accumulated a hundred
and fifty thousand francs in savings. She had capitalized her income
and monthly bonus, and swelled the amount by enormous interest, due to
Crevel's liberality in allowing his "little Duchess" to invest her
money in partnership with him in his financial operations. Crevel had
taught Valerie the slang and the procedure of the money market, and,
like every Parisian woman, she had soon outstripped her master.
Lisbeth, who never spent a sou of her twelve hundred francs, whose
rent and dress were given to her, and who never put her hand in her
pocket, had likewise a small capital of five or six thousand francs,
of which Crevel took fatherly care.

At the same time, two such lovers were a heavy burthen on Valerie. On
the day when this drama reopens, Valerie, spurred by one of those
incidents which have the effect in life that the ringing of a bell has
in inducing a swarm of bees to settle, went up to Lisbeth's rooms to
give vent to one of those comforting lamentations--a sort of cigarette
blown off from the tongue--by which women alleviate the minor miseries
of life.

"Oh, Lisbeth, my love, two hours of Crevel this morning! It is
crushing! How I wish I could send you in my place!"

"That, unluckily, is impossible," said Lisbeth, smiling. "I shall die
a maid."

"Two old men lovers! Really, I am ashamed sometimes! If my poor mother
could see me."

"You are mistaking me for Crevel!" said Lisbeth.

"Tell me, my little Betty, do you not despise me?"

"Oh! if I had but been pretty, what adventures I would have had!"
cried Lisbeth. "That is your justification."

"But you would have acted only at the dictates of your heart," said
Madame Marneffe, with a sigh.

"Pooh! Marneffe is a dead man they have forgotten to bury," replied
Lisbeth. "The Baron is as good as your husband; Crevel is your adorer;
it seems to me that you are quite in order--like every other married
woman."

"No, it is not that, dear, adorable thing; that is not where the shoe
pinches; you do not choose to understand."

"Yes, I do," said Lisbeth. "The unexpressed factor is part of my
revenge; what can I do? I am working it out."

"I love Wenceslas so that I am positively growing thin, and I can
never see him," said Valerie, throwing up her arms. "Hulot asks him to
dinner, and my artist declines. He does not know that I idolize him,
the wretch! What is his wife after all? Fine flesh! Yes, she is
handsome, but I--I know myself--I am worse!"

"Be quite easy, my child, he will come," said Lisbeth, in the tone of
a nurse to an impatient child. "He shall."

"But when?"

"This week perhaps."

"Give me a kiss."

As may be seen, these two women were but one. Everything Valerie did,
even her most reckless actions, her pleasures, her little sulks, were
decided on after serious deliberation between them.

Lisbeth, strangely excited by this harlot existence, advised Valerie
on every step, and pursued her course of revenge with pitiless logic.
She really adored Valerie; she had taken her to be her child, her
friend, her love; she found her docile, as Creoles are, yielding from
voluptuous indolence; she chattered with her morning after morning
with more pleasure than with Wenceslas; they could laugh together over
the mischief they plotted, and over the folly of men, and count up the
swelling interest on their respective savings.

Indeed, in this new enterprise and new affection, Lisbeth had found
food for her activity that was far more satisfying than her insane
passion for Wenceslas. The joys of gratified hatred are the fiercest
and strongest the heart can know. Love is the gold, hatred the iron of
the mine of feeling that lies buried in us. And then, Valerie was, to
Lisbeth, Beauty in all its glory--the beauty she worshiped, as we
worship what we have not, beauty far more plastic to her hand than
that of Wenceslas, who had always been cold to her and distant.

At the end of nearly three years, Lisbeth was beginning to perceive
the progress of the underground mine on which she was expending her
life and concentrating her mind. Lisbeth planned, Madame Marneffe
acted. Madame Marneffe was the axe, Lisbeth was the hand the wielded
it, and that hand was rapidly demolishing the family which was every
day more odious to her; for we can hate more and more, just as, when
we love, we love better every day.

Love and hatred are feelings that feed on themselves; but of the two,
hatred has the longer vitality. Love is restricted within limits of
power; it derives its energies from life and from lavishness. Hatred
is like death, like avarice; it is, so to speak, an active
abstraction, above beings and things.

Lisbeth, embarked on the existence that was natural to her, expended
in it all her faculties; governing, like the Jesuits, by occult
influences. The regeneration of her person was equally complete; her
face was radiant. Lisbeth dreamed of becoming Madame la Marechale
Hulot.

This little scene, in which the two friends had bluntly uttered their
ideas without any circumlocution in expressing them, took place
immediately on Lisbeth's return from market, whither she had been to
procure the materials for an elegant dinner. Marneffe, who hoped to
get Coquet's place, was to entertain him and the virtuous Madame
Coquet, and Valerie hoped to persuade Hulot, that very evening, to
consider the head-clerk's resignation.

Lisbeth dressed to go to the Baroness, with whom she was to dine.

"You will come back in time to make tea for us, my Betty?" said
Valerie.

"I hope so."

"You hope so--why? Have you come to sleeping with Adeline to drink her
tears while she is asleep?"

"If only I could!" said Lisbeth, laughing. "I would not refuse. She is
expiating her happiness--and I am glad, for I remember our young days.
It is my turn now. She will be in the mire, and I shall be Comtesse de
Forzheim!"

Lisbeth set out for the Rue Plumet, where she now went as to the
theatre--to indulge her emotions.



The residence Hulot had found for his wife consisted of a large, bare
entrance-room, a drawing-room, and a bed and dressing-room. The
dining-room was next the drawing-room on one side. Two servants' rooms
and a kitchen on the third floor completed the accommodation, which
was not unworthy of a Councillor of State, high up in the War Office.
The house, the court-yard, and the stairs were extremely handsome.

The Baroness, who had to furnish her drawing-room, bed-room, and
dining-room with the relics of her splendor, had brought away the best
of the remains from the house in the Rue de l'Universite. Indeed, the
poor woman was attached to these mute witnesses of her happier life;
to her they had an almost consoling eloquence. In memory she saw her
flowers, as in the carpets she could trace patterns hardly visible now
to other eyes.

On going into the spacious anteroom, where twelve chairs, a barometer,
a large stove, and long, white cotton curtains, bordered with red,
suggested the dreadful waiting-room of a Government office, the
visitor felt oppressed, conscious at once of the isolation in which
the mistress lived. Grief, like pleasure, infects the atmosphere. A
first glance into any home is enough to tell you whether love or
despair reigns there.

Adeline would be found sitting in an immense bedroom with beautiful
furniture by Jacob Desmalters, of mahogany finished in the Empire
style with ormolu, which looks even less inviting than the brass-work
of Louis XVI.! It gave one a shiver to see this lonely woman sitting
on a Roman chair, a work-table with sphinxes before her, colorless,
affecting false cheerfulness, but preserving her imperial air, as she
had preserved the blue velvet gown she always wore in the house. Her
proud spirit sustained her strength and preserved her beauty.

The Baroness, by the end of her first year of banishment to this
apartment, had gauged every depth of misfortune.

"Still, even here my Hector has made my life much handsomer than it
should be for a mere peasant," said she to herself. "He chooses that
it should be so; his will be done! I am Baroness Hulot, the sister-in-
law of a Marshal of France. I have done nothing wrong; my two children
are settled in life; I can wait for death, wrapped in the spotless
veil of an immaculate wife and the crape of departed happiness."

A portrait of Hulot, in the uniform of a Commissary General of the
Imperial Guard, painted in 1810 by Robert Lefebvre, hung above the
work-table, and when visitors were announced, Adeline threw into a
drawer an /Imitation of Jesus Christ/, her habitual study. This
blameless Magdalen thus heard the Voice of the Spirit in her desert.

"Mariette, my child," said Lisbeth to the woman who opened the door,
"how is my dear Adeline to-day?"

"Oh, she looks pretty well, mademoiselle; but between you and me, if
she goes on in this way, she will kill herself," said Mariette in a
whisper. "You really ought to persuade her to live better. Now,
yesterday madame told me to give her two sous' worth of milk and a
roll for one sou; to get her a herring for dinner and a bit of cold
veal; she had a pound cooked to last her the week--of course, for the
days when she dines at home and alone. She will not spend more than
ten sous a day for her food. It is unreasonable. If I were to say
anything about it to Monsieur le Marechal, he might quarrel with
Monsieur le Baron and leave him nothing, whereas you, who are so kind
and clever, can manage things----"

"But why do you not apply to my cousin the Baron?" said Lisbeth.

"Oh, dear mademoiselle, he has not been here for three weeks or more;
in fact, not since we last had the pleasure of seeing you! Besides,
madame has forbidden me, under threat of dismissal, ever to ask the
master for money. But as for grief!--oh, poor lady, she has been very
unhappy. It is the first time that monsieur has neglected her for so
long. Every time the bell rang she rushed to the window--but for the
last five days she has sat still in her chair. She reads. Whenever she
goes out to see Madame la Comtesse, she says, 'Mariette, if monsieur
comes in,' says she, 'tell him I am at home, and send the porter to
fetch me; he shall be well paid for his trouble.' "

"Poor soul!" said Lisbeth; "it goes to my heart. I speak of her to the
Baron every day. What can I do? 'Yes,' says he, 'Betty, you are right;
I am a wretch. My wife is an angel, and I am a monster! I will go
to-morrow----' And he stays with Madame Marneffe. That woman is
ruining him, and he worships her; he lives only in her sight.--I do
what I can; if I were not there, and if I had not Mathurine to depend
upon, he would spend twice as much as he does; and as he has hardly
any money in the world, he would have blown his brains out by this
time. And, I tell you, Mariette, Adeline would die of her husband's
death, I am perfectly certain. At any rate, I pull to make both ends
meet, and prevent my cousin from throwing too much money into the
fire."

"Yes, that is what madame says, poor soul! She knows how much she owes
you," replied Mariette. "She said she had judged you unjustly for many
years----"

"Indeed!" said Lisbeth. "And did she say anything else?"

"No, mademoiselle. If you wish to please her, talk to her about
Monsieur le Baron; she envies you your happiness in seeing him every
day."

"Is she alone?"

"I beg pardon, no; the Marshal is with her. He comes every day, and
she always tells him she saw monsieur in the morning, but that he
comes in very late at night."

"And is there a good dinner to-day?"

Mariette hesitated; she could not meet Lisbeth's eye. The drawing-room
door opened, and Marshal Hulot rushed out in such haste that he bowed
to Lisbeth without looking at her, and dropped a paper. Lisbeth picked
it up and ran after him downstairs, for it was vain to hail a deaf
man; but she managed not to overtake the Marshal, and as she came up
again she furtively read the following lines written in pencil:--

  "MY DEAR BROTHER,--My husband has given me the money for my
  quarter's expenses; but my daughter Hortense was in such need of
  it, that I lent her the whole sum, which was scarcely enough to
  set her straight. Could you lend me a few hundred francs? For I
  cannot ask Hector for more; if he were to blame me, I could not
  bear it."

"My word!" thought Lisbeth, "she must be in extremities to bend her
pride to such a degree!"

Lisbeth went in. She saw tears in Adeline's eyes, and threw her arms
round her neck.

"Adeline, my dearest, I know all," cried Cousin Betty. "Here, the
Marshal dropped this paper--he was in such a state of mind, and
running like a greyhound.--Has that dreadful Hector given you no money
since----?"

"He gives it me quite regularly," replied the Baroness, "but Hortense
needed it, and--"

"And you had not enough to pay for dinner to-night," said Lisbeth,
interrupting her. "Now I understand why Mariette looked so confused
when I said something about the soup. You really are childish,
Adeline; come, take my savings."

"Thank you, my kind cousin," said Adeline, wiping away a tear. "This
little difficulty is only temporary, and I have provided for the
future. My expenses henceforth will be no more than two thousand four
hundred francs a year, rent inclusive, and I shall have the money.--
Above all, Betty, not a word to Hector. Is he well?"

"As strong as the Pont Neuf, and as gay as a lark; he thinks of
nothing but his charmer Valerie."

Madame Hulot looked out at a tall silver-fir in front of the window,
and Lisbeth could not see her cousin's eyes to read their expression.

"Did you mention that it was the day when we all dine together here?"

"Yes. But, dear me! Madame Marneffe is giving a grand dinner; she
hopes to get Monsieur Coquet to resign, and that is of the first
importance.--Now, Adeline, listen to me. You know that I am fiercely
proud as to my independence. Your husband, my dear, will certainly
bring you to ruin. I fancied I could be of use to you all by living
near this woman, but she is a creature of unfathomable depravity, and
she will make your husband promise things which will bring you all to
disgrace." Adeline writhed like a person stabbed to the heart. "My
dear Adeline, I am sure of what I say. I feel it is my duty to
enlighten you.--Well, let us think of the future. The Marshal is an
old man, but he will last a long time yet--he draws good pay; when he
dies his widow would have a pension of six thousand francs. On such an
income I would undertake to maintain you all. Use your influence over
the good man to get him to marry me. It is not for the sake of being
Madame la Marechale; I value such nonsense at no more than I value
Madame Marneffe's conscience; but you will all have bread. I see that
Hortense must be wanting it, since you give her yours."

The Marshal now came in; he had made such haste, that he was mopping
his forehead with his bandana.

"I have given Mariette two thousand francs," he whispered to his
sister-in-law.

Adeline colored to the roots of her hair. Two tears hung on the
fringes of the still long lashes, and she silently pressed the old
man's hand; his beaming face expressed the glee of a favored lover.

"I intended to spend the money in a present for you, Adeline," said
he. "Instead of repaying me, you must choose for yourself the thing
you would like best."

He took Lisbeth's hand, which she held out to him, and so bewildered
was he by his satisfaction, that he kissed it.

"That looks promising," said Adeline to Lisbeth, smiling so far as she
was able to smile.

The younger Hulot and his wife now came in.

"Is my brother coming to dinner?" asked the Marshal sharply.

Adeline took up a pencil and wrote these words on a scrap of paper:

"I expect him; he promised this morning that he would be here; but if
he should not come, it would be because the Marshal kept him. He is
overwhelmed with business."

And she handed him the paper. She had invented this way of conversing
with Marshal Hulot, and kept a little collection of paper scraps and a
pencil at hand on the work-table.

"I know," said the Marshal, "he is worked very hard over the business
in Algiers."

At this moment, Hortense and Wenceslas arrived, and the Baroness, as
she saw all her family about her, gave the Marshal a significant
glance understood by none but Lisbeth.

Happiness had greatly improved the artist, who was adored by his wife
and flattered by the world. His face had become almost round, and his
graceful figure did justice to the advantages which blood gives to men
of birth. His early fame, his important position, the delusive
eulogies that the world sheds on artists as lightly as we say, "How
d'ye do?" or discuss the weather, gave him that high sense of merit
which degenerates into sheer fatuity when talent wanes. The Cross of
the Legion of Honor was the crowning stamp of the great man he
believed himself to be.

After three years of married life, Hortense was to her husband what a
dog is to its master; she watched his every movement with a look that
seemed a constant inquiry, her eyes were always on him, like those of
a miser on his treasure; her admiring abnegation was quite pathetic.
In her might be seen her mother's spirit and teaching. Her beauty, as
great as ever, was poetically touched by the gentle shadow of
concealed melancholy.

On seeing Hortense come in, it struck Lisbeth that some long-
suppressed complaint was about to break through the thin veil of
reticence. Lisbeth, from the first days of the honeymoon, had been
sure that this couple had too small an income for so great a passion.

Hortense, as she embraced her mother, exchanged with her a few
whispered phrases, heart to heart, of which the mystery was betrayed
to Lisbeth by certain shakes of the head.

"Adeline, like me, must work for her living," thought Cousin Betty.
"She shall be made to tell me what she will do! Those pretty fingers
will know at last, like mine, what it is to work because they must."

At six o'clock the family party went in to dinner. A place was laid
for Hector.

"Leave it so," said the Baroness to Mariette, "monsieur sometimes
comes in late."

"Oh, my father will certainly come," said Victorin to his mother. "He
promised me he would when we parted at the Chamber."

Lisbeth, like a spider in the middle of its net, gloated over all
these countenances. Having known Victorin and Hortense from their
birth, their faces were to her like panes of glass, through which she
could read their young souls. Now, from certain stolen looks directed
by Victorin on his mother, she saw that some disaster was hanging over
Adeline which Victorin hesitated to reveal. The famous young lawyer
had some covert anxiety. His deep reverence for his mother was evident
in the regret with which he gazed at her.

Hortense was evidently absorbed in her own woes; for a fortnight past,
as Lisbeth knew, she had been suffering the first uneasiness which
want of money brings to honest souls, and to young wives on whom life
has hitherto smiled, and who conceal their alarms. Also Lisbeth had
immediately guessed that her mother had given her no money. Adeline's
delicacy had brought her so low as to use the fallacious excuses that
necessity suggests to borrowers.

Hortense's absence of mind, with her brother's and the Baroness' deep
dejection, made the dinner a melancholy meal, especially with the
added chill of the Marshal's utter deafness. Three persons gave a
little life to the scene: Lisbeth, Celestine, and Wenceslas.
Hortense's affection had developed the artist's natural liveliness as
a Pole, the somewhat swaggering vivacity and noisy high spirits that
characterize these Frenchmen of the North. His frame of mind and the
expression of his face showed plainly that he believed in himself, and
that poor Hortense, faithful to her mother's training, kept all
domestic difficulties to herself.

"You must be content, at any rate," said Lisbeth to her young cousin,
as they rose from table, "since your mother has helped you with her
money."

"Mamma!" replied Hortense in astonishment. "Oh, poor mamma! It is for
me that she would like to make money. You do not know, Lisbeth, but I
have a horrible suspicion that she works for it in secret."

They were crossing the large, dark drawing-room where there were no
candles, all following Mariette, who was carrying the lamp into
Adeline's bedroom. At this instant Victorin just touched Lisbeth and
Hortense on the arm. The two women, understanding the hint, left
Wenceslas, Celestine, the Marshal, and the Baroness to go on together,
and remained standing in a window-bay.

"What is it, Victorin?" said Lisbeth. "Some disaster caused by your
father, I dare wager."

"Yes, alas!" replied Victorin. "A money-lender named Vauvinet has
bills of my father's to the amount of sixty thousand francs, and wants
to prosecute. I tried to speak of the matter to my father at the
Chamber, but he would not understand me; he almost avoided me. Had we
better tell my mother?"

"No, no," said Lisbeth, "she has too many troubles; it would be a
death-blow; you must spare her. You have no idea how low she has
fallen. But for your uncle, you would have found no dinner here this
evening."

"Dear Heaven! Victorin, what wretches we are!" said Hortense to her
brother. "We ought to have guessed what Lisbeth has told us. My dinner
is choking me!"

Hortense could say no more; she covered her mouth with her
handkerchief to smother a sob, and melted into tears.

"I told the fellow Vauvinet to call on me to-morrow," replied
Victorin, "but will he be satisfied by my guarantee on a mortgage? I
doubt it. Those men insist on ready money to sweat others on usurious
terms."

"Let us sell out of the funds!" said Lisbeth to Hortense.

"What good would that do?" replied Victorin. "It would bring fifteen
or sixteen thousand francs, and we want sixty thousand."

"Dear cousin!" cried Hortense, embracing Lisbeth with the enthusiasm
of guilelessness.

"No, Lisbeth, keep your little fortune," said Victorin, pressing the
old maid's hand. "I shall see to-morrow what this man would be up to.
With my wife's consent, I can at least hinder or postpone the
prosecution--for it would really be frightful to see my father's honor
impugned. What would the War Minister say? My father's salary, which
he pledged for three years, will not be released before the month of
December, so we cannot offer that as a guarantee. This Vauvinet has
renewed the bills eleven times; so you may imagine what my father must
pay in interest. We must close this pit."

"If only Madame Marneffe would throw him over!" said Hortense
bitterly.

"Heaven forbid!" exclaimed Victorin. "He would take up some one else;
and with her, at any rate, the worst outlay is over."

What a change in children formerly so respectful, and kept so long by
their mother in blind worship of their father! They knew him now for
what he was.

"But for me," said Lisbeth, "your father's ruin would be more complete
than it is."

"Come in to mamma," said Hortense; "she is very sharp, and will
suspect something; as our kind Lisbeth says, let us keep everything
from her--let us be cheerful."

"Victorin," said Lisbeth, "you have no notion of what your father will
be brought to by his passion for women. Try to secure some future
resource by getting the Marshal to marry me. Say something about it
this evening; I will leave early on purpose."

Victorin went into the bedroom.

"And you, poor little thing!" said Lisbeth in an undertone to
Hortense, "what can you do?"

"Come to dinner with us to-morrow, and we will talk it over," answered
Hortense. "I do not know which way to turn; you know how hard life is,
and you will advise me."



While the whole family with one consent tried to persuade the Marshal
to marry, and while Lisbeth was making her way home to the Rue
Vanneau, one of those incidents occurred which, in such women as
Madame Marneffe, are a stimulus to vice by compelling them to exert
their energy and every resource of depravity. One fact, at any rate,
must however be acknowledged: life in Paris is too full for vicious
persons to do wrong instinctively and unprovoked; vice is only a
weapon of defence against aggressors--that is all.

Madame Marneffe's drawing-room was full of her faithful admirers, and
she had just started the whist-tables, when the footman, a pensioned
soldier recruited by the Baron, announced:

"Monsieur le Baron Montes de Montejanos."

Valerie's heart jumped, but she hurried to the door, exclaiming:

"My cousin!" and as she met the Brazilian, she whispered:

"You are my relation--or all is at an end between us!--And so you were
not wrecked, Henri?" she went on audibly, as she led him to the fire.
"I heard you were lost, and have mourned for you these three years."

"How are you, my good fellow?" said Marneffe, offering his hand to the
stranger, whose get-up was indeed that of a Brazilian and a
millionaire.

Monsieur le Baron Henri Montes de Montejanos, to whom the climate of
the equator had given the color and stature we expect to see in
Othello on the stage, had an alarming look of gloom, but it was a
merely pictorial illusion; for, sweet and affectionate by nature, he
was predestined to be the victim that a strong man often is to a weak
woman. The scorn expressed in his countenance, the muscular strength
of his stalwart frame, all his physical powers were shown only to his
fellow-men; a form of flattery which women appreciate, nay, which so
intoxicates them, that every man with his mistress on his arm assumes
a matador swagger that provokes a smile. Very well set up, in a
closely fitting blue coat with solid gold buttons, in black trousers,
spotless patent evening boots, and gloves of a fashionable hue, the
only Brazilian touch in the Baron's costume was a large diamond, worth
about a hundred thousand francs, which blazed like a star on a
handsome blue silk cravat, tucked into a white waistcoat in such a way
as to show corners of a fabulously fine shirt front.

His brow, bossy like that of a satyr, a sign of tenacity in his
passions, was crowned by thick jet-black hair like a virgin forest,
and under it flashed a pair of hazel eyes, so wild looking as to
suggest that before his birth his mother must have been scared by a
jaguar.

This fine specimen of the Portuguese race in Brazil took his stand
with his back to the fire, in an attitude that showed familiarity with
Paris manners; holding his hat in one hand, his elbow resting on the
velvet-covered shelf, he bent over Madame Marneffe, talking to her in
an undertone, and troubling himself very little about the dreadful
people who, in his opinion, were so very much in the way.

This fashion of taking the stage, with the Brazilian's attitude and
expression, gave, alike to Crevel and to the baron, an identical shock
of curiosity and anxiety. Both were struck by the same impression and
the same surmise. And the manoeuvre suggested in each by their very
genuine passion was so comical in its simultaneous results, that it
made everybody smile who was sharp enough to read its meaning. Crevel,
a tradesman and shopkeeper to the backbone, though a mayor of Paris,
unluckily, was a little slower to move than his rival partner, and
this enabled the Baron to read at a glance Crevel's involuntary self-
betrayal. This was a fresh arrow to rankle in the very amorous old
man's heart, and he resolved to have an explanation from Valerie.

"This evening," said Crevel to himself too, as he sorted his hand, "I
must know where I stand."

"You have a heart!" cried Marneffe. "You have just revoked."

"I beg your pardon," said Crevel, trying to withdraw his card.--"This
Baron seems to me very much in the way," he went on, thinking to
himself. "If Valerie carries on with my Baron, well and good--it is a
means to my revenge, and I can get rid of him if I choose; but as for
this cousin!--He is one Baron too many; I do not mean to be made a
fool of. I will know how they are related."

That evening, by one of those strokes of luck which come to pretty
women, Valerie was charmingly dressed. Her white bosom gleamed under a
lace tucker of rusty white, which showed off the satin texture of her
beautiful shoulders--for Parisian women, Heaven knows how, have some
way of preserving their fine flesh and remaining slender. She wore a
black velvet gown that looked as if it might at any moment slip off
her shoulders, and her hair was dressed with lace and drooping
flowers. Her arms, not fat but dimpled, were graced by deep ruffles to
her sleeves. She was like a luscious fruit coquettishly served in a
handsome dish, and making the knife-blade long to be cutting it.

"Valerie," the Brazilian was saying in her ear, "I have come back
faithful to you. My uncle is dead; I am twice as rich as I was when I
went away. I mean to live and die in Paris, for you and with you."

"Lower, Henri, I implore you----"

"Pooh! I mean to speak to you this evening, even if I should have to
pitch all these creatures out of window, especially as I have lost two
days in looking for you. I shall stay till the last.--I can, I
suppose?"

Valerie smiled at her adopted cousin, and said:

"Remember that you are the son of my mother's sister, who married your
father during Junot's campaign in Portugal."

"What, I, Montes de Montejanos, great grandson of a conquerer of
Brazil! Tell a lie?"

"Hush, lower, or we shall never meet again."

"Pray, why?"

"Marneffe, like all dying wretches, who always take up some last whim,
has a revived passion for me----"

"That cur?" said the Brazilian, who knew his Marneffe; "I will settle
him!"

"What violence!"

"And where did you get all this splendor?" the Brazilian went on, just
struck by the magnificence of the apartment.

She began to laugh.

"Henri! what bad taste!" said she.

She had felt two burning flashes of jealousy which had moved her so
far as to make her look at the two souls in purgatory. Crevel, playing
against Baron Hulot and Monsieur Coquet, had Marneffe for his partner.
The game was even, because Crevel and the Baron were equally absent-
minded, and made blunder after blunder. Thus, in one instant, the old
men both confessed the passion which Valerie had persuaded them to
keep secret for the past three years; but she too had failed to hide
the joy in her eyes at seeing the man who had first taught her heart
to beat, the object of her first love. The rights of such happy
mortals survive as long as the woman lives over whom they have
acquired them.

With these three passions at her side--one supported by the insolence
of wealth, the second by the claims of possession, and the third by
youth, strength, fortune, and priority--Madame Marneffe preserved her
coolness and presence of mind, like General Bonaparte when, at the
siege of Mantua, he had to fight two armies, and at the same time
maintain the blockade.

Jealousy, distorting Hulot's face, made him look as terrible as the
late Marshal Montcornet leading a cavalry charge against a Russian
square. Being such a handsome man, he had never known any ground for
jealousy, any more than Murat knew what it was to be afraid. He had
always felt sure that he should triumph. His rebuff by Josepha, the
first he had ever met, he ascribed to her love of money; "he was
conquered by millions, and not by a changeling," he would say when
speaking of the Duc d'Herouville. And now, in one instant, the poison
and delirium that the mad passion sheds in a flood had rushed to his
heart. He kept turning from the whist-table towards the fireplace with
an action /a la/ Mirabeau; and as he laid down his cards to cast a
challenging glance at the Brazilian and Valerie, the rest of the
company felt the sort of alarm mingled with curiosity that is caused
by evident violence ready to break out at any moment. The sham cousin
stared at Hulot as he might have looked at some big China mandarin.

This state of things could not last; it was bound to end in some
tremendous outbreak. Marneffe was as much afraid of Hulot as Crevel
was of Marneffe, for he was anxious not to die a mere clerk. Men
marked for death believe in life as galley-slaves believe in liberty;
this man was bent on being a first-class clerk at any cost. Thoroughly
frightened by the pantomime of the Baron and Crevel, he rose, said a
few words in his wife's ear, and then, to the surprise of all, Valerie
went into the adjoining bedroom with the Brazilian and her husband.

"Did Madame Marneffe ever speak to you of this cousin of hers?" said
Crevel to Hulot.

"Never!" replied the Baron, getting up. "That is enough for this
evening," said he. "I have lost two louis--there they are."

He threw the two gold pieces on the table, and seated himself on the
sofa with a look which everybody else took as a hint to go. Monsieur
and Madame Coquet, after exchanging a few words, left the room, and
Claude Vignon, in despair, followed their example. These two
departures were a hint to less intelligent persons, who now found that
they were not wanted. The Baron and Crevel were left together, and
spoke never a word. Hulot, at last, ignoring Crevel, went on tiptoe to
listen at the bedroom door; but he bounded back with a prodigious
jump, for Marneffe opened the door and appeared with a calm face,
astonished to find only the two men.

"And the tea?" said he.

"Where is Valerie?" replied the Baron in a rage.

"My wife," said Marneffe. "She is gone upstairs to speak to
mademoiselle your cousin. She will come down directly."

"And why has she deserted us for that stupid creature?"

"Well," said Marneffe, "Mademoiselle Lisbeth came back from dining
with the Baroness with an attack of indigestion and Mathurine asked
Valerie for some tea for her, so my wife went up to see what was the
matter."

"And /her/ cousin?"

"He is gone."

"Do you really believe that?" said the Baron.

"I have seen him to his carriage," replied Marneffe, with a hideous
smirk.

The wheels of a departing carriage were audible in the street. The
Baron, counting Marneffe for nothing, went upstairs to Lisbeth. An
idea flashed through him such as the heart sends to the brain when it
is on fire with jealousy. Marneffe's baseness was so well known to
him, that he could imagine the most degrading connivance between
husband and wife.

"What has become of all the ladies and gentlemen?" said Marneffe,
finding himself alone with Crevel.

"When the sun goes to bed, the cocks and hens follow suit," said
Crevel. "Madame Marneffe disappeared, and her adorers departed. Will
you play a game of piquet?" added Crevel, who meant to remain.

He too believed that the Brazilian was in the house.

Monsieur Marneffe agreed. The Mayor was a match for the Baron. Simply
by playing cards with the husband he could stay on indefinitely; and
Marneffe, since the suppression of the public tables, was quite
satisfied with the more limited opportunities of private play.

Baron Hulot went quickly up to Lisbeth's apartment, but the door was
locked, and the usual inquiries through the door took up time enough
to enable the two light-handed and cunning women to arrange the scene
of an attack of indigestion with the accessories of tea. Lisbeth was
in such pain that Valerie was very much alarmed, and consequently
hardly paid any heed to the Baron's furious entrance. Indisposition is
one of the screens most often placed by women to ward off a quarrel.
Hulot peeped about, here and there, but could see no spot in Cousin
Betty's room where a Brazilian might lie hidden.

"Your indigestion does honor to my wife's dinner, Lisbeth," said he,
scrutinizing her, for Lisbeth was perfectly well, trying to imitate
the hiccough of spasmodic indigestion as she drank her tea.

"How lucky it is that dear Betty should be living under my roof!" said
Madame Marneffe. "But for me, the poor thing would have died."

"You look as if you only half believed it," added Lisbeth, turning to
the Baron, "and that would be a shame----"

"Why?" asked the Baron. "Do you know the purpose of my visit?"

And he leered at the door of a dressing-closet from which the key had
been withdrawn.

"Are you talking Greek?" said Madame Marneffe, with an appealing look
of misprized tenderness and devotedness.

"But it is all through you, my dear cousin; yes, it is your doing that
I am in such a state," said Lisbeth vehemently.

This speech diverted the Baron's attention; he looked at the old maid
with the greatest astonishment.

"You know that I am devoted to you," said Lisbeth. "I am here, that
says everything. I am wearing out the last shreds of my strength in
watching over your interests, since they are one with our dear
Valerie's. Her house costs one-tenth of what any other does that is
kept on the same scale. But for me, Cousin, instead of two thousand
francs a month, you would be obliged to spend three or four thousand."

"I know all that," replied the Baron out of patience; "you are our
protectress in many ways," he added, turning to Madame Marneffe and
putting his arm round her neck.--"Is not she, my pretty sweet?"

"On my honor," exclaimed Valerie, "I believe you are gone mad!"

"Well, you cannot doubt my attachment," said Lisbeth. "But I am also
very fond of my cousin Adeline, and I found her in tears. She has not
seen you for a month. Now that is really too bad; you leave my poor
Adeline without a sou. Your daughter Hortense almost died of it when
she was told that it is thanks to your brother that we had any dinner
at all. There was not even bread in your house this day.

"Adeline is heroically resolved to keep her sufferings to herself. She
said to me, 'I will do as you have done!' The speech went to my heart;
and after dinner, as I thought of what my cousin had been in 1811, and
of what she is in 1841--thirty years after--I had a violent
indigestion.--I fancied I should get over it; but when I got home, I
thought I was dying--"

"You see, Valerie, to what my adoration of you has brought me! To
crime--domestic crime!"

"Oh! I was wise never to marry!" cried Lisbeth, with savage joy. "You
are a kind, good man; Adeline is a perfect angel;--and this is the
reward of her blind devotion."

"An elderly angel!" said Madame Marneffe softly, as she looked half
tenderly, half mockingly, at her Hector, who was gazing at her as an
examining judge gazes at the accused.

"My poor wife!" said Hulot. "For more than nine months I have given
her no money, though I find it for you, Valerie; but at what a cost!
No one else will ever love you so, and what torments you inflict on me
in return!"

"Torments?" she echoed. "Then what do you call happiness?"

"I do not yet know on what terms you have been with this so-called
cousin whom you never mentioned to me," said the Baron, paying no heed
to Valerie's interjection. "But when he came in I felt as if a
penknife had been stuck into my heart. Blinded I may be, but I am not
blind. I could read his eyes, and yours. In short, from under that
ape's eyelids there flashed sparks that he flung at you--and your
eyes!--Oh! you have never looked at me so, never! As to this mystery,
Valerie, it shall all be cleared up. You are the only woman who ever
made me know the meaning of jealousy, so you need not be surprised by
what I say.--But another mystery which has rent its cloud, and it
seems to me infamous----"

"Go on, go on," said Valerie.

"It is that Crevel, that square lump of flesh and stupidity, is in
love with you, and that you accept his attentions with so good a grace
that the idiot flaunts his passion before everybody."

"Only three! Can you discover no more?" asked Madame Marneffe.

"There may be more!" retorted the Baron.

"If Monsieur Crevel is in love with me, he is in his rights as a man
after all; if I favored his passion, that would indeed be the act of a
coquette, or of a woman who would leave much to be desired on your
part.--Well, love me as you find me, or let me alone. If you restore
me to freedom, neither you nor Monsieur Crevel will ever enter my
doors again. But I will take up with my cousin, just to keep my hand
in, in those charming habits you suppose me to indulge.--Good-bye,
Monsieur le Baron Hulot."

She rose, but the Baron took her by the arm and made her sit down
again. The old man could not do without Valerie. She had become more
imperatively indispensable to him than the necessaries of life; he
preferred remaining in uncertainty to having any proof of Valerie's
infidelity.

"My dearest Valerie," said he, "do you not see how miserable I am? I
only ask you to justify yourself. Give me sufficient reasons--"

"Well, go downstairs and wait for me; for I suppose you do not wish to
look on at the various ceremonies required by your cousin's state."

Hulot slowly turned away

"You old profligate," cried Lisbeth, "you have not even asked me how
your children are? What are you going to do for Adeline? I, at any
rate, will take her my savings to-morrow."

"You owe your wife white bread to eat at least," said Madame Marneffe,
smiling.

The Baron, without taking offence at Lisbeth's tone, as despotic as
Josepha's, got out of the room, only too glad to escape so importunate
a question.



The door bolted once more, the Brazilian came out of the dressing-
closet, where he had been waiting, and he appeared with his eyes full
of tears, in a really pitiable condition. Montes had heard everything.

"Henri, you must have ceased to love me, I know it!" said Madame
Marneffe, hiding her face in her handkerchief and bursting into tears.

It was the outcry of real affection. The cry of a woman's despair is
so convincing that it wins the forgiveness that lurks at the bottom of
every lover's heart--when she is young and pretty, and wears a gown so
low that she could slip out at the top and stand in the garb of Eve.

"But why, if you love me, do you not leave everything for my sake?"
asked the Brazilian.

This South American born, being logical, as men are who have lived the
life of nature, at once resumed the conversation at the point where it
had been broken off, putting his arm round Valerie's waist.

"Why?" she repeated, gazing up at Henri, whom she subjugated at once
by a look charged with passion, "why, my dear boy, I am married; we
are in Paris, not in the savannah, the pampas, the backwoods of
America.--My dear Henri, my first and only love, listen to me. That
husband of mine, a second clerk in the War Office, is bent on being a
head-clerk and officer of the Legion of Honor; can I help his being
ambitious? Now for the very reason that made him leave us our liberty
--nearly four years ago, do you remember, you bad boy?--he now
abandons me to Monsieur Hulot. I cannot get rid of that dreadful
official, who snorts like a grampus, who has fins in his nostrils, who
is sixty-three years old, and who had grown ten years older by dint of
trying to be young; who is so odious to me that the very day when
Marneffe is promoted, and gets his Cross of the Legion of Honor----"

"How much more will your husband get then?"

"A thousand crowns."

"I will pay him as much in an annuity," said Baron Montes. "We will
leave Paris and go----"

"Where?" said Valerie, with one of the pretty sneers by which a woman
makes fun of a man she is sure of. "Paris is the only place where we
can live happy. I care too much for your love to risk seeing it die
out in a /tete-a-tete/ in the wilderness. Listen, Henri, you are the
only man I care for in the whole world. Write that down clearly in
your tiger's brain."

For women, when they have made a sheep of a man, always tell him that
he is a lion with a will of iron.

"Now, attend to me. Monsieur Marneffe has not five years to live; he
is rotten to the marrow of his bones. He spends seven months of the
twelve in swallowing drugs and decoctions; he lives wrapped in
flannel; in short, as the doctor says, he lives under the scythe, and
may be cut off at any moment. An illness that would not harm another
man would be fatal to him; his blood is corrupt, his life undermined
at the root. For five years I have never allowed him to kiss me--he is
poisonous! Some day, and the day is not far off, I shall be a widow.
Well, then, I--who have already had an offer from a man with sixty
thousand francs a year, I who am as completely mistress of that man as
I am of this lump of sugar--I swear to you that if you were as poor as
Hulot and as foul as Marneffe, if you beat me even, still you are the
only man I will have for a husband, the only man I love, or whose name
I will ever bear. And I am ready to give any pledge of my love that
you may require."

"Well, then, to-night----"

"But you, son of the South, my splendid jaguar, come expressly for me
from the virgin forest of Brazil," said she, taking his hand and
kissing and fondling it, "I have some consideration for the poor
creature you mean to make your wife.--Shall I be your wife, Henri?"

"Yes," said the Brazilian, overpowered by this unbridled volubility of
passion. And he knelt at her feet.

"Well, then, Henri," said Valerie, taking his two hands and looking
straight into his eyes, "swear to me now, in the presence of Lisbeth,
my best and only friend, my sister--that you will make me your wife at
the end of my year's widowhood."

"I swear it."

"That is not enough. Swear by your mother's ashes and eternal
salvation, swear by the Virgin Mary and by all your hopes as a
Catholic!"

Valerie knew that the Brazilian would keep that oath even if she
should have fallen into the foulest social slough.

The Baron solemnly swore it, his nose almost touching Valerie's white
bosom, and his eyes spellbound. He was drunk, drunk as a man is when
he sees the woman he loves once more, after a sea voyage of a hundred
and twenty days.

"Good. Now be quite easy. And in Madame Marneffe respect the future
Baroness de Montejanos. You are not to spend a sou upon me; I forbid
it.--Stay here in the outer room; sleep on the sofa. I myself will
come and tell you when you may move.--We will breakfast to-morrow
morning, and you can be leaving at about one o'clock as if you had
come to call at noon. There is nothing to fear; the gate-keepers love
me as much as if they were my father and mother.--Now I must go down
and make tea."

She beckoned to Lisbeth, who followed her out on to the landing. There
Valerie whispered in the old maid's ear:

"My darkie has come back too soon. I shall die if I cannot avenge you
on Hortense!"

"Make your mind easy, my pretty little devil!" said Lisbeth, kissing
her forehead. "Love and Revenge on the same track will never lose the
game. Hortense expects me to-morrow; she is in beggary. For a thousand
francs you may have a thousand kisses from Wenceslas."

On leaving Valerie, Hulot had gone down to the porter's lodge and made
a sudden invasion there.

"Madame Olivier?"

On hearing the imperious tone of this address, and seeing the action
by which the Baron emphasized it, Madame Olivier came out into the
courtyard as far as the Baron led her.

"You know that if any one can help your son to a connection by and by,
it is I; it is owing to me that he is already third clerk in a
notary's office, and is finishing his studies."

"Yes, Monsieur le Baron; and indeed, sir, you may depend on our
gratitude. Not a day passes that I do not pray to God for Monsieur le
Baron's happiness."

"Not so many words, my good woman," said Hulot, "but deeds----"

"What can I do, sir?" asked Madame Olivier.

"A man came here to-night in a carriage. Do you know him?"

Madame Olivier had recognized Montes well enough. How could she have
forgotten him? In the Rue du Doyenne the Brazilian had always slipped
a five-franc piece into her hand as he went out in the morning, rather
too early. If the Baron had applied to Monsieur Olivier, he would
perhaps have learned all he wanted to know. But Olivier was in bed. In
the lower orders the woman is not merely the superior of the man--she
almost always has the upper hand. Madame Olivier had long since made
up her mind as to which side to take in case of a collision between
her two benefactors; she regarded Madame Marneffe as the stronger
power.

"Do I know him?" she repeated. "No, indeed, no. I never saw him
before!"

"What! Did Madame Marneffe's cousin never go to see her when she was
living in the Rue du Doyenne?"

"Oh! Was it her cousin?" cried Madame Olivier. "I dare say he did
come, but I did not know him again. Next time, sir, I will look at
him----"

"He will be coming out," said Hulot, hastily interrupting Madame
Olivier.

"He has left," said Madame Olivier, understanding the situation. "The
carriage is gone."

"Did you see him go?"

"As plainly as I see you. He told his servant to drive to the
Embassy."

This audacious statement wrung a sigh of relief from the Baron; he
took Madame Olivier's hand and squeezed it.

"Thank you, my good Madame Olivier. But that is not all.--Monsieur
Crevel?"

"Monsieur Crevel? What can you mean, sir? I do not understand," said
Madame Olivier.

"Listen to me. He is Madame Marneffe's lover----"

"Impossible, Monsieur le Baron; impossible," said she, clasping her
hands.

"He is Madame Marneffe's lover," the Baron repeated very positively.
"How do they manage it? I don't know; but I mean to know, and you are
to find out. If you can put me on the tracks of this intrigue, your
son is a notary."

"Don't you fret yourself so, Monsieur le Baron," said Madame Olivier.
"Madame cares for you, and for no one but you; her maid knows that for
true, and we say, between her and me, that you are the luckiest man in
this world--for you know what madame is.--Just perfection!

"She gets up at ten every morning; then she breakfasts. Well and good.
After that she takes an hour or so to dress; that carries her on till
two; then she goes for a walk in the Tuileries in the sight of all
men, and she is always in by four to be ready for you. She lives like
clockwork. She keeps no secrets from her maid, and Reine keeps nothing
from me, you may be sure. Reine can't if she would--along of my son,
for she is very sweet upon him. So, you see, if madame had any
intimacy with Monsieur Crevel, we should be bound to know it."

The Baron went upstairs again with a beaming countenance, convinced
that he was the only man in the world to that shameless slut, as
treacherous, but as lovely and as engaging as a siren.

Crevel and Marneffe had begun a second rubber at piquet. Crevel was
losing, as a man must who is not giving his thoughts to his game.
Marneffe, who knew the cause of the Mayor's absence of mind, took
unscrupulous advantage of it; he looked at the cards in reverse, and
discarded accordingly; thus, knowing his adversary's hand, he played
to beat him. The stake being a franc a point, he had already robbed
the Mayor of thirty francs when Hulot came in.

"Hey day!" said he, amazed to find no company. "Are you alone? Where
is everybody gone?"

"Your pleasant temper put them all to flight," said Crevel.

"No, it was my wife's cousin," replied Marneffe. "The ladies and
gentlemen supposed that Valerie and Henri might have something to say
to each other after three years' separation, and they very discreetly
retired.--If I had been in the room, I would have kept them; but then,
as it happens, it would have been a mistake, for Lisbeth, who always
comes down to make tea at half-past ten, was taken ill, and that upset
everything--"

"Then is Lisbeth really unwell?" asked Crevel in a fury.

"So I was told," replied Marneffe, with the heartless indifference of
a man to whom women have ceased to exist.

The Mayor looked at the clock; and, calculating the time, the Baron
seemed to have spent forty minutes in Lisbeth's rooms. Hector's
jubilant expression seriously incriminated Valerie, Lisbeth, and
himself.

"I have just seen her; she is in great pain, poor soul!" said the
Baron.

"Then the sufferings of others must afford you much joy, my friend,"
retorted Crevel with acrimony, "for you have come down with a face
that is positively beaming. Is Lisbeth likely to die? For your
daughter, they say, is her heiress. You are not like the same man. You
left this room looking like the Moor of Venice, and you come back with
the air of Saint-Preux!--I wish I could see Madame Marneffe's face at
this minute----"

"And pray, what do you mean by that?" said Marneffe to Crevel, packing
his cards and laying them down in front of him.

A light kindled in the eyes of this man, decrepit at the age of forty-
seven; a faint color flushed his flaccid cold cheeks, his ill-
furnished mouth was half open, and on his blackened lips a sort of
foam gathered, thick, and as white as chalk. This fury in such a
helpless wretch, whose life hung on a thread, and who in a duel would
risk nothing while Crevel had everything to lose, frightened the
Mayor.

"I said," repeated Crevel, "that I should like to see Madame
Marneffe's face. And with all the more reason since yours, at this
moment, is most unpleasant. On my honor, you are horribly ugly, my
dear Marneffe----"

"Do you know that you are very uncivil?"

"A man who has won thirty francs of me in forty-five minutes cannot
look handsome in my eyes."

"Ah, if you had but seen me seventeen years ago!" replied the clerk.

"You were so good-looking?" asked Crevel.

"That was my ruin; now, if I had been like you--I might be a mayor and
a peer."

"Yes," said Crevel, with a smile, "you have been too much in the wars;
and of the two forms of metal that may be earned by worshiping the god
of trade, you have taken the worse--the dross!" [This dialogue is
garnished with puns for which it is difficult to find any English
equivalent.] And Crevel roared with laughter. Though Marneffe could
take offence if his honor were in peril, he always took these rough
pleasantries in good part; they were the small coin of conversation
between him and Crevel.

"The daughters of Eve cost me dear, no doubt; but, by the powers!
'Short and sweet' is my motto."

" 'Long and happy' is more to my mind," returned Crevel.

Madame Marneffe now came in; she saw that her husband was at cards
with Crevel, and only the Baron in the room besides; a mere glance at
the municipal dignitary showed her the frame of mind he was in, and
her line of conduct was at once decided on.

"Marneffe, my dear boy," said she, leaning on her husband's shoulder,
and passing her pretty fingers through his dingy gray hair, but
without succeeding in covering his bald head with it, "it is very late
for you; you ought to be in bed. To-morrow, you know, you must dose
yourself by the doctor's orders. Reine will give you your herb tea at
seven. If you wish to live, give up your game."

"We will pay it out up to five points," said Marneffe to Crevel.

"Very good--I have scored two," replied the Mayor.

"How long will it take you?"

"Ten minutes," said Marneffe.

"It is eleven o'clock," replied Valerie. "Really, Monsieur Crevel, one
might fancy you meant to kill my husband. Make haste, at any rate."

This double-barreled speech made Crevel and Hulot smile, and even
Marneffe himself. Valerie sat down to talk to Hector.

"You must leave, my dearest," said she in Hulot's ear. "Walk up and
down the Rue Vanneau, and come in again when you see Crevel go out."

"I would rather leave this room and go into your room through the
dressing-room door. You could tell Reine to let me in."

"Reine is upstairs attending to Lisbeth."

"Well, suppose then I go up to Lisbeth's rooms?"

Danger hemmed in Valerie on every side; she foresaw a discussion with
Crevel, and could not allow Hulot to be in her room, where he could
hear all that went on.--And the Brazilian was upstairs with Lisbeth.

"Really, you men, when you have a notion in your head, you would burn
a house down to get into it!" exclaimed she. "Lisbeth is not in a fit
state to admit you.--Are you afraid of catching cold in the street? Be
off there--or good-night."

"Good evening, gentlemen," said the Baron to the other two.

Hulot, when piqued in his old man's vanity, was bent on proving that
he could play the young man by waiting for the happy hour in the open
air, and he went away.

Marneffe bid his wife good-night, taking her hands with a semblance of
devotion. Valerie pressed her husband's hand with a significant
glance, conveying:

"Get rid of Crevel."

"Good-night, Crevel," said Marneffe. "I hope you will not stay long
with Valerie. Yes! I am jealous--a little late in the day, but it has
me hard and fast. I shall come back to see if you are gone."

"We have a little business to discuss, but I shall not stay long,"
said Crevel.

"Speak low.--What is it?" said Valerie, raising her voice, and looking
at him with a mingled expression of haughtiness and scorn.

Crevel, as he met this arrogant stare, though he was doing Valerie
important services, and had hoped to plume himself on the fact, was at
once reduced to submission.

"That Brazilian----" he began, but, overpowered by Valerie's fixed
look of contempt, he broke off.

"What of him?" said she.

"That cousin--"

"Is no cousin of mine," said she. "He is my cousin to the world and to
Monsieur Marneffe. And if he were my lover, it would be no concern of
yours. A tradesman who pays a woman to be revenged on another man, is,
in my opinion, beneath the man who pays her for love of her. You did
not care for me; all you saw in me was Monsieur Hulot's mistress. You
bought me as a man buys a pistol to kill his adversary. I wanted
bread--I accepted the bargain."

"But you have not carried it out," said Crevel, the tradesman once
more.

"You want Baron Hulot to be told that you have robbed him of his
mistress, to pay him out for having robbed you of Josepha? Nothing can
more clearly prove your baseness. You say you love a woman, you treat
her like a duchess, and then you want to degrade her? Well, my good
fellow, and you are right. This woman is no match for Josepha. That
young person has the courage of her disgrace, while I--I am a
hypocrite, and deserve to be publicly whipped.--Alas! Josepha is
protected by her cleverness and her wealth. I have nothing to shelter
me but my reputation; I am still the worthy and blameless wife of a
plain citizen; if you create a scandal, what is to become of me? If I
were rich, then indeed; but my income is fifteen thousand francs a
year at most, I suppose."

"Much more than that," said Crevel. "I have doubled your savings in
these last two months by investing in /Orleans/."

"Well, a position in Paris begins with fifty thousand. And you
certainly will not make up to me for the position I should surrender.
--What was my aim? I want to see Marneffe a first-class clerk; he will
then draw a salary of six thousand francs. He has been twenty-seven
years in his office; within three years I shall have a right to a
pension of fifteen hundred francs when he dies. You, to whom I have
been entirely kind, to whom I have given your fill of happiness--you
cannot wait!--And that is what men call love!" she exclaimed.

"Though I began with an ulterior purpose," said Crevel, "I have become
your poodle. You trample on my heart, you crush me, you stultify me,
and I love you as I have never loved in my life. Valerie, I love you
as much as I love my Celestine. I am capable of anything for your
sake.--Listen, instead of coming twice a week to the Rue du Dauphin,
come three times."

"Is that all! You are quite young again, my dear boy!"

"Only let me pack off Hulot, humiliate him, rid you of him," said
Crevel, not heeding her impertinence! "Have nothing to say to the
Brazilian, be mine alone; you shall not repent of it. To begin with, I
will give you eight thousand francs a year, secured by bond, but only
as an annuity; I will not give you the capital till the end of five
years' constancy--"

"Always a bargain! A tradesman can never learn to give. You want to
stop for refreshments on the road of love--in the form of Government
bonds! Bah! Shopman, pomatum seller! you put a price on everything!--
Hector told me that the Duc d'Herouville gave Josepha a bond for
thirty thousand francs a year in a packet of sugar almonds! And I am
worth six of Josepha.

"Oh! to be loved!" she went on, twisting her ringlets round her
fingers, and looking at herself in the glass. "Henri loves me. He
would smash you like a fly if I winked at him! Hulot loves me; he
leaves his wife in beggary! As for you, go my good man, be the worthy
father of a family. You have three hundred thousand francs over and
above your fortune, only to amuse yourself, a hoard, in fact, and you
think of nothing but increasing it--"

"For you, Valerie, since I offer you half," said he, falling on his
knees.

"What, still here!" cried Marneffe, hideous in his dressing-gown.
"What are you about?"

"He is begging my pardon, my dear, for an insulting proposal he has
dared to make me. Unable to obtain my consent, my gentleman proposed
to pay me----"

Crevel only longed to vanish into the cellar, through a trap, as is
done on the stage.

"Get up, Crevel," said Marneffe, laughing, "you are ridiculous. I can
see by Valerie's manner that my honor is in no danger."

"Go to bed and sleep in peace," said Madame Marneffe.

"Isn't she clever?" thought Crevel. "She has saved me. She is
adorable!"

As Marneffe disappeared, the Mayor took Valerie's hands and kissed
them, leaving on them the traces of tears.

"It shall all stand in your name," he said.

"That is true love," she whispered in his ear. "Well, love for love.
Hulot is below, in the street. The poor old thing is waiting to return
when I place a candle in one of the windows of my bedroom. I give you
leave to tell him that you are the man I love; he will refuse to
believe you; take him to the Rue du Dauphin, give him every proof,
crush him; I allow it--I order it! I am tired of that old seal; he
bores me to death. Keep your man all night in the Rue du Dauphin,
grill him over a slow fire, be revenged for the loss of Josepha. Hulot
may die of it perhaps, but we shall save his wife and children from
utter ruin. Madame Hulot is working for her bread--"

"Oh! poor woman! On my word, it is quite shocking!" exclaimed Crevel,
his natural feeling coming to the top.

"If you love me, Celestin," said she in Crevel's ear, which she
touched with her lips, "keep him there, or I am done for. Marneffe is
suspicious. Hector has a key of the outer gate, and will certainly
come back."

Crevel clasped Madame Marneffe to his heart, and went away in the
seventh heaven of delight. Valerie fondly escorted him to the landing,
and then followed him, like a woman magnetized, down the stairs to the
very bottom.

"My Valerie, go back, do not compromise yourself before the porters.--
Go back; my life, my treasure, all is yours.--Go in, my duchess!"

"Madame Olivier," Valerie called gently when the gate was closed.

"Why, madame! You here?" said the woman in bewilderment.

"Bolt the gates at top and bottom, and let no one in."

"Very good, madame."

Having barred the gate, Madame Olivier told of the bribe that the War
Office chief had tried to offer her.

"You behaved like an angel, my dear Olivier; we shall talk of that
to-morrow."

Valerie flew like an arrow to the third floor, tapped three times at
Lisbeth's door, and then went down to her room, where she gave
instructions to Mademoiselle Reine, for a woman must make the most of
the opportunity when a Montes arrives from Brazil.



"By Heaven! only a woman of the world is capable of such love," said
Crevel to himself. "How she came down those stairs, lighting them up
with her eyes, following me! Never did Josepha--Josepha! she is cag-
mag!" cried the ex-bagman. "What have I said? /Cag-mag/--why, I might
have let the word slip out at the Tuileries! I can never do any good
unless Valerie educates me--and I was so bent on being a gentleman.--
What a woman she is! She upsets me like a fit of the colic when she
looks at me coldly. What grace! What wit! Never did Josepha move me
so. And what perfection when you come to know her!--Ha, there is my
man!"

He perceived in the gloom of the Rue de Babylone the tall, somewhat
stooping figure of Hulot, stealing along close to a boarding, and he
went straight up to him.

"Good-morning, Baron, for it is past midnight, my dear fellow. What
the devil are your doing here? You are airing yourself under a
pleasant drizzle. That is not wholesome at our time of life. Will you
let me give you a little piece of advice? Let each of us go home; for,
between you and me, you will not see the candle in the window."

The last words made the Baron suddenly aware that he was sixty-three,
and that his cloak was wet.

"Who on earth told you--?" he began.

"Valerie, of course, /our/ Valerie, who means henceforth to be /my/
Valerie. We are even now, Baron; we will play off the tie when you
please. You have nothing to complain of; you know, I always stipulated
for the right of taking my revenge; it took you three months to rob me
of Josepha; I took Valerie from you in--We will say no more about
that. Now I mean to have her all to myself. But we can be very good
friends, all the same."

"Crevel, no jesting," said Hulot, in a voice choked by rage. "It is a
matter of life and death."

"Bless me, is that how you take it!--Baron, do you not remember what
you said to me the day of Hortense's marriage: 'Can two old gaffers
like us quarrel over a petticoat? It is too low, too common. We are
/Regence/, we agreed, Pompadour, eighteenth century, quite the
Marechal Richelieu, Louis XV., nay, and I may say, /Liaisons
dangereuses/!"

Crevel might have gone on with his string of literary allusions; the
Baron heard him as a deaf man listens when he is but half deaf. But,
seeing in the gaslight the ghastly pallor of his face, the triumphant
Mayor stopped short. This was, indeed, a thunderbolt after Madame
Olivier's asservations and Valerie's parting glance.

"Good God! And there are so many other women in Paris!" he said at
last.

"That is what I said to you when you took Josepha," said Crevel.

"Look here, Crevel, it is impossible. Give me some proof.--Have you a
key, as I have, to let yourself in?"

And having reached the house, the Baron put the key into the lock; but
the gate was immovable; he tried in vain to open it.

"Do not make a noise in the streets at night," said Crevel coolly. "I
tell you, Baron, I have far better proof than you can show."

"Proofs! give me proof!" cried the Baron, almost crazy with
exasperation.

"Come, and you shall have them," said Crevel.

And in obedience to Valerie's instructions, he led the Baron away
towards the quay, down the Rue Hillerin-Bertin. The unhappy Baron
walked on, as a merchant walks on the day before he stops payment; he
was lost in conjectures as to the reasons of the depravity buried in
the depths of Valerie's heart, and still believed himself the victim
of some practical joke. As they crossed the Pont Royal, life seemed to
him so blank, so utterly a void, and so out of joint from his
financial difficulties, that he was within an ace of yielding to the
evil prompting that bid him fling Crevel into the river and throw
himself in after.

On reaching the Rue du Dauphin, which had not yet been widened, Crevel
stopped before a door in a wall. It opened into a long corridor paved
with black-and-white marble, and serving as an entrance-hall, at the
end of which there was a flight of stairs and a doorkeeper's lodge,
lighted from an inner courtyard, as is often the case in Paris. This
courtyard, which was shared with another house, was oddly divided into
two unequal portions. Crevel's little house, for he owned it, had
additional rooms with a glass skylight, built out on to the adjoining
plot, under conditions that it should have no story added above the
ground floor, so that the structure was entirely hidden by the lodge
and the projecting mass of the staircase.

This back building had long served as a store-room, backshop, and
kitchen to one of the shops facing the street. Crevel had cut off
these three rooms from the rest of the ground floor, and Grindot had
transformed them into an inexpensive private residence. There were two
ways in--from the front, through the shop of a furniture-dealer, to
whom Crevel let it at a low price, and only from month to month, so as
to be able to get rid of him in case of his telling tales, and also
through a door in the wall of the passage, so ingeniously hidden as to
be almost invisible. The little apartment, comprising a dining-room,
drawing-room, and bedroom, all lighted from above, and standing partly
on Crevel's ground and partly on his neighbor's, was very difficult to
find. With the exception of the second-hand furniture-dealer, the
tenants knew nothing of the existence of this little paradise.

The doorkeeper, paid to keep Crevel's secrets, was a capital cook. So
Monsieur le Maire could go in and out of his inexpensive retreat at
any hour of the night without any fear of being spied upon. By day, a
lady, dressed as Paris women dress to go shopping, and having a key,
ran no risk in coming to Crevel's lodgings; she would stop to look at
the cheapened goods, ask the price, go into the shop, and come out
again, without exciting the smallest suspicion if any one should
happen to meet her.

As soon as Crevel had lighted the candles in the sitting-room, the
Baron was surprised at the elegance and refinement it displayed. The
perfumer had given the architect a free hand, and Grindot had done
himself credit by fittings in the Pompadour style, which had in fact
cost sixty thousand francs.

"What I want," said Crevel to Grindot, "is that a duchess, if I
brought one there, should be surprised at it."

He wanted to have a perfect Parisian Eden for his Eve, his "real
lady," his Valerie, his duchess.

"There are two beds," said Crevel to Hulot, showing him a sofa that
could be made wide enough by pulling out a drawer. "This is one, the
other is in the bedroom. We can both spend the night here."

"Proof!" was all the Baron could say.

Crevel took a flat candlestick and led Hulot into the adjoining room,
where he saw, on a sofa, a superb dressing-gown belonging to Valerie,
which he had seen her wear in the Rue Vanneau, to display it before
wearing it in Crevel's little apartment. The Mayor pressed the spring
of a little writing-table of inlaid work, known as a /bonheur-du-
jour/, and took out of it a letter that he handed to the Baron.

"Read that," said he.

The Councillor read these words written in pencil:

  "I have waited in vain, you old wretch! A woman of my quality does
  not expect to be kept waiting by a retired perfumer. There was no
  dinner ordered--no cigarettes. I will make you pay for this!"

"Well, is that her writing?"

"Good God!" gasped Hulot, sitting down in dismay. "I see all the
things she uses--her caps, her slippers. Why, how long since--?"

Crevel nodded that he understood, and took a packet of bills out of
the little inlaid cabinet.

"You can see, old man. I paid the decorators in December, 1838. In
October, two months before, this charming little place was first
used."

Hulot bent his head.

"How the devil do you manage it? I know how she spends every hour of
her day."

"How about her walk in the Tuileries?" said Crevel, rubbing his hands
in triumph.

"What then?" said Hulot, mystified.

"Your lady love comes to the Tuileries, she is supposed to be airing
herself from one till four. But, hop, skip, and jump, and she is here.
You know your Moliere? Well, Baron, there is nothing imaginary in your
title."

Hulot, left without a shred of doubt, sat sunk in ominous silence.
Catastrophes lead intelligent and strong-minded men to be
philosophical. The Baron, morally, was at this moment like a man
trying to find his way by night through a forest. This gloomy
taciturnity and the change in that dejected countenance made Crevel
very uneasy, for he did not wish the death of his colleague.

"As I said, old fellow, we are now even; let us play for the odd. Will
you play off the tie by hook and by crook? Come!"

"Why," said Hulot, talking to himself--"why is it that out of ten
pretty women at least seven are false?"

But the Baron was too much upset to answer his own question. Beauty is
the greatest of human gifts for power. Every power that has no
counterpoise, no autocratic control, leads to abuses and folly.
Despotism is the madness of power; in women the despot is caprice.

"You have nothing to complain of, my good friend; you have a beautiful
wife, and she is virtuous."

"I deserve my fate," said Hulot. "I have undervalued my wife and made
her miserable, and she is an angel! Oh, my poor Adeline! you are
avenged! She suffers in solitude and silence, and she is worthy of my
love; I ought--for she is still charming, fair and girlish even--But
was there ever a woman known more base, more ignoble, more villainous
than this Valerie?"

"She is a good-for-nothing slut," said Crevel, "a hussy that deserves
whipping on the Place du Chatelet. But, my dear Canillac, though we
are such blades, so Marechal de Richelieu, Louis XV., Pompadour,
Madame du Barry, gay dogs, and everything that is most eighteenth
century, there is no longer a lieutenant of police."

"How can we make them love us?" Hulot wondered to himself without
heeding Crevel.

"It is sheer folly in us to expect to be loved, my dear fellow," said
Crevel. "We can only be endured; for Madame Marneffe is a hundred
times more profligate than Josepha."

"And avaricious! she costs me a hundred and ninety-two thousand francs
a year!" cried Hulot.

"And how many centimes!" sneered Crevel, with the insolence of a
financier who scorns so small a sum.

"You do not love her, that is very evident," said the Baron dolefully.

"I have had enough of her," replied Crevel, "for she has had more than
three hundred thousand francs of mine!"

"Where is it? Where does it all go?" said the Baron, clasping his head
in his hands.

"If we had come to an agreement, like the simple young men who combine
to maintain a twopenny baggage, she would have cost us less."

"That is an idea"! replied the Baron. "But she would still be cheating
us; for, my burly friend, what do you say to this Brazilian?"

"Ay, old sly fox, you are right, we are swindled like--like
shareholders!" said Crevel. "All such women are an unlimited
liability, and we the sleeping partners."

"Then it was she who told you about the candle in the window?"

"My good man," replied Crevel, striking an attitude, "she has fooled
us both. Valerie is a--She told me to keep you here.--Now I see it
all. She has got her Brazilian!--Oh, I have done with her, for if you
hold her hands, she would find a way to cheat you with her feet!
There! she is a minx, a jade!"

"She is lower than a prostitute," said the Baron. "Josepha and Jenny
Cadine were in their rights when they were false to us; they make a
trade of their charms."

"But she, who affects the saint--the prude!" said Crevel. "I tell you
what, Hulot, do you go back to your wife; your money matters are not
looking well; I have heard talk of certain notes of hand given to a
low usurer whose special line of business is lending to these sluts, a
man named Vauvinet. For my part, I am cured of your 'real ladies.'
And, after all, at our time of life what do we want of these swindling
hussies, who, to be honest, cannot help playing us false? You have
white hair and false teeth; I am of the shape of Silenus. I shall go
in for saving. Money never deceives one. Though the Treasury is indeed
open to all the world twice a year, it pays you interest, and this
woman swallows it. With you, my worthy friend, as Gubetta, as my
partner in the concern, I might have resigned myself to a shady
bargain--no, a philosophical calm. But with a Brazilian who has
possibly smuggled in some doubtful colonial produce----"

"Woman is an inexplicable creature!" said Hulot.

"I can explain her," said Crevel. "We are old; the Brazilian is young
and handsome."

"Yes; that, I own, is true," said Hulot; "we are older than we were.
But, my dear fellow, how is one to do without these pretty creatures--
seeing them undress, twist up their hair, smile cunningly through
their fingers as they screw up their curl-papers, put on all their
airs and graces, tell all their lies, declare that we don't love them
when we are worried with business; and they cheer us in spite of
everything."

"Yes, by the Power! It is the only pleasure in life!" cried Crevel.
"When a saucy little mug smiles at you and says, 'My old dear, you
don't know how nice you are! I am not like other women, I suppose, who
go crazy over mere boys with goats' beards, smelling of smoke, and as
coarse as serving-men! For in their youth they are so insolent!--They
come in and they bid you good-morning, and out they go.--I, whom you
think such a flirt, I prefer a man of fifty to these brats. A man who
will stick by me, who is devoted, who knows a woman is not to be
picked up every day, and appreciates us.--That is what I love you for,
you old monster!'--and they fill up these avowals with little pettings
and prettinesses and--Faugh! they are as false as the bills on the
Hotel de Ville."

"A lie is sometimes better than the truth," said Hulot, remembering
sundry bewitching scenes called up by Crevel, who mimicked Valerie.
"They are obliged to act upon their lies, to sew spangles on their
stage frocks--"

"And they are ours, after all, the lying jades!" said Crevel coarsely.

"Valerie is a witch," said the Baron. "She can turn an old man into a
young one."

"Oh, yes!" said Crevel, "she is an eel that wriggles through your
hands; but the prettiest eel, as white and sweet as sugar, as amusing
as Arnal--and ingenious!"

"Yes, she is full of fun," said Hulot, who had now quite forgotten his
wife.

The colleagues went to bed the best friends in the world, reminding
each other of Valerie's perfections, the tones of her voice, her
kittenish way, her movements, her fun, her sallies of wit, and of
affections; for she was an artist in love, and had charming impulses,
as tenors may sing a scena better one day than another. And they fell
asleep, cradled in tempting and diabolical visions lighted by the
fires of hell.

At nine o'clock next morning Hulot went off to the War Office, Crevel
had business out of town; they left the house together, and Crevel
held out his hand to the Baron, saying:

"To show that there is no ill-feeling. For we, neither of us, will
have anything more to say to Madame Marneffe?"

"Oh, this is the end of everything," replied Hulot with a sort of
horror.



By half-past ten Crevel was mounting the stairs, four at a time, up to
Madame Marneffe's apartment. He found the infamous wretch, the
adorable enchantress, in the most becoming morning wrapper, enjoying
an elegant little breakfast in the society of the Baron Montes de
Montejanos and Lisbeth. Though the sight of the Brazilian gave him a
shock, Crevel begged Madame Marneffe to grant him two minutes' speech
with her. Valerie led Crevel into the drawing-room.

"Valerie, my angel," said the amorous Mayor, "Monsieur Marneffe cannot
have long to live. If you will be faithful to me, when he dies we will
be married. Think it over. I have rid you of Hulot.--So just consider
whether this Brazilian is to compare with a Mayor of Paris, a man who,
for your sake, will make his way to the highest dignities, and who can
already offer you eighty-odd thousand francs a year."

"I will think it over," said she. "You will see me in the Rue du
Dauphin at two o'clock, and we can discuss the matter. But be a good
boy--and do not forget the bond you promised to transfer to me."

She returned to the dining-room, followed by Crevel, who flattered
himself that he had hit on a plan for keeping Valerie to himself; but
there he found Baron Hulot, who, during this short colloquy, had also
arrived with the same end in view. He, like Crevel, begged for a brief
interview. Madame Marneffe again rose to go to the drawing-room, with
a smile at the Brazilian that seemed to say, "What fools they are!
Cannot they see you?"

"Valerie," said the official, "my child, that cousin of yours is an
American cousin--"

"Oh, that is enough!" she cried, interrupting the Baron. "Marneffe
never has been, and never will be, never can be my husband! The first,
the only man I ever loved, has come back quite unexpectedly. It is no
fault of mine! But look at Henri and look at yourself. Then ask
yourself whether a woman, and a woman in love, can hesitate for a
moment. My dear fellow, I am not a kept mistress. From this day forth
I refuse to play the part of Susannah between the two Elders. If you
really care for me, you and Crevel, you will be our friends; but all
else is at an end, for I am six-and-twenty, and henceforth I mean to
be a saint, an admirable and worthy wife--as yours is."

"Is that what you have to say?" answered Hulot. "Is this the way you
receive me when I come like a Pope with my hands full of Indulgences?
--Well, your husband will never be a first-class clerk, nor be
promoted in the Legion of Honor."

"That remains to be seen," said Madame Marneffe, with a meaning look
at Hulot.

"Well, well, no temper," said Hulot in despair. "I will call this
evening, and we will come to an understanding."

"In Lisbeth's rooms then."

"Very good--at Lisbeth's," said the old dotard.

Hulot and Crevel went downstairs together without speaking a word till
they were in the street; but outside on the sidewalk they looked at
each other with a dreary laugh.

"We are a couple of old fools," said Crevel.

"I have got rid of them," said Madame Marneffe to Lisbeth, as she sat
down once more. "I never loved and I never shall love any man but my
Jaguar," she added, smiling at Henri Montes. "Lisbeth, my dear, you
don't know. Henri has forgiven me the infamy to which I was reduced by
poverty."

"It was my own fault," said the Brazilian. "I ought to have sent you a
hundred thousand francs."

"Poor boy!" said Valerie; "I might have worked for my living, but my
fingers were not made for that--ask Lisbeth."

The Brazilian went away the happiest man in Paris.

At noon Valerie and Lisbeth were chatting in the splendid bedroom
where this dangerous woman was giving to her dress those finishing
touches which a lady alone can give. The doors were bolted, the
curtains drawn over them, and Valerie related in every detail all the
events of the evening, the night, the morning.

"What do you think of it all, my darling?" she said to Lisbeth in
conclusion. "Which shall I be when the time comes--Madame Crevel, or
Madame Montes?"

"Crevel will not last more than ten years, such a profligate as he
is," replied Lisbeth. "Montes is young. Crevel will leave you about
thirty thousand francs a year. Let Montes wait; he will be happy
enough as Benjamin. And so, by the time you are three-and-thirty, if
you take care of your looks, you may marry your Brazilian and make a
fine show with sixty thousand francs a year of your own--especially
under the wing of a Marechale."

"Yes, but Montes is a Brazilian; he will never make his mark,"
observed Valerie.

"We live in the day of railways," said Lisbeth, "when foreigners rise
to high positions in France."

"We shall see," replied Valerie, "when Marneffe is dead. He has not
much longer to suffer."

"These attacks that return so often are a sort of physical remorse,"
said Lisbeth. "Well, I am off to see Hortense."

"Yes--go, my angel!" replied Valerie. "And bring me my artist.--Three
years, and I have not gained an inch of ground! It is a disgrace to
both of us!--Wenceslas and Henri--these are my two passions--one for
love, the other for fancy."

"You are lovely this morning," said Lisbeth, putting her arm round
Valerie's waist and kissing her forehead. "I enjoy all your pleasures,
your good fortune, your dresses--I never really lived till the day
when we became sisters."

"Wait a moment, my tiger-cat!" cried Valerie, laughing; "your shawl is
crooked. You cannot put a shawl on yet in spite of my lessons for
three years--and you want to be Madame la Marechale Hulot!"

Shod in prunella boots, over gray silk stockings, in a gown of
handsome corded silk, her hair in smooth bands under a very pretty
black velvet bonnet, lined with yellow satin, Lisbeth made her way to
the Rue Saint-Dominique by the Boulevard des Invalides, wondering
whether sheer dejection would at last break down Hortense's brave
spirit, and whether Sarmatian instability, taken at a moment when,
with such a character, everything is possible, would be too much for
Steinbock's constancy.



Hortense and Wenceslas had the ground floor of a house situated at the
corner of the Rue Saint-Dominique and the Esplanade des Invalides.
These rooms, once in harmony with the honeymoon, now had that half-
new, half-faded look that may be called the autumnal aspect of
furniture. Newly married folks are as lavish and wasteful, without
knowing it or intending it, of everything about them as they are of
their affection. Thinking only of themselves, they reck little of the
future, which, at a later time, weighs on the mother of a family.

Lisbeth found Hortense just as she had finished dressing a baby
Wenceslas, who had been carried into the garden.

"Good-morning, Betty," said Hortense, opening the door herself to her
cousin. The cook was gone out, and the house-servant, who was also the
nurse, was doing some washing.

"Good-morning, dear child," replied Lisbeth, kissing her. "Is
Wenceslas in the studio?" she added in a whisper.

"No; he is in the drawing-room talking to Stidmann and Chanor."

"Can we be alone?" asked Lisbeth.

"Come into my room."

In this room, the hangings of pink-flowered chintz with green leaves
on a white ground, constantly exposed to the sun, were much faded, as
was the carpet. The muslin curtains had not been washed for many a
day. The smell of tobacco hung about the room; for Wenceslas, now an
artist of repute, and born a fine gentleman, left his cigar-ash on the
arms of the chairs and the prettiest pieces of furniture, as a man
does to whom love allows everything--a man rich enough to scorn vulgar
carefulness.

"Now, then, let us talk over your affairs," said Lisbeth, seeing her
pretty cousin silent in the armchair into which she had dropped. "But
what ails you? You look rather pale, my dear."

"Two articles have just come out in which my poor Wenceslas is pulled
to pieces; I have read them, but I have hidden them from him, for they
would completely depress him. The marble statue of Marshal Montcornet
is pronounced utterly bad. The bas-reliefs are allowed to pass muster,
simply to allow of the most perfidious praise of his talent as a
decorative artist, and to give the greater emphasis to the statement
that serious art is quite out of his reach! Stidmann, whom I besought
to tell me the truth, broke my heart by confessing that his own
opinion agreed with that of every other artist, of the critics, and
the public. He said to me in the garden before breakfast, 'If
Wenceslas cannot exhibit a masterpiece next season, he must give up
heroic sculpture and be content to execute idyllic subjects, small
figures, pieces of jewelry, and high-class goldsmiths' work!' This
verdict is dreadful to me, for Wenceslas, I know, will never accept
it; he feels he has so many fine ideas."

"Ideas will not pay the tradesman's bills," remarked Lisbeth. "I was
always telling him so--nothing but money. Money is only to be had for
work done--things that ordinary folks like well enough to buy them.
When an artist has to live and keep a family, he had far better have a
design for a candlestick on his counter, or for a fender or a table,
than for groups or statues. Everybody must have such things, while he
may wait months for the admirer of the group--and for his money---"

"You are right, my good Lisbeth. Tell him all that; I have not the
courage.--Besides, as he was saying to Stidmann, if he goes back to
ornamental work and small sculpture, he must give up all hope of the
Institute and grand works of art, and we should not get the three
hundred thousand francs' worth of work promised at Versailles and by
the City of Paris and the Ministers. That is what we are robbed of by
those dreadful articles, written by rivals who want to step into our
shoes."

"And that is not what you dreamed of, poor little puss!" said Lisbeth,
kissing Hortense on the brow. "You expected to find a gentleman, a
leader of Art, the chief of all living sculptors.--But that is poetry,
you see, a dream requiring fifty thousand francs a year, and you have
only two thousand four hundred--so long as I live. After my death
three thousand."

A few tears rose to Hortense's eyes, and Lisbeth drank them with her
eyes as a cat laps milk.

This is the story of their honeymoon--the tale will perhaps not be
lost on some artists.

Intellectual work, labor in the upper regions of mental effort, is one
of the grandest achievements of man. That which deserves real glory in
Art--for by Art we must understand every creation of the mind--is
courage above all things--a sort of courage of which the vulgar have
no conception, and which has never perhaps been described till now.

Driven by the dreadful stress of poverty, goaded by Lisbeth, and kept
by her in blinders, as a horse is, to hinder it from seeing to the
right and left of its road, lashed on by that hard woman, the
personification of Necessity, a sort of deputy Fate, Wenceslas, a born
poet and dreamer, had gone on from conception to execution, and
overleaped, without sounding it, the gulf that divides these two
hemispheres of Art. To muse, to dream, to conceive of fine works, is a
delightful occupation. It is like smoking a magic cigar or leading the
life of a courtesan who follows her own fancy. The work then floats in
all the grace of infancy, in the mad joy of conception, with the
fragrant beauty of a flower, and the aromatic juices of a fruit
enjoyed in anticipation.

The man who can sketch his purpose beforehand in words is regarded as
a wonder, and every artist and writer possesses that faculty. But
gestation, fruition, the laborious rearing of the offspring, putting
it to bed every night full fed with milk, embracing it anew every
morning with the inexhaustible affection of a mother's heart, licking
it clean, dressing it a hundred times in the richest garb only to be
instantly destroyed; then never to be cast down at the convulsions of
this headlong life till the living masterpiece is perfected which in
sculpture speaks to every eye, in literature to every intellect, in
painting to every memory, in music to every heart!--This is the task
of execution. The hand must be ready at every instant to come forward
and obey the brain. But the brain has no more a creative power at
command than love has a perennial spring.

The habit of creativeness, the indefatigable love of motherhood which
makes a mother--that miracle of nature which Raphael so perfectly
understood--the maternity of the brain, in short, which is so
difficult to develop, is lost with prodigious ease. Inspiration is the
opportunity of genius. She does not indeed dance on the razor's edge,
she is in the air and flies away with the suspicious swiftness of a
crow; she wears no scarf by which the poet can clutch her; her hair is
a flame; she vanishes like the lovely rose and white flamingo, the
sportsman's despair. And work, again, is a weariful struggle, alike
dreaded and delighted in by these lofty and powerful natures who are
often broken by it. A great poet of our day has said in speaking of
this overwhelming labor, "I sit down to it in despair, but I leave it
with regret." Be it known to all who are ignorant! If the artist does
not throw himself into his work as Curtius sprang into the gulf, as a
soldier leads a forlorn hope without a moment's thought, and if when
he is in the crater he does not dig on as a miner does when the earth
has fallen in on him; if he contemplates the difficulties before him
instead of conquering them one by one, like the lovers in fairy tales,
who to win their princesses overcome ever new enchantments, the work
remains incomplete; it perishes in the studio where creativeness
becomes impossible, and the artist looks on at the suicide of his own
talent.

Rossini, a brother genius to Raphael, is a striking instance in his
poverty-stricken youth, compared with his latter years of opulence.
This is the reason why the same prize, the same triumph, the same bays
are awarded to great poets and to great generals.

Wenceslas, by nature a dreamer, had expended so much energy in
production, in study, and in work under Lisbeth's despotic rule, that
love and happiness resulted in reaction. His real character
reappeared, the weakness, recklessness, and indolence of the Sarmatian
returned to nestle in the comfortable corners of his soul, whence the
schoolmaster's rod had routed them.

For the first few months the artist adored his wife. Hortense and
Wenceslas abandoned themselves to the happy childishness of a
legitimate and unbounded passion. Hortense was the first to release
her husband from his labors, proud to triumph over her rival, his Art.
And, indeed, a woman's caresses scare away the Muse, and break down
the sturdy, brutal resolution of the worker.

Six or seven months slipped by, and the artist's fingers had forgotten
the use of the modeling tool. When the need for work began to be felt,
when the Prince de Wissembourg, president of the committee of
subscribers, asked to see the statue, Wenceslas spoke the inevitable
byword of the idler, "I am just going to work on it," and he lulled
his dear Hortense with fallacious promises and the magnificent schemes
of the artist as he smokes. Hortense loved her poet more than ever;
she dreamed of a sublime statue of Marshal Montcornet. Montcornet
would be the embodied ideal of bravery, the type of the cavalry
officer, of courage /a la Murat/. Yes, yes; at the mere sight of that
statue all the Emperor's victories were to seem a foregone conclusion.
And then such workmanship! The pencil was accommodating and answered
to the word.

By way of a statue the result was a delightful little Wenceslas.

When the progress of affairs required that he should go to the studio
at le Gros-Caillou to mould the clay and set up the life-size model,
Steinbock found one day that the Prince's clock required his presence
in the workshop of Florent and Chanor, where the figures were being
finished; or, again, the light was gray and dull; to-day he had
business to do, to-morrow they had a family dinner, to say nothing of
indispositions of mind and body, and the days when he stayed at home
to toy with his adored wife.

Marshal the Prince de Wissembourg was obliged to be angry to get the
clay model finished; he declared that he must put the work into other
hands. It was only by dint of endless complaints and much strong
language that the committee of subscribers succeeded in seeing the
plaster-cast. Day after day Steinbock came home, evidently tired,
complaining of this "hodman's work" and his own physical weakness.
During that first year the household felt no pinch; the Countess
Steinbock, desperately in love with her husband cursed the War
Minister. She went to see him; she told him that great works of art
were not to be manufactured like cannon; and that the State--like
Louis XIV., Francis I., and Leo X.--ought to be at the beck and call
of genius. Poor Hortense, believing she held a Phidias in her embrace,
had the sort of motherly cowardice for her Wenceslas that is in every
wife who carries her love to the pitch of idolatry.

"Do not be hurried," said she to her husband, "our whole future life
is bound up with that statue. Take your time and produce a
masterpiece."

She would go to the studio, and then the enraptured Steinbock wasted
five hours out of seven in describing the statue instead of working at
it. He thus spent eighteen months in finishing the design, which to
him was all-important.

When the plaster was cast and the model complete, poor Hortense, who
had looked on at her husband's toil, seeing his health really suffer
from the exertions which exhaust a sculptor's frame and arms and hands
--Hortense thought the result admirable. Her father, who knew nothing
of sculpture, and her mother, no less ignorant, lauded it as a
triumph; the War Minister came with them to see it, and, overruled by
them, expressed approval of the figure, standing as it did alone, in a
favorable light, thrown up against a green baize background.

Alas! at the exhibition of 1841, the disapprobation of the public soon
took the form of abuse and mockery in the mouths of those who were
indignant with the idol too hastily set up for worship. Stidmann tried
to advise his friend, but was accused of jealousy. Every article in a
newspaper was to Hortense an outcry of envy. Stidmann, the best of
good fellows, got articles written, in which adverse criticism was
contravened, and it was pointed out that sculptors altered their works
in translating the plaster into marble, and that the marble would be
the test.

"In reproducing the plaster sketch in marble," wrote Claude Vignon, "a
masterpiece may be ruined, or a bad design made beautiful. The plaster
is the manuscript, the marble is the book."

So in two years and a half Wenceslas had produced a statue and a son.
The child was a picture of beauty; the statue was execrable.

The clock for the Prince and the price of the statue paid off the
young couple's debts. Steinbock had acquired fashionable habits; he
went to the play, to the opera; he talked admirably about art; and in
the eyes of the world he maintained his reputation as a great artist
by his powers of conversation and criticism. There are many clever men
in Paris who spend their lives in talking themselves out, and are
content with a sort of drawing-room celebrity. Steinbock, emulating
these emasculated but charming men, grew every day more averse to hard
work. As soon as he began a thing, he was conscious of all its
difficulties, and the discouragement that came over him enervated his
will. Inspiration, the frenzy of intellectual procreation, flew
swiftly away at the sight of this effete lover.

Sculpture--like dramatic art--is at once the most difficult and the
easiest of all arts. You have but to copy a model, and the task is
done; but to give it a soul, to make it typical by creating a man or a
woman--this is the sin of Prometheus. Such triumphs in the annals of
sculpture may be counted, as we may count the few poets among men.
Michael Angelo, Michel Columb, Jean Goujon, Phidias, Praxiteles,
Polycletes, Puget, Canova, Albert Durer, are the brothers of Milton,
Virgil, Dante, Shakespeare, Tasso, Homer, and Moliere. And such an
achievement is so stupendous that a single statue is enough to make a
man immortal, as Figaro, Lovelace, and Manon Lescaut have immortalized
Beaumarchais, Richardson, and the Abbe Prevost.

Superficial thinkers--and there are many in the artist world--have
asserted that sculpture lives only by the nude, that it died with the
Greeks, and that modern vesture makes it impossible. But, in the first
place, the Ancients have left sublime statues entirely clothed--the
/Polyhymnia/, the /Julia/, and others, and we have not found one-tenth
of all their works; and then, let any lover of art go to Florence and
see Michael Angelo's /Penseroso/, or to the Cathedral of Mainz, and
behold the /Virgin/ by Albert Durer, who has created a living woman
out of ebony, under her threefold drapery, with the most flowing, the
softest hair that ever a waiting-maid combed through; let all the
ignorant flock thither, and they will acknowledge that genius can give
mind to drapery, to armor, to a robe, and fill it with a body, just as
a man leaves the stamp of his individuality and habits of life on the
clothes he wears.

Sculpture is the perpetual realization of the fact which once, and
never again, was, in painting called Raphael!

The solution of this hard problem is to be found only in constant
persevering toil; for, merely to overcome the material difficulties to
such an extent, the hand must be so practised, so dexterous and
obedient, that the sculptor may be free to struggle soul to soul with
the elusive moral element that he has to transfigure as he embodies
it. If Paganini, who uttered his soul through the strings of his
violin, spent three days without practising, he lost what he called
the /stops/ of his instrument, meaning the sympathy between the wooden
frame, the strings, the bow, and himself; if he had lost this
alliance, he would have been no more than an ordinary player.

Perpetual work is the law of art, as it is the law of life, for art is
idealized creation. Hence great artists and perfect poets wait neither
for commission nor for purchasers. They are constantly creating--
to-day, to-morrow, always. The result is the habit of work, the
unfailing apprehension of the difficulties which keep them in close
intercourse with the Muse and her productive forces. Canova lived in
his studio, as Voltaire lived in his study; and so must Homer and
Phidias have lived.

While Lisbeth kept Wenceslas Steinbock in thraldom in his garret, he
was on the thorny road trodden by all these great men, which leads to
the Alpine heights of glory. Then happiness, in the person of
Hortense, had reduced the poet to idleness--the normal condition of
all artists, since to them idleness is fully occupied. Their joy is
such as that of the pasha of a seraglio; they revel with ideas, they
get drunk at the founts of intellect. Great artists, such as
Steinbock, wrapped in reverie, are rightly spoken of as dreamers.
They, like opium-eaters, all sink into poverty, whereas if they had
been kept up to the mark by the stern demands of life, they might have
been great men.

At the same time, these half-artists are delightful; men like them and
cram them with praise; they even seem superior to the true artists,
who are taxed with conceit, unsociableness, contempt of the laws of
society. This is why: Great men are the slaves of their work. Their
indifference to outer things, their devotion to their work, make
simpletons regard them as egotists, and they are expected to wear the
same garb as the dandy who fulfils the trivial evolutions called
social duties. These men want the lions of the Atlas to be combed and
scented like a lady's poodle.

These artists, who are too rarely matched to meet their fellows, fall
into habits of solitary exclusiveness; they are inexplicable to the
majority, which, as we know, consists mostly of fools--of the envious,
the ignorant, and the superficial.

Now you may imagine what part a wife should play in the life of these
glorious and exceptional beings. She ought to be what, for five years,
Lisbeth had been, but with the added offering of love, humble and
patient love, always ready and always smiling.

Hortense, enlightened by her anxieties as a mother, and driven by dire
necessity, had discovered too late the mistakes she had been
involuntarily led into by her excessive love. Still, the worthy
daughter of her mother, her heart ached at the thought of worrying
Wenceslas; she loved her dear poet too much to become his torturer;
and she could foresee the hour when beggary awaited her, her child,
and her husband.

"Come, come, my child," said Lisbeth, seeing the tears in her cousin's
lovely eyes, "you must not despair. A glassful of tears will not buy a
plate of soup. How much do you want?"

"Well, five or six thousand francs."

"I have but three thousand at the most," said Lisbeth. "And what is
Wenceslas doing now?"

"He has had an offer to work in partnership with Stidmann at a table
service for the Duc d'Herouville for six thousand francs. Then
Monsieur Chanor will advance four thousand to repay Monsieur de Lora
and Bridau--a debt of honor."

"What, you have had the money for the statue and the bas-reliefs for
Marshal Montcornet's monument, and you have not paid them yet?"

"For the last three years," said Hortense, "we have spent twelve
thousand francs a year, and I have but a hundred louis a year of my
own. The Marshal's monument, when all the expenses were paid, brought
us no more than sixteen thousand francs. Really and truly, if
Wenceslas gets no work, I do not know what is to become of us. Oh, if
only I could learn to make statues, I would handle the clay!" she
cried, holding up her fine arms.

The woman, it was plain, fulfilled the promise of the girl; there was
a flash in her eye; impetuous blood, strong with iron, flowed in her
veins; she felt that she was wasting her energy in carrying her
infant.

"Ah, my poor little thing! a sensible girl should not marry an artist
till his fortune is made--not while it is still to make."

At this moment they heard voices; Stidmann and Wenceslas were seeing
Chanor to the door; then Wenceslas and Stidmann came in again.

Stidmann, an artist in vogue in the world of journalists, famous
actresses, and courtesans of the better class, was a young man of
fashion whom Valerie much wished to see in her rooms; indeed, he had
already been introduced to her by Claude Vignon. Stidmann had lately
broken off an intimacy with Madame Schontz, who had married some
months since and gone to live in the country. Valerie and Lisbeth,
hearing of this upheaval from Claude Vignon, thought it well to get
Steinbock's friend to visit in the Rue Vanneau.

Stidmann, out of good feeling, went rarely to the Steinbocks'; and as
it happened that Lisbeth was not present when he was introduced by
Claude Vignon, she now saw him for the first time. As she watched this
noted artist, she caught certain glances from his eyes at Hortense,
which suggested to her the possibility of offering him to the Countess
Steinbock as a consolation if Wenceslas should be false to her. In
point of fact, Stidmann was reflecting that if Steinbock were not his
friend, Hortense, the young and superbly beautiful countess, would be
an adorable mistress; it was this very notion, controlled by honor,
that kept him away from the house. Lisbeth was quick to mark the
significant awkwardness that troubles a man in the presence of a woman
with whom he will not allow himself to flirt.

"Very good-looking--that young man," said she in a whisper to
Hortense.

"Oh, do you think so?" she replied. "I never noticed him."

"Stidmann, my good fellow," said Wenceslas, in an undertone to his
friend, "we are on no ceremony, you and I--we have some business to
settle with this old girl."

Stidmann bowed to the ladies and went away.

"It is settled," said Wenceslas, when he came in from taking leave of
Stidmann. "But there are six months' work to be done, and we must live
meanwhile."

"There are my diamonds," cried the young Countess, with the impetuous
heroism of a loving woman.

A tear rose in Wenceslas' eye.

"Oh, I am going to work," said he, sitting down by his wife and
drawing her on to his knee. "I will do odd jobs--a wedding chest,
bronze groups----"

"But, my children," said Lisbeth; "for, as you know, you will be my
heirs, and I shall leave you a very comfortable sum, believe me,
especially if you help me to marry the Marshal; nay, if we succeed in
that quickly, I will take you all to board with me--you and Adeline.
We should live very happily together.--But for the moment, listen to
the voice of my long experience. Do not fly to the Mont-de-Piete; it
is the ruin of the borrower. I have always found that when the
interest was due, those who had pledged their things had nothing
wherewith to pay up, and then all is lost. I can get you a loan at
five per cent on your note of hand."

"Oh, we are saved!" said Hortense.

"Well, then, child, Wenceslas had better come with me to see the
lender, who will oblige him at my request. It is Madame Marneffe. If
you flatter her a little--for she is as vain as a /parvenue/--she will
get you out of the scrape in the most obliging way. Come yourself and
see her, my dear Hortense."

Hortense looked at her husband with the expression a man condemned to
death must wear on his way to the scaffold.

"Claude Vignon took Stidmann there," said Wenceslas. "He says it is a
very pleasant house."

Hortense's head fell. What she felt can only be expressed in one word;
it was not pain; it was illness.

"But, my dear Hortense, you must learn something of life!" exclaimed
Lisbeth, understanding the eloquence of her cousin's looks.
"Otherwise, like your mother, you will find yourself abandoned in a
deserted room, where you will weep like Calypso on the departure of
Ulysses, and at an age when there is no hope of Telemachus--" she
added, repeating a jest of Madame Marneffe's. "We have to regard the
people in the world as tools which we can make use of or let alone,
according as they can serve our turn. Make use of Madame Marneffe now,
my dears, and let her alone by and by. Are you afraid lest Wenceslas,
who worships you, should fall in love with a woman four or five years
older than himself, as yellow as a bundle of field peas, and----?"

"I would far rather pawn my diamonds," said Hortense. "Oh, never go
there, Wenceslas!--It is hell!"

"Hortense is right," said Steinbock, kissing his wife.

"Thank you, my dearest," said Hortense, delighted. "My husband is an
angel, you see, Lisbeth. He does not gamble, he goes nowhere without
me; if he only could stick to work--oh, I should be too happy. Why
take us on show to my father's mistress, a woman who is ruining him
and is the cause of troubles that are killing my heroic mother?"

"My child, that is not where the cause of your father's ruin lies. It
was his singer who ruined him, and then your marriage!" replied her
cousin. "Bless me! why, Madame Marneffe is of the greatest use to him.
However, I must tell no tales."

"You have a good word for everybody, dear Betty--"

Hortense was called into the garden by hearing the child cry; Lisbeth
was left alone with Wenceslas.

"You have an angel for your wife, Wenceslas!" said she. "Love her as
you ought; never give her cause for grief."

"Yes, indeed, I love her so well that I do not tell her all," replied
Wenceslas; "but to you, Lisbeth, I may confess the truth.--If I took
my wife's diamonds to the Monte-de-Piete, we should be no further
forward."

"Then borrow of Madame Marneffe," said Lisbeth. "Persuade Hortense,
Wenceslas, to let you go there, or else, bless me! go there without
telling her."

"That is what I was thinking of," replied Wenceslas, "when I refused
for fear of grieving Hortense."

"Listen to me; I care too much for you both not to warn you of your
danger. If you go there, hold your heart tight in both hands, for the
woman is a witch. All who see her adore her; she is so wicked, so
inviting! She fascinates men like a masterpiece. Borrow her money, but
do not leave your soul in pledge. I should never be happy again if you
were false to Hortense--here she is! not another word! I will settle
the matter."

"Kiss Lisbeth, my darling," said Wenceslas to his wife. "She will help
us out of our difficulties by lending us her savings."

And he gave Lisbeth a look which she understood.

"Then, I hope you mean to work, my dear treasure," said Hortense.

"Yes, indeed," said the artist. "I will begin to-morrow."

"To-morrow is our ruin!" said his wife, with a smile.

"Now, my dear child! say yourself whether some hindrance has not come
in the way every day; some obstacle or business?"

"Yes, very true, my love."

"Here!" cried Steinbock, striking his brow, "here I have swarms of
ideas! I mean to astonish all my enemies. I am going to design a
service in the German style of the sixteenth century; the romantic
style: foliage twined with insects, sleeping children, newly invented
monsters, chimeras--real chimeras, such as we dream of!--I see it all!
It will be undercut, light, and yet crowded. Chanor was quite amazed.
--And I wanted some encouragement, for the last article on
Montcornet's monument had been crushing."

At a moment in the course of the day when Lisbeth and Wenceslas were
left together, the artist agreed to go on the morrow to see Madame
Marneffe--he either would win his wife's consent, or he would go
without telling her.



Valerie, informed the same evening of this success, insisted that
Hulot should go to invite Stidmann, Claude Vignon, and Steinbock to
dinner; for she was beginning to tyrannize over him as women of that
type tyrannize over old men, who trot round town, and go to make
interest with every one who is necessary to the interests or the
vanity of their task-mistress.

Next evening Valerie armed herself for conquest by making such a
toilet as a Frenchwoman can devise when she wishes to make the most of
herself. She studied her appearance in this great work as a man going
out to fight a duel practises his feints and lunges. Not a speck, not
a wrinkle was to be seen. Valerie was at her whitest, her softest, her
sweetest. And certain little "patches" attracted the eye.

It is commonly supposed that the patch of the eighteenth century is
out of date or out of fashion; that is a mistake. In these days women,
more ingenious perhaps than of yore, invite a glance through the
opera-glass by other audacious devices. One is the first to hit on a
rosette in her hair with a diamond in the centre, and she attracts
every eye for a whole evening; another revives the hair-net, or sticks
a dagger through the twist to suggest a garter; this one wears velvet
bands round her wrists, that one appears in lace lippets. These
valiant efforts, an Austerlitz of vanity or of love, then set the
fashion for lower spheres by the time the inventive creatress has
originated something new. This evening, which Valerie meant to be a
success for her, she had placed three patches. She had washed her hair
with some lye, which changed its hue for a few days from a gold color
to a duller shade. Madame Steinbock's was almost red, and she would be
in every point unlike her. This new effect gave her a piquant and
strange appearance, which puzzled her followers so much, that Montes
asked her:

"What have you done to yourself this evening?"--Then she put on a
rather wide black velvet neck-ribbon, which showed off the whiteness
of her skin. One patch took the place of the /assassine/ of our
grandmothers. And Valerie pinned the sweetest rosebud into her bodice,
just in the middle above the stay-busk, and in the daintiest little
hollow! It was enough to make every man under thirty drop his eyelids.

"I am as sweet as a sugar-plum," said she to herself, going through
her attitudes before the glass, exactly as a dancer practises her
curtesies.

Lisbeth had been to market, and the dinner was to be one of those
superfine meals which Mathurine had been wont to cook for her Bishop
when he entertained the prelate of the adjoining diocese.

Stidmann, Claude Vignon, and Count Steinbock arrived almost together,
just at six. An ordinary, or, if you will, a natural woman would have
hastened at the announcement of a name so eagerly longed for; but
Valerie, though ready since five o'clock, remained in her room,
leaving her three guests together, certain that she was the subject of
their conversation or of their secret thoughts. She herself had
arranged the drawing-room, laying out the pretty trifles produced in
Paris and nowhere else, which reveal the woman and announce her
presence: albums bound in enamel or embroidered with beads, saucers
full of pretty rings, marvels of Sevres or Dresden mounted exquisitely
by Florent and Chanor, statues, books, all the frivolities which cost
insane sums, and which passion orders of the makers in its first
delirium--or to patch up its last quarrel.

Besides, Valerie was in the state of intoxication that comes of
triumph. She had promised to marry Crevel if Marneffe should die; and
the amorous Crevel had transferred to the name of Valerie Fortin bonds
bearing ten thousand francs a year, the sum-total of what he had made
in railway speculations during the past three years, the returns on
the capital of a hundred thousand crowns which he had at first offered
to the Baronne Hulot. So Valerie now had an income of thirty-two
thousand francs.

Crevel had just committed himself to a promise of far greater
magnitude than this gift of his surplus. In the paroxysm of rapture
which /his Duchess/ had given him from two to four--he gave this fine
title to Madame /de/ Marneffe to complete the illusion--for Valerie
had surpassed herself in the Rue du Dauphin that afternoon, he had
thought well to encourage her in her promised fidelity by giving her
the prospect of a certain little mansion, built in the Rue Barbette by
an imprudent contractor, who now wanted to sell it. Valerie could
already see herself in this delightful residence, with a fore-court
and a garden, and keeping a carriage!

"What respectable life can ever procure so much in so short a time, or
so easily?" said she to Lisbeth as she finished dressing. Lisbeth was
to dine with Valerie that evening, to tell Steinbock those things
about the lady which nobody can say about herself.

Madame Marneffe, radiant with satisfaction, came into the drawing-room
with modest grace, followed by Lisbeth dressed in black and yellow to
set her off.

"Good-evening, Claude," said she, giving her hand to the famous old
critic.

Claude Vignon, like many another, had become a political personage--a
word describing an ambitious man at the first stage of his career. The
/political personage/ of 1840 represents, in some degree, the /Abbe/
of the eighteenth century. No drawing-room circle is complete without
one.

"My dear, this is my cousin, Count Steinbock," said Lisbeth,
introducing Wenceslas, whom Valerie seemed to have overlooked.

"Oh yes, I recognized Monsieur le Comte," replied Valerie with a
gracious bow to the artist. "I often saw you in the Rue du Doyenne,
and I had the pleasure of being present at your wedding.--It would be
difficult, my dear," said she to Lisbeth, "to forget your adopted son
after once seeing him.--It is most kind of you, Monsieur Stidmann,"
she went on, "to have accepted my invitation at such short notice; but
necessity knows no law. I knew you to be the friend of both these
gentlemen. Nothing is more dreary, more sulky, than a dinner where all
the guests are strangers, so it was for their sake that I hailed you
in--but you will come another time for mine, I hope?--Say that you
will."

And for a few minutes she moved about the room with Stidmann, wholly
occupied with him.

Crevel and Hulot were announced separately, and then a deputy named
Beauvisage.

This individual, a provincial Crevel, one of the men created to make
up the crowd in the world, voted under the banner of Giraud, a State
Councillor, and Victorin Hulot. These two politicians were trying to
form a nucleus of progressives in the loose array of the Conservative
Party. Giraud himself occasionally spent the evening at Madame
Marneffe's, and she flattered herself that she should also capture
Victorin Hulot; but the puritanical lawyer had hitherto found excuses
for refusing to accompany his father and father-in-law. It seemed to
him criminal to be seen in the house of the woman who cost his mother
so many tears. Victorin Hulot was to the puritans of political life
what a pious woman is among bigots.

Beauvisage, formerly a stocking manufacturer at Arcis, was anxious to
/pick up the Paris style/. This man, one of the outer stones of the
Chamber, was forming himself under the auspices of this delicious and
fascinating Madame Marneffe. Introduced here by Crevel, he had
accepted him, at her instigation, as his model and master. He
consulted him on every point, took the address of his tailor, imitated
him, and tried to strike the same attitudes. In short, Crevel was his
Great Man.

Valerie, surrounded by these bigwigs and the three artists, and
supported by Lisbeth, struck Wenceslas as a really superior woman, all
the more so because Claude Vignon spoke of her like a man in love.

"She is Madame de Maintenon in Ninon's petticoats!" said the veteran
critic. "You may please her in an evening if you have the wit; but as
for making her love you--that would be a triumph to crown a man's
ambition and fill up his life."

Valerie, while seeming cold and heedless of her former neighbor,
piqued his vanity, quite unconsciously indeed, for she knew nothing of
the Polish character. There is in the Slav a childish element, as
there is in all these primitively wild nations which have overflowed
into civilization rather than that they have become civilized. The
race has spread like an inundation, and has covered a large portion of
the globe. It inhabits deserts whose extent is so vast that it expands
at its ease; there is no jostling there, as there is in Europe, and
civilization is impossible without the constant friction of minds and
interests. The Ukraine, Russia, the plains by the Danube, in short,
the Slav nations, are a connecting link between Europe and Asia,
between civilization and barbarism. Thus the Pole, the wealthiest
member of the Slav family, has in his character all the childishness
and inconsistency of a beardless race. He has courage, spirit, and
strength; but, cursed with instability, that courage, strength, and
energy have neither method nor guidance; for the Pole displays a
variability resembling that of the winds which blow across that vast
plain broken with swamps; and though he has the impetuosity of the
snow squalls that wrench and sweep away buildings, like those aerial
avalanches he is lost in the first pool and melts into water. Man
always assimilates something from the surroundings in which he lives.
Perpetually at strife with the Turk, the Pole has imbibed a taste for
Oriental splendor; he often sacrifices what is needful for the sake of
display. The men dress themselves out like women, yet the climate has
given them the tough constitution of Arabs.

The Pole, sublime in suffering, has tired his oppressors' arms by
sheer endurance of beating; and, in the nineteenth century, has
reproduced the spectacle presented by the early Christians. Infuse
only ten per cent of English cautiousness into the frank and open
Polish nature, and the magnanimous white eagle would at this day be
supreme wherever the two-headed eagle has sneaked in. A little
Machiavelism would have hindered Poland from helping to save Austria,
who has taken a share of it; from borrowing from Prussia, the usurer
who had undermined it; and from breaking up as soon as a division was
first made.

At the christening of Poland, no doubt, the Fairy Carabosse,
overlooked by the genii who endowed that attractive people with the
most brilliant gifts, came in to say:

"Keep all the gifts that my sisters have bestowed on you; but you
shall never know what you wish for!"

If, in its heroic duel with Russia, Poland had won the day, the Poles
would now be fighting among themselves, as they formerly fought in
their Diets to hinder each other from being chosen King. When that
nation, composed entirely of hot-headed dare-devils, has good sense
enough to seek a Louis XI. among her own offspring, to accept his
despotism and a dynasty, she will be saved.

What Poland has been politically, almost every Pole is in private
life, especially under the stress of disaster. Thus Wenceslas
Steinbock, after worshiping his wife for three years and knowing that
he was a god to her, was so much nettled at finding himself barely
noticed by Madame Marneffe, that he made it a point of honor to
attract her attention. He compared Valerie with his wife and gave her
the palm. Hortense was beautiful flesh, as Valerie had said to
Lisbeth; but Madame Marneffe had spirit in her very shape, and the
savor of vice.

Such devotion as Hortense's is a feeling which a husband takes as his
due; the sense of the immense preciousness of such perfect love soon
wears off, as a debtor, in the course of time, begins to fancy that
the borrowed money is his own. This noble loyalty becomes the daily
bread of the soul, and an infidelity is as tempting as a dainty. The
woman who is scornful, and yet more the woman who is reputed
dangerous, excites curiosity, as spices add flavor to good food.
Indeed, the disdain so cleverly acted by Valerie was a novelty to
Wenceslas, after three years of too easy enjoyment. Hortense was a
wife; Valerie a mistress.

Many men desire to have two editions of the same work, though it is in
fact a proof of inferiority when a man cannot make his mistress of his
wife. Variety in this particular is a sign of weakness. Constancy will
always be the real genius of love, the evidence of immense power--the
power that makes the poet! A man ought to find every woman in his
wife, as the squalid poets of the seventeenth century made their
Manons figure as Iris and Chloe.

"Well," said Lisbeth to the Pole, as she beheld him fascinated, "what
do you think of Valerie?"

"She is too charming," replied Wenceslas.

"You would not listen to me," said Betty. "Oh! my little Wenceslas, if
you and I had never parted, you would have been that siren's lover;
you might have married her when she was a widow, and you would have
had her forty thousand francs a year----"

"Really?"

"Certainly," replied Lisbeth. "Now, take care of yourself; I warned
you of the danger; do not singe your wings in the candle!--Come, give
me your arm, dinner is served."

No language could be so thoroughly demoralizing as this; for if you
show a Pole a precipice, he is bound to leap it. As a nation they have
the very spirit of cavalry; they fancy they can ride down every
obstacle and come out victorious. The spur applied by Lisbeth to
Steinbock's vanity was intensified by the appearance of the dining-
room, bright with handsome silver plate; the dinner was served with
every refinement and extravagance of Parisian luxury.

"I should have done better to take Celimene," thought he to himself.

All through the dinner Hulot was charming; pleased to see his son-in-
law at that table, and yet more happy in the prospect of a
reconciliation with Valerie, whose fidelity he proposed to secure by
the promise of Coquet's head-clerkship. Stidmann responded to the
Baron's amiability by shafts of Parisian banter and an artist's high
spirits. Steinbock would not allow himself to be eclipsed by his
friend; he too was witty, said amusing things, made his mark, and was
pleased with himself; Madame Marneffe smiled at him several times to
show that she quite understood him.

The good meal and heady wines completed the work; Wenceslas was deep
in what must be called the slough of dissipation. Excited by just a
glass too much, he stretched himself on a settee after dinner, sunk in
physical and mental ecstasy, which Madame Marneffe wrought to the
highest pitch by coming to sit down by him--airy, scented, pretty
enough to damn an angel. She bent over Wenceslas and almost touched
his ear as she whispered to him:

"We cannot talk over business matters this evening, unless you will
remain till the last. Between us--you, Lisbeth, and me--we can settle
everything to suit you."

"Ah, Madame, you are an angel!" replied Wenceslas, also in a murmur.
"I was a pretty fool not to listen to Lisbeth--"

"What did she say?"

"She declared, in the Rue du Doyenne, that you loved me!"

Madame Marneffe looked at him, seemed covered with confusion, and
hastily left her seat. A young and pretty woman never rouses the hope
of immediate success with impunity. This retreat, the impulse of a
virtuous woman who is crushing a passion in the depths of her heart,
was a thousand times more effective than the most reckless avowal.
Desire was so thoroughly aroused in Wenceslas that he doubled his
attentions to Valerie. A woman seen by all is a woman wished for.
Hence the terrible power of actresses. Madame Marneffe, knowing that
she was watched, behaved like an admired actress. She was quite
charming, and her success was immense.

"I no longer wonder at my father-in-law's follies," said Steinbock to
Lisbeth.

"If you say such things, Wenceslas, I shall to my dying day repent of
having got you the loan of these ten thousand francs. Are you, like
all these men," and she indicated the guests, "madly in love with that
creature? Remember, you would be your father-in-law's rival. And think
of the misery you would bring on Hortense."

"That is true," said Wenceslas. "Hortense is an angel; I should be a
wretch."

"And one is enough in the family!" said Lisbeth.

"Artists ought never to marry!" exclaimed Steinbock.

"Ah! that is what I always told you in the Rue du Doyenne. Your
groups, your statues, your great works, ought to be your children."

"What are you talking about?" Valerie asked, joining Lisbeth.--"Give
us tea, Cousin."

Steinbock, with Polish vainglory, wanted to appear familiar with this
drawing-room fairy. After defying Stidmann, Vignon, and Crevel with a
look, he took Valerie's hand and forced her to sit down by him on the
settee.

"You are rather too lordly, Count Steinbock," said she, resisting a
little. But she laughed as she dropped on to the seat, not without
arranging the rosebud pinned into her bodice.

"Alas! if I were really lordly," said he, "I should not be here to
borrow money."

"Poor boy! I remember how you worked all night in the Rue du Doyenne.
You really were rather a spooney; you married as a starving man
snatches a loaf. You knew nothing of Paris, and you see where you are
landed. But you turned a deaf ear to Lisbeth's devotion, as you did to
the love of a woman who knows her Paris by heart."

"Say no more!" cried Steinbock; "I am done for!"

"You shall have your ten thousand francs, my dear Wenceslas; but on
one condition," she went on, playing with his handsome curls.

"What is that?"

"I will take no interest----"

"Madame!"

"Oh, you need not be indignant; you shall make it good by giving me a
bronze group. You began the story of Samson; finish it.--Do a Delilah
cutting off the Jewish Hercules' hair. And you, who, if you will
listen to me, will be a great artist, must enter into the subject.
What you have to show is the power of woman. Samson is a secondary
consideration. He is the corpse of dead strength. It is Delilah--
passion--that ruins everything. How far more beautiful is that
/replica/--That is what you call it, I think--" She skilfully
interpolated, as Claude Vignon and Stidmann came up to them on hearing
her talk of sculpture--"how far more beautiful than the Greek myth is
that /replica/ of Hercules at Omphale's feet.--Did Greece copy Judaea,
or did Judaea borrow the symbolism from Greece?"

"There, madame, you raise an important question--that of the date of
the various writings in the Bible. The great and immortal Spinoza--
most foolishly ranked as an atheist, whereas he gave mathematical
proof of the existence of God--asserts that the Book of Genesis and
all the political history of the Bible are of the time of Moses, and
he demonstrates the interpolated passages by philological evidence.
And he was thrice stabbed as he went into the synagogue."

"I had no idea I was so learned," said Valerie, annoyed at this
interruption to her /tete-a-tete/.

"Women know everything by instinct," replied Claude Vignon.

"Well, then, you promise me?" she said to Steinbock, taking his hand
with the timidity of a girl in love.

"You are indeed a happy man, my dear fellow," cried Stidmann, "if
madame asks a favor of you!"

"What is it?" asked Claude Vignon.

"A small bronze group," replied Steinbock, "Delilah cutting off
Samson's hair."

"It is difficult," remarked Vignon. "A bed----"

"On the contrary, it is exceedingly easy," replied Valerie, smiling.

"Ah ha! teach us sculpture!" said Stidmann.

"You should take madame for your subject," replied Vignon, with a keen
glance at Valerie.

"Well," she went on, "this is my notion of the composition. Samson on
waking finds he has no hair, like many a dandy with a false top-knot.
The hero is sitting on the bed, so you need only show the foot of it,
covered with hangings and drapery. There he is, like Marius among the
ruins of Carthage, his arms folded, his head shaven--Napoleon at
Saint-Helena--what you will! Delilah is on her knees, a good deal like
Canova's Magdalen. When a hussy has ruined her man, she adores him. As
I see it, the Jewess was afraid of Samson in his strength and terrors,
but she must have loved him when she saw him a child again. So Delilah
is bewailing her sin, she would like to give her lover his hair again.
She hardly dares to look at him; but she does look, with a smile, for
she reads forgiveness in Samson's weakness. Such a group as this, and
one of the ferocious Judith, would epitomize woman. Virtue cuts off
your head; vice only cuts off your hair. Take care of your wigs,
gentlemen!"

And she left the artists quite overpowered, to sing her praises in
concert with the critic.

"It is impossible to be more bewitching!" cried Stidmann.

"Oh! she is the most intelligent and desirable woman I have ever met,"
said Claude Vignon. "Such a combination of beauty and cleverness is so
rare."

"And if you who had the honor of being intimate with Camille Maupin
can pronounce such a verdict," replied Stidmann, "what are we to
think?"

"If you will make your Delilah a portrait of Valerie, my dear Count,"
said Crevel, who had risen for a moment from the card-table, and who
had heard what had been said, "I will give you a thousand crowns for
an example--yes, by the Powers! I will shell out to the tune of a
thousand crowns!"

"Shell out! What does that mean?" asked Beauvisage of Claude Vignon.

"Madame must do me the honor to sit for it then," said Steinbock to
Crevel. "Ask her--"

At this moment Valerie herself brought Steinbock a cup of tea. This
was more than a compliment, it was a favor. There is a complete
language in the manner in which a woman does this little civility; but
women are fully aware of the fact, and it is a curious thing to study
their movements, their manner, their look, tone, and accent when they
perform this apparently simple act of politeness.--From the question,
"Do you take tea?"--"Will you have some tea?"--"A cup of tea?" coldly
asked, and followed by instructions to the nymph of the urn to bring
it, to the eloquent poem of the odalisque coming from the tea-table,
cup in hand, towards the pasha of her heart, presenting it
submissively, offering it in an insinuating voice, with a look full of
intoxicating promises, a physiologist could deduce the whole scale of
feminine emotion, from aversion or indifference to Phaedra's
declaration to Hippolytus. Women can make it, at will, contemptuous to
the verge of insult, or humble to the expression of Oriental
servility.

And Valerie was more than woman; she was the serpent made woman; she
crowned her diabolical work by going up to Steinbock, a cup of tea in
her hand.

"I will drink as many cups of tea as you will give me," said the
artist, murmuring in her ear as he rose, and touching her fingers with
his, "to have them given to me thus!"

"What were you saying about sitting?" said she, without betraying that
this declaration, so frantically desired, had gone straight to her
heart.

"Old Crevel promises me a thousand crowns for a copy of your group."

"He! a thousand crowns for a bronze group?"

"Yes--if you will sit for Delilah," said Steinbock.

"He will not be there to see, I hope!" replied she. "The group would
be worth more than all his fortune, for Delilah's costume is rather
un-dressy."

Just as Crevel loved to strike an attitude, every woman has a
victorious gesture, a studied movement, which she knows must win
admiration. You may see in a drawing-room how one spends all her time
looking down at her tucker or pulling up the shoulder-piece of her
gown, how another makes play with the brightness of her eyes by
glancing up at the cornice. Madame Marneffe's triumph, however, was
not face to face like that of other women. She turned sharply round to
return to Lisbeth at the tea-table. This ballet-dancer's pirouette,
whisking her skirts, by which she had overthrown Hulot, now fascinated
Steinbock.

"Your vengeance is secure," said Valerie to Lisbeth in a whisper.
"Hortense will cry out all her tears, and curse the day when she
robbed you of Wenceslas."

"Till I am Madame la Marechale I shall not think myself successful,"
replied the cousin; "but they are all beginning to wish for it.--This
morning I went to Victorin's--I forgot to tell you.--The young Hulots
have bought up their father's notes of hand given to Vauvinet, and
to-morrow they will endorse a bill for seventy-two thousand francs at
five per cent, payable in three years, and secured by a mortgage on
their house. So the young people are in straits for three years; they
can raise no more money on that property. Victorin is dreadfully
distressed; he understands his father. And Crevel is capable of
refusing to see them; he will be so angry at this piece of self-
sacrifice."

"The Baron cannot have a sou now," said Valerie, and she smiled at
Hulot.

"I don't see where he can get it. But he will draw his salary again in
September."

"And he has his policy of insurance; he has renewed it. Come, it is
high time he should get Marneffe promoted. I will drive it home this
evening."

"My dear cousin," said Lisbeth to Wenceslas, "go home, I beg. You are
quite ridiculous. Your eyes are fixed on Valerie in a way that is
enough to compromise her, and her husband is insanely jealous. Do not
tread in your father-in-law's footsteps. Go home; I am sure Hortense
is sitting up for you."

"Madame Marneffe told me to stay till the last to settle my little
business with you and her," replied Wenceslas.

"No, no," said Lisbeth; "I will bring you the ten thousand francs, for
her husband has his eye on you. It would be rash to remain. To-morrow
at eleven o'clock bring your note of hand; at that hour that mandarin
Marneffe is at his office, Valerie is free.--Have you really asked her
to sit for your group?--Come up to my rooms first.--Ah! I was sure of
it," she added, as she caught the look which Steinbock flashed at
Valerie, "I knew you were a profligate in the bud! Well, Valerie is
lovely--but try not to bring trouble on Hortense."



Nothing annoys a married man so much as finding his wife perpetually
interposing between himself and his wishes, however transient.

Wenceslas got home at about one in the morning; Hortense had expected
him ever since half-past nine. From half-past nine till ten she had
listened to the passing carriages, telling herself that never before
had her husband come in so late from dining with Florent and Chanor.
She sat sewing by the child's cot, for she had begun to save a
needlewoman's pay for the day by doing the mending herself.--From ten
till half-past, a suspicion crossed her mind; she sat wondering:

"Is he really gone to dinner, as he told me, with Chanor and Florent?
He put on his best cravat and his handsomest pin when he dressed. He
took as long over his toilet as a woman when she wants to make the
best of herself.--I am crazy! He loves me!--And here he is!"

But instead of stopping, the cab she heard went past.

From eleven till midnight Hortense was a victim to terrible alarms;
the quarter where they lived was now deserted.

"If he has set out on foot, some accident may have happened," thought
she. "A man may be killed by tumbling over a curbstone or failing to
see a gap. Artists are so heedless! Or if he should have been stopped
by robbers!--It is the first time he has ever left me alone here for
six hours and a half!--But why should I worry myself? He cares for no
one but me."

Men ought to be faithful to the wives who love them, were it only on
account of the perpetual miracles wrought by true love in the sublime
regions of the spiritual world. The woman who loves is, in relation to
the man she loves, in the position of a somnambulist to whom the
magnetizer should give the painful power, when she ceases to be the
mirror of the world, of being conscious as a woman of what she has
seen as a somnambulist. Passion raises the nervous tension of a woman
to the ecstatic pitch at which presentiment is as acute as the insight
of a clairvoyant. A wife knows she is betrayed; she will not let
herself say so, she doubts still--she loves so much! She gives the lie
to the outcry of her own Pythian power. This paroxysm of love deserves
a special form of worship.

In noble souls, admiration of this divine phenomenon will always be a
safeguard to protect them from infidelity. How should a man not
worship a beautiful and intellectual creature whose soul can soar to
such manifestations?

By one in the morning Hortense was in a state of such intense anguish,
that she flew to the door as she recognized her husband's ring at the
bell, and clasped him in her arms like a mother.

"At last--here you are!" cried she, finding her voice again. "My
dearest, henceforth where you go I go, for I cannot again endure the
torture of such waiting.--I pictured you stumbling over a curbstone,
with a fractured skull! Killed by thieves!--No, a second time I know I
should go mad.--Have you enjoyed yourself so much?--And without me!--
Bad boy!"

"What can I say, my darling? There was Bixiou, who drew fresh
caricatures for us; Leon de Lora, as witty as ever; Claude Vignon, to
whom I owe the only consolatory article that has come out about the
Montcornet statue. There were--"

"Were there no ladies?" Hortense eagerly inquired.

"Worthy Madame Florent--"

"You said the Rocher de Cancale.--Were you at the Florents'?"

"Yes, at their house; I made a mistake."

"You did not take a coach to come home?"

"No."

"And you have walked from the Rue des Tournelles?"

"Stidmann and Bixiou came back with me along the boulevards as far as
the Madeleine, talking all the way."

"It is dry then on the boulevards and the Place de la Concorde and the
Rue de Bourgogne? You are not muddy at all!" said Hortense, looking at
her husband's patent leather boots.

It had been raining, but between the Rue Vanneau and the Rue Saint-
Dominique Wenceslas had not got his boots soiled.

"Here--here are five thousand francs Chanor has been so generous as to
lend me," said Wenceslas, to cut short this lawyer-like examination.

He had made a division of the ten thousand-franc notes, half for
Hortense and half for himself, for he had five thousand francs' worth
of debts of which Hortense knew nothing. He owed money to his foreman
and his workmen.

"Now your anxieties are relieved," said he, kissing his wife. "I am
going to work to-morrow morning. So I am going to bed this minute to
get up early, by your leave, my pet."

The suspicion that had dawned in Hortense's mind vanished; she was
miles away from the truth. Madame Marneffe! She had never thought of
her. Her fear for her Wenceslas was that he should fall in with street
prostitutes. The names of Bixiou and Leon de Lora, two artists noted
for their wild dissipations, had alarmed her.

Next morning she saw Wenceslas go out at nine o'clock, and was quite
reassured.

"Now he is at work again," said she to herself, as she proceeded to
dress her boy. "I see he is quite in the vein! Well, well, if we
cannot have the glory of Michael Angelo, we may have that of Benvenuto
Cellini!"

Lulled by her own hopes, Hortense believed in a happy future; and she
was chattering to her son of twenty months in the language of
onomatopoeia that amuses babes when, at about eleven o'clock, the
cook, who had not seen Wenceslas go out, showed in Stidmann.

"I beg pardon, madame," said he. "Is Wenceslas gone out already?"

"He is at the studio."

"I came to talk over the work with him."

"I will send for him," said Hortense, offering Stidmann a chair.

Thanking Heaven for this piece of luck, Hortense was glad to detain
Stidmann to ask some questions about the evening before. Stidmann
bowed in acknowledgment of her kindness. The Countess Steinbock rang;
the cook appeared, and was desired to go at once and fetch her master
from the studio.

"You had an amusing dinner last night?" said Hortense. "Wenceslas did
not come in till past one in the morning."

"Amusing? not exactly," replied the artist, who had intended to
fascinate Madame Marneffe. "Society is not very amusing unless one is
interested in it. That little Madame Marneffe is clever, but a great
flirt."

"And what did Wenceslas think of her?" asked poor Hortense, trying to
keep calm. "He said nothing about her to me."

"I will only say one thing," said Stidmann, "and that is, that I think
her a very dangerous woman."

Hortense turned as pale as a woman after childbirth.

"So--it was at--at Madame Marneffe's that you dined--and not--not with
Chanor?" said she, "yesterday--and Wenceslas--and he----"

Stidmann, without knowing what mischief he had done, saw that he had
blundered.

The Countess did not finish her sentence; she simply fainted away. The
artist rang, and the maid came in. When Louise tried to get her
mistress into her bedroom, a serious nervous attack came on, with
violent hysterics. Stidmann, like any man who by an involuntary
indiscretion has overthrown the structure built on a husband's lie to
his wife, could not conceive that his words should produce such an
effect; he supposed that the Countess was in such delicate health that
the slightest contradiction was mischievous.

The cook presently returned to say, unfortunately in loud tones, that
her master was not in the studio. In the midst of her anguish,
Hortense heard, and the hysterical fit came on again.

"Go and fetch madame's mother," said Louise to the cook. "Quick--run!"

"If I knew where to find Steinbock, I would go and fetch him!"
exclaimed Stidmann in despair.

"He is with that woman!" cried the unhappy wife. "He was not dressed
to go to his work!"

Stidmann hurried off to Madame Marneffe's, struck by the truth of this
conclusion, due to the second-sight of passion.

At that moment Valerie was posed as Delilah. Stidmann, too sharp to
ask for Madame Marneffe, walked straight in past the lodge, and ran
quickly up to the second floor, arguing thus: "If I ask for Madame
Marneffe, she will be out. If I inquire point-blank for Steinbock, I
shall be laughed at to my face.--Take the bull by the horns!"

Reine appeared in answer to his ring.

"Tell Monsieur le Comte Steinbock to come at once, his wife is
dying--"

Reine, quite a match for Stidmann, looked at him with blank surprise.

"But, sir--I don't know--did you suppose----"

"I tell you that my friend Monsieur Steinbock is here; his wife is
very ill. It is quite serious enough for you to disturb your
mistress." And Stidmann turned on his heel.

"He is there, sure enough!" said he to himself.

And in point of fact, after waiting a few minutes in the Rue Vanneau,
he saw Wenceslas come out, and beckoned to him to come quickly. After
telling him of the tragedy enacted in the Rue Saint-Dominique,
Stidmann scolded Steinbock for not having warned him to keep the
secret of yesterday's dinner.

"I am done for," said Wenceslas, "but you are forgiven. I had totally
forgotten that you were to call this morning, and I blundered in not
telling you that we were to have dined with Florent.--What can I say?
That Valerie has turned my head; but, my dear fellow, for her glory is
well lost, misfortune well won! She really is!--Good Heavens!--But I
am in a dreadful fix. Advise me. What can I say? How can I excuse
myself?"

"I! advise you! I don't know," replied Stidmann. "But your wife loves
you, I imagine? Well, then, she will believe anything. Tell her that
you were on your way to me when I was on my way to you; that, at any
rate, will set this morning's business right. Good-bye."

Lisbeth, called down by Reine, ran after Wenceslas and caught him up
at the corner of the Rue Hillerin-Bertin; she was afraid of his Polish
artlessness. Not wishing to be involved in the matter, she said a few
words to Wenceslas, who in his joy hugged her then and there. She had
no doubt pushed out a plank to enable the artist to cross this awkward
place in his conjugal affairs.

At the sight of her mother, who had flown to her aid, Hortense burst
into floods of tears. This happily changed the character of the
hysterical attack.

"Treachery, dear mamma!" cried she. "Wenceslas, after giving me his
word of honor that he would not go near Madame Marneffe, dined with
her last night, and did not come in till a quarter-past one in the
morning.--If you only knew! The day before we had had a discussion,
not a quarrel, and I had appealed to him so touchingly. I told him I
was jealous, that I should die if he were unfaithful; that I was
easily suspicious, but that he ought to have some consideration for my
weaknesses, as they came of my love for him; that I had my father's
blood in my veins as well as yours; that at the first moment of such
discovery I should be mad, and capable of mad deeds--of avenging
myself--of dishonoring us all, him, his child, and myself; that I
might even kill him first and myself after--and so on.

"And yet he went there; he is there!--That woman is bent on breaking
all our hearts! Only yesterday my brother and Celestine pledged their
all to pay off seventy thousand francs on notes of hand signed for
that good-for-nothing creature.--Yes, mamma, my father would have been
arrested and put into prison. Cannot that dreadful woman be content
with having my father, and with all your tears? Why take my Wenceslas?
--I will go to see her and stab her!"

Madame Hulot, struck to the heart by the dreadful secrets Hortense was
unwittingly letting out, controlled her grief by one of the heroic
efforts which a magnanimous mother can make, and drew her daughter's
head on to her bosom to cover it with kisses.

"Wait for Wenceslas, my child; all will be explained. The evil cannot
be so great as you picture it!--I, too, have been deceived, my dear
Hortense; you think me handsome, I have lived blameless; and yet I
have been utterly forsaken for three-and-twenty years--for a Jenny
Cadine, a Josepha, a Madame Marneffe!-- Did you know that?"

"You, mamma, you! You have endured this for twenty----"

She broke off, staggered by her own thoughts.

"Do as I have done, my child," said her mother. "Be gentle and kind,
and your conscience will be at peace. On his death-bed a man may say,
'My wife has never cost me a pang!' And God, who hears that dying
breath, credits it to us. If I had abandoned myself to fury like you,
what would have happened? Your father would have been embittered,
perhaps he would have left me altogether, and he would not have been
withheld by any fear of paining me. Our ruin, utter as it now is,
would have been complete ten years sooner, and we should have shown
the world the spectacle of a husband and wife living quite apart--a
scandal of the most horrible, heart-breaking kind, for it is the
destruction of the family. Neither your brother nor you could have
married.

"I sacrificed myself, and that so bravely, that, till this last
connection of your father's, the world has believed me happy. My
serviceable and indeed courageous falsehood has, till now, screened
Hector; he is still respected; but this old man's passion is taking
him too far, that I see. His own folly, I fear, will break through the
veil I have kept between the world and our home. However, I have held
that curtain steady for twenty-three years, and have wept behind it--
motherless, I, without a friend to trust, with no help but in religion
--I have for twenty-three years secured the family honor----"

Hortense listened with a fixed gaze. The calm tone of resignation and
of such crowning sorrow soothed the smart of her first wound; the
tears rose again and flowed in torrents. In a frenzy of filial
affection, overcome by her mother's noble heroism, she fell on her
knees before Adeline, took up the hem of her dress and kissed it, as
pious Catholics kiss the holy relics of a martyr.

"Nay, get up, Hortense," said the Baroness. "Such homage from my
daughter wipes out many sad memories. Come to my heart, and weep for
no sorrows but your own. It is the despair of my dear little girl,
whose joy was my only joy, that broke the solemn seal which nothing
ought to have removed from my lips. Indeed, I meant to have taken my
woes to the tomb, as a shroud the more. It was to soothe your anguish
that I spoke.--God will forgive me!

"Oh! if my life were to be your life, what would I not do? Men, the
world, Fate, Nature, God Himself, I believe, make us pay for love with
the most cruel grief. I must pay for ten years of happiness and
twenty-four years of despair, of ceaseless sorrow, of bitterness--"

"But you had ten years, dear mamma, and I have had but three!" said
the self-absorbed girl.

"Nothing is lost yet," said Adeline. "Only wait till Wenceslas comes."

"Mother," said she, "he lied, he deceived me. He said, 'I will not
go,' and he went. And that over his child's cradle."

"For pleasure, my child, men will commit the most cowardly, the most
infamous actions--even crimes; it lies in their nature, it would seem.
We wives are set apart for sacrifice. I believed my troubles were
ended, and they are beginning again, for I never thought to suffer
doubly by suffering with my child. Courage--and silence!--My Hortense,
swear that you will never discuss your griefs with anybody but me,
never let them be suspected by any third person. Oh! be as proud as
your mother has been."

Hortense started; she had heard her husband's step.

"So it would seem," said Wenceslas, as he came in, "that Stidmann has
been here while I went to see him."

"Indeed!" said Hortense, with the angry irony of an offended woman who
uses words to stab.

"Certainly," said Wenceslas, affecting surprise. "We have just met."

"And yesterday?"

"Well, yesterday I deceived you, my darling love; and your mother
shall judge between us."

This candor unlocked his wife's heart. All really lofty women like the
truth better than lies. They cannot bear to see their idol smirched;
they want to be proud of the despotism they bow to.

There is a strain of this feeling in the devotion of the Russians to
their Czar.

"Now, listen, dear mother," Wenceslas went on. "I so truly love my
sweet and kind Hortense, that I concealed from her the extent of our
poverty. What could I do? She was still nursing the boy, and such
troubles would have done her harm; you know what the risk is for a
woman. Her beauty, youth, and health are imperiled. Did I do wrong?--
She believes that we owe five thousand francs; but I owe five thousand
more. The day before yesterday we were in the depths! No one on earth
will lend to us artists. Our talents are not less untrustworthy than
our whims. I knocked in vain at every door. Lisbeth, indeed, offered
us her savings."

"Poor soul!" said Hortense.

"Poor soul!" said the Baroness.

"But what are Lisbeth's two thousand francs? Everything to her,
nothing to us.--Then, as you know, Hortense, she spoke to us of Madame
Marneffe, who, as she owes so much to the Baron, out of a sense of
honor, will take no interest. Hortense wanted to send her diamonds to
the Mont-de-Piete; they would have brought in a few thousand francs,
but we needed ten thousand. Those ten thousand francs were to be had
free of interest for a year!--I said to myself, 'Hortense will be none
the wiser; I will go and get them.'

"Then the woman asked me to dinner through my father-in-law, giving me
to understand that Lisbeth had spoken of the matter, and I should have
the money. Between Hortense's despair on one hand, and the dinner on
the other, I could not hesitate.--That is all.

"What! could Hortense, at four-and-twenty, lovely, pure, and virtuous,
and all my pride and glory, imagine that, when I have never left her
since we married, I could now prefer--what?--a tawny, painted, ruddled
creature?" said he, using the vulgar exaggeration of the studio to
convince his wife by the vehemence that women like.

"Oh! if only your father had ever spoken so----!" cried the Baroness.

Hortense threw her arms round her husband's neck.

"Yes, that is what I should have done," said her mother. "Wenceslas,
my dear fellow, your wife was near dying of it," she went on very
seriously. "You see how well she loves you. And, alas--she is yours!"

She sighed deeply.

"He may make a martyr of her, or a happy woman," thought she to
herself, as every mother thinks when she sees her daughter married.--
"It seems to me," she said aloud, "that I am miserable enough to hope
to see my children happy."

"Be quite easy, dear mamma," said Wenceslas, only too glad to see this
critical moment end happily. "In two months I shall have repaid that
dreadful woman. How could I help it," he went on, repeating this
essentially Polish excuse with a Pole's grace; "there are times when a
man would borrow of the Devil.--And, after all, the money belongs to
the family. When once she had invited me, should I have got the money
at all if I had responded to her civility with a rude refusal?"

"Oh, mamma, what mischief papa is bringing on us!" cried Hortense.

The Baroness laid her finger on her daughter's lips, aggrieved by this
complaint, the first blame she had ever uttered of a father so
heroically screened by her mother's magnanimous silence.

"Now, good-bye, my children," said Madame Hulot. "The storm is over.
But do not quarrel any more."

When Wenceslas and his wife returned to their room after letting out
the Baroness, Hortense said to her husband:

"Tell me all about last evening."

And she watched his face all through the narrative, interrupting him
by the questions that crowd on a wife's mind in such circumstances.
The story made Hortense reflect; she had a glimpse of the infernal
dissipation which an artist must find in such vicious company.

"Be honest, my Wenceslas; Stidmann was there, Claude Vignon,
Vernisset.--Who else? In short, it was good fun?"

"I, I was thinking of nothing but our ten thousand francs, and I was
saying to myself, 'My Hortense will be freed from anxiety.' "

This catechism bored the Livonian excessively; he seized a gayer
moment to say:

"And you, my dearest, what would you have done if your artist had
proved guilty?"

"I," said she, with an air of prompt decision, "I should have taken up
Stidmann--not that I love him, of course!"

"Hortense!" cried Steinbock, starting to his feet with a sudden and
theatrical emphasis. "You would not have had the chance--I would have
killed you!"

Hortense threw herself into his arms, clasping him closely enough to
stifle him, and covered him with kisses, saying:

"Ah, you do love me! I fear nothing!--But no more Marneffe. Never go
plunging into such horrible bogs."

"I swear to you, my dear Hortense, that I will go there no more,
excepting to redeem my note of hand."

She pouted at this, but only as a loving woman sulks to get something
for it. Wenceslas, tired out with such a morning's work, went off to
his studio to make a clay sketch of the /Samson and Delilah/, for
which he had the drawings in his pocket.

Hortense, penitent for her little temper, and fancying that her
husband was annoyed with her, went to the studio just as the sculptor
had finished handling the clay with the impetuosity that spurs an
artist when the mood is on him. On seeing his wife, Wenceslas hastily
threw the wet wrapper over the group, and putting both arms round her,
he said:

"We were not really angry, were we, my pretty puss?"

Hortense had caught sight of the group, had seen the linen thrown over
it, and had said nothing; but as she was leaving, she took off the
rag, looked at the model, and asked:

"What is that?"

"A group for which I had just had an idea."

"And why did you hide it?"

"I did not mean you to see it till it was finished."

"The woman is very pretty," said Hortense.

And a thousand suspicions cropped up in her mind, as, in India, tall,
rank plants spring up in a night-time.



By the end of three weeks, Madame Marneffe was intensely irritated by
Hortense. Women of that stamp have a pride of their own; they insist
that men shall kiss the devil's hoof; they have no forgiveness for the
virtue that does not quail before their dominion, or that even holds
its own against them. Now, in all that time Wenceslas had not paid one
visit in the Rue Vanneau, not even that which politeness required to a
woman who had sat for Delilah.

Whenever Lisbeth called on the Steinbocks, there had been nobody at
home. Monsieur and madame lived in the studio. Lisbeth, following the
turtle doves to their nest at le Gros-Caillou, found Wenceslas hard at
work, and was informed by the cook that madame never left monsieur's
side. Wenceslas was a slave to the autocracy of love. So now Valerie,
on her own account, took part with Lisbeth in her hatred of Hortense.

Women cling to a lover that another woman is fighting for, just as
much as men do to women round whom many coxcombs are buzzing. Thus any
reflections /a propos/ to Madame Marneffe are equally applicable to
any lady-killing rake; he is, in fact, a sort of male courtesan.
Valerie's last fancy was a madness; above all, she was bent on getting
her group; she was even thinking of going one morning to the studio to
see Wenceslas, when a serious incident arose of the kind which, to a
woman of that class, may be called the spoil of war.

This is how Valerie announced this wholly personal event.

She was breakfasting with Lisbeth and her husband.

"I say, Marneffe, what would you say to being a second time a father?"

"You don't mean it--a baby?--Oh, let me kiss you!"

He rose and went round the table; his wife held up her head so that he
could just kiss her hair.

"If that is so," he went on, "I am head-clerk and officer of the
Legion of Honor at once. But you must understand, my dear, Stanislas
is not to be the sufferer, poor little man."

"Poor little man?" Lisbeth put in. "You have not set your eyes on him
these seven months. I am supposed to be his mother at the school; I am
the only person in the house who takes any trouble about him."

"A brat that costs us a hundred crowns a quarter!" said Valerie. "And
he, at any rate, is your own child, Marneffe. You ought to pay for his
schooling out of your salary.--The newcomer, far from reminding us of
butcher's bills, will rescue us from want."

"Valerie," replied Marneffe, assuming an attitude like Crevel, "I hope
that Monsieur le Baron Hulot will take proper charge of his son, and
not lay the burden on a poor clerk. I intend to keep him well up to
the mark. So take the necessary steps, madame! Get him to write you
letters in which he alludes to his satisfaction, for he is rather
backward in coming forward in regard to my appointment."

And Marneffe went away to the office, where his chief's precious
leniency allowed him to come in at about eleven o'clock. And, indeed,
he did little enough, for his incapacity was notorious, and he
detested work.

No sooner were they alone than Lisbeth and Valerie looked at each
other for a moment like Augurs, and both together burst into a loud
fit of laughter.

"I say, Valerie--is it the fact?" said Lisbeth, "or merely a farce?"

"It is a physical fact!" replied Valerie. "Now, I am sick and tired of
Hortense; and it occurred to me in the night that I might fire this
infant, like a bomb, into the Steinbock household."

Valerie went back to her room, followed by Lisbeth, to whom she showed
the following letter:--

  "WENCESLAS MY DEAR,--I still believe in your love, though it is
  nearly three weeks since I saw you. Is this scorn? Delilah can
  scarcely believe that. Does it not rather result from the tyranny
  of a woman whom, as you told me, you can no longer love?
  Wenceslas, you are too great an artist to submit to such dominion.
  Home is the grave of glory.--Consider now, are you the Wenceslas
  of the Rue du Doyenne? You missed fire with my father's statue;
  but in you the lover is greater than the artist, and you have had
  better luck with his daughter. You are a father, my beloved
  Wenceslas.

  "If you do not come to me in the state I am in, your friends would
  think very badly of you. But I love you so madly, that I feel I
  should never have the strength to curse you. May I sign myself as
  ever,

"YOUR VALERIE."


"What do you say to my scheme for sending this note to the studio at a
time when our dear Hortense is there by herself?" asked Valerie. "Last
evening I heard from Stidmann that Wenceslas is to pick him up at
eleven this morning to go on business to Chanor's; so that gawk
Hortense will be there alone."

"But after such a trick as that," replied Lisbeth, "I cannot continue
to be your friend in the eyes of the world; I shall have to break with
you, to be supposed never to visit you, or even to speak to you."

"Evidently," said Valerie; "but--"

"Oh! be quite easy," interrupted Lisbeth; "we shall often meet when I
am Madame la Marechale. They are all set upon it now. Only the Baron
is in ignorance of the plan, but you can talk him over."

"Well," said Valerie, "but it is quite likely that the Baron and I may
be on distant terms before long."

"Madame Olivier is the only person who can make Hortense demand to see
the letter," said Lisbeth. "And you must send her to the Rue Saint-
Dominique before she goes on to the studio."

"Our beauty will be at home, no doubt," said Valerie, ringing for
Reine to call up Madame Olivier.

Ten minutes after the despatch of this fateful letter, Baron Hulot
arrived. Madame Marneffe threw her arms round the old man's neck with
kittenish impetuosity.

"Hector, you are a father!" she said in his ear. "That is what comes
of quarreling and making friends again----"

Perceiving a look of surprise, which the Baron did not at once
conceal, Valerie assumed a reserve which brought the old man to
despair. She made him wring the proofs from her one by one. When
conviction, led on by vanity, had at last entered his mind, she
enlarged on Monsieur Marneffe's wrath.

"My dear old veteran," said she, "you can hardly avoid getting your
responsible editor, our representative partner if you like, appointed
head-clerk and officer of the Legion of Honor, for you really have
done for the poor man, he adores his Stanislas, the little monstrosity
who is so like him, that to me he is insufferable. Unless you prefer
to settle twelve hundred francs a year on Stanislas--the capital to be
his, and the life-interest payable to me, of course--"

"But if I am to settle securities, I would rather it should be on my
own son, and not on the monstrosity," said the Baron.

This rash speech, in which the words "my own son" came out as full as
a river in flood, was, by the end of the hour, ratified as a formal
promise to settle twelve hundred francs a year on the future boy. And
this promise became, on Valerie's tongue and in her countenance, what
a drum is in the hands of a child; for three weeks she played on it
incessantly.

At the moment when Baron Hulot was leaving the Rue Vanneau, as happy
as a man who after a year of married life still desires an heir,
Madame Olivier had yielded to Hortense, and given up the note she was
instructed to give only into the Count's own hands. The young wife
paid twenty francs for that letter. The wretch who commits suicide
must pay for the opium, the pistol, the charcoal.

Hortense read and re-read the note; she saw nothing but this sheet of
white paper streaked with black lines; the universe held for her
nothing but that paper; everything was dark around her. The glare of
the conflagration that was consuming the edifice of her happiness
lighted up the page, for blackest night enfolded her. The shouts of
her little Wenceslas at play fell on her ear, as if he had been in the
depths of a valley and she on a high mountain. Thus insulted at four-
and-twenty, in all the splendor of her beauty, enhanced by pure and
devoted love--it was not a stab, it was death. The first shock had
been merely on the nerves, the physical frame had struggled in the
grip of jealousy; but now certainty had seized her soul, her body was
unconscious.

For about ten minutes Hortense sat under the incubus of this
oppression. Then a vision of her mother appeared before her, and
revulsion ensued; she was calm and cool, and mistress of her reason.

She rang.

"Get Louise to help you, child," said she to the cook. "As quickly as
you can, pack up everything that belongs to me and everything wanted
for the little boy. I give you an hour. When all is ready, fetch a
hackney coach from the stand, and call me.

"Make no remarks! I am leaving the house, and shall take Louise with
me. You must stay here with monsieur; take good care of him----"

She went into her room, and wrote the following letter:--

  "MONSIEUR LE COMTE,--

  "The letter I enclose will sufficiently account for the
  determination I have come to.

  "When you read this, I shall have left your house and have found
  refuge with my mother, taking our child with me.

  "Do not imagine that I shall retrace my steps. Do not imagine that
  I am acting with the rash haste of youth, without reflection, with
  the anger of offended affection; you will be greatly mistaken.

  "I have been thinking very deeply during the last fortnight of
  life, of love, of our marriage, of our duties to each other. I
  have known the perfect devotion of my mother; she has told me all
  her sorrows! She has been heroical--every day for twenty-three
  years. But I have not the strength to imitate her, not because I
  love you less than she loves my father, but for reasons of spirit
  and nature. Our home would be a hell; I might lose my head so far
  as to disgrace you--disgrace myself and our child.

  "I refuse to be a Madame Marneffe; once launched on such a course,
  a woman of my temper might not, perhaps, be able to stop. I am,
  unfortunately for myself, a Hulot, not a Fischer.

  "Alone, and absent from the scene of your dissipations, I am sure
  of myself, especially with my child to occupy me, and by the side
  of a strong and noble mother, whose life cannot fail to influence
  the vehement impetuousness of my feelings. There, I can be a good
  mother, bring our boy up well, and live. Under your roof the wife
  would oust the mother; and constant contention would sour my
  temper.

  "I can accept a death-blow, but I will not endure for twenty-five
  years, like my mother. If, at the end of three years of perfect,
  unwavering love, you can be unfaithful to me with your father-in-
  law's mistress, what rivals may I expect to have in later years?
  Indeed, monsieur, you have begun your career of profligacy much
  earlier than my father did, the life of dissipation, which is a
  disgrace to the father of a family, which undermines the respect
  of his children, and which ends in shame and despair.

  "I am not unforgiving. Unrelenting feelings do not beseem erring
  creatures living under the eye of God. If you win fame and fortune
  by sustained work, if you have nothing to do with courtesans and
  ignoble, defiling ways, you will find me still a wife worthy of
  you.

  "I believe you to be too much a gentleman, Monsieur le Comte, to
  have recourse to the law. You will respect my wishes, and leave me
  under my mother's roof. Above all, never let me see you there. I
  have left all the money lent to you by that odious woman.--
  Farewell.

"HORTENSE HULOT."


This letter was written in anguish. Hortense abandoned herself to the
tears, the outcries of murdered love. She laid down her pen and took
it up again, to express as simply as possible all that passion
commonly proclaims in this sort of testamentary letter. Her heart went
forth in exclamations, wailing and weeping; but reason dictated the
words.

Informed by Louise that all was ready, the young wife slowly went
round the little garden, through the bedroom and drawing-room, looking
at everything for the last time. Then she earnestly enjoined the cook
to take the greatest care for her master's comfort, promising to
reward her handsomely if she would be honest. At last she got into the
hackney coach to drive to her mother's house, her heart quite broken,
crying so much as to distress the maid, and covering little Wenceslas
with kisses, which betrayed her still unfailing love for his father.

The Baroness knew already from Lisbeth that the father-in-law was
largely to blame for the son-in-law's fault; nor was she surprised to
see her daughter, whose conduct she approved, and she consented to
give her shelter. Adeline, perceiving that her own gentleness and
patience had never checked Hector, for whom her respect was indeed
fast diminishing, thought her daughter very right to adopt another
course.

In three weeks the poor mother had suffered two wounds of which the
pain was greater than any ill-fortune she had hitherto endured. The
Baron had placed Victorin and his wife in great difficulties; and
then, by Lisbeth's account, he was the cause of his son-in-law's
misconduct, and had corrupted Wenceslas. The dignity of the father of
the family, so long upheld by her really foolish self-sacrifice, was
now overthrown. Though they did not regret the money the young Hulots
were full alike of doubts and uneasiness as regarded the Baron. This
sentiment, which was evidence enough, distressed the Baroness; she
foresaw a break-up of the family tie.

Hortense was accommodated in the dining-room, arranged as a bedroom
with the help of the Marshal's money, and the anteroom became the
dining-room, as it is in many apartments.



When Wenceslas returned home and had read the two letters, he felt a
kind of gladness mingled with regret. Kept so constantly under his
wife's eye, so to speak, he had inwardly rebelled against this fresh
thraldom, /a la/ Lisbeth. Full fed with love for three years past, he
too had been reflecting during the last fortnight; and he found a
family heavy on his hands. He had just been congratulated by Stidmann
on the passion he had inspired in Valerie; for Stidmann, with an
under-thought that was not unnatural, saw that he might flatter the
husband's vanity in the hope of consoling the victim. And Wenceslas
was glad to be able to return to Madame Marneffe.

Still, he remembered the pure and unsullied happiness he had known,
the perfections of his wife, her judgment, her innocent and guileless
affection,--and he regretted her acutely. He thought of going at once
to his mother-in-law's to crave forgiveness; but, in fact, like Hulot
and Crevel, he went to Madame Marneffe, to whom he carried his wife's
letter to show her what a disaster she had caused, and to discount his
misfortune, so to speak, by claiming in return the pleasures his
mistress could give him.

He found Crevel with Valerie. The mayor, puffed up with pride, marched
up and down the room, agitated by a storm of feelings. He put himself
into position as if he were about to speak, but he dared not. His
countenance was beaming, and he went now and again to the window,
where he drummed on the pane with his fingers. He kept looking at
Valerie with a glance of tender pathos. Happily for him, Lisbeth
presently came in.

"Cousin Betty," he said in her ear, "have you heard the news? I am a
father! It seems to me I love my poor Celestine the less.--Oh! what a
thing it is to have a child by the woman one idolizes! It is the
fatherhood of the heart added to that of the flesh! I say--tell
Valerie that I will work for that child--it shall be rich. She tells
me she has some reason for believing that it will be a boy! If it is a
boy, I shall insist on his being called Crevel. I will consult my
notary about it."

"I know how much she loves you," said Lisbeth. "But for her sake in
the future, and for your own, control yourself. Do not rub your hands
every five minutes."

While Lisbeth was speaking aside on this wise to Crevel, Valerie had
asked Wenceslas to give her back her letter, and she was saying things
that dispelled all his griefs.

"So now you are free, my dear," said she. "Ought any great artist to
marry? You live only by fancy and freedom! There, I shall love you so
much, beloved poet, that you shall never regret your wife. At the same
time, if, like so many people, you want to keep up appearances, I
undertake to bring Hortense back to you in a very short time."

"Oh, if only that were possible!"

"I am certain of it," said Valerie, nettled. "Your poor father-in-law
is a man who is in every way utterly done for; who wants to appear as
though he could be loved, out of conceit, and to make the world
believe that he has a mistress; and he is so excessively vain on this
point, that I can do what I please with him. The Baroness is still so
devoted to her old Hector--I always feel as if I were talking of the
/Iliad/--that these two old folks will contrive to patch up matters
between you and Hortense. Only, if you want to avoid storms at home
for the future, do not leave me for three weeks without coming to see
your mistress--I was dying of it. My dear boy, some consideration is
due from a gentleman to a woman he has so deeply compromised,
especially when, as in my case, she has to be very careful of her
reputation.

"Stay to dinner, my darling--and remember that I must treat you with
all the more apparent coldness because you are guilty of this too
obvious mishap."

Baron Montes was presently announced; Valerie rose and hurried forward
to meet him; she spoke a few sentences in his ear, enjoining on him
the same reserve as she had impressed on Wenceslas; the Brazilian
assumed a diplomatic reticence suitable to the great news which filled
him with delight, for he, at any rate was sure of his paternity.

Thanks to these tactics, based on the vanity of the man in the lover
stage of his existence, Valerie sat down to table with four men, all
pleased and eager to please, all charmed, and each believing himself
adored; called by Marneffe, who included himself, in speaking to
Lisbeth, the five Fathers of the Church.

Baron Hulot alone at first showed an anxious countenance, and this was
why. Just as he was leaving the office, the head of the staff of
clerks had come to his private room--a General with whom he had served
for thirty years--and Hulot had spoken to him as to appointing
Marneffe to Coquet's place, Coquet having consented to retire.

"My dear fellow," said he, "I would not ask this favor of the Prince
without our having agreed on the matter, and knowing that you
approved."

"My good friend," replied the other, "you must allow me to observe
that, for your own sake, you should not insist on this nomination. I
have already told you my opinion. There would be a scandal in the
office, where there is a great deal too much talk already about you
and Madame Marneffe. This, of course, is between ourselves. I have no
wish to touch you on a sensitive spot, or disoblige you in any way,
and I will prove it. If you are determined to get Monsieur Coquet's
place, and he will really be a loss in the War Office, for he has been
here since 1809, I will go into the country for a fortnight, so as to
leave the field open between you and the Marshal, who loves you as a
son. Then I shall take neither part, and shall have nothing on my
conscience as an administrator."

"Thank you very much," said Hulot. "I will reflect on what you have
said."

"In allowing myself to say so much, my dear friend, it is because your
personal interest is far more deeply implicated than any concern or
vanity of mine. In the first place, the matter lies entirely with the
Marshal. And then, my good fellow, we are blamed for so many things,
that one more or less! We are not at the maiden stage in our
experience of fault-finding. Under the Restoration, men were put in
simply to give them places, without any regard for the office.--We are
old friends----"

"Yes," the Baron put in; "and it is in order not to impair our old and
valued friendship that I--"

"Well, well," said the departmental manager, seeing Hulot's face
clouded with embarrassment, "I will take myself off, old fellow.--But
I warn you! you have enemies--that is to say, men who covet your
splendid appointment, and you have but one anchor out. Now if, like
me, you were a Deputy, you would have nothing to fear; so mind what
you are about."

This speech, in the most friendly spirit, made a deep impression on
the Councillor of State.

"But, after all, Roger, what is it that is wrong? Do not make any
mysteries with me."

The individual addressed as Roger looked at Hulot, took his hand, and
pressed it.

"We are such old friends, that I am bound to give you warning. If you
want to keep your place, you must make a bed for yourself, and instead
of asking the Marshal to give Coquet's place to Marneffe, in your
place I would beg him to use his influence to reserve a seat for me on
the General Council of State; there you may die in peace, and, like
the beaver, abandon all else to the pursuers."

"What, do you think the Marshal would forget--"

"The Marshal has already taken your part so warmly at a General
Meeting of the Ministers, that you will not now be turned out; but it
was seriously discussed! So give them no excuse. I can say no more. At
this moment you may make your own terms; you may sit on the Council of
State and be made a Peer of the Chamber. If you delay too long, if you
give any one a hold against you, I can answer for nothing.--Now, am I
to go?"

"Wait a little. I will see the Marshal," replied Hulot, "and I will
send my brother to see which way the wind blows at headquarters."

The humor in which the Baron came back to Madame Marneffe's may be
imagined; he had almost forgotten his fatherhood, for Roger had taken
the part of a true and kind friend in explaining the position. At the
same time Valerie's influence was so great that, by the middle of
dinner, the Baron was tuned up to the pitch, and was all the more
cheerful for having unwonted anxieties to conceal; but the hapless man
was not yet aware that in the course of that evening he would find
himself in a cleft stick, between his happiness and the danger pointed
out by his friend--compelled, in short, to choose between Madame
Marneffe and his official position.

At eleven o'clock, when the evening was at its gayest, for the room
was full of company, Valerie drew Hector into a corner of her sofa.

"My dear old boy," said she, "your daughter is so annoyed at knowing
that Wenceslas comes here, that she has left him 'planted.' Hortense
is wrong-headed. Ask Wenceslas to show you the letter the little fool
has written to him.

"This division of two lovers, of which I am reputed to be the cause,
may do me the greatest harm, for this is how virtuous women undermine
each other. It is disgraceful to pose as a victim in order to cast the
blame on a woman whose only crime is that she keeps a pleasant house.
If you love me, you will clear my character by reconciling the sweet
turtle-doves.

"I do not in the least care about your son-in-law's visits; you
brought him here--take him away again! If you have any authority in
your family, it seems to me that you may very well insist on your
wife's patching up this squabble. Tell the worthy old lady from me,
that if I am unjustly charged with having caused a young couple to
quarrel, with upsetting the unity of a family, and annexing both the
father and the son-in-law, I will deserve my reputation by annoying
them in my own way! Why, here is Lisbeth talking of throwing me over!
She prefers to stick to her family, and I cannot blame her for it. She
will throw me over, says she, unless the young people make friends
again. A pretty state of things! Our expenses here will be trebled!"

"Oh, as for that!" said the Baron, on hearing of his daughter's strong
measures, "I will have no nonsense of that kind."

"Very well," said Valerie. "And now for the next thing.--What about
Coquet's place?"

"That," said Hector, looking away, "is more difficult, not to say
impossible."

"Impossible, my dear Hector?" said Madame Marneffe in the Baron's ear.
"But you do not know to what lengths Marneffe will go. I am completely
in his power; he is immoral for his own gratification, like most men,
but he is excessively vindictive, like all weak and impotent natures.
In the position to which you have reduced me, I am in his power. I am
bound to be on terms with him for a few days, and he is quite capable
of refusing to leave my room any more."

Hulot started with horror.

"He would leave me alone on condition of being head-clerk. It is
abominable--but logical."

"Valerie, do you love me?"

"In the state in which I am, my dear, the question is the meanest
insult."

"Well, then--if I were to attempt, merely to attempt, to ask the
Prince for a place for Marneffe, I should be done for, and Marneffe
would be turned out."

"I thought that you and the Prince were such intimate friends."

"We are, and he has amply proved it; but, my child, there is authority
above the Marshal's--for instance, the whole Council of Ministers.
With time and a little tacking, we shall get there. But, to succeed, I
must wait till the moment when some service is required of me. Then I
can say one good turn deserves another--"

"If I tell Marneffe this tale, my poor Hector, he will play us some
mean trick. You must tell him yourself that he has to wait. I will not
undertake to do so. Oh! I know what my fate would be. He knows how to
punish me! He will henceforth share my room----

"Do not forget to settle the twelve hundred francs a year on the
little one!"

Hulot, seeing his pleasures in danger, took Monsieur Marneffe aside,
and for the first time derogated from the haughty tone he had always
assumed towards him, so greatly was he horrified by the thought of
that half-dead creature in his pretty young wife's bedroom.

"Marneffe, my dear fellow," said he, "I have been talking of you
to-day. But you cannot be promoted to the first class just yet. We
must have time."

"I will be, Monsieur le Baron," said Marneffe shortly.

"But, my dear fellow--"

"I /will/ be, Monsieur le Baron," Marneffe coldly repeated, looking
alternately at the Baron and at Valerie. "You have placed my wife in a
position that necessitates her making up her differences with me, and
I mean to keep her; for, /my dear fellow/, she is a charming
creature," he added, with crushing irony. "I am master here--more than
you are at the War Office."

The Baron felt one of those pangs of fury which have the effect, in
the heart, of a fit of raging toothache, and he could hardly conceal
the tears in his eyes.

During this little scene, Valerie had been explaining Marneffe's
imaginary determination to Montes, and thus had rid herself of him for
a time.

Of her four adherents, Crevel alone was exempted from the rule--
Crevel, the master of the little "bijou" apartment; and he displayed
on his countenance an air of really insolent beatitude,
notwithstanding the wordless reproofs administered by Valerie in
frowns and meaning grimaces. His triumphant paternity beamed in every
feature.

When Valerie was whispering a word of correction in his ear, he
snatched her hand, and put in:

"To-morrow, my Duchess, you shall have your own little house! The
papers are to be signed to-morrow."

"And the furniture?" said she, with a smile.

"I have a thousand shares in the Versailles /rive gauche/ railway. I
bought them at twenty-five, and they will go up to three hundred in
consequence of the amalgamation of the two lines, which is a secret
told to me. You shall have furniture fit for a queen. But then you
will be mine alone henceforth?"

"Yes, burly Maire," said this middle-class Madame de Merteuil. "But
behave yourself; respect the future Madame Crevel."

"My dear cousin," Lisbeth was saying to the Baron, "I shall go to see
Adeline early to-morrow; for, as you must see, I cannot, with any
decency, remain here. I will go and keep house for your brother the
Marshal."

"I am going home this evening," said Hulot.

"Very well, you will see me at breakfast to-morrow," said Lisbeth,
smiling.

She understood that her presence would be necessary at the family
scene that would take place on the morrow. And the very first thing in
the morning she went to see Victorin and to tell him that Hortense and
Wenceslas had parted.

When the Baron went home at half-past ten, Mariette and Louise, who
had had a hard day, were locking up the apartment. Hulot had not to
ring.

Very much put out at this compulsory virtue, the husband went straight
to his wife's room, and through the half-open door he saw her kneeling
before her Crucifix, absorbed in prayer, in one of those attitudes
which make the fortune of the painter or the sculptor who is so happy
to invent and then to express them. Adeline, carried away by her
enthusiasm, was praying aloud:

"O God, have mercy and enlighten him!"

The Baroness was praying for her Hector.

At this sight, so unlike what he had just left, and on hearing this
petition founded on the events of the day, the Baron heaved a sigh of
deep emotion. Adeline looked round, her face drowned in tears. She was
so convinced that her prayer had been heard, that, with one spring,
she threw her arms round Hector with the impetuosity of happy
affection. Adeline had given up all a wife's instincts; sorrow had
effaced even the memory of them. No feeling survived in her but those
of motherhood, of the family honor, and the pure attachment of a
Christian wife for a husband who has gone astray--the saintly
tenderness which survives all else in a woman's soul.

"Hector!" she said, "are you come back to us? Has God taken pity on
our family?"

"Dear Adeline," replied the Baron, coming in and seating his wife by
his side on a couch, "you are the saintliest creature I ever knew; I
have long known myself to be unworthy of you."

"You would have very little to do, my dear," said she, holding Hulot's
hand and trembling so violently that it was as though she had a palsy,
"very little to set things in order--"

She dared not proceed; she felt that every word would be a reproof,
and she did not wish to mar the happiness with which this meeting was
inundating her soul.

"It is Hortense who has brought me here," said Hulot. "That child may
do us far more harm by her hasty proceeding than my absurd passion for
Valerie has ever done. But we will discuss all this to-morrow morning.
Hortense is asleep, Mariette tells me; we will not disturb her."

"Yes," said Madame Hulot, suddenly plunged into the depths of grief.

She understood that the Baron's return was prompted not so much by the
wish to see his family as by some ulterior interest.

"Leave her in peace till to-morrow," said the mother. "The poor child
is in a deplorable condition; she has been crying all day."



At nine the next morning, the Baron, awaiting his daughter, whom he
had sent for, was pacing the large, deserted drawing-room, trying to
find arguments by which to conquer the most difficult form of
obstinacy there is to deal with--that of a young wife, offended and
implacable, as blameless youth ever is, in its ignorance of the
disgraceful compromises of the world, of its passions and interests.

"Here I am, papa," said Hortense in a tremulous voice, and looking
pale from her miseries.

Hulot, sitting down, took his daughter round the waist, and drew her
down to sit on his knee.

"Well, my child," said he, kissing her forehead, "so there are
troubles at home, and you have been hasty and headstrong? That is not
like a well-bred child. My Hortense ought not to have taken such a
decisive step as that of leaving her house and deserting her husband
on her own account, and without consulting her parents. If my darling
girl had come to see her kind and admirable mother, she would not have
given me this cruel pain I feel!--You do not know the world; it is
malignantly spiteful. People will perhaps say that your husband sent
you back to your parents. Children brought up as you were, on your
mother's lap, remain artless; maidenly passion like yours for
Wenceslas, unfortunately, makes no allowances; it acts on every
impulse. The little heart is moved, the head follows suit. You would
burn down Paris to be revenged, with no thought of the courts of
justice!

"When your old father tells you that you have outraged the
proprieties, you may take his word for it.--I say nothing of the cruel
pain you have given me. It is bitter, I assure you, for you throw all
the blame on a woman of whose heart you know nothing, and whose
hostility may become disastrous. And you, alas! so full of guileless
innocence and purity, can have no suspicions; but you may be vilified
and slandered.--Besides, my darling pet, you have taken a foolish jest
too seriously. I can assure you, on my honor, that your husband is
blameless. Madame Marneffe--"

So far the Baron, artistically diplomatic, had formulated his
remonstrances very judiciously. He had, as may be observed, worked up
to the mention of this name with superior skill; and yet Hortense, as
she heard it, winced as if stung to the quick.

"Listen to me; I have had great experience, and I have seen much," he
went on, stopping his daughter's attempt to speak. "That lady is very
cold to your husband. Yes, you have been made the victim of a
practical joke, and I will prove it to you. Yesterday Wenceslas was
dining with her--"

"Dining with her!" cried the young wife, starting to her feet, and
looking at her father with horror in every feature. "Yesterday! After
having had my letter! Oh, great God!--Why did I not take the veil
rather than marry? But now my life is not my own! I have the child!"
and she sobbed.

Her weeping went to Madame Hulot's heart. She came out of her room and
ran to her daughter, taking her in her arms, and asking her those
questions, stupid with grief, which first rose to her lips.

"Now we have tears," said the Baron to himself, "and all was going so
well! What is to be done with women who cry?"

"My child," said the Baroness, "listen to your father! He loves us all
--come, come--"

"Come, Hortense, my dear little girl, cry no more, you make yourself
too ugly!" said the Baron, "Now, be a little reasonable. Go sensibly
home, and I promise you that Wenceslas shall never set foot in that
woman's house. I ask you to make the sacrifice, if it is a sacrifice
to forgive the husband you love so small a fault. I ask you--for the
sake of my gray hairs, and of the love you owe your mother. You do not
want to blight my later years with bitterness and regret?"

Hortense fell at her father's feet like a crazed thing, with the
vehemence of despair; her hair, loosely pinned up, fell about her, and
she held out her hands with an expression that painted her misery.

"Father," she said, "ask my life! Take it if you will, but at least
take it pure and spotless, and I will yield it up gladly. Do not ask
me to die in dishonor and crime. I am not at all like my husband; I
cannot swallow an outrage. If I went back under my husband's roof, I
should be capable of smothering him in a fit of jealousy--or of doing
worse! Do no exact from me a thing that is beyond my powers. Do not
have to mourn for me still living, for the least that can befall me is
to go mad. I feel madness close upon me!

"Yesterday, yesterday, he could dine with that woman, after having
read my letter?--Are other men made so? My life I give you, but do not
let my death be ignominious!--His fault?--A small one! When he has a
child by that woman!"

"A child!" cried Hulot, starting back a step or two. "Come. This is
really some fooling."

At this juncture Victorin and Lisbeth arrived, and stood dumfounded at
the scene. The daughter was prostrate at her father's feet. The
Baroness, speechless between her maternal feelings and her conjugal
duty, showed a harassed face bathed in tears.

"Lisbeth," said the Baron, seizing his cousin by the hand and pointing
to Hortense, "you can help me here. My poor child's brain is turned;
she believes that her Wenceslas is Madame Marneffe's lover, while all
that Valerie wanted was to have a group by him."

"/Delilah/!" cried the young wife. "The only thing he has done since
our marriage. The man would not work for me or for his son, and he has
worked with frenzy for that good-for-nothing creature.--Oh, father,
kill me outright, for every word stabs like a knife!"

Lisbeth turned to the Baroness and Victorin, pointing with a pitying
shrug to the Baron, who could not see her.

"Listen to me," said she to him. "I had no idea--when you asked me to
go to lodge over Madame Marneffe and keep house for her--I had no idea
of what she was; but many things may be learned in three years. That
creature is a prostitute, and one whose depravity can only be compared
with that of her infamous and horrible husband. You are the dupe, my
lord pot-boiler, of those people; you will be led further by them than
you dream of! I speak plainly, for you are at the bottom of a pit."

The Baroness and her daughter, hearing Lisbeth speak in this style,
cast adoring looks at her, such as the devout cast at a Madonna for
having saved their life.

"That horrible woman was bent on destroying your son-in-law's home. To
what end?--I know not. My brain is not equal to seeing clearly into
these dark intrigues--perverse, ignoble, infamous! Your Madame
Marneffe does not love your son-in-law, but she will have him at her
feet out of revenge. I have just spoken to the wretched woman as she
deserves. She is a shameless courtesan; I have told her that I am
leaving her house, that I would not have my honor smirched in that
muck-heap.--I owe myself to my family before all else.

"I knew that Hortense had left her husband, so here I am. Your
Valerie, whom you believe to be a saint, is the cause of this
miserable separation; can I remain with such a woman? Our poor little
Hortense," said she, touching the Baron's arm, with peculiar meaning,
"is perhaps the dupe of a wish of such women as these, who, to possess
a toy, would sacrifice a family.

"I do not think Wenceslas guilty; but I think him weak, and I cannot
promise that he will not yield to her refinements of temptation.--My
mind is made up. The woman is fatal to you; she will bring you all to
utter ruin. I will not even seem to be concerned in the destruction of
my own family, after living there for three years solely to hinder it.

"You are cheated, Baron; say very positively that you will have
nothing to say to the promotion of that dreadful Marneffe, and you
will see then! There is a fine rod in pickle for you in that case."

Lisbeth lifted up Hortense and kissed her enthusiastically.

"My dear Hortense, stand firm," she whispered.

The Baroness embraced Lisbeth with the vehemence of a woman who sees
herself avenged. The whole family stood in perfect silence round the
father, who had wit enough to know what that silence implied. A storm
of fury swept across his brow and face with evident signs; the veins
swelled, his eyes were bloodshot, his flesh showed patches of color.
Adeline fell on her knees before him and seized his hands.

"My dear, forgive, my dear!"

"You loathe me!" cried the Baron--the cry of his conscience.

For we all know the secret of our own wrong-doing. We almost always
ascribe to our victims the hateful feelings which must fill them with
the hope of revenge; and in spite of every effort of hypocrisy, our
tongue or our face makes confession under the rack of some unexpected
anguish, as the criminal of old confessed under the hands of the
torturer.

"Our children," he went on, to retract the avowal, "turn at last to be
our enemies--"

"Father!" Victorin began.

"You dare to interrupt your father!" said the Baron in a voice of
thunder, glaring at his son.

"Father, listen to me," Victorin went on in a clear, firm voice, the
voice of a puritanical deputy. "I know the respect I owe you too well
ever to fail in it, and you will always find me the most respectful
and submissive of sons."

Those who are in the habit of attending the sittings of the Chamber
will recognize the tactics of parliamentary warfare in these fine-
drawn phrases, used to calm the factions while gaining time.

"We are far from being your enemies," his son went on. "I have
quarreled with my father-in-law, Monsieur Crevel, for having rescued
your notes of hand for sixty thousand francs from Vauvinet, and that
money is, beyond doubt, in Madame Marneffe's pocket.--I am not finding
fault with you, father," said he, in reply to an impatient gesture of
the Baron's; "I simply wish to add my protest to my cousin Lisbeth's,
and to point out to you that though my devotion to you as a father is
blind and unlimited, my dear father, our pecuniary resources,
unfortunately, are very limited."

"Money!" cried the excitable old man, dropping on to a chair, quite
crushed by this argument. "From my son!--You shall be repaid your
money, sir," said he, rising, and he went to the door.

"Hector!"

At this cry the Baron turned round, suddenly showing his wife a face
bathed in tears; she threw her arms round him with the strength of
despair.

"Do not leave us thus--do not go away in anger. I have not said a word
--not I!"

At this heart-wrung speech the children fell at their father's feet.

"We all love you," said Hortense.

Lisbeth, as rigid as a statue, watched the group with a superior smile
on her lips. Just then Marshal Hulot's voice was heard in the
anteroom. The family all felt the importance of secrecy, and the scene
suddenly changed. The young people rose, and every one tried to hide
all traces of emotion.

A discussion was going on at the door between Mariette and a soldier,
who was so persistent that the cook came in.

"Monsieur, a regimental quartermaster, who says he is just come from
Algiers, insists on seeing you."

"Tell him to wait."

"Monsieur," said Mariette to her master in an undertone, "he told me
to tell you privately that it has to do with your uncle there."

The Baron started; he believed that the funds had been sent at last
which he had been asking for these two months, to pay up his bills; he
left the family-party, and hurried out to the anteroom.

"You are Monsieur de Paron Hulot?"

"Yes."

"Your own self?"

"My own self."

The man, who had been fumbling meanwhile in the lining of his cap,
drew out a letter, of which the Baron hastily broke the seal, and read
as follows:--

  "DEAR NEPHEW,--Far from being able to send you the hundred
  thousand francs you ask of me, my present position is not tenable
  unless you can take some decisive steps to save me. We are saddled
  with a public prosecutor who talks goody, and rhodomontades
  nonsense about the management. It is impossible to get the black-
  chokered pump to hold his tongue. If the War Minister allows
  civilians to feed out of his hand, I am done for. I can trust the
  bearer; try to get him promoted; he has done us good service. Do
  not abandon me to the crows!"

This letter was a thunderbolt; the Baron could read in it the
intestine warfare between civil and military authorities, which to
this day hampers the Government, and he was required to invent on the
spot some palliative for the difficulty that stared him in the face.
He desired the soldier to come back next day, dismissing him with
splendid promises of promotion, and he returned to the drawing-room.
"Good-day and good-bye, brother," said he to the Marshal.--"Good-bye,
children.--Good-bye, my dear Adeline.--And what are you going to do,
Lisbeth?" he asked.

"I?--I am going to keep house for the Marshal, for I must end my days
doing what I can for one or another of you."

"Do not leave Valerie till I have seen you again," said Hulot in his
cousin's ear.--"Good-bye, Hortense, refractory little puss; try to be
reasonable. I have important business to be attended to at once; we
will discuss your reconciliation another time. Now, think it over, my
child," said he as he kissed her.

And he went away, so evidently uneasy, that his wife and children felt
the gravest apprehensions.

"Lisbeth," said the Baroness, "I must find out what is wrong with
Hector; I never saw him in such a state. Stay a day or two longer with
that woman; he tells her everything, and we can then learn what has so
suddenly upset him. Be quite easy; we will arrange your marriage to
the Marshal, for it is really necessary."

"I shall never forget the courage you have shown this morning," said
Hortense, embracing Lisbeth.

"You have avenged our poor mother," said Victorin.

The Marshal looked on with curiosity at all the display of affection
lavished on Lisbeth, who went off to report the scene to Valerie.

This sketch will enable guileless souls to understand what various
mischief Madame Marneffes may do in a family, and the means by which
they reach poor virtuous wives apparently so far out of their ken. And
then, if we only transfer, in fancy, such doings to the upper class of
society about a throne, and if we consider what kings' mistresses must
have cost them, we may estimate the debt owed by a nation to a
sovereign who sets the example of a decent and domestic life.



In Paris each ministry is a little town by itself, whence women are
banished; but there is just as much detraction and scandal as though
the feminine population were admitted there. At the end of three
years, Monsieur Marneffe's position was perfectly clear and open to
the day, and in every room one and another asked, "Is Marneffe to be,
or not to be, Coquet's successor?" Exactly as the question might have
been put to the Chamber, "Will the estimates pass or not pass?" The
smallest initiative on the part of the board of Management was
commented on; everything in Baron Hulot's department was carefully
noted. The astute State Councillor had enlisted on his side the victim
of Marneffe's promotion, a hard-working clerk, telling him that if he
could fill Marneffe's place, he would certainly succeed to it; he had
told him that the man was dying. So this clerk was scheming for
Marneffe's advancement.

When Hulot went through his anteroom, full of visitors, he saw
Marneffe's colorless face in a corner, and sent for him before any one
else.

"What do you want of me, my dear fellow?" said the Baron, disguising
his anxiety.

"Monsieur le Directeur, I am the laughing-stock of the office, for it
has become known that the chief of the clerks has left this morning
for a holiday, on the ground of his health. He is to be away a month.
Now, we all know what waiting for a month means. You deliver me over
to the mockery of my enemies, and it is bad enough to be drummed upon
one side; drumming on both at once, monsieur, is apt to burst the
drum."

"My dear Marneffe, it takes long patience to gain an end. You cannot
be made head-clerk in less than two months, if ever. Just when I must,
as far as possible, secure my own position, is not the time to be
applying for your promotion, which would raise a scandal."

"If you are broke, I shall never get it," said Marneffe coolly. "And
if you get me the place, it will make no difference in the end."

"Then I am to sacrifice myself for you?" said the Baron.

"If you do not, I shall be much mistaken in you."

"You are too exclusively Marneffe, Monsieur Marneffe," said Hulot,
rising and showing the clerk the door.

"I have the honor to wish you good-morning, Monsieur le Baron," said
Marneffe humbly.

"What an infamous rascal!" thought the Baron. "This is uncommonly like
a summons to pay within twenty-four hours on pain of distraint."

Two hours later, just when the Baron had been instructing Claude
Vignon, whom he was sending to the Ministry of Justice to obtain
information as to the judicial authorities under whose jurisdiction
Johann Fischer might fall, Reine opened the door of his private room
and gave him a note, saying she would wait for the answer.

"Valerie is mad!" said the Baron to himself. "To send Reine! It is
enough to compromise us all, and it certainly compromises that
dreadful Marneffe's chances of promotion!"

But he dismissed the minister's private secretary, and read as
follows:--

  "Oh, my dear friend, what a scene I have had to endure! Though you
  have made me happy for three years, I have paid dearly for it! He
  came in from the office in a rage that made me quake. I knew he
  was ugly; I have seen him a monster! His four real teeth
  chattered, and he threatened me with his odious presence without
  respite if I should continue to receive you. My poor, dear old
  boy, our door is closed against you henceforth. You see my tears;
  they are dropping on the paper and soaking it; can you read what I
  write, dear Hector? Oh, to think of never seeing you, of giving
  you up when I bear in me some of your life, as I flatter myself I
  have your heart--it is enough to kill me. Think of our little
  Hector!

  "Do not forsake me, but do not disgrace yourself for Marneffe's
  sake; do not yield to his threats.

  "I love you as I have never loved! I remember all the sacrifices
  you have made for your Valerie; she is not, and never will be,
  ungrateful; you are, and will ever be, my only husband. Think no
  more of the twelve hundred francs a year I asked you to settle on
  the dear little Hector who is to come some months hence; I will
  not cost you anything more. And besides, my money will always be
  yours.

  "Oh, if you only loved me as I love you, my Hector, you would
  retire on your pension; we should both take leave of our family,
  our worries, our surroundings, so full of hatred, and we should go
  to live with Lisbeth in some pretty country place--in Brittany, or
  wherever you like. There we should see nobody, and we should be
  happy away from the world. Your pension and the little property I
  can call my own would be enough for us. You say you are jealous;
  well, you would then have your Valerie entirely devoted to her
  Hector, and you would never have to talk in a loud voice, as you
  did the other day. I shall have but one child--ours--you may be
  sure, my dearly loved old veteran.

  "You cannot conceive of my fury, for you cannot know how he
  treated me, and the foul words he vomited on your Valerie. Such
  words would disgrace my paper; a woman such as I am--Montcornet's
  daughter--ought never to have heard one of them in her life. I
  only wish you had been there, that I might have punished him with
  the sight of the mad passion I felt for you. My father would have
  killed the wretch; I can only do as women do--love you devotedly!
  Indeed, my love, in the state of exasperation in which I am, I
  cannot possibly give up seeing you. I must positively see you, in
  secret, every day! That is what we are, we women. Your resentment
  is mine. If you love me, I implore you, do not let him be
  promoted; leave him to die a second-class clerk.

  "At this moment I have lost my head; I still seem to hear him
  abusing me. Betty, who had meant to leave me, has pity on me, and
  will stay for a few days.

  "My dear kind love, I do not know yet what is to be done. I see
  nothing for it but flight. I always delight in the country--
  Brittany, Languedoc, what you will, so long as I am free to love
  you. Poor dear, how I pity you! Forced now to go back to your old
  Adeline, to that lachrymal urn--for, as he no doubt told you, the
  monster means to watch me night and day; he spoke of a detective!
  Do not come here, he is capable of anything I know, since he could
  make use of me for the basest purposes of speculation. I only wish
  I could return you all the things I have received from your
  generosity.

  "Ah! my kind Hector, I may have flirted, and have seemed to you to
  be fickle, but you did not know your Valerie; she liked to tease
  you, but she loves you better than any one in the world.

  "He cannot prevent your coming to see your cousin; I will arrange
  with her that we have speech with each other. My dear old boy,
  write me just a line, pray, to comfort me in the absence of your
  dear self. (Oh, I would give one of my hands to have you by me on
  our sofa!) A letter will work like a charm; write me something
  full of your noble soul; I will return your note to you, for I
  must be cautious; I should not know where to hide it, he pokes his
  nose in everywhere. In short, comfort your Valerie, your little
  wife, the mother of your child.--To think of my having to write to
  you, when I used to see you every day. As I say to Lisbeth, 'I did
  not know how happy I was.' A thousand kisses, dear boy. Be true to
  your

"VALERIE."


"And tears!" said Hulot to himself as he finished this letter, "tears
which have blotted out her name.--How is she?" said he to Reine.

"Madame is in bed; she has dreadful spasms," replied Reine. "She had a
fit of hysterics that twisted her like a withy round a faggot. It came
on after writing. It comes of crying so much. She heard monsieur's
voice on the stairs."

The Baron in his distress wrote the following note on office paper
with a printed heading:--

  "Be quite easy, my angel, he will die a second-class clerk!--Your
  idea is admirable; we will go and live far from Paris, where we
  shall be happy with our little Hector; I will retire on my
  pension, and I shall be sure to find some good appointment on a
  railway.

  "Ah, my sweet friend, I feel so much the younger for your letter!
  I shall begin life again and make a fortune, you will see, for our
  dear little one. As I read your letter, a thousand times more
  ardent than those of the /Nouvelle Heloise/, it worked a miracle!
  I had not believed it possible that I could love you more. This
  evening, at Lisbeth's you will see

"YOUR HECTOR, FOR LIFE."


Reine carried off this reply, the first letter the Baron had written
to his "sweet friend." Such emotions to some extent counterbalanced
the disasters growling in the distance; but the Baron, at this moment
believing he could certainly avert the blows aimed at his uncle,
Johann Fischer, thought only of the deficit.

One of the characteristics of the Bonapartist temperament is a firm
belief in the power of the sword, and confidence in the superiority of
the military over civilians. Hulot laughed to scorn the Public
Prosecutor in Algiers, where the War Office is supreme. Man is always
what he has once been. How can the officers of the Imperial Guard
forget that time was when the mayors of the largest towns in the
Empire and the Emperor's prefects, Emperors themselves on a minute
scale, would come out to meet the Imperial Guard, to pay their
respects on the borders of the Departments through which it passed,
and to do it, in short, the homage due to sovereigns?

At half-past four the baron went straight to Madame Marneffe's; his
heart beat as high as a young man's as he went upstairs, for he was
asking himself this question, "Shall I see her? or shall I not?"

How was he now to remember the scene of the morning when his weeping
children had knelt at his feet? Valerie's note, enshrined for ever in
a thin pocket-book over his heart, proved to him that she loved him
more than the most charming of young men.

Having rung, the unhappy visitor heard within the shuffling slippers
and vexatious scraping cough of the detestable master. Marneffe opened
the door, but only to put himself into an attitude and point to the
stairs, exactly as Hulot had shown him the door of his private room.

"You are too exclusively Hulot, Monsieur Hulot!" said he.

The Baron tried to pass him, Marneffe took a pistol out of his pocket
and cocked it.

"Monsieur le Baron," said he, "when a man is as vile as I am--for you
think me very vile, don't you?--he would be the meanest galley-slave
if he did not get the full benefit of his betrayed honor.--You are for
war; it will be hot work and no quarter. Come here no more, and do not
attempt to get past me. I have given the police notice of my position
with regard to you."

And taking advantage of Hulot's amazement, he pushed him out and shut
the door.

"What a low scoundrel!" said Hulot to himself, as he went upstairs to
Lisbeth. "I understand her letter now. Valerie and I will go away from
Paris. Valerie is wholly mine for the remainder of my days; she will
close my eyes."

Lisbeth was out. Madame Olivier told the Baron that she had gone to
his wife's house, thinking that she would find him there.

"Poor thing! I should never have expected her to be so sharp as she
was this morning," thought Hulot, recalling Lisbeth's behavior as he
made his way from the Rue Vanneau to the Rue Plumet.

As he turned the corner of the Rue Vanneau and the Rue de Babylone, he
looked back at the Eden whence Hymen had expelled him with the sword
of the law. Valerie, at her window, was watching his departure; as he
glanced up, she waved her handkerchief, but the rascally Marneffe hit
his wife's cap and dragged her violently away from the window. A tear
rose to the great official's eye.

"Oh! to be so well loved! To see a woman so ill used, and to be so
nearly seventy years old!" thought he.

Lisbeth had come to give the family the good news. Adeline and
Hortense had already heard that the Baron, not choosing to compromise
himself in the eyes of the whole office by appointing Marneffe to the
first class, would be turned from the door by the Hulot-hating
husband. Adeline, very happy, had ordered a dinner that her Hector was
to like better than any of Valerie's; and Lisbeth, in her devotion,
was helping Mariette to achieve this difficult result. Cousin Betty
was the idol of the hour. Mother and daughter kissed her hands, and
had told her with touching delight that the Marshal consented to have
her as his housekeeper.

"And from that, my dear, there is but one step to becoming his wife!"
said Adeline.

"In fact, he did not say no when Victorin mentioned it," added the
Countess.

The Baron was welcomed home with such charming proofs of affection, so
pathetically overflowing with love, that he was fain to conceal his
troubles.

Marshal Hulot came to dinner. After dinner, Hector did not go out.
Victorin and his wife joined them, and they made up a rubber.

"It is a long time, Hector, said the Marshal gravely, "since you gave
us the treat of such an evening."

This speech from the old soldier, who spoiled his brother though he
thus implicitly blamed him, made a deep impression. It showed how wide
and deep were the wounds in a heart where all the woes he had divined
had found an echo. At eight o'clock the Baron insisted on seeing
Lisbeth home, promising to return.

"Do you know, Lisbeth, he ill-treats her!" said he in the street. "Oh,
I never loved her so well!"

"I never imagined that Valerie loved you so well," replied Lisbeth.
"She is frivolous and a coquette, she loves to have attentions paid
her, and to have the comedy of love-making performed for her, as she
says; but you are her only real attachment."

"What message did she send me?"

"Why, this," said Lisbeth. "She has, as you know, been on intimate
terms with Crevel. You must owe her no grudge, for that, in fact, is
what has raised her above utter poverty for the rest of her life; but
she detests him, and matters are nearly at an end.--Well, she has kept
the key of some rooms--"

"Rue du Dauphin!" cried the thrice-blest Baron. "If it were for that
alone, I would overlook Crevel.--I have been there; I know."

"Here, then, is the key," said Lisbeth. "Have another made from it in
the course of to-morrow--two if you can."

"And then," said Hulot eagerly.

"Well, I will dine at your house again to-morrow; you must give me
back Valerie's key, for old Crevel might ask her to return it to him,
and you can meet her there the day after; then you can decide what
your facts are to be. You will be quite safe, as there are two ways
out. If by chance Crevel, who is /Regence/ in his habits, as he is
fond of saying, should come in by the side street, you could go out
through the shop, or /vice versa/.

"You owe all this to me, you old villain; now what will you do for
me?"

"Whatever you want."

"Then you will not oppose my marrying your brother?"

"You! the Marechale Hulot, the Comtesse de Frozheim?" cried Hector,
startled.

"Well, Adeline is a Baroness!" retorted Betty in a vicious and
formidable tone. "Listen to me, you old libertine. You know how
matters stand; your family may find itself starving in the gutter--"

"That is what I dread," said Hulot in dismay.

"And if your brother were to die, who would maintain your wife and
daughter? The widow of a Marshal gets at least six thousand francs
pension, doesn't she? Well, then, I wish to marry to secure bread for
your wife and daughter--old dotard!"

"I had not seen it in that light!" said the Baron. "I will talk to my
brother--for we are sure of you.--Tell my angel that my life is hers."

And the Baron, having seen Lisbeth go into the house in the Rue
Vanneau, went back to his whist and stayed at home. The Baroness was
at the height of happiness; her husband seemed to be returning to
domestic habits; for about a fortnight he went to his office at nine
every morning, he came in to dinner at six, and spent the evening with
his family. He twice took Adeline and Hortense to the play. The mother
and daughter paid for three thanksgiving masses, and prayed to God to
suffer them to keep the husband and father He had restored to them.

One evening Victorin Hulot, seeing his father retire for the night,
said to his mother:

"Well, we are at any rate so far happy that my father has come back to
us. My wife and I shall never regret our capital if only this lasts--"

"Your father is nearly seventy," said the Baroness. "He still thinks
of Madame Marneffe, that I can see; but he will forget her in time. A
passion for women is not like gambling, or speculation, or avarice;
there is an end to it."

But Adeline, still beautiful in spite of her fifty years and her
sorrows, in this was mistaken. Profligates, men whom Nature has gifted
with the precious power of loving beyond the limits ordinarily set to
love, rarely are as old as their age.



During this relapse into virtue Baron Hulot had been three times to
the Rue du Dauphin, and had certainly not been the man of seventy. His
rekindled passion made him young again, and he would have sacrificed
his honor to Valerie, his family, his all, without a regret. But
Valerie, now completely altered, never mentioned money, not even the
twelve hundred francs a year to be settled on their son; on the
contrary, she offered him money, she loved Hulot as a woman of six-
and-thirty loves a handsome law-student--a poor, poetical, ardent boy.
And the hapless wife fancied she had reconquered her dear Hector!

The fourth meeting between this couple had been agreed upon at the end
of the third, exactly as formerly in Italian theatres the play was
announced for the next night. The hour fixed was nine in the morning.
On the next day when the happiness was due for which the amorous old
man had resigned himself to domestic rules, at about eight in the
morning, Reine came and asked to see the Baron. Hulot, fearing some
catastrophe, went out to speak with Reine, who would not come into the
anteroom. The faithful waiting-maid gave him the following note:--

  "DEAR OLD MAN,--Do not go to the Rue du Dauphin. Our incubus is
  ill, and I must nurse him; but be there this evening at nine.
  Crevel is at Corbeil with Monsieur Lebas; so I am sure he will
  bring no princess to his little palace. I have made arrangements
  here to be free for the night and get back before Marneffe is
  awake. Answer me as to all this, for perhaps your long elegy of a
  wife no longer allows you your liberty as she did. I am told she
  is still so handsome that you might play me false, you are such a
  gay dog! Burn this note; I am suspicious of every one."

Hulot wrote this scrap in reply:

  "MY LOVE,--As I have told you, my wife has not for five-and-twenty
  years interfered with my pleasures. For you I would give up a
  hundred Adelines.--I will be in the Crevel sanctum at nine this
  evening awaiting my divinity. Oh that your clerk might soon die!
  We should part no more. And this is the dearest wish of

"YOUR HECTOR."


That evening the Baron told his wife that he had business with the
Minister at Saint-Cloud, that he would come home at about four or five
in the morning; and he went to the Rue du Dauphin. It was towards the
end of the month of June.

Few men have in the course of their life known really the dreadful
sensation of going to their death; those who have returned from the
foot of the scaffold may be easily counted. But some have had a vivid
experience of it in dreams; they have gone through it all, to the
sensation of the knife at their throat, at the moment when waking and
daylight come to release them.--Well, the sensation to which the
Councillor of State was a victim at five in the morning in Crevel's
handsome and elegant bed, was immeasurably worse than that of feeling
himself bound to the fatal block in the presence of ten thousand
spectators looking at you with twenty thousand sparks of fire.

Valerie was asleep in a graceful attitude. She was lovely, as a woman
is who is lovely enough to look so even in sleep. It is art invading
nature; in short, a living picture.

In his horizontal position the Baron's eyes were but three feet above
the floor. His gaze, wandering idly, as that of a man who is just
awake and collecting his ideas, fell on a door painted with flowers by
Jan, an artist disdainful of fame. The Baron did not indeed see twenty
thousand flaming eyes, like the man condemned to death; he saw but
one, of which the shaft was really more piercing than the thousands on
the Public Square.

Now this sensation, far rarer in the midst of enjoyment even than that
of a man condemned to death, was one for which many a splenetic
Englishman would certainly pay a high price. The Baron lay there,
horizontal still, and literally bathed in cold sweat. He tried to
doubt the fact; but this murderous eye had a voice. A sound of
whispering was heard through the door.

"So long as it is nobody but Crevel playing a trick on me!" said the
Baron to himself, only too certain of an intruder in the temple.

The door was opened. The Majesty of the French Law, which in all
documents follows next to the King, became visible in the person of a
worthy little police-officer supported by a tall Justice of the Peace,
both shown in by Monsieur Marneffe. The police functionary, rooted in
shoes of which the straps were tied together with flapping bows, ended
at top in a yellow skull almost bare of hair, and a face betraying him
as a wide-awake, cheerful, and cunning dog, from whom Paris life had
no secrets. His eyes, though garnished with spectacles, pierced the
glasses with a keen mocking glance. The Justice of the Peace, a
retired attorney, and an old admirer of the fair sex, envied the
delinquent.

"Pray excuse the strong measures required by our office, Monsieur le
Baron!" said the constable; "we are acting for the plaintiff. The
Justice of the Peace is here to authorize the visitation of the
premises.--I know who you are, and who the lady is who is accused."

Valerie opened her astonished eyes, gave such a shriek as actresses
use to depict madness on the stage, writhed in convulsions on the bed,
like a witch of the Middle Ages in her sulphur-colored frock on a bed
of faggots.

"Death, and I am ready! my dear Hector--but a police court?--Oh!
never."

With one bound she passed the three spectators and crouched under the
little writing-table, hiding her face in her hands.

"Ruin! Death!" she cried.

"Monsieur," said Marneffe to Hulot, "if Madame Marneffe goes mad, you
are worse than a profligate; you will be a murderer."

What can a man do, what can he say, when he is discovered in a bed
which is not his, even on the score of hiring, with a woman who is no
more his than the bed is?--Well, this:

"Monsieur the Justice of the Peace, Monsieur the Police Officer," said
the Baron with some dignity, "be good enough to take proper care of
that unhappy woman, whose reason seems to me to be in danger.--You can
harangue me afterwards. The doors are locked, no doubt; you need not
fear that she will get away, or I either, seeing the costume we wear."

The two functionaries bowed to the magnate's injunctions.

"You, come here, miserable cur!" said Hulot in a low voice to
Marneffe, taking him by the arm and drawing him closer. "It is not I,
but you, who will be the murderer! You want to be head-clerk of your
room and officer of the Legion of Honor?"

"That in the first place, Chief!" replied Marneffe, with a bow.

"You shall be all that, only soothe your wife and dismiss these
fellows."

"Nay, nay!" said Marneffe knowingly. "These gentlemen must draw up
their report as eyewitnesses to the fact; without that, the chief
evidence in my case, where should I be? The higher official ranks are
chokeful of rascalities. You have done me out of my wife, and you have
not promoted me, Monsieur le Baron; I give you only two days to get
out of the scrape. Here are some letters--"

"Some letters!" interrupted Hulot.

"Yes; letters which prove that you are the father of the child my wife
expects to give birth to.--You understand? And you ought to settle on
my son a sum equal to what he will lose through this bastard. But I
will be reasonable; this does not distress me, I have no mania for
paternity myself. A hundred louis a year will satisfy me. By to-morrow
I must be Monsieur Coquet's successor and see my name on the list for
promotion in the Legion of Honor at the July fetes, or else--the
documentary evidence and my charge against you will be laid before the
Bench. I am not so hard to deal with after all, you see."

"Bless me, and such a pretty woman!" said the Justice of the Peace to
the police constable. "What a loss to the world if she should go mad!"

"She is not mad," said the constable sententiously. The police is
always the incarnation of scepticism.--"Monsieur le Baron Hulot has
been caught by a trick," he added, loud enough for Valerie to hear
him.

Valerie shot a flash from her eye which would have killed him on the
spot if looks could effect the vengeance they express. The police-
officer smiled; he had laid a snare, and the woman had fallen into it.
Marneffe desired his wife to go into the other room and clothe herself
decently, for he and the Baron had come to an agreement on all points,
and Hulot fetched his dressing-gown and came out again.

"Gentlemen," said he to the two officials, "I need not impress on you
to be secret."

The functionaries bowed.

The police-officer rapped twice on the door; his clerk came in, sat
down at the "bonheur-du-jour," and wrote what the constable dictated
to him in an undertone. Valerie still wept vehemently. When she was
dressed, Hulot went into the other room and put on his clothes.
Meanwhile the report was written.

Marneffe then wanted to take his wife home; but Hulot, believing that
he saw her for the last time, begged the favor of being allowed to
speak with her.

"Monsieur, your wife has cost me dear enough for me to be allowed to
say good-bye to her--in the presence of you all, of course."

Valerie went up to Hulot, and he whispered in her ear:

"There is nothing left for us but to fly, but how can we correspond?
We have been betrayed--"

"Through Reine," she answered. "But my dear friend, after this scandal
we can never meet again. I am disgraced. Besides, you will hear
dreadful things about me--you will believe them--"

The Baron made a gesture of denial.

"You will believe them, and I can thank God for that, for then perhaps
you will not regret me."

"He will /not/ die a second-class clerk!" said Marneffe to Hulot, as
he led his wife away, saying roughly, "Come, madame; if I am foolish
to you, I do not choose to be a fool to others."

Valerie left the house, Crevel's Eden, with a last glance at the
Baron, so cunning that he thought she adored him. The Justice of the
Peace gave Madame Marneffe his arm to the hackney coach with a
flourish of gallantry. The Baron, who was required to witness the
report, remained quite bewildered, alone with the police-officer. When
the Baron had signed, the officer looked at him keenly, over his
glasses.

"You are very sweet on the little lady, Monsieur le Baron?"

"To my sorrow, as you see."

"Suppose that she does not care for you?" the man went on, "that she
is deceiving you?"

"I have long known that, monsieur--here, in this very spot, Monsieur
Crevel and I told each other----"

"Oh! Then you knew that you were in Monsieur le Maire's private
snuggery?"

"Perfectly."

The constable lightly touched his hat with a respectful gesture.

"You are very much in love," said he. "I say no more. I respect an
inveterate passion, as a doctor respects an inveterate complaint.--I
saw Monsieur de Nucingen, the banker, attacked in the same way--"

"He is a friend of mine," said the Baron. "Many a time have I supped
with his handsome Esther. She was worth the two million francs she
cost him."

"And more," said the officer. "That caprice of the old Baron's cost
four persons their lives. Oh! such passions as these are like the
cholera!"

"What had you to say to me?" asked the Baron, who took this indirect
warning very ill.

"Oh! why should I deprive you of your illusions?" replied the officer.
"Men rarely have any left at your age!"

"Rid me of them!" cried the Councillor.

"You will curse the physician later," replied the officer, smiling.

"I beg of you, monsieur."

"Well, then, that woman was in collusion with her husband."

"Oh!----"

"Yes, sir, and so it is in two cases out of every ten. Oh! we know it
well."

"What proof have you of such a conspiracy?"

"In the first place, the husband!" said the other, with the calm
acumen of a surgeon practised in unbinding wounds. "Mean speculation
is stamped in every line of that villainous face. But you, no doubt,
set great store by a certain letter written by that woman with regard
to the child?"

"So much so, that I always have it about me," replied Hulot, feeling
in his breast-pocket for the little pocketbook which he always kept
there.

"Leave your pocketbook where it is," said the man, as crushing as a
thunder-clap. "Here is the letter.--I now know all I want to know.
Madame Marneffe, of course, was aware of what that pocketbook
contained?"

"She alone in the world."

"So I supposed.--Now for the proof you asked for of her collusion with
her husband."

"Let us hear!" said the Baron, still incredulous.

"When we came in here, Monsieur le Baron, that wretched creature
Marneffe led the way, and he took up this letter, which his wife, no
doubt, had placed on this writing-table," and he pointed to the
/bonheur-du-jour/. "That evidently was the spot agreed upon by the
couple, in case she should succeed in stealing the letter while you
were asleep; for this letter, as written to you by the lady, is,
combined with those you wrote to her, decisive evidence in a police-
court."

He showed Hulot the note that Reine had delivered to him in his
private room at the office.

"It is one of the documents in the case," said the police-agent;
"return it to me, monsieur."

"Well, monsieur," replied Hulot with bitter expression, "that woman is
profligacy itself in fixed ratios. I am certain at this moment that
she has three lovers."

"That is perfectly evident," said the officer. "Oh, they are not all
on the streets! When a woman follows that trade in a carriage and a
drawing-room, and her own house, it is not a case for francs and
centimes, Monsieur le Baron. Mademoiselle Esther, of whom you spoke,
and who poisoned herself, made away with millions.--If you will take
my advice, you will get out of it, monsieur. This last little game
will have cost you dear. That scoundrel of a husband has the law on
his side. And indeed, but for me, that little woman would have caught
you again!"

"Thank you, monsieur," said the Baron, trying to maintain his dignity.

"Now we will lock up; the farce is played out, and you can send your
key to Monsieur the Mayor."

Hulot went home in a state of dejection bordering on helplessness, and
sunk in the gloomiest thoughts. He woke his noble and saintly wife,
and poured into her heart the history of the past three years, sobbing
like a child deprived of a toy. This confession from an old man young
in feeling, this frightful and heart-rending narrative, while it
filled Adeline with pity, also gave her the greatest joy; she thanked
Heaven for this last catastrophe, for in fancy she saw the husband
settled at last in the bosom of his family.

"Lisbeth was right," said Madame Hulot gently and without any useless
recrimination, "she told us how it would be."

"Yes. If only I had listened to her, instead of flying into a rage,
that day when I wanted poor Hortense to go home rather than compromise
the reputation of that--Oh! my dear Adeline, we must save Wenceslas.
He is up to his chin in that mire!"

"My poor old man, the respectable middle-classes have turned out no
better than the actresses," said Adeline, with a smile.

The Baroness was alarmed at the change in her Hector; when she saw him
so unhappy, ailing, crushed under his weight of woes, she was all
heart, all pity, all love; she would have shed her blood to make Hulot
happy.

"Stay with us, my dear Hector. Tell me what is it that such women do
to attract you so powerfully. I too will try. Why have you not taught
me to be what you want? Am I deficient in intelligence? Men still
think me handsome enough to court my favor."

Many a married woman, attached to her duty and to her husband, may
here pause to ask herself why strong and affectionate men, so tender-
hearted to the Madame Marneffes, do not take their wives for the
object of their fancies and passions, especially wives like the
Baronne Adeline Hulot.

This is, indeed, one of the most recondite mysteries of human nature.
Love, which is debauch of reason, the strong and austere joy of a
lofty soul, and pleasure, the vulgar counterfeit sold in the market-
place, are two aspects of the same thing. The woman who can satisfy
both these devouring appetites is as rare in her sex as a great
general, a great writer, a great artist, a great inventor in a nation.
A man of superior intellect or an idiot--a Hulot or a Crevel--equally
crave for the ideal and for enjoyment; all alike go in search of the
mysterious compound, so rare that at last it is usually found to be a
work in two volumes. This craving is a depraved impulse due to
society.

Marriage, no doubt, must be accepted as a tie; it is life, with its
duties and its stern sacrifices on both parts equally. Libertines, who
seek for hidden treasure, are as guilty as other evil-doers who are
more hardly dealt with than they. These reflections are not a mere
veneer of moralizing; they show the reason of many unexplained
misfortunes. But, indeed, this drama points its own moral--or morals,
for they are of many kinds.

The Baron presently went to call on the Marshal Prince de Wissembourg,
whose powerful patronage was now his only chance. Having dwelt under
his protection for five-and-thirty years, he was a visitor at all
hours, and would be admitted to his rooms as soon as he was up.

"Ah! How are you, my dear Hector?" said the great and worthy leader.
"What is the matter? You look anxious. And yet the session is ended.
One more over! I speak of that now as I used to speak of a campaign.
And indeed I believe the newspapers nowadays speak of the sessions as
parliamentary campaigns."

"We have been in difficulties, I must confess, Marshal; but the times
are hard!" said Hulot. "It cannot be helped; the world was made so.
Every phase has its own drawbacks. The worst misfortunes in the year
1841 is that neither the King nor the ministers are free to act as
Napoleon was."

The Marshal gave Hulot one of those eagle flashes which in its pride,
clearness, and perspicacity showed that, in spite of years, that lofty
soul was still upright and vigorous.

"You want me to so something for you?" said he, in a hearty tone.

"I find myself under the necessity of applying to you for the
promotion of one of my second clerks to the head of a room--as a
personal favor to myself--and his advancement to be officer of the
Legion of Honor."

"What is his name?" said the Marshal, with a look like a lightning
flash.

"Marneffe."

"He has a pretty wife; I saw her on the occasion of your daughter's
marriage.--If Roger--but Roger is away!--Hector, my boy, this is
concerned with your pleasures. What, you still indulge--? Well, you
are a credit to the old Guard. That is what comes of having been in
the Commissariat; you have reserves!--But have nothing to do with this
little job, my dear boy; it is too strong of the petticoat to be good
business."

"No, Marshal; it is bad business, for the police courts have a finger
in it. Would you like to see me go there?"

"The devil!" said the Prince uneasily. "Go on!"

"Well, I am in the predicament of a trapped fox. You have always been
so kind to me, that you will, I am sure, condescend to help me out of
the shameful position in which I am placed."

Hulot related his misadventures, as wittily and as lightly as he
could.

"And you, Prince, will you allow my brother to die of grief, a man you
love so well; or leave one of your staff in the War Office, a
Councillor of State, to live in disgrace. This Marneffe is a wretched
creature; he can be shelved in two or three years."

"How you talk of two or three years, my dear fellow!" said the
Marshal.

"But, Prince, the Imperial Guard is immortal."

"I am the last of the first batch of Marshals," said the Prince.
"Listen, Hector. You do not know the extent of my attachment to you;
you shall see. On the day when I retire from office, we will go
together. But you are not a Deputy, my friend. Many men want your
place; but for me, you would be out of it by this time. Yes, I have
fought many a pitched battle to keep you in it.--Well, I grant you
your two requests; it would be too bad to see you riding the bar at
your age and in the position you hold. But you stretch your credit a
little too far. If this appointment gives rise to discussion, we shall
not be held blameless. I can laugh at such things; but you will find
it a thorn under your feet. And the next session will see your
dismissal. Your place is held out as a bait to five or six influential
men, and you have been enabled to keep it solely by the force of my
arguments. I tell you, on the day when you retire, there will be five
malcontents to one happy man; whereas, by keeping you hanging on by a
thread for two or three years, we shall secure all six votes. There
was a great laugh at the Council meeting; the Veteran of the Old
Guard, as they say, was becoming desperately wide awake in
parliamentary tactics! I am frank with you.--And you are growing gray;
you are a happy man to be able to get into such difficulties as these!
How long is it since I--Lieutenant Cottin--had a mistress?"

He rang the bell.

"That police report must be destroyed," he added.

"Monseigneur, you are as a father to me! I dared not mention my
anxiety on that point."

"I still wish I had Roger here," cried the Prince, as Mitouflet, his
groom of the chambers, came in. "I was just going to send for him!--
You may go, Mitouflet.--Go you, my dear old fellow, go and have the
nomination made out; I will sign it. At the same time, that low
schemer will not long enjoy the fruit of his crimes. He will be
sharply watched, and drummed out of the regiment for the smallest
fault.--You are saved this time, my dear Hector; take care for the
future. Do not exhaust your friends' patience. You shall have the
nomination this morning, and your man shall get his promotion in the
Legion of Honor.--How old are you now?"

"Within three months of seventy."

"What a scapegrace!" said the Prince, laughing. "It is you who deserve
a promotion, but, by thunder! we are not under Louis XV.!"

Such is the sense of comradeship that binds the glorious survivors of
the Napoleonic phalanx, that they always feel as if they were in camp
together, and bound to stand together through thick and thin.

"One more favor such as this," Hulot reflected as he crossed the
courtyard, "and I am done for!"

The luckless official went to Baron de Nucingen, to whom he now owed a
mere trifle, and succeeded in borrowing forty thousand francs, on his
salary pledged for two years more; the banker stipulated that in the
event of Hulot's retirement on his pension, the whole of it should be
devoted to the repayment of the sum borrowed till the capital and
interest were all cleared off.

This new bargain, like the first, was made in the name of Vauvinet, to
whom the Baron signed notes of hand to the amount of twelve thousand
francs.

On the following day, the fateful police report, the husband's charge,
the letters--all the papers--were destroyed. The scandalous promotion
of Monsieur Marneffe, hardly heeded in the midst of the July fetes,
was not commented on in any newspaper.

Lisbeth, to all appearance at war with Madame Marneffe, had taken up
her abode with Marshal Hulot. Ten days after these events, the banns
of marriage were published between the old maid and the distinguished
old officer, to whom, to win his consent, Adeline had related the
financial disaster that had befallen her Hector, begging him never to
mention it to the Baron, who was, as she said, much saddened, quite
depressed and crushed.

"Alas! he is as old as his years," she added.

So Lisbeth had triumphed. She was achieving the object of her
ambition, she would see the success of her scheme, and her hatred
gratified. She delighted in the anticipated joy of reigning supreme
over the family who had so long looked down upon her. Yes, she would
patronize her patrons, she would be the rescuing angel who would dole
out a livelihood to the ruined family; she addressed herself as
"Madame la Comtesse" and "Madame la Marechale," courtesying in front
of a glass. Adeline and Hortense should end their days in struggling
with poverty, while she, a visitor at the Tuileries, would lord it in
the fashionable world.



A terrible disaster overthrew the old maid from the social heights
where she so proudly enthroned herself.

On the very day when the banns were first published, the Baron
received a second message from Africa. Another Alsatian arrived,
handed him a letter, after assuring himself that he spoke to Baron
Hulot, and after giving the Baron the address of his lodgings, bowed
himself out, leaving the great man stricken by the opening lines of
this letter:--

  "DEAR NEPHEW,--You will receive this letter, by my calculations,
  on the 7th of August. Supposing it takes you three days to send us
  the help we need, and that it is a fortnight on the way here, that
  brings us to the 1st of September.

  "If you can act decisively within that time, you will have saved
  the honor and the life of yours sincerely, Johann Fischer.

  "This is what I am required to demand by the clerk you have made
  my accomplice; for I am amenable, it would seem, to the law, at
  the Assizes, or before a council of war. Of course, you understand
  that Johann Fischer will never be brought to the bar of any
  tribunal; he will go of his own act to appear at that of God.

  "Your clerk seems to me a bad lot, quite capable of getting you
  into hot water; but he is as clever as any rogue. He says the line
  for you to take is to call out louder than any one, and to send
  out an inspector, a special commissioner, to discover who is
  really guilty, rake up abuses, and make a fuss, in short; but if
  we stir up the struggle, who will stand between us and the law?

  "If your commissioner arrives here by the 1st of September, and
  you have given him your orders, sending by him two hundred
  thousand francs to place in our storehouses the supplies we
  profess to have secured in remote country places, we shall be
  absolutely solvent and regarded as blameless. You can trust the
  soldier who is the bearer of this letter with a draft in my name
  on a house in Algiers. He is a trustworthy fellow, a relation of
  mine, incapable of trying to find out what he is the bearer of. I
  have taken measures to guarantee the fellow's safe return. If you
  can do nothing, I am ready and willing to die for the man to whom
  we owe our Adeline's happiness!"

The anguish and raptures of passion and the catastrophe which had
checked his career of profligacy had prevented Baron Hulot's ever
thinking of poor Johann Fischer, though his first letter had given
warning of the danger now become so pressing. The Baron went out of
the dining-room in such agitation that he literally dropped on to a
sofa in the drawing-room. He was stunned, sunk in the dull numbness of
a heavy fall. He stared at a flower on the carpet, quite unconscious
that he still held in his hand Johann's fatal letter.

Adeline, in her room, heard her husband throw himself on the sofa,
like a lifeless mass; the noise was so peculiar that she fancied he
had an apoplectic attack. She looked through the door at the mirror,
in such dread as stops the breath and hinders motion, and she saw her
Hector in the attitude of a man crushed. The Baroness stole in on
tiptoe; Hector heard nothing; she went close up to him, saw the
letter, took it, read it, trembling in every limb. She went through
one of those violent nervous shocks that leave their traces for ever
on the sufferer. Within a few days she became subject to a constant
trembling, for after the first instant the need for action gave her
such strength as can only be drawn from the very wellspring of the
vital powers.

"Hector, come into my room," said she, in a voice that was no more
than a breath. "Do not let your daughter see you in this state! Come,
my dear, come!"

"Two hundred thousand francs? Where can I find them? I can get Claude
Vignon sent out there as commissioner. He is a clever, intelligent
fellow.--That is a matter of a couple of days.--But two hundred
thousand francs! My son has not so much; his house is loaded with
mortgages for three hundred thousand. My brother has saved thirty
thousand francs at most. Nucingen would simply laugh at me!--Vauvinet?
--he was not very ready to lend me the ten thousand francs I wanted to
make up the sum for that villain Marneffe's boy. No, it is all up with
me; I must throw myself at the Prince's feet, confess how matters
stand, hear myself told that I am a low scoundrel, and take his
broadside so as to go decently to the bottom."

"But, Hector, this is not merely ruin, it is disgrace," said Adeline.
"My poor uncle will kill himself. Only kill us--yourself and me; you
have a right to do that, but do not be a murderer! Come, take courage;
there must be some way out of it."

"Not one," said Hulot. "No one in the Government could find two
hundred thousand francs, not if it were to save an Administration!--
Oh, Napoleon! where art thou?"

"My uncle! poor man! Hector, he must not be allowed to kill himself in
disgrace."

"There is one more chance," said he, "but a very remote one.--Yes,
Crevel is at daggers drawn with his daughter.--He has plenty of money,
he alone could--"

"Listen, Hector it will be better for your wife to perish than to
leave our uncle to perish--and your brother--the honor of the family!"
cried the Baroness, struck by a flash of light. "Yes, I can save you
all.--Good God! what a degrading thought! How could it have occurred
to me?"

She clasped her hands, dropped on her knees, and put up a prayer. On
rising, she saw such a crazy expression of joy on her husband's face,
that the diabolical suggestion returned, and then Adeline sank into a
sort of idiotic melancholy.

"Go, my dear, at once to the War Office," said she, rousing herself
from this torpor; "try to send out a commission; it must be done. Get
round the Marshal. And on your return, at five o'clock, you will find
--perhaps--yes! you shall find two hundred thousand francs. Your
family, your honor as a man, as a State official, a Councillor of
State, your honesty--your son--all shall be saved;--but your Adeline
will be lost, and you will see her no more. Hector, my dear," said
she, kneeling before him, clasping and kissing his hand, "give me your
blessing! Say farewell."

It was so heart-rending that Hulot put his arms round his wife, raised
her and kissed her, saying:

"I do not understand."

"If you did," said she, "I should die of shame, or I should not have
the strength to carry out this last sacrifice."

"Breakfast is served," said Mariette.

Hortense came in to wish her parents good-morning. They had to go to
breakfast and assume a false face.

"Begin without me; I will join you," said the Baroness.

She sat down to her desk and wrote as follows:

  "MY DEAR MONSIEUR CREVEL,--I have to ask a service of you; I shall
  expect you this morning, and I count on your gallantry, which is
  well known to me, to save me from having too long to wait for you.
  --Your faithful servant,

"ADELINE HULOT."


"Louise," said she to her daughter's maid, who waited on her, "take
this note down to the porter and desire him to carry it at once to
this address and wait for an answer."

The Baron, who was reading the news, held out a Republican paper to
his wife, pointing to an article, and saying:

"Is there time?"

This was the paragraph, one of the terrible "notes" with which the
papers spice their political bread and butter:--

  "A correspondent in Algiers writes that such abuses have been
  discovered in the commissariate transactions of the province of
  Oran, that the Law is making inquiries. The peculation is self-
  evident, and the guilty persons are known. If severe measures are
  not taken, we shall continue to lose more men through the
  extortion that limits their rations than by Arab steel or the
  fierce heat of the climate. We await further information before
  enlarging on this deplorable business. We need no longer wonder at
  the terror caused by the establishment of the Press in Africa, as
  was contemplated by the Charter of 1830."

"I will dress and go to the Minister," said the Baron, as they rose
from table. "Time is precious; a man's life hangs on every minute."

"Oh, mamma, there is no hope for me!" cried Hortense. And unable to
check her tears, she handed to her mother a number of the /Revue des
Beaux Arts/.

Madame Hulot's eye fell on a print of the group of "Delilah" by Count
Steinbock, under which were the words, "The property of Madame
Marneffe."

The very first lines of the article, signed V., showed the talent and
friendliness of Claude Vignon.

"Poor child!" said the Baroness.

Alarmed by her mother's tone of indifference, Hortense looked up, saw
the expression of a sorrow before which her own paled, and rose to
kiss her mother, saying:

"What is the matter, mamma? What is happening? Can we be more wretched
than we are already?"

"My child, it seems to me that in what I am going through to-day my
past dreadful sorrows are as nothing. When shall I have ceased to
suffer?"

"In heaven, mother," said Hortense solemnly.

"Come, my angel, help me to dress.--No, no; I will not have you help
me in this! Send me Louise."

Adeline, in her room, went to study herself in the glass. She looked
at herself closely and sadly, wondering to herself:

"Am I still handsome? Can I still be desirable? Am I not wrinkled?"

She lifted up her fine golden hair, uncovering her temples; they were
as fresh as a girl's. She went further; she uncovered her shoulders,
and was satisfied; nay, she had a little feeling of pride. The beauty
of really handsome shoulders is one of the last charms a woman loses,
especially if she has lived chastely.

Adeline chose her dress carefully, but the pious and blameless woman
is decent to the end, in spite of her little coquettish graces. Of
what use were brand-new gray silk stockings and high heeled satin
shoes when she was absolutely ignorant of the art of displaying a
pretty foot at a critical moment, by obtruding it an inch or two
beyond a half-lifted skirt, opening horizons to desire? She put on,
indeed, her prettiest flowered muslin dress, with a low body and short
sleeves; but horrified at so much bareness, she covered her fine arms
with clear gauze sleeves and hid her shoulders under an embroidered
cape. Her curls, /a l'Anglaise/, struck her as too fly-away; she
subdued their airy lightness by putting on a very pretty cap; but,
with or without the cap, would she have known how to twist the golden
ringlets so as to show off her taper fingers to admiration?

As to rouge--the consciousness of guilt, the preparations for a
deliberate fall, threw this saintly woman into a state of high fever,
which, for the time, revived the brilliant coloring of youth. Her eyes
were bright, her cheeks glowed. Instead of assuming a seductive air,
she saw in herself a look of barefaced audacity which shocked her.

Lisbeth, at Adeline's request, had told her all the circumstances of
Wenceslas' infidelity; and the Baroness had learned to her utter
amazement, that in one evening in one moment, Madame Marneffe had made
herself the mistress of the bewitched artist.

"How do these women do it?" the Baroness had asked Lisbeth.

There is no curiosity so great as that of virtuous women on such
subjects; they would like to know the arts of vice and remain
immaculate.

"Why, they are seductive; it is their business," said Cousin Betty.
"Valerie that evening, my dear, was, I declare, enough to bring an
angel to perdition."

"But tell me how she set to work."

"There is no principle, only practice in that walk of life," said
Lisbeth ironically.

The Baroness, recalling this conversation, would have liked to consult
Cousin Betty; but there was no time for that. Poor Adeline, incapable
of imagining a patch, of pinning a rosebud in the very middle of her
bosom, of devising the tricks of the toilet intended to resuscitate
the ardors of exhausted nature, was merely well dressed. A woman is
not a courtesan for the wishing!

"Woman is soup for man," as Moliere says by the mouth of the judicious
Gros-Rene. This comparison suggests a sort of culinary art in love.
Then the virtuous wife would be a Homeric meal, flesh laid on hot
cinders. The courtesan, on the contrary, is a dish by Careme, with its
condiments, spices, and elegant arrangement. The Baroness could not--
did not know how to serve up her fair bosom in a lordly dish of lace,
after the manner of Madame Marneffe. She knew nothing of the secrets
of certain attitudes. This high-souled woman might have turned round
and round a hundred times, and she would have betrayed nothing to the
keen glance of a profligate.

To be a good woman and a prude to all the world, and a courtesan to
her husband, is the gift of a woman of genius, and they are few. This
is the secret of long fidelity, inexplicable to the women who are not
blessed with the double and splendid faculty. Imagine Madame Marneffe
virtuous, and you have the Marchesa di Pescara. But such lofty and
illustrious women, beautiful as Diane de Poitiers, but virtuous, may
be easily counted.

So the scene with which this serious and terrible drama of Paris
manners opened was about to be repeated, with this singular difference
--that the calamities prophesied then by the captain of the municipal
Militia had reversed the parts. Madame Hulot was awaiting Crevel with
the same intentions as had brought him to her, smiling down at the
Paris crowd from his /milord/, three years ago. And, strangest thing
of all, the Baroness was true to herself and to her love, while
preparing to yield to the grossest infidelity, such as the storm of
passion even does not justify in the eyes of some judges.

"What can I do to become a Madame Marneffe?" she asked herself as she
heard the door-bell.

She restrained her tears, fever gave brilliancy to her face, and she
meant to be quite the courtesan, poor, noble soul.



"What the devil can that worthy Baronne Hulot want of me?" Crevel
wondered as he mounted the stairs. "She is going to discuss my quarrel
with Celestine and Victorin, no doubt; but I will not give way!"

As he went into the drawing-room, shown in by Louise, he said to
himself as he noted the bareness of the place (Crevel's word):

"Poor woman! She lives here like some fine picture stowed in a loft by
a man who knows nothing of painting."

Crevel, seeing Comte Popinot, the Minister of Commerce, buy pictures
and statues, wanted also to figure as a Maecenas of Paris, whose love
of Art consists in making good investments.

Adeline smiled graciously at Crevel, pointing to a chair facing her.

"Here I am, fair lady, at your command," said Crevel.

Monsieur the Mayor, a political personage, now wore black broadcloth.
His face, at the top of this solemn suit, shone like a full moon
rising above a mass of dark clouds. His shirt, buttoned with three
large pearls worth five hundred francs apiece, gave a great idea of
his thoracic capacity, and he was apt to say, "In me you see the
coming athlete of the tribune!" His enormous vulgar hands were encased
in yellow gloves even in the morning; his patent leather boots spoke
of the chocolate-colored coupe with one horse in which he drove.

In the course of three years ambition had altered Crevel's
pretensions. Like all great artists, he had come to his second manner.
In the great world, when he went to the Prince de Wissembourg's, to
the Prefecture, to Comte Popinot's, and the like, he held his hat in
his hand in an airy manner taught him by Valerie, and he inserted the
thumb of the other hand in the armhole of his waistcoat with a knowing
air, and a simpering face and expression. This new grace of attitude
was due to the satirical inventiveness of Valerie, who, under pretence
of rejuvenating her mayor, had given him an added touch of the
ridiculous.

"I begged you to come, my dear kind Monsieur Crevel," said the
Baroness in a husky voice, "on a matter of the greatest importance--"

"I can guess what it is, madame," said Crevel, with a knowing air,
"but what you would ask is impossible.--Oh, I am not a brutal father,
a man--to use Napoleon's words--set hard and fast on sheer avarice.
Listen to me, fair lady. If my children were ruining themselves for
their own benefit, I would help them out of the scrape; but as for
backing your husband, madame? It is like trying to fill the vat of the
Danaides! Their house is mortgaged for three hundred thousand francs
for an incorrigible father! Why, they have nothing left, poor
wretches! And they have no fun for their money. All they have to live
upon is what Victorin may make in Court. He must wag his tongue more,
must monsieur your son! And he was to have been a Minister, that
learned youth! Our hope and pride. A pretty pilot, who runs aground
like a land-lubber; for if he had borrowed to enable him to get on, if
he had run into debt for feasting Deputies, winning votes, and
increasing his influence, I should be the first to say, 'Here is my
purse--dip your hand in, my friend!' But when it comes of paying for
papa's folly--folly I warned you of!--Ah! his father has deprived him
of every chance of power.--It is I who shall be Minister!"

"Alas, my dear Crevel, it has nothing to do with the children, poor
devoted souls!--If your heart is closed to Victorin and Celestine, I
shall love them so much that perhaps I may soften the bitterness of
their souls caused by your anger. You are punishing your children for
a good action!"

"Yes, for a good action badly done! That is half a crime," said
Crevel, much pleased with his epigram.

"Doing good, my dear Crevel, does not mean sparing money out of a
purse that is bursting with it; it means enduring privations to be
generous, suffering for liberality! It is being prepared for
ingratitude! Heaven does not see the charity that costs us nothing--"

"Saints, madame, may if they please go to the workhouse; they know
that it is for them the door of heaven. For my part, I am worldly-
minded; I fear God, but yet more I fear the hell of poverty. To be
destitute is the last depth of misfortune in society as now
constituted. I am a man of my time; I respect money."

"And you are right," said Adeline, "from the worldly point of view."

She was a thousand miles from her point, and she felt herself on a
gridiron, like Saint Laurence, as she thought of her uncle, for she
could see him blowing his brains out.

She looked down; then she raised her eyes to gaze at Crevel with
angelic sweetness--not with the inviting suggestiveness which was part
of Valerie's wit. Three years ago she could have bewitched Crevel by
that beautiful look.

"I have known the time," said she, "when you were more generous--you
used to talk of three hundred thousand francs like a grand
gentleman--"

Crevel looked at Madame Hulot; he beheld her like a lily in the last
of its bloom, vague sensations rose within him, but he felt such
respect for this saintly creature that he spurned all suspicions and
buried them in the most profligate corner of his heart.

"I, madame, am still the same; but a retired merchant, if he is a
grand gentleman, plays, and must play, the part with method and
economy; he carries his ideas of order into everything. He opens an
account for his little amusements, and devotes certain profits to that
head of expenditure; but as to touching his capital! it would be
folly. My children will have their fortune intact, mine and my wife's;
but I do not suppose that they wish their father to be dull, a monk
and a mummy! My life is a very jolly one; I float gaily down the
stream. I fulfil all the duties imposed on me by law, by my
affections, and by family ties, just as I always used to be punctual
in paying my bills when they fell due. If only my children conduct
themselves in their domestic life as I do, I shall be satisfied; and
for the present, so long as my follies--for I have committed follies--
are no loss to any one but the gulls--excuse me, you do not perhaps
understand the slang word--they will have nothing to blame me for, and
will find a tidy little sum still left when I die. Your children
cannot say as much of their father, who is ruining his son and my
daughter by his pranks--"

The Baroness was getting further from her object as he went on.

"You are very unkind about my husband, my dear Crevel--and yet, if you
had found his wife obliging, you would have been his best friend----"

She shot a burning glance at Crevel; but, like Dubois, who gave the
Regent three kicks, she affected too much, and the rakish perfumer's
thoughts jumped at such profligate suggestions, that he said to
himself, "Does she want to turn the tables on Hulot?--Does she think
me more attractive as a Mayor than as a National Guardsman? Women are
strange creatures!"

And he assumed the position of his second manner, looking at the
Baroness with his /Regency/ leer.

"I could almost fancy," she went on, "that you want to visit on him
your resentment against the virtue that resisted you--in a woman whom
you loved well enough--to--to buy her," she added in a low voice.

"In a divine woman," Crevel replied, with a meaning smile at the
Baroness, who looked down while tears rose to her eyes. "For you have
swallowed not a few bitter pills!--in these three years--hey, my
beauty?"

"Do not talk of my troubles, dear Crevel; they are too much for the
endurance of a mere human being. Ah! if you still love me, you may
drag me out of the pit in which I lie. Yes, I am in hell torment! The
regicides who were racked and nipped and torn into quarters by four
horses were on roses compared with me, for their bodies only were
dismembered, and my heart is torn in quarters----"

Crevel's thumb moved from his armhole, he placed his hand on the work-
table, he abandoned his attitude, he smiled! The smile was so vacuous
that it misled the Baroness; she took it for an expression of
kindness.

"You see a woman, not indeed in despair, but with her honor at the
point of death, and prepared for everything, my dear friend, to hinder
a crime."

Fearing that Hortense might come in, she bolted the door; then with
equal impetuosity she fell at Crevel's feet, took his hand and kissed
it.

"Be my deliverer!" she cried.

She thought there was some generous fibre in this mercantile soul, and
full of sudden hope that she might get the two hundred thousand francs
without degrading herself:

"Buy a soul--you were once ready to buy virtue!" she went on, with a
frenzied gaze. "Trust to my honesty as a woman, to my honor, of which
you know the worth! Be my friend! Save a whole family from ruin,
shame, despair; keep it from falling into a bog where the quicksands
are mingled with blood! Oh! ask for no explanations," she exclaimed,
at a movement on Crevel's part, who was about to speak. "Above all, do
not say to me, 'I told you so!' like a friend who is glad at a
misfortune. Come now, yield to her whom you used to love, to the woman
whose humiliation at your feet is perhaps the crowning moment of her
glory; ask nothing of her, expect what you will from her gratitude!--
No, no. Give me nothing, but lend--lend to me whom you used to call
Adeline----"

At this point her tears flowed so fast, Adeline was sobbing so
passionately, that Crevel's gloves were wet. The words, "I need two
hundred thousand francs," were scarcely articulate in the torrent of
weeping, as stones, however large, are invisible in Alpine cataracts
swollen by the melting of the snows.

This is the inexperience of virtue. Vice asks for nothing, as we have
seen in Madame Marneffe; it gets everything offered to it. Women of
that stamp are never exacting till they have made themselves
indispensable, or when a man has to be worked as a quarry is worked
where the lime is rather scarce--going to ruin, as the quarry-men say.

On hearing these words, "Two hundred thousand francs," Crevel
understood all. He cheerfully raised the Baroness, saying insolently:

"Come, come, bear up, mother," which Adeline, in her distraction,
failed to hear. The scene was changing its character. Crevel was
becoming "master of the situation," to use his own words. The vastness
of the sum startled Crevel so greatly that his emotion at seeing this
handsome woman in tears at his feet was forgotten. Besides, however
angelical and saintly a woman may be, when she is crying bitterly her
beauty disappears. A Madame Marneffe, as has been seen, whimpers now
and then, a tear trickles down her cheek; but as to melting into tears
and making her eyes and nose red!--never would she commit such a
blunder.

"Come, child, compose yourself.--Deuce take it!" Crevel went on,
taking Madame Hulot's hands in his own and patting them. "Why do you
apply to me for two hundred thousand francs? What do you want with
them? Whom are they for?"

"Do not," said she, "insist on any explanations. Give me the money!--
You will save three lives and the honor of our children."

"And do you suppose, my good mother, that in all Paris you will find a
man who at a word from a half-crazy woman will go off /hic et nunc/,
and bring out of some drawer, Heaven knows where, two hundred thousand
francs that have been lying simmering there till she is pleased to
scoop them up? Is that all you know of life and of business, my
beauty? Your folks are in a bad way; you may send them the last
sacraments; for no one in Paris but her Divine Highness Madame la
Banque, or the great Nucingen, or some miserable miser who is in love
with gold as we other folks are with a woman, could produce such a
miracle! The civil list, civil as it may be, would beg you to call
again tomorrow. Every one invests his money, and turns it over to the
best of his powers.

"You are quite mistaken, my angel, if you suppose that King Louis-
Philippe rules us; he himself knows better than that. He knows as well
as we do that supreme above the Charter reigns the holy, venerated,
substantial, delightful, obliging, beautiful, noble, ever-youthful,
and all-powerful five-franc piece! But money, my beauty, insists on
interest, and is always engaged in seeking it! 'God of the Jews, thou
art supreme!' says Racine. The perennial parable of the golden calf,
you see!--In the days of Moses there was stock-jobbing in the desert!

"We have reverted to Biblical traditions; the Golden Calf was the
first State ledger," he went on. "You, my Adeline, have not gone
beyond the Rue Plumet. The Egyptians had lent enormous sums to the
Hebrews, and what they ran after was not God's people, but their
capital."

He looked at the Baroness with an expression which said, "How clever I
am!"

"You know nothing of the devotion of every city man to his sacred
hoard!" he went on, after a pause. "Excuse me. Listen to me. Get this
well into your head.--You want two hundred thousand francs? No one can
produce the sum without selling some security. Now consider! To have
two hundred thousand francs in hard cash it would be needful to sell
about seven hundred thousand francs' worth of stock at three per cent.
Well; and then you would only get the money on the third day. That is
the quickest way. To persuade a man to part with a fortune--for two
hundred thousand francs is the whole fortune of many a man--he ought
at least to know where it is all going to, and for what purpose--"

"It is going, my dear kind Crevel, to save the lives of two men, one
of whom will die of grief and the other will kill himself! And to save
me too from going mad! Am I not a little mad already?"

"Not so mad!" said he, taking Madame Hulot round the knees; "old
Crevel has his price, since you thought of applying to him, my angel."

"They submit to have a man's arms round their knees, it would seem!"
thought the saintly woman, covering her face with her hands.

"Once you offered me a fortune!" said she, turning red.

"Ay, mother! but that was three years ago!" replied Crevel. "Well, you
are handsomer now than ever I saw you!" he went on, taking the
Baroness' arm and pressing it to his heart. "You have a good memory,
my dear, by Jove!--And now you see how wrong you were to be so
prudish, for those three hundred thousand francs that you refused so
magnanimously are in another woman's pocket. I loved you then, I love
you still; but just look back these three years.

"When I said to you, 'You shall be mine,' what object had I in view? I
meant to be revenged on that rascal Hulot. But your husband, my
beauty, found himself a mistress--a jewel of a woman, a pearl, a
cunning hussy then aged three-and-twenty, for she is six-and-twenty
now. It struck me as more amusing, more complete, more Louis XV., more
Marechal de Richelieu, more first-class altogether, to filch away that
charmer, who, in point of fact, never cared for Hulot, and who for
these three years has been madly in love with your humble servant."

As he spoke, Crevel, from whose hands the Baroness had released her
own, had resumed his favorite attitude; both thumbs were stuck into
his armholes, and he was patting his ribs with his fingers, like two
flapping wings, fancying that he was thus making himself very
attractive and charming. It was as much as to say, "And this is the
man you would have nothing to say to!"

"There you are my dear; I had my revenge, and your husband knows it. I
proved to him clearly that he was basketed--just where he was before,
as we say. Madame Marneffe is my mistress, and when her precious
Marneffe kicks the bucket, she will be my wife."

Madame Hulot stared at Crevel with a fixed and almost dazed look.

"Hector knew it?" she said.

"And went back to her," replied Crevel. "And I allowed it, because
Valerie wished to be the wife of a head-clerk; but she promised me
that she would manage things so that our Baron should be so
effectually bowled over that he can never interfere any more. And my
little duchess--for that woman is a born duchess, on my soul!--kept
her word. She restores you your Hector, madame, virtuous in
perpetuity, as she says--she is so witty! He has had a good lesson, I
can tell you! The Baron has had some hard knocks; he will help no more
actresses or fine ladies; he is radically cured; cleaned out like a
beer-glass.

"If you had listened to Crevel in the first instance, instead of
scorning him and turning him out of the house, you might have had four
hundred thousand francs, for my revenge has cost me all of that.--But
I shall get my change back, I hope, when Marneffe dies--I have
invested in a wife, you see; that is the secret of my extravagance. I
have solved the problem of playing the lord on easy terms."

"Would you give your daughter such a mother-in-law? cried Madame
Hulot.

"You do not know Valerie, madame," replied Crevel gravely, striking
the attitude of his first manner. "She is a woman with good blood in
her veins, a lady, and a woman who enjoys the highest consideration.
Why, only yesterday the vicar of the parish was dining with her. She
is pious, and we have presented a splendid monstrance to the church.

"Oh! she is clever, she is witty, she is delightful, well informed--
she has everything in her favor. For my part, my dear Adeline, I owe
everything to that charming woman; she has opened my mind, polished my
speech, as you may have noticed; she corrects my impetuosity, and
gives me words and ideas. I never say anything now that I ought not. I
have greatly improved; you must have noticed it. And then she has
encouraged my ambition. I shall be a Deputy; and I shall make no
blunders, for I shall consult my Egeria. Every great politician, from
Numa to our present Prime Minister, has had his Sibyl of the fountain.
A score of deputies visit Valerie; she is acquiring considerable
influence; and now that she is about to be established in a charming
house, with a carriage, she will be one of the occult rulers of Paris.

"A fine locomotive! That is what such a woman is. Oh, I have blessed
you many a time for your stern virtue."

"It is enough to make one doubt the goodness of God!" cried Adeline,
whose indignation had dried her tears. "But, no! Divine justice must
be hanging over her head."

"You know nothing of the world, my beauty," said the great politician,
deeply offended. "The world, my Adeline, loves success! Say, now, has
it come to seek out your sublime virtue, priced at two hundred
thousand francs?"

The words made Madame Hulot shudder; the nervous trembling attacked
her once more. She saw that the ex-perfumer was taking a mean revenge
on her as he had on Hulot; she felt sick with disgust, and a spasm
rose to her throat, hindering speech.

"Money!" she said at last. "Always money!"

"You touched me deeply," said Crevel, reminded by these words of the
woman's humiliation, "when I beheld you there, weeping at my feet!--
You perhaps will not believe me, but if I had my pocket-book about me,
it would have been yours.--Come, do you really want such a sum?"

As she heard this question, big with two hundred thousand francs,
Adeline forgot the odious insults heaped on her by this cheap-jack
fine gentleman, before the tempting picture of success described by
Machiavelli-Crevel, who only wanted to find out her secrets and laugh
over them with Valerie.

"Oh! I will do anything, everything," cried the unhappy woman.
"Monsieur, I will sell myself--I will be a Valerie, if I must."

"You will find that difficult," replied Crevel. "Valerie is a
masterpiece in her way. My good mother, twenty-five years of virtue
are always repellent, like a badly treated disease. And your virtue
has grown very mouldy, my dear child. But you shall see how much I
love you. I will manage to get you your two hundred thousand francs."

Adeline, incapable of uttering a word, seized his hand and laid it on
her heart; a tear of joy trembled in her eyes.

"Oh! don't be in a hurry; there will be some hard pulling. I am a
jolly good fellow, a good soul with no prejudices, and I will put
things plainly to you. You want to do as Valerie does--very good. But
that is not all; you must have a gull, a stockholder, a Hulot.--Well,
I know a retired tradesman--in fact, a hosier. He is heavy, dull, has
not an idea, I am licking him into shape, but I don't know when he
will do me credit. My man is a deputy, stupid and conceited; the
tyranny of a turbaned wife, in the depths of the country, has
preserved him in a state of utter virginity as to the luxury and
pleasures of Paris life. But Beauvisage--his name is Beauvisage--is a
millionaire, and, like me, my dear, three years ago, he will give a
hundred thousand crowns to be the lover of a real lady.--Yes, you
see," he went on, misunderstanding a gesture on Adeline's part, "he is
jealous of me, you understand; jealous of my happiness with Madame
Marneffe, and he is a fellow quite capable of selling an estate to
purchase a--"

"Enough, Monsieur Crevel!" said Madame Hulot, no longer controlling
her disgust, and showing all her shame in her face. "I am punished
beyond my deserts. My conscience, so sternly repressed by the iron
hand of necessity, tells me, at this final insult, that such
sacrifices are impossible.--My pride is gone; I do not say now, as I
did the first time, 'Go!' after receiving this mortal thrust. I have
lost the right to do so. I have flung myself before you like a
prostitute.

"Yes," she went on, in reply to a negative on Crevel's part, "I have
fouled my life, till now so pure, by a degrading thought; and I am
inexcusable!--I know it!--I deserve every insult you can offer me!
God's will be done! If, indeed, He desires the death of two creatures
worthy to appear before Him, they must die! I shall mourn them, and
pray for them! If it is His will that my family should be humbled to
the dust, we must bow to His avenging sword, nay, and kiss it, since
we are Christians.--I know how to expiate this disgrace, which will be
the torment of all my remaining days.

"I who speak to you, monsieur, am not Madame Hulot, but a wretched,
humble sinner, a Christian whose heart henceforth will know but one
feeling, and that is repentance, all my time given up to prayer and
charity. With such a sin on my soul, I am the last of women, the first
only of penitents.--You have been the means of bringing me to a right
mind; I can hear the Voice of God speaking within me, and I can thank
you!"

She was shaking with the nervous trembling which from that hour never
left her. Her low, sweet tones were quite unlike the fevered accents
of the woman who was ready for dishonor to save her family. The blood
faded from her cheeks, her face was colorless, and her eyes were dry.

"And I played my part very badly, did I not?" she went on, looking at
Crevel with the sweetness that martyrs must have shown in their eyes
as they looked up at the Proconsul. "True love, the sacred love of a
devoted woman, gives other pleasures, no doubt, than those that are
bought in the open market!--But why so many words?" said she, suddenly
bethinking herself, and advancing a step further in the way to
perfection. "They sound like irony, but I am not ironical! Forgive me.
Besides, monsieur, I did not want to hurt any one but myself--"

The dignity of virtue and its holy flame had expelled the transient
impurity of the woman who, splendid in her own peculiar beauty, looked
taller in Crevel's eyes. Adeline had, at this moment, the majesty of
the figures of Religion clinging to the Cross, as painted by the old
Venetians; but she expressed, too, the immensity of her love and the
grandeur of the Catholic Church, to which she flew like a wounded
dove.

Crevel was dazzled, astounded.

"Madame, I am your slave, without conditions," said he, in an
inspiration of generosity. "We will look into this matter--and--
whatever you want--the impossible even--I will do. I will pledge my
securities at the Bank, and in two hours you shall have the money."

"Good God! a miracle!" said poor Adeline, falling on her knees.

She prayed to Heaven with such fervor as touched Crevel deeply; Madame
Hulot saw that he had tears in his eyes when, having ended her prayer,
she rose to her feet.

"Be a friend to me, monsieur," said she. "Your heart is better than
your words and conduct. God gave you your soul; your passions and the
world have given you your ideas. Oh, I will love you truly," she
exclaimed, with an angelic tenderness in strange contrast with her
attempts at coquettish trickery.

"But cease to tremble so," said Crevel.

"Am I trembling?" said the Baroness, unconscious of the infirmity that
had so suddenly come upon her.

"Yes; why, look," said Crevel, taking Adeline by the arm and showing
her that she was shaking with nervousness. "Come, madame," he added
respectfully, "compose yourself; I am going to the Bank at once."

"And come back quickly! Remember," she added, betraying all her
secrets, "that the first point is to prevent the suicide of our poor
Uncle Fischer involved by my husband--for I trust you now, and I am
telling you everything. Oh, if we should not be on time, I know my
brother-in-law, the Marshal, and he has such a delicate soul, that he
would die of it in a few days."

"I am off, then," said Crevel, kissing the Baroness' hand. "But what
has that unhappy Hulot done?"

"He has swindled the Government."

"Good Heavens! I fly, madame; I understand, I admire you!"

Crevel bent one knee, kissed Madame Hulot's skirt, and vanished,
saying, "You will see me soon."

Unluckily, on his way from the Rue Plumet to his own house, to fetch
the securities, Crevel went along the Rue Vanneau, and he could not
resist going in to see his little Duchess. His face still bore an
agitated expression.

He went straight into Valerie's room, who was having her hair dressed.
She looked at Crevel in her glass, and, like every woman of that sort,
was annoyed, before she knew anything about it, to see that he was
moved by some strong feeling of which she was not the cause.

"What is the matter, my dear?" said she. "Is that a face to bring in
to your little Duchess? I will not be your Duchess any more, monsieur,
no more than I will be your 'little duck,' you old monster."

Crevel replied by a melancholy smile and a glance at the maid.

"Reine, child, that will do for to-day; I can finish my hair myself.
Give me my Chinese wrapper; my gentleman seems to me out of sorts."

Reine, whose face was pitted like a colander, and who seemed to have
been made on purpose to wait on Valerie, smiled meaningly in reply,
and brought the dressing-gown. Valerie took off her combing-wrapper;
she was in her shift, and she wriggled into the dressing-gown like a
snake into a clump of grass.

"Madame is not at home?"

"What a question!" said Valerie.--"Come, tell me, my big puss, have
/Rives Gauches/ gone down?"

"No."

"They have raised the price of the house?"

"No."

"You fancy that you are not the father of our little Crevel?"

"What nonsense!" replied he, sure of his paternity.

"On my honor, I give it up!" said Madame Marneffe. "If I am expected
to extract my friend's woes as you pull the cork out of a bottle of
Bordeaux, I let it alone.--Go away, you bore me."

"It is nothing," said Crevel. "I must find two hundred thousand francs
in two hours."

"Oh, you can easily get them.--I have not spent the fifty thousand
francs we got out of Hulot for that report, and I can ask Henri for
fifty thousand--"

"Henri--it is always Henri!" exclaimed Crevel.

"And do you suppose, you great baby of a Machiavelli, that I will cast
off Henri? Would France disarm her fleet?--Henri! why, he is a dagger
in a sheath hanging on a nail. That boy serves as a weather-glass to
show me if you love me--and you don't love me this morning."

"I don't love you, Valerie?" cried Crevel. "I love you as much as a
million."

"That is not nearly enough!" cried she, jumping on to Crevel's knee,
and throwing both arms round his neck as if it were a peg to hang on
by. "I want to be loved as much as ten millions, as much as all the
gold in the world, and more to that. Henri would never wait a minute
before telling me all he had on his mind. What is it, my great pet?
Have it out. Make a clean breast of it to your own little duck!"

And she swept her hair over Crevel's face, while she jestingly pulled
his nose.

"Can a man with a nose like that," she went on, "have any secrets from
his /Vava--lele--ririe/?"

And at the /Vava/ she tweaked his nose to the right; at /lele/ it went
to the left; at /ririe/ she nipped it straight again.

"Well, I have just seen--" Crevel stopped and looked at Madame
Marneffe.

"Valerie, my treasure, promise me on your honor--ours, you know?--not
to repeat a single word of what I tell you."

"Of course, Mayor, we know all about that. One hand up--so--and one
foot--so!" And she put herself in an attitude which, to use Rabelais'
phrase, stripped Crevel bare from his brain to his heels, so quaint
and delicious was the nudity revealed through the light film of lawn.

"I have just seen virtue in despair."

"Can despair possess virtue?" said she, nodding gravely and crossing
her arms like Napoleon.

"It is poor Madame Hulot. She wants two hundred thousand francs, or
else Marshal Hulot and old Johann Fischer will blow their brains out;
and as you, my little Duchess, are partly at the bottom of the
mischief, I am going to patch matters up. She is a saintly creature, I
know her well; she will repay you every penny."

At the name of Hulot, at the words two hundred thousand francs, a
gleam from Valerie's eyes flashed from between her long eyelids like
the flame of a cannon through the smoke.

"What did the old thing do to move you to compassion? Did she show you
--what?--her--her religion?"

"Do not make game of her, sweetheart; she is a very saintly, a very
noble and pious woman, worthy of all respect."

"Am I not worthy of respect then, heh?" answered Valerie, with a
threatening gaze at Crevel.

"I never said so," replied he, understanding that the praise of virtue
might not be gratifying to Madame Marneffe.

"I am pious too," Valerie went on, taking her seat in an armchair;
"but I do not make a trade of my religion. I go to church in secret."

She sat in silence, and paid no further heed to Crevel. He, extremely
ill at ease, came to stand in front of the chair into which Valerie
had thrown herself, and saw her lost in the reflections he had been so
foolish as to suggest.

"Valerie, my little Angel!"

Utter silence. A highly problematical tear was furtively dashed away.

"One word, my little duck?"

"Monsieur!"

"What are you thinking of, my darling?"

"Oh, Monsieur Crevel, I was thinking of the day of my first communion!
How pretty I was! How pure, how saintly!--immaculate!--Oh! if any one
had come to my mother and said, 'Your daughter will be a hussy, and
unfaithful to her husband; one day a police-officer will find her in a
disreputable house; she will sell herself to a Crevel to cheat a Hulot
--two horrible old men--' Poof! horrible--she would have died before
the end of the sentence, she was so fond of me, poor dear!--"

"Nay, be calm."

"You cannot think how well a woman must love a man before she can
silence the remorse that gnaws at the heart of an adulterous wife. I
am quite sorry that Reine is not here; she would have told you that
she found me this morning praying with tears in my eyes. I, Monsieur
Crevel, for my part, do not make a mockery of religion. Have you ever
heard me say a word I ought not on such a subject?"

Crevel shook his head in negation.

"I will never allow it to be mentioned in my presence. I can make fun
of anything under the sun: Kings, politics, finance, everything that
is sacred in the eyes of the world--judges, matrimony, and love--old
men and maidens. But the Church and God!--There I draw the line.--I
know I am wicked; I am sacrificing my future life to you. And you have
no conception of the immensity of my love."

Crevel clasped his hands.

"No, unless you could see into my heart, and fathom the depth of my
conviction so as to know the extent of my sacrifice! I feel in me the
making of a Magdalen.--And see how respectfully I treat the priests;
think of the gifts I make to the Church! My mother brought me up in
the Catholic Faith, and I know what is meant by God! It is to sinners
like us that His voice is most awful."

Valerie wiped away two tears that trickled down her cheeks. Crevel was
in dismay. Madame Marneffe stood up in her excitement.

"Be calm, my darling--you alarm me!"

Madame Marneffe fell on her knees.

"Dear Heaven! I am not bad all through!" she cried, clasping her
hands. "Vouchsafe to rescue Thy wandering lamb, strike her, crush her,
snatch her from foul and adulterous hands, and how gladly she will
nestle on Thy shoulder! How willingly she will return to the fold!"

She got up and looked at Crevel; her colorless eyes frightened him.

"Yes, Crevel, and, do you know? I, too, am frightened sometimes. The
justice of God is exerted in this nether world as well as in the next.
What mercy can I expect at God's hands? His vengeance overtakes the
guilty in many ways; it assumes every aspect of disaster. That is what
my mother told me on her death-bed, speaking of her own old age.--But
if I should lose you, she added, hugging Crevel with a sort of savage
frenzy--"oh! I should die!"

Madame Marneffe released Crevel, knelt down again at the armchair,
folded her hands--and in what a bewitching attitude!--and with
incredible fervor poured out the following prayer:--

"And thou, Saint Valerie, my patron saint, why dost thou so rarely
visit the pillow of her who was intrusted to thy care? Oh, come this
evening, as thou didst this morning, to inspire me with holy thoughts,
and I will quit the path of sin; like the Magdalen, I will give up
deluding joys and the false glitter of the world, even the man I love
so well--"

"My precious duck!"

"No more of the 'precious duck,' monsieur!" said she, turning round
like a virtuous wife, her eyes full of tears, but dignified, cold, and
indifferent.

"Leave me," she went on, pushing him from her. "What is my duty? To
belong wholly to my husband.--He is a dying man, and what am I doing?
Deceiving him on the edge of the grave. He believes your child to be
his. I will tell him the truth, and begin by securing his pardon
before I ask for God's.--We must part. Good-bye, Monsieur Crevel," and
she stood up to offer him an icy cold hand. "Good-bye, my friend; we
shall meet no more till we meet in a better world.--You have to thank
me for some enjoyment, criminal indeed; now I want--oh yes, I shall
have your esteem."

Crevel was weeping bitter tears.

"You great pumpkin!" she exclaimed, with an infernal peal of laughter.
"That is how your pious women go about it to drag from you a plum of
two hundred thousand francs. And you, who talk of the Marechal de
Richelieu, the prototype of Lovelace, you could be taken in by such a
stale trick as that! I could get hundreds of thousands of francs out
of you any day, if I chose, you old ninny!--Keep your money! If you
have more than you know what to do with, it is mine. If you give two
sous to that 'respectable' woman, who is pious forsooth, because she
is fifty-six years of age, we shall never meet again, and you may take
her for your mistress! You could come back to me next day bruised all
over from her bony caresses and sodden with her tears, and sick of her
little barmaid's caps and her whimpering, which must turn her favors
into showers--"

"In point of fact," said Crevel, "two hundred thousand francs is a
round sum of money."

"They have fine appetites, have the goody sort! By the poker! they
sell their sermons dearer than we sell the rarest and realest thing on
earth--pleasure.--And they can spin a yarn! There, I know them. I have
seen plenty in my mother's house. They think everything is allowable
for the Church and for--Really, my dear love, you ought to be ashamed
of yourself--for you are not so open-handed! You have not given me two
hundred thousand francs all told!"

"Oh yes," said Crevel, "your little house will cost as much as that."

"Then you have four hundred thousand francs?" said she thoughtfully.

"No."

"Then, sir, you meant to lend that old horror the two hundred thousand
francs due for my hotel? What a crime, what high treason!"

"Only listen to me."

"If you were giving the money to some idiotic philanthropic scheme,
you would be regarded as a coming man," she went on, with increasing
eagerness, "and I should be the first to advise it; for you are too
simple to write a big political book that might make you famous; as
for style, you have not enough to butter a pamphlet; but you might do
as other men do who are in your predicament, and who get a halo of
glory about their name by putting it at the top of some social, or
moral, or general, or national enterprise. Benevolence is out of date,
quite vulgar. Providing for old offenders, and making them more
comfortable than the poor devils who are honest, is played out. What I
should like to see is some invention of your own with an endowment of
two hundred thousand francs--something difficult and really useful.
Then you would be talked about as a man of mark, a Montyon, and I
should be very proud of you!

"But as to throwing two hundred thousand francs into a holy-water
shell, or lending them to a bigot--cast off by her husband, and who
knows why? there is always some reason: does any one cast me off, I
ask you?--is a piece of idiocy which in our days could only come into
the head of a retired perfumer. It reeks of the counter. You would not
dare look at yourself in the glass two days after.

"Go and pay the money in where it will be safe--run, fly; I will not
admit you again without the receipt in your hand. Go, as fast and soon
as you can!"

She pushed Crevel out of the room by the shoulders, seeing avarice
blossoming in his face once more. When she heard the outer door shut,
she exclaimed:

"Then Lisbeth is revenged over and over again! What a pity that she is
at her old Marshal's now! We would have had a good laugh! So that old
woman wants to take the bread out of my mouth. I will startle her a
little!"



Marshal Hulot, being obliged to live in a style suited to the highest
military rank, had taken a handsome house in the Rue du Mont-Parnasse,
where there are three or four princely residences. Though he rented
the whole house, he inhabited only the ground floor. When Lisbeth went
to keep house for him, she at once wished to let the first floor,
which, as she said, would pay the whole rent, so that the Count would
live almost rent-free; but the old soldier would not hear of it.

For some months past the Marshal had had many sad thoughts. He had
guessed how miserably poor his sister-in-law was, and suspected her
griefs without understanding their cause. The old man, so cheerful in
his deafness, became taciturn; he could not help thinking that his
house would one day be a refuge for the Baroness and her daughter; and
it was for them that he kept the first floor. The smallness of his
fortune was so well known at headquarters, that the War Minister, the
Prince de Wissembourg, begged his old comrade to accept a sum of money
for his household expenses. This sum the Marshal spent in furnishing
the ground floor, which was in every way suitable; for, as he said, he
would not accept the Marshal's baton to walk the streets with.

The house had belonged to a senator under the Empire, and the ground
floor drawing-rooms had been very magnificently fitted with carved
wood, white-and-gold, still in very good preservation. The Marshal had
found some good old furniture in the same style; in the coach-house he
had a carriage with two batons in saltire on the panels; and when he
was expected to appear in full fig, at the Minister's, at the
Tuileries, for some ceremony or high festival, he hired horses for the
job.

His servant for more than thirty years was an old soldier of sixty,
whose sister was the cook, so he had saved ten thousand francs, adding
it by degrees to a little hoard he intended for Hortense. Every day
the old man walked along the boulevard, from the Rue du Mont-Parnasse
to the Rue Plumet; and every pensioner as he passed stood at
attention, without fail, to salute him: then the Marshal rewarded the
veteran with a smile.

"Who is the man you always stand at attention to salute?" said a young
workman one day to an old captain and pensioner.

"I will tell you, boy," replied the officer.

The "boy" stood resigned, as a man does to listen to an old gossip.

"In 1809," said the captain, "we were covering the flank of the main
army, marching on Vienna under the Emperor's command. We came to a
bridge defended by three batteries of cannon, one above another, on a
sort of cliff; three redoubts like three shelves, and commanding the
bridge. We were under Marshal Massena. That man whom you see there was
Colonel of the Grenadier Guards, and I was one of them. Our columns
held one bank of the river, the batteries were on the other. Three
times they tried for the bridge, and three times they were driven
back. 'Go and find Hulot!' said the Marshal; 'nobody but he and his
men can bolt that morsel.' So we came. The General, who was just
retiring from the bridge, stopped Hulot under fire, to tell him how to
do it, and he was in the way. 'I don't want advice, but room to pass,'
said our General coolly, marching across at the head of his men. And
then, rattle, thirty guns raking us at once."

"By Heaven!" cried the workman, "that accounts for some of these
crutches!"

"And if you, like me, my boy, had heard those words so quietly spoken,
you would bow before that man down to the ground! It is not so famous
as Arcole, but perhaps it was finer. We followed Hulot at the double,
right up to those batteries. All honor to those we left there!" and
the old man lifted his hat. "The Austrians were amazed at the dash of
it.--The Emperor made the man you saw a Count; he honored us all by
honoring our leader; and the King of to-day was very right to make him
a Marshal."

"Hurrah for the Marshal!" cried the workman.

"Oh, you may shout--shout away! The Marshal is as deaf as a post from
the roar of cannon."

This anecdote may give some idea of the respect with which the
/Invalides/ regarded Marshal Hulot, whose Republican proclivities
secured him the popular sympathy of the whole quarter of the town.

Sorrow taking hold on a spirit so calm and strict and noble, was a
heart-breaking spectacle. The Baroness could only tell lies, with a
woman's ingenuity, to conceal the whole dreadful truth from her
brother-in-law.

In the course of this miserable morning, the Marshal, who, like all
old men, slept but little, had extracted from Lisbeth full particulars
as to his brother's situation, promising to marry her as the reward of
her revelations. Any one can imagine with what glee the old maid
allowed the secrets to be dragged from her which she had been dying to
tell ever since she had come into the house; for by this means she
made her marriage more certain.

"Your brother is incorrigible!" Lisbeth shouted into the Marshal's
best ear.

Her strong, clear tones enabled her to talk to him, but she wore out
her lungs, so anxious was she to prove to her future husband that to
her he would never be deaf.

"He has had three mistresses," said the old man, "and his wife was an
Adeline! Poor Adeline!"

"If you will take my advice," shrieked Lisbeth, "you will use your
influence with the Prince de Wissembourg to secure her some suitable
appointment. She will need it, for the Baron's pay is pledged for
three years."

"I will go to the War Office," said he, "and see the Prince, to find
out what he thinks of my brother, and ask for his interest to help my
sister. Think of some place that is fit for her."

"The charitable ladies of Paris, in concert with the Archbishop, have
formed various beneficent associations; they employ superintendents,
very decently paid, whose business it is to seek out cases of real
want. Such an occupation would exactly suit dear Adeline; it would be
work after her own heart."

"Send to order the horses," said the Marshal. "I will go and dress. I
will drive to Neuilly if necessary."

"How fond he is of her! She will always cross my path wherever I
turn!" said Lisbeth to herself.

Lisbeth was already supreme in the house, but not with the Marshal's
cognizance. She had struck terror into the three servants--for she had
allowed herself a housemaid, and she exerted her old-maidish energy in
taking stock of everything, examining everything, and arranging in
every respect for the comfort of her dear Marshal. Lisbeth, quite as
Republican as he could be, pleased him by her democratic opinions, and
she flattered him with amazing dexterity; for the last fortnight the
old man, whose house was better kept, and who was cared for as a child
by its mother, had begun to regard Lisbeth as a part of what he had
dreamed of.

"My dear Marshal," she shouted, following him out on to the steps,
"pull up the windows, do not sit in a draught, to oblige me!"

The Marshal, who had never been so cosseted in his life, went off
smiling at Lisbeth, though his heart was aching.

At the same hour Baron Hulot was quitting the War Office to call on
his chief, Marshal the Prince de Wissembourg, who had sent for him.
Though there was nothing extraordinary in one of the Generals on the
Board being sent for, Hulot's conscience was so uneasy that he fancied
he saw a cold and sinister expression in Mitouflet's face.

"Mitouflet, how is the Prince?" he asked, locking the door of his
private room and following the messenger who led the way.

"He must have a crow to pluck with you, Monsieur le Baron," replied
the man, "for his face is set at stormy."

Hulot turned pale, and said no more; he crossed the anteroom and
reception rooms, and, with a violently beating heart, found himself at
the door of the Prince's private study.

The chief, at this time seventy years old, with perfectly white hair,
and the tanned complexion of a soldier of that age, commanded
attention by a brow so vast that imagination saw in it a field of
battle. Under this dome, crowned with snow, sparkled a pair of eyes,
of the Napoleon blue, usually sad-looking and full of bitter thoughts
and regrets, their fire overshadowed by the penthouse of the strongly
projecting brow. This man, Bernadotte's rival, had hoped to find his
seat on a throne. But those eyes could flash formidable lightnings
when they expressed strong feelings.

Then, his voice, always somewhat hollow, rang with strident tones.
When he was angry, the Prince was a soldier once more; he spoke the
language of Lieutenant Cottin; he spared nothing--nobody. Hulot d'Ervy
found the old lion, his hair shaggy like a mane, standing by the
fireplace, his brows knit, his back against the mantel-shelf, and his
eyes apparently fixed on vacancy.

"Here! At your orders, Prince!" said Hulot, affecting a graceful ease
of manner.

The Marshal looked hard at the Baron, without saying a word, during
the time it took him to come from the door to within a few steps of
where the chief stood. This leaden stare was like the eye of God;
Hulot could not meet it; he looked down in confusion.

"He knows everything!" said he to himself.

"Does your conscience tell you nothing?" asked the Marshal, in his
deep, hollow tones.

"It tells me, sir, that I have been wrong, no doubt, in ordering
/razzias/ in Algeria without referring the matter to you. At my age,
and with my tastes, after forty-five years of service, I have no
fortune.--You know the principles of the four hundred elect
representatives of France. Those gentlemen are envious of every
distinction; they have pared down even the Ministers' pay--that says
everything! Ask them for money for an old servant!--What can you
expect of men who pay a whole class so badly as they pay the
Government legal officials?--who give thirty sous a day to the
laborers on the works at Toulon, when it is a physical impossibility
to live there and keep a family on less than forty sous?--who never
think of the atrocity of giving salaries of six hundred francs, up to
a thousand or twelve hundred perhaps, to clerks living in Paris; and
who want to secure our places for themselves as soon as the pay rises
to forty thousand?--who, finally, refuse to restore to the Crown a
piece of Crown property confiscated from the Crown in 1830--property
acquired, too, by Louis XVI. out of his privy purse!--If you had no
private fortune, Prince, you would be left high and dry, like my
brother, with your pay and not another sou, and no thought of your
having saved the army, and me with it, in the boggy plains of Poland."

"You have robbed the State! You have made yourself liable to be
brought before the bench at Assizes," said the Marshal, "like that
clerk of the Treasury! And you take this, monsieur, with such levity."

"But there is a great difference, monseigneur!" cried the baron. "Have
I dipped my hands into a cash box intrusted to my care?"

"When a man of your rank commits such an infamous crime," said the
Marshal, "he is doubly guilty if he does it clumsily. You have
compromised the honor of our official administration, which hitherto
has been the purest in Europe!--And all for two hundred thousand
francs and a hussy!" said the Marshal, in a terrible voice. "You are a
Councillor of State--and a private soldier who sells anything
belonging to his regiment is punished with death! Here is a story told
to me one day by Colonel Pourin of the Second Lancers. At Saverne, one
of his men fell in love with a little Alsatian girl who had a fancy
for a shawl. The jade teased this poor devil of a lancer so
effectually, that though he could show twenty years' service, and was
about to be promoted to be quartermaster--the pride of the regiment--
to buy this shawl he sold some of his company's kit.--Do you know what
this lancer did, Baron d'Ervy? He swallowed some window-glass after
pounding it down, and died in eleven hours, of an illness, in
hospital.--Try, if you please, to die of apoplexy, that we may not see
you dishonored."

Hulot looked with haggard eyes at the old warrior; and the Prince,
reading the look which betrayed the coward, felt a flush rise to his
cheeks; his eyes flamed.

"Will you, sir, abandon me?" Hulot stammered.

Marshal Hulot, hearing that only his brother was with the Minister,
ventured at this juncture to come in, and, like all deaf people, went
straight up to the Prince.

"Oh," cried the hero of Poland, "I know what you are here for, my old
friend! But we can do nothing."

"Do nothing!" echoed Marshal Hulot, who had heard only the last word.

"Nothing; you have come to intercede for your brother. But do you know
what your brother is?"

"My brother?" asked the deaf man.

"Yes, he is a damned infernal blackguard, and unworthy of you."

The Marshal in his rage shot from his eyes those fulminating fires
which, like Napoleon's, broke a man's will and judgment.

"You lie, Cottin!" said Marshal Hulot, turning white. "Throw down your
baton as I throw mine! I am ready."

The Prince went up to his old comrade, looked him in the face, and
shouted in his ear as he grasped his hand:

"Are you a man?"

"You will see that I am."

"Well, then, pull yourself together! You must face the worst
misfortune that can befall you."

The Prince turned round, took some papers from the table, and placed
them in the Marshal's hands, saying, "Read that."

The Comte de Forzheim read the following letter, which lay
uppermost:--

  "To his Excellency the President of the Council.

"/Private and Confidential/.

"ALGIERS.

  "MY DEAR PRINCE,--We have a very ugly business on our hands, as
  you will see by the accompanying documents.

  "The story, briefly told, is this: Baron Hulot d'Ervy sent out to
  the province of Oran an uncle of his as a broker in grain and
  forage, and gave him an accomplice in the person of a storekeeper.
  This storekeeper, to curry favor, has made a confession, and
  finally made his escape. The Public Prosecutor took the matter up
  very thoroughly, seeing, as he supposed, that only two inferior
  agents were implicated; but Johann Fischer, uncle to your Chief of
  the Commissariat Department, finding that he was to be brought up
  at the Assizes, stabbed himself in prison with a nail.

  "That would have been the end of the matter if this worthy and
  honest man, deceived, it would seem, by his agent and by his
  nephew, had not thought proper to write to Baron Hulot. This
  letter, seized as a document, so greatly surprised the Public
  Prosecutor, that he came to see me. Now, the arrest and public
  trial of a Councillor of State would be such a terrible thing--of
  a man high in office too, who has a good record for loyal service
  --for after the Beresina, it was he who saved us all by
  reorganizing the administration--that I desired to have all the
  papers sent to me.

  "Is the matter to take its course? Now that the principal agent is
  dead, will it not be better to smother up the affair and sentence
  the storekeeper in default?

  "The Public Prosecutor has consented to my forwarding the
  documents for your perusal; the Baron Hulot d'Ervy, being resident
  in Paris, the proceedings will lie with your Supreme Court. We
  have hit on this rather shabby way of ridding ourselves of the
  difficulty for the moment.

  "Only, my dear Marshal, decide quickly. This miserable business is
  too much talked about already, and it will do as much harm to us
  as to you all if the name of the principal culprit--known at
  present only to the Public Prosecutor, the examining judge, and
  myself--should happen to leak out."

At this point the letter fell from Marshal Hulot's hands; he looked at
his brother; he saw that there was no need to examine the evidence.
But he looked for Johann Fischer's letter, and after reading it at a
glance, held it out to Hector:--

"FROM THE PRISON AT ORAN.

  "DEAR NEPHEW,--When you read this letter, I shall have ceased to
  live.

  "Be quite easy, no proof can be found to incriminate you. When I
  am dead and your Jesuit of a Chardin fled, the trial must
  collapse. The face of our Adeline, made so happy by you, makes
  death easy to me. Now you need not send the two hundred thousand
  francs. Good-bye.

  "This letter will be delivered by a prisoner for a short term whom
  I can trust, I believe.

"JOHANN FISCHER."


"I beg your pardon," said Marshal Hulot to the Prince de Wissembourg
with pathetic pride.

"Come, come, say /tu/, not the formal /vous/," replied the Minister,
clasping his old friend's hand. "The poor lancer killed no one but
himself," he added, with a thunderous look at Hulot d'Ervy.

"How much have you had?" said the Comte de Forzheim to his brother.

"Two hundred thousand francs."

"My dear friend," said the Count, addressing the Minister, "you shall
have the two hundred thousand francs within forty-eight hours. It
shall never be said that a man bearing the name of Hulot has wronged
the public treasury of a single sou."

"What nonsense!" said the Prince. "I know where the money is, and I
can get it back.--Send in your resignation and ask for your pension!"
he went on, sending a double sheet of foolscap flying across to where
the Councillor of State had sat down by the table, for his legs gave
way under him. "To bring you to trial would disgrace us all. I have
already obtained from the superior Board their sanction to this line
of action. Since you can accept life with dishonor--in my opinion the
last degradation--you will get the pension you have earned. Only take
care to be forgotten."

The Minister rang.

"Is Marneffe, the head-clerk, out there?"

"Yes, monseigneur."

"Show him in!"

"You," said the Minister as Marneffe came in, "you and your wife have
wittingly and intentionally ruined the Baron d'Ervy whom you see."

"Monsieur le Ministre, I beg your pardon. We are very poor. I have
nothing to live on but my pay, and I have two children, and the one
that is coming will have been brought into the family by Monsieur le
Baron."

"What a villain he looks!" said the Prince, pointing to Marneffe and
addressing Marshal Hulot.--"No more of Sganarelle speeches," he went
on; "you will disgorge two hundred thousand francs, or be packed off
to Algiers."

"But, Monsieur le Ministre, you do not know my wife. She has spent it
all. Monsieur le Baron asked six persons to dinner every evening.--
Fifty thousand francs a year are spent in my house."

"Leave the room!" said the Minister, in the formidable tones that had
given the word to charge in battle. "You will have notice of your
transfer within two hours. Go!"

"I prefer to send in my resignation," said Marneffe insolently. "For
it is too much to be what I am already, and thrashed into the bargain.
That would not satisfy me at all."

And he left the room.

"What an impudent scoundrel!" said the Prince.

Marshal Hulot, who had stood up throughout this scene, as pale as a
corpse, studying his brother out of the corner of his eye, went up to
the Prince, and took his hand, repeating:

"In forty-eight hours the pecuniary mischief shall be repaired; but
honor!--Good-bye, Marshal. It is the last shot that kills. Yes, I
shall die of it!" he said in his ear.

"What the devil brought you here this morning?" said the Prince, much
moved.

"I came to see what can be done for his wife," replied the Count,
pointing to his brother. "She is wanting bread--especially now!"

"He has his pension."

"It is pledged!"

"The Devil must possess such a man," said the Prince, with a shrug.
"What philtre do those baggages give you to rob you of your wits?" he
went on to Hulot d'Ervy. "How could you--you, who know the precise
details with which in French offices everything is written down at
full length, consuming reams of paper to certify to the receipt or
outlay of a few centimes--you, who have so often complained that a
hundred signatures are needed for a mere trifle, to discharge a
soldier, to buy a curry-comb--how could you hope to conceal a theft
for any length of time? To say nothing of the newspapers, and the
envious, and the people who would like to steal!--those women must rob
you of your common-sense! Do they cover your eyes with walnut-shells?
or are you yourself made of different stuff from us?--You ought to
have left the office as soon as you found that you were no longer a
man, but a temperament. If you have complicated your crime with such
gross folly, you will end--I will not say where----"

"Promise me, Cottin, that you will do what you can for her," said the
Marshal, who heard nothing, and was still thinking of his sister-in-
law.

"Depend on me,!" said the Minister.

"Thank you, and good-bye then!--Come, monsieur," he said to his
brother.

The Prince looked with apparent calmness at the two brothers, so
different in their demeanor, conduct, and character--the brave man and
the coward, the ascetic and the profligate, the honest man and the
peculator--and he said to himself:

"That mean creature will not have courage to die! And my poor Hulot,
such an honest fellow! has death in his knapsack, I know!"

He sat down again in his big chair and went on reading the despatches
from Africa with a look characteristic at once of the coolness of a
leader and of the pity roused by the sight of a battle-field! For in
reality no one is so humane as a soldier, stern as he may seem in the
icy determination acquired by the habit of fighting, and so absolutely
essential in the battle-field.

Next morning some of the newspapers contained, under various headings,
the following paragraphs:--

  "Monsieur le Baron Hulot d'Ervy has applied for his retiring
  pension. The unsatisfactory state of the Algerian exchequer, which
  has come out in consequence of the death and disappearance of two
  employes, has had some share in this distinguished official's
  decision. On hearing of the delinquencies of the agents whom he
  had unfortunately trusted, Monsieur le Baron Hulot had a paralytic
  stroke in the War Minister's private room.

  "Monsieur Hulot d'Ervy, brother to the Marshal Comte de Forzheim,
  has been forty-five years in the service. His determination has
  been vainly opposed, and is greatly regretted by all who know
  Monsieur Hulot, whose private virtues are as conspicuous as his
  administrative capacity. No one can have forgotten the devoted
  conduct of the Commissary General of the Imperial Guard at Warsaw,
  or the marvelous promptitude with which he organized supplies for
  the various sections of the army so suddenly required by Napoleon
  in 1815.

  "One more of the heroes of the Empire is retiring from the stage.
  Monsieur le Baron Hulot has never ceased, since 1830, to be one of
  the guiding lights of the State Council and of the War Office."

  "ALGIERS.--The case known as the forage supply case, to which some
  of our contemporaries have given absurd prominence, has been
  closed by the death of the chief culprit. Johann Wisch has
  committed suicide in his cell; his accomplice, who had absconded,
  will be sentenced in default.

  "Wisch, formerly an army contractor, was an honest man and highly
  respected, who could not survive the idea of having been the dupe
  of Chardin, the storekeeper who has disappeared."

And in the /Paris News/ the following paragraph appeared:

  "Monsieur le Marechal the Minister of War, to prevent the
  recurrence of such scandals for the future, has arranged for a
  regular Commissariat office in Africa. A head-clerk in the War
  Office, Monsieur Marneffe, is spoken of as likely to be appointed
  to the post of director."



  "The office vacated by Baron Hulot is the object of much ambition.
  The appointment is promised, it is said, to Monsieur le Comte
  Martial de la Roche-Hugon, Deputy, brother-in-law to Monsieur le
  Comte de Rastignac. Monsieur Massol, Master of Appeals, will fill
  his seat on the Council of State, and Monsieur Claude Vignon
  becomes Master of Appeals."

Of all kinds of false gossip, the most dangerous for the Opposition
newspapers is the official bogus paragraph. However keen journalists
may be, they are sometimes the voluntary or involuntary dupes of the
cleverness of those who have risen from the ranks of the Press, like
Claude Vignon, to the higher realms of power. The newspaper can only
be circumvented by the journalist. It may be said, as a parody on a
line by Voltaire:

"The Paris news is never what the foolish folk believe."

Marshal Hulot drove home with his brother, who took the front seat,
respectfully leaving the whole of the back of the carriage to his
senior. The two men spoke not a word. Hector was helpless. The Marshal
was lost in thought, like a man who is collecting all his strength,
and bracing himself to bear a crushing weight. On arriving at his own
house, still without speaking, but by an imperious gesture, he
beckoned his brother into his study. The Count had received from the
Emperor Napoleon a splendid pair of pistols from the Versailles
factory; he took the box, with its inscription. "/Given by the Emperor
Napoleon to General Hulot/," out of his desk, and placing it on the
top, he showed it to his brother, saying, "There is your remedy."

Lisbeth, peeping through the chink of the door, flew down to the
carriage and ordered the coachman to go as fast as he could gallop to
the Rue Plumet. Within about twenty minutes she had brought back
Adeline, whom she had told of the Marshal's threat to his brother.

The Marshal, without looking at Hector, rang the bell for his
factotum, the old soldier who had served him for thirty years.

"Beau-Pied," said he, "fetch my notary, and Count Steinbock, and my
niece Hortense, and the stockbroker to the Treasury. It is now half-
past ten; they must all be here by twelve. Take hackney cabs--and go
faster than /that/!" he added, a republican allusion which in past
days had been often on his lips. And he put on the scowl that had
brought his soldiers to attention when he was beating the broom on the
heaths of Brittany in 1799. (See /Les Chouans/.)

"You shall be obeyed, Marechal," said Beau-Pied, with a military
salute.

Still paying no heed to his brother, the old man came back into his
study, took a key out of his desk, and opened a little malachite box
mounted in steel, the gift of the Emperor Alexander.

By Napoleon's orders he had gone to restore to the Russian Emperor the
private property seized at the battle of Dresden, in exchange for
which Napoleon hoped to get back Vandamme. The Czar rewarded General
Hulot very handsomely, giving him this casket, and saying that he
hoped one day to show the same courtesy to the Emperor of the French;
but he kept Vandamme. The Imperial arms of Russia were displayed in
gold on the lid of the box, which was inlaid with gold.

The Marshal counted the bank-notes it contained; he had a hundred and
fifty-two thousand francs. He saw this with satisfaction. At the same
moment Madame Hulot came into the room in a state to touch the heart
of the sternest judge. She flew into Hector's arms, looking
alternately with a crazy eye at the Marshal and at the case of
pistols.

"What have you to say against your brother? What has my husband done
to you?" said she, in such a voice that the Marshal heard her.

"He has disgraced us all!" replied the Republican veteran, who spoke
with a vehemence that reopened one of his old wounds. "He has robbed
the Government! He has cast odium on my name, he makes me wish I were
dead--he has killed me!--I have only strength enough left to make
restitution!

"I have been abased before the Conde of the Republic, the man I esteem
above all others, and to whom I unjustifiably gave the lie--the Prince
of Wissembourg!--Is that nothing? That is the score his country has
against him!"

He wiped away a tear.

"Now, as to his family," he went on. "He is robbing you of the bread I
had saved for you, the fruit of thirty years' economy, of the
privations of an old soldier! Here is what was intended for you," and
he held up the bank-notes. "He has killed his Uncle Fischer, a noble
and worthy son of Alsace who could not--as he can--endure the thought
of a stain on his peasant's honor.

"To crown all, God, in His adorable clemency, had allowed him to
choose an angel among women; he has had the unspeakable happiness of
having an Adeline for his wife! And he has deceived her, he has soaked
her in sorrows, he has neglected her for prostitutes, for street-
hussies, for ballet-girls, actresses--Cadine, Josepha, Marneffe!--And
that is the brother I treated as a son and made my pride!

"Go, wretched man; if you can accept the life of degradation you have
made for yourself, leave my house! I have not the heart to curse a
brother I have loved so well--I am as foolish about him as you are,
Adeline--but never let me see him again. I forbid his attending my
funeral or following me to the grave. Let him show the decency of a
criminal if he can feel no remorse."

The Marshal, as pale as death, fell back on the settee, exhausted by
his solemn speech. And, for the first time in his life perhaps, tears
gathered in his eyes and rolled down his cheeks.

"My poor uncle!" cried Lisbeth, putting a handkerchief to her eyes.

"Brother!" said Adeline, kneeling down by the Marshal, "live for my
sake. Help me in the task of reconciling Hector to the world and
making him redeem the past."

"He!" cried the Marshal. "If he lives, he is not at the end of his
crimes. A man who has misprized an Adeline, who has smothered in his
own soul the feelings of a true Republican which I tried to instill
into him, the love of his country, of his family, and of the poor--
that man is a monster, a swine!--Take him away if you still care for
him, for a voice within me cries to me to load my pistols and blow his
brains out. By killing him I should save you all, and I should save
him too from himself."

The old man started to his feet with such a terrifying gesture that
poor Adeline exclaimed:

"Hector--come!"

She seized her husband's arm, dragged him away, and out of the house;
but the Baron was so broken down, that she was obliged to call a coach
to take him to the Rue Plumet, where he went to bed. The man remained
there for several days in a sort of half-dissolution, refusing all
nourishment without a word. By floods of tears, Adeline persuaded him
to swallow a little broth; she nursed him, sitting by his bed, and
feeling only, of all the emotions that once had filled her heart, the
deepest pity for him.

At half-past twelve, Lisbeth showed into her dear Marshal's room--for
she would not leave him, so much was she alarmed at the evident change
in him--Count Steinbock and the notary.

"Monsieur le Comte," said the Marshal, "I would beg you to be so good
as to put your signature to a document authorizing my niece, your
wife, to sell a bond for certain funds of which she at present holds
only the reversion.--You, Mademoiselle Fischer, will agree to this
sale, thus losing your life interest in the securities."

"Yes, dear Count," said Lisbeth without hesitation.

"Good, my dear," said the old soldier. "I hope I may live to reward
you. But I did not doubt you; you are a true Republican, a daughter of
the people." He took the old maid's hand and kissed it.

"Monsieur Hannequin," he went on, speaking to the notary, "draw up the
necessary document in the form of a power of attorney, and let me have
it within two hours, so that I may sell the stock on the Bourse
to-day. My niece, the Countess, holds the security; she will be here
to sign the power of attorney when you bring it, and so will
mademoiselle. Monsieur le Comte will be good enough to go with you and
sign it at your office."

The artist, at a nod from Lisbeth, bowed respectfully to the Marshal
and went away.

Next morning, at ten o'clock, the Comte de Forzheim sent in to
announce himself to the Prince, and was at once admitted.

"Well, my dear Hulot," said the Prince, holding out the newspapers to
his old friend, "we have saved appearances, you see.--Read."

Marshal Hulot laid the papers on his comrade's table, and held out to
him the two hundred thousand francs.

"Here is the money of which my brother robbed the State," said he.

"What madness!" cried the Minister. "It is impossible," he said into
the speaking-trumpet handed to him by the Marshal, "to manage this
restitution. We should be obliged to declare your brother's dishonest
dealings, and we have done everything to hide them."

"Do what you like with the money; but the family shall not owe one sou
of its fortune to a robbery on the funds of the State," said the
Count.

"I will take the King's commands in the matter. We will discuss it no
further," replied the Prince, perceiving that it would be impossible
to conquer the old man's sublime obstinacy on the point.

"Good-bye, Cottin," said the old soldier, taking the Prince's hand. "I
feel as if my soul were frozen--"

Then, after going a step towards the door, he turned round, looked at
the Prince, and seeing that he was deeply moved, he opened his arms to
clasp him in them; the two old soldiers embraced each other.

"I feel as if I were taking leave of the whole of the old army in
you," said the Count.

"Good-bye, my good old comrade!" said the Minister.

"Yes, it is good-bye; for I am going where all our brave men are for
whom we have mourned--"

Just then Claude Vignon was shown in. The two relics of the Napoleonic
phalanx bowed gravely to each other, effacing every trace of emotion.

"You have, I hope, been satisfied by the papers," said the Master of
Appeals-elect. "I contrived to let the Opposition papers believe that
they were letting out our secrets."

"Unfortunately, it is all in vain," replied the Minister, watching
Hulot as he left the room. "I have just gone through a leave-taking
that has been a great grief to me. For, indeed, Marshal Hulot has not
three days to live; I saw that plainly enough yesterday. That man, one
of those honest souls that are above proof, a soldier respected by the
bullets in spite of his valor, received his death-blow--there, in that
armchair--and dealt by my hand, in a letter!--Ring and order my
carriage. I must go to Neuilly," said he, putting the two hundred
thousand francs into his official portfolio.



Notwithstanding Lisbeth's nursing, Marshal Hulot three days later was
a dead man. Such men are the glory of the party they support. To
Republicans, the Marshal was the ideal of patriotism; and they all
attended his funeral, which was followed by an immense crowd. The
army, the State officials, the Court, and the populace all came to do
homage to this lofty virtue, this spotless honesty, this immaculate
glory. Such a last tribute of the people is not a thing to be had for
the asking.

This funeral was distinguished by one of those tributes of delicate
feeling, of good taste, and sincere respect which from time to time
remind us of the virtues and dignity of the old French nobility.
Following the Marshal's bier came the old Marquis de Montauran, the
brother of him who, in the great rising of the Chouans in 1799, had
been the foe, the luckless foe, of Hulot. That Marquis, killed by the
balls of the "Blues," had confided the interests of his young brother
to the Republican soldier. (See /Les Chouans/.) Hulot had so
faithfully acted on the noble Royalist's verbal will, that he
succeeded in saving the young man's estates, though he himself was at
the time an emigre. And so the homage of the old French nobility was
not wanting to the leader who, nine years since, had conquered MADAME.

This death, happening just four days before the banns were cried for
the last time, came upon Lisbeth like the thunderbolt that burns the
garnered harvest with the barn. The peasant of Lorraine, as often
happens, had succeeded too well. The Marshal had died of the blows
dealt to the family by herself and Madame Marneffe.

The old maid's vindictiveness, which success seemed to have somewhat
mollified, was aggravated by this disappointment of her hopes. Lisbeth
went, crying with rage, to Madame Marneffe; for she was homeless, the
Marshal having agreed that his lease was at any time to terminate with
his life. Crevel, to console Valerie's friend, took charge of her
savings, added to them considerably, and invested the capital in five
per cents, giving her the life interest, and putting the securities
into Celestine's name. Thanks to this stroke of business, Lisbeth had
an income of about two thousand francs.

When the Marshal's property was examined and valued, a note was found,
addressed to his sister-in-law, to his niece Hortense, and to his
nephew Victorin, desiring that they would pay among them an annuity of
twelve hundred francs to Mademoiselle Lisbeth Fischer, who was to have
been his wife.

Adeline, seeing her husband between life and death, succeeded for some
days in hiding from him the fact of his brother's death; but Lisbeth
came, in mourning, and the terrible truth was told him eleven days
after the funeral.

The crushing blow revived the sick man's energies. He got up, found
his family collected in the drawing-room, all in black, and suddenly
silent as he came in. In a fortnight, Hulot, as lean as a spectre,
looked to his family the mere shadow of himself.

"I must decide on something," said he in a husky voice, as he seated
himself in an easy-chair, and looked round at the party, of whom
Crevel and Steinbock were absent.

"We cannot stay here, the rent is too high," Hortense was saying just
as her father came in.

"As to a home," said Victorin, breaking the painful silence, "I can
offer my mother----"

As he heard these words, which excluded him, the Baron raised his
head, which was sunk on his breast as though he were studying the
pattern of the carpet, though he did not even see it, and he gave the
young lawyer an appealing look. The rights of a father are so
indefeasibly sacred, even when he is a villain and devoid of honor,
that Victorin paused.

"To your mother," the Baron repeated. "You are right, my son."

"The rooms over ours in our wing," said Celestine, finishing her
husband's sentence.

"I am in your way, my dears?" said the Baron, with the mildness of a
man who has judged himself. "But do not be uneasy as to the future;
you will have no further cause for complaint of your father; you will
not see him till the time when you need no longer blush for him."

He went up to Hortense and kissed her brow. He opened his arms to his
son, who rushed into his embrace, guessing his father's purpose. The
Baron signed to Lisbeth, who came to him, and he kissed her forehead.
Then he went to his room, whither Adeline followed him in an agony of
dread.

"My brother was quite right, Adeline," he said, holding her hand. "I
am unworthy of my home life. I dared not bless my children, who have
behaved so nobly, but in my heart; tell them that I could only venture
to kiss them; for the blessing of a bad man, a father who has been an
assassin and the scourge of his family instead of its protector and
its glory, might bring evil on them; but assure them that I shall
bless them every day.--As to you, God alone, for He is Almighty, can
ever reward you according to your merits!--I can only ask your
forgiveness!" and he knelt at her feet, taking her hands and wetting
them with his tears.

"Hector, Hector! Your sins have been great, but Divine Mercy is
infinite, and you may repair all by staying with me.--Rise up in
Christian charity, my dear--I am your wife, and not your judge. I am
your possession; do what you will with me; take me wherever you go, I
feel strong enough comfort you, to make life endurable to you, by the
strength of my love, my care, and respect.--Our children are settled
in life; they need me no more. Let me try to be an amusement to you,
an occupation. Let me share the pain of your banishment and of your
poverty, and help to mitigate it. I could always be of some use, if it
were only to save the expense of a servant."

"Can you forgive, my dearly-beloved Adeline?"

"Yes, only get up, my dear!"

"Well, with that forgiveness I can live," said he, rising to his feet.
"I came back into this room that my children should not see their
father's humiliation. Oh! the sight constantly before their eyes of a
father so guilty as I am is a terrible thing; it must undermine
parental influence and break every family tie. So I cannot remain
among you, and I must go to spare you the odious spectacle of a father
bereft of dignity. Do not oppose my departure Adeline. It would only
be to load with your own hand the pistol to blow my brains out. Above
all, do not seek me in my hiding-place; you would deprive me of the
only strong motive remaining in me, that of remorse."

Hector's decisiveness silenced his dejected wife. Adeline, lofty in
the midst of all this ruin, had derived her courage from her perfect
union with her husband; for she had dreamed of having him for her own,
of the beautiful task of comforting him, of leading him back to family
life, and reconciling him to himself.

"But, Hector, would you leave me to die of despair, anxiety, and
alarms!" said she, seeing herself bereft of the mainspring of her
strength.

"I will come back to you, dear angel--sent from Heaven expressly for
me, I believe. I will come back, if not rich, at least with enough to
live in ease.--Listen, my sweet Adeline, I cannot stay here for many
reasons. In the first place, my pension of six thousand francs is
pledged for four years, so I have nothing. That is not all. I shall be
committed to prison within a few days in consequence of the bills held
by Vauvinet. So I must keep out of the way until my son, to whom I
will give full instructions, shall have bought in the bills. My
disappearance will facilitate that. As soon as my pension is my own,
and Vauvinet is paid off, I will return to you.--You would be sure to
let out the secret of my hiding-place. Be calm; do not cry, Adeline--
it is only for a month--"

"Where will you go? What will you do? What will become of you? Who
will take care of you now that you are no longer young? Let me go with
you--we will go abroad--" said she.

"Well, well, we will see," he replied.

The Baron rang and ordered Mariette to collect all his things and pack
them quickly and secretly. Then, after embracing his wife with a
warmth of affection to which she was unaccustomed, he begged her to
leave him alone for a few minutes while he wrote his instructions for
Victorin, promising that he would not leave the house till dark, or
without her.

As soon as the Baroness was in the drawing-room, the cunning old man
stole out through the dressing-closet to the anteroom, and went away,
giving Mariette a slip of paper, on which was written, "Address my
trunks to go by railway to Corbeil--to Monsieur Hector, cloak-room,
Corbeil."

The Baron jumped into a hackney coach, and was rushing across Paris by
the time Mariette came to give the Baroness this note, and say that
her master had gone out. Adeline flew back into her room, trembling
more violently than ever; her children followed on hearing her give a
piercing cry. They found her in a dead faint; and they put her to bed,
for she was seized by a nervous fever which held her for a month
between life and death.

"Where is he?" was the only thing she would say.

Victorin sought for him in vain.

And this is why. The Baron had driven to the Place du Palais Royal.
There this man, who had recovered all his wits to work out a scheme
which he had premeditated during the days he had spent crushed with
pain and grief, crossed the Palais Royal on foot, and took a handsome
carriage from a livery-stable in the Rue Joquelet. In obedience to his
orders, the coachman went to the Rue de la Ville l'Eveque, and into
the courtyard of Josepha's mansion, the gates opening at once at the
call of the driver of such a splendid vehicle. Josepha came out,
prompted by curiosity, for her man-servant had told her that a
helpless old gentleman, unable to get out of his carriage, begged her
to come to him for a moment.

"Josepha!--it is I----"

The singer recognized her Hulot only by his voice.

"What? you, poor old man?--On my honor, you look like a twenty-franc
piece that the Jews have sweated and the money-changers refuse."

"Alas, yes," replied Hulot; "I am snatched from the jaws of death! But
you are as lovely as ever. Will you be kind?"

"That depends," said she; "everything is relative."

"Listen," said Hulot; "can you put me up for a few days in a servant's
room under the roof? I have nothing--not a farthing, not a hope; no
food, no pension, no wife, no children, no roof over my head; without
honor, without courage, without a friend; and worse than all that,
liable to imprisonment for not meeting a bill."

"Poor old fellow! you are without most things.--Are you also /sans
culotte/?"

"You laugh at me! I am done for," cried the Baron. "And I counted on
you as Gourville did on Ninon."

"And it was a 'real lady,' I am told who brought you to this," said
Josepha. "Those precious sluts know how to pluck a goose even better
than we do!--Why, you are like a corpse that the crows have done with
--I can see daylight through!"

"Time is short, Josepha!"

"Come in, old boy, I am alone, as it happens, and my people don't know
you. Send away your trap. Is it paid for?"

"Yes," said the Baron, getting out with the help of Josepha's arm.

"You may call yourself my father if you like," said the singer, moved
to pity.

She made Hulot sit down in the splendid drawing-room where he had last
seen her.

"And is it the fact, old man," she went on, "that you have killed your
brother and your uncle, ruined your family, mortgaged your children's
house over and over again, and robbed the Government till in Africa,
all for your princess?"

Hulot sadly bent his head.

"Well, I admire that!" cried Josepha, starting up in her enthusiasm.
"It is a general flare-up! It is Sardanapalus! Splendid, thoroughly
complete! I may be a hussy, but I have a soul! I tell you, I like a
spendthrift, like you, crazy over a woman, a thousand times better
than those torpid, heartless bankers, who are supposed to be so good,
and who ruin no end of families with their rails--gold for them, and
iron for their gulls! You have only ruined those who belong to you,
you have sold no one but yourself; and then you have excuses, physical
and moral."

She struck a tragic attitude, and spouted:

  " 'Tis Venus whose grasp never parts from her prey.

And there you are!" and she pirouetted on her toe.

Vice, Hulot found, could forgive him; vice smiled on him from the
midst of unbridled luxury. Here, as before a jury, the magnitude of a
crime was an extenuating circumstance. "And is your lady pretty at any
rate?" asked Josepha, trying as a preliminary act of charity, to
divert Hulot's thoughts, for his depression grieved her.

"On my word, almost as pretty as you are," said the Baron artfully.

"And monstrously droll? So I have been told. What does she do, I say?
Is she better fun than I am?"

"I don't want to talk about her," said Hulot.

"And I hear she has come round my Crevel, and little Steinbock, and a
gorgeous Brazilian?"

"Very likely."

"And that she has got a house as good as this, that Crevel has given
her. The baggage! She is my provost-marshal, and finishes off those I
have spoiled. I tell you why I am so curious to know what she is like,
old boy; I just caught sight of her in the Bois, in an open carriage--
but a long way off. She is a most accomplished harpy, Carabine says.
She is trying to eat up Crevel, but he only lets her nibble. Crevel is
a knowing hand, good-natured but hard-headed, who will always say Yes,
and then go his own way. He is vain and passionate; but his cash is
cold. You can never get anything out of such fellows beyond a thousand
to three thousand francs a month; they jib at any serious outlay, as a
donkey does at a running stream.

"Not like you, old boy. You are a man of passions; you would sell your
country for a woman. And, look here, I am ready to do anything for
you! You are my father; you started me in life; it is a sacred duty.
What do you want? Do you want a hundred thousand francs? I will wear
myself to a rag to gain them. As to giving you bed and board--that is
nothing. A place will be laid for you here every day; you can have a
good room on the second floor, and a hundred crowns a month for
pocket-money."

The Baron, deeply touched by such a welcome, had a last qualm of
honor.

"No, my dear child, no; I did not come here for you to keep me," said
he.

"At your age it is something to be proud of," said she.

"This is what I wish, my child. Your Duc d'Herouville has immense
estates in Normandy, and I want to be his steward, under the name of
Thoul. I have the capacity, and I am honest. A man may borrow of the
Government, and yet not steal from a cash-box----"

"H'm, h'm," said Josepha. "Once drunk, drinks again."

"In short, I only want to live out of sight for three years--"

"Well, it is soon done," said Josepha. "This evening, after dinner, I
have only to speak. The Duke would marry me if I wished it, but I have
his fortune, and I want something better--his esteem. He is a Duke of
the first water. He is high-minded, as noble and great as Louis XIV.
and Napoleon rolled into one, though he is a dwarf. Besides, I have
done for him what la Schontz did for Rochefide; by taking my advice he
has made two millions.

"Now, listen to me, old popgun. I know you; you are always after the
women, and you would be dancing attendance on the Normandy girls, who
are splendid creatures, and getting your ribs cracked by their lovers
and fathers, and the Duke would have to get you out of the scrape.
Why, can't I see by the way you look at me that the /young/ man is not
dead in you--as Fenelon put it.--No, this stewardship is not the thing
for you. A man cannot be off with his Paris and with us, old boy, for
the saying! You would die of weariness at Herouville."

"What is to become of me?" said the Baron, "for I will only stay here
till I see my way."

"Well, shall I find a pigeon-hole for you? Listen, you old pirate.
Women are what you want. They are consolation in all circumstances.
Attend now.--At the end of the Alley, Rue Saint-Maur-du-Temple, there
is a poor family I know of where there is a jewel of a little girl,
prettier than I was at sixteen.--Ah! there is a twinkle in your eye
already!--The child works sixteen hours a day at embroidering costly
pieces for the silk merchants, and earns sixteen sous a day--one sou
an hour!--and feeds like the Irish, on potatoes fried in rats'
dripping, with bread five times a week--and drinks canal water out of
the town pipes, because the Seine water costs too much; and she cannot
set up on her own account for lack of six or seven thousand francs.
Your wife and children bore you to death, don't they?--Besides, one
cannot submit to be nobody where one has been a little Almighty. A
father who has neither money nor honor can only be stuffed and kept in
a glass case."

The Baron could not help smiling at these abominable jests.

"Well, now, Bijou is to come to-morrow morning to bring me an
embroidered wrapper, a gem! It has taken six months to make; no one
else will have any stuff like it! Bijou is very fond of me; I give her
tidbits and my old gowns. And I send orders for bread and meat and
wood to the family, who would break the shin-bones of the first comer
if I bid them.--I try to do a little good. Ah! I know what I endured
from hunger myself!--Bijou has confided to me all her little sorrows.
There is the making of a super at the Ambigu-Comique in that child.
Her dream is to wear fine dresses like mine; above all, to ride in a
carriage. I shall say to her, 'Look here, little one, would you like
to have a friend of--' How old are you?" she asked, interrupting
herself. "Seventy-two?"

"I have given up counting."

" 'Would you like an old gentleman of seventy-two?' I shall say. 'Very
clean and neat, and who does not take snuff, who is as sound as a
bell, and as good as a young man? He will marry you (in the Thirteenth
Arrondissement) and be very kind to you; he will place seven thousand
francs in your account, and furnish you a room all in mahogany, and if
you are good, he will sometimes take you to the play. He will give you
a hundred francs a month for pocket-money, and fifty francs for
housekeeping.'--I know Bijou; she is myself at fourteen. I jumped for
joy when that horrible Crevel made me his atrocious offers. Well, and
you, old man, will be disposed of for three years. She is a good
child, well behaved; for three or four years she will have her
illusions--not for longer."

Hulot did not hesitate; he had made up his mind to refuse; but to seem
grateful to the kind-hearted singer, who was benevolent after her
lights, he affected to hesitate between vice and virtue.

"Why, you are as cold as a paving-stone in winter!" she exclaimed in
amazement. "Come, now. You will make a whole family happy--a
grandfather who runs all the errands, a mother who is being worn out
with work, and two sisters--one of them very plain--who make thirty-
two sous a day while putting their eyes out. It will make up for the
misery you have caused at home, and you will expiate your sin while
you are having as much fun as a minx at Mabille."

Hulot, to put an end to this temptation, moved his fingers as if he
were counting out money.

"Oh! be quite easy as to ways and means," replied Josepha. "My Duke
will lend you ten thousand francs; seven thousand to start an
embroidery shop in Bijou's name, and three thousand for furnishing;
and every three months you will find a cheque here for six hundred and
fifty francs. When you get your pension paid you, you can repay the
seventeen thousand francs. Meanwhile you will be as happy as a cow in
clover, and hidden in a hole where the police will never find you. You
must wear a loose serge coat, and you will look like a comfortable
householder. Call yourself Thoul, if that is your fancy. I will tell
Bijou that you are an uncle of mine come from Germany, having failed
in business, and you will be cosseted like a divinity.--There now,
Daddy!--And who knows! you may have no regrets. In case you should be
bored, keep one Sunday rig-out, and you can come and ask me for a
dinner and spend the evening here."

"I!--and I meant to settle down and behave myself!--Look here, borrow
twenty thousand francs for me, and I will set out to make my fortune
in America, like my friend d'Aiglemont when Nucingen cleaned him out."

"You!" cried Josepha. "Nay, leave morals to work-a-day folks, to raw
recruits, to the /worrrthy/ citizens who have nothing to boast of but
their virtue. You! You were born to be something better than a
nincompoop; you are as a man what I am as a woman--a spendthrift of
genius."

"We will sleep on it and discuss it all to-morrow morning."

"You will dine with the Duke. My d'Herouville will receive you as
civilly as if you were the saviour of the State; and to-morrow you can
decide. Come, be jolly, old boy! Life is a garment; when it is dirty,
we must brush it; when it is ragged, it must be patched; but we keep
it on as long as we can."

This philosophy of life, and her high spirits, postponed Hulot's
keenest pangs.

At noon next day, after a capital breakfast, Hulot saw the arrival of
one of those living masterpieces which Paris alone of all the cities
in the world can produce, by means of the constant concubinage of
luxury and poverty, of vice and decent honesty, of suppressed desire
and renewed temptation, which makes the French capital the daughter of
Ninevah, of Babylon, and of Imperial Rome.

Mademoiselle Olympe Bijou, a child of sixteen, had the exquisite face
which Raphael drew for his Virgins; eyes of pathetic innocence, weary
with overwork--black eyes, with long lashes, their moisture parched
with the heat of laborious nights, and darkened with fatigue; a
complexion like porcelain, almost too delicate; a mouth like a partly
opened pomegranate; a heaving bosom, a full figure, pretty hands, the
whitest teeth, and a mass of black hair; and the whole meagrely set
off by a cotton frock at seventy-five centimes the metre, leather
shoes without heels, and the cheapest gloves. The girl, all
unconscious of her charms, had put on her best frock to wait on the
fine lady.

The Baron, gripped again by the clutch of profligacy, felt all his
life concentrated in his eyes. He forgot everything on beholding this
delightful creature. He was like a sportsman in sight of the game; if
an emperor were present, he must take aim!

"And warranted sound," said Josepha in his ear. "An honest child, and
wanting bread. This is Paris--I have been there!"

"It is a bargain," replied the old man, getting up and rubbing his
hands.

When Olympe Bijou was gone, Josepha looked mischievously at the Baron.

"If you want things to keep straight, Daddy," said she, "be as firm as
the Public Prosecutor on the bench. Keep a tight hand on her, be a
Bartholo! Ware Auguste, Hippolyte, Nestor, Victor--/or/, that is gold,
in every form. When once the child is fed and dressed, if she gets the
upper hand, she will drive you like a serf.--I will see to settling
you comfortably. The Duke does the handsome; he will lend--that is,
give--you ten thousand francs; and he deposits eight thousand with his
notary, who will pay you six hundred francs every quarter, for I
cannot trust you.--Now, am I nice?"

"Adorable."

Ten days after deserting his family, when they were gathered round
Adeline, who seemed to be dying, as she said again and again, in a
weak voice, "Where is he?" Hector, under the name of Thoul, was
established in the Rue Saint-Maur, at the head of a business as
embroiderer, under the name of Thoul and Bijou.



Victorin Hulot, under the overwhelming disasters of his family, had
received the finishing touch which makes or mars the man. He was
perfection. In the great storms of life we act like the captain of a
ship who, under the stress of a hurricane, lightens the ship of its
heaviest cargo. The young lawyer lost his self-conscious pride, his
too evident assertiveness, his arrogance as an orator and his
political pretensions. He was as a man what his wife was as a woman.
He made up his mind to make the best of his Celestine--who certainly
did not realize his dreams--and was wise enough to estimate life at
its true value by contenting himself in all things with the second
best. He vowed to fulfil his duties, so much had he been shocked by
his father's example.

These feelings were confirmed as he stood by his mother's bed on the
day when she was out of danger. Nor did this happiness come single.
Claude Vignon, who called every day from the Prince de Wissembourg to
inquire as to Madame Hulot's progress, desired the re-elected deputy
to go with him to see the Minister.

"His Excellency," said he, "wants to talk over your family affairs
with you."

The Prince had long known Victorin Hulot, and received him with a
friendliness that promised well.

"My dear fellow," said the old soldier, "I promised your uncle, in
this room, that I would take care of your mother. That saintly woman,
I am told, is getting well again; now is the time to pour oil into
your wounds. I have for you here two hundred thousand francs; I will
give them to you----"

The lawyer's gesture was worthy of his uncle the Marshal.

"Be quite easy," said the Prince, smiling; "it is money in trust. My
days are numbered; I shall not always be here; so take this sum, and
fill my place towards your family. You may use this money to pay off
the mortgage on your house. These two hundred thousand francs are the
property of your mother and your sister. If I gave the money to Madame
Hulot, I fear that, in her devotion to her husband, she would be
tempted to waste it. And the intention of those who restore it to you
is, that it should produce bread for Madame Hulot and her daughter,
the Countess Steinbock. You are a steady man, the worthy son of your
noble mother, the true nephew of my friend the Marshal; you are
appreciated here, you see--and elsewhere. So be the guardian angel of
your family, and take this as a legacy from your uncle and me."

"Monseigneur," said Hulot, taking the Minister's hand and pressing it,
"such men as you know that thanks in words mean nothing; gratitude
must be proven."

"Prove yours--" said the old man.

"In what way?"

"By accepting what I have to offer you," said the Minister. "We
propose to appoint you to be attorney to the War Office, which just
now is involved in litigations in consequence of the plan for
fortifying Paris; consulting clerk also to the Prefecture of Police;
and a member of the Board of the Civil List. These three appointments
will secure you salaries amounting to eighteen thousand francs, and
will leave you politically free. You can vote in the Chamber in
obedience to your opinions and your conscience. Act in perfect freedom
on that score. It would be a bad thing for us if there were no
national opposition!

"Also, a few lines from your uncle, written a day or two before he
breathed his last, suggested what I could do for your mother, whom he
loved very truly.--Mesdames Popinot, de Rastignac, de Navarreins,
d'Espard, de Grandlieu, de Carigliano, de Lenoncourt, and de la Batie
have made a place for your mother as a Lady Superintendent of their
charities. These ladies, presidents of various branches of benevolent
work, cannot do everything themselves; they need a lady of character
who can act for them by going to see the objects of their beneficence,
ascertaining that charity is not imposed upon, and whether the help
given really reaches those who applied for it, finding out that the
poor who are ashamed to beg, and so forth. Your mother will fulfil an
angelic function; she will be thrown in with none but priests and
these charitable ladies; she will be paid six thousand francs and the
cost of her hackney coaches.

"You see, young man, that a pure and nobly virtuous man can still
assist his family, even from the grave. Such a name as your uncle's
is, and ought to be, a buckler against misfortune in a well-organized
scheme of society. Follow in his path; you have started in it, I know;
continue in it."

"Such delicate kindness cannot surprise me in my mother's friend,"
said Victorin. "I will try to come up to all your hopes."

"Go at once, and take comfort to your family.--By the way," added the
Prince, as he shook hands with Victorin, "your father has
disappeared?"

"Alas! yes."

"So much the better. That unhappy man has shown his wit, in which,
indeed, he is not lacking."

"There are bills of his to be met."

"Well, you shall have six months' pay of your three appointments in
advance. This pre-payment will help you, perhaps, to get the notes out
of the hands of the money-lender. And I will see Nucingen, and perhaps
may succeed in releasing your father's pension, pledged to him,
without its costing you or our office a sou. The peer has not killed
the banker in Nucingen; he is insatiable; he wants some concession.--I
know not what----"

So on his return to the Rue Plumet, Victorin could carry out his plan
of lodging his mother and sister under his roof.

The young lawyer, already famous, had, for his sole fortune, one of
the handsomest houses in Paris, purchased in 1834 in preparation for
his marriage, situated on the boulevard between the Rue de la Paix and
the Rue Louis-le-Grand. A speculator had built two houses between the
boulevard and the street; and between these, with the gardens and
courtyards to the front and back, there remained still standing a
splendid wing, the remains of the magnificent mansion of the
Verneuils. The younger Hulot had purchased this fine property, on the
strength of Mademoiselle Crevel's marriage-portion, for one million
francs, when it was put up to auction, paying five hundred thousand
down. He lived on the ground floor, expecting to pay the remainder out
of letting the rest; but though it is safe to speculate in house-
property in Paris, such investments are capricious or hang fire,
depending on unforeseen circumstances.

As the Parisian lounger may have observed, the boulevard between the
Rue de la Paix and the Rue Louis-le-Grand prospered but slowly; it
took so long to furbish and beautify itself, that trade did not set up
its display there till 1840--the gold of the money-changers, the
fairy-work of fashion, and the luxurious splendor of shop-fronts.

In spite of two hundred thousand francs given by Crevel to his
daughter at the time when his vanity was flattered by this marriage,
before the Baron had robbed him of Josepha; in spite of the two
hundred thousand francs paid off by Victorin in the course of seven
years, the property was still burdened with a debt of five hundred
thousand francs, in consequence of Victorin's devotion to his father.
Happily, a rise in rents and the advantages of the situation had at
this time improved the value of the houses. The speculation was
justifying itself after eight years' patience, during which the lawyer
had strained every nerve to pay the interest and some trifling amounts
of the capital borrowed.

The tradespeople were ready to offer good rents for the shops, on
condition of being granted leases for eighteen years. The dwelling
apartments rose in value by the shifting of the centre in Paris life--
henceforth transferred to the region between the Bourse and the
Madeleine, now the seat of the political power and financial authority
in Paris. The money paid to him by the Minister, added to a year's
rent in advance and the premiums paid by his tenants, would finally
reduce the outstanding debt to two hundred thousand francs. The two
houses, if entirely let, would bring in a hundred thousand francs a
year. Within two years more, during which the Hulots could live on his
salaries, added to by the Marshal's investments, Victorin would be in
a splendid position.

This was manna from heaven. Victorin could give up the first floor of
his own house to his mother, and the second to Hortense, excepting two
rooms reserved for Lisbeth. With Cousin Betty as the housekeeper, this
compound household could bear all these charges, and yet keep up a
good appearance, as beseemed a pleader of note. The great stars of the
law-courts were rapidly disappearing; and Victorin Hulot, gifted with
a shrewd tongue and strict honesty, was listened to by the Bench and
Councillors; he studied his cases thoroughly, and advanced nothing
that he could not prove. He would not hold every brief that offered;
in fact, he was a credit to the bar.

The Baroness' home in the Rue Plumet had become so odious to her, that
she allowed herself to be taken to the Rue Louis-le-Grand. Thus, by
her son's care, Adeline occupied a fine apartment; she was spared all
the daily worries of life; for Lisbeth consented to begin again,
working wonders of domestic economy, such as she had achieved for
Madame Marneffe, seeing here a way of exerting her silent vengeance on
those three noble lives, the object, each, of her hatred, which was
kept growing by the overthrow of all her hopes.

Once a month she went to see Valerie, sent, indeed, by Hortense, who
wanted news of Wenceslas, and by Celestine, who was seriously uneasy
at the acknowledged and well-known connection between her father and a
woman to whom her mother-in-law and sister-in-law owed their ruin and
their sorrows. As may be supposed, Lisbeth took advantage of this to
see Valerie as often as possible.



Thus, about twenty months passed by, during which the Baroness
recovered her health, though her palsied trembling never left her. She
made herself familiar with her duties, which afforded her a noble
distraction from her sorrow and constant food for the divine goodness
of her heart. She also regarded it as an opportunity for finding her
husband in the course of one of those expeditions which took her into
every part of Paris.

During this time, Vauvinet had been paid, and the pension of six
thousand francs was almost redeemed. Victorin could maintain his
mother as well as Hortense out of the ten thousand francs interest on
the money left by Marshal Hulot in trust for them. Adeline's salary
amounted to six thousand francs a year; and this, added to the Baron's
pension when it was freed, would presently secure an income of twelve
thousand francs a year to the mother and daughter.

Thus, the poor woman would have been almost happy but for her
perpetual anxieties as to the Baron's fate; for she longed to have him
with her to share the improved fortunes that smiled on the family; and
but for the constant sight of her forsaken daughter; and but for the
terrible thrusts constantly and /unconsciously/ dealt her by Lisbeth,
whose diabolical character had free course.

A scene which took place at the beginning of the month of March 1843
will show the results of Lisbeth's latent and persistent hatred, still
seconded, as she always was, by Madame Marneffe.

Two great events had occurred in the Marneffe household. In the first
place, Valerie had given birth to a still-born child, whose little
coffin had cost her two thousand francs a year. And then, as to
Marneffe himself, eleven months since, this is the report given by
Lisbeth to the Hulot family one day on her return from a visit of
discovery at the hotel Marneffe.

"This morning," said she, "that dreadful Valerie sent for Doctor
Bianchon to ask whether the medical men who had condemned her husband
yesterday had made no mistake. Bianchon pronounced that to-night at
the latest that horrible creature will depart to the torments that
await him. Old Crevel and Madame Marneffe saw the doctor out; and your
father, my dear Celestine, gave him five gold pieces for his good
news.

"When he came back into the drawing-room, Crevel cut capers like a
dancer; he embraced that woman, exclaiming, 'Then, at last, you will
be Madame Crevel!'--And to me, when she had gone back to her husband's
bedside, for he was at his last gasp, your noble father said to me,
'With Valerie as my wife, I can become a peer of France! I shall buy
an estate I have my eye on--Presles, which Madame de Serizy wants to
sell. I shall be Crevel de Presles, member of the Common Council of
Seine-et-Oise, and Deputy. I shall have a son! I shall be everything I
have ever wished to be.'--'Heh!' said I, 'and what about your
daughter?'--'Bah!' says he, 'she is only a woman! And she is quite too
much of a Hulot. Valerie has a horror of them all.--My son-in-law has
never chosen to come to this house; why has he given himself such airs
as a Mentor, a Spartan, a Puritan, a philanthropist? Besides, I have
squared accounts with my daughter; she has had all her mother's
fortune, and two hundred thousand francs to that. So I am free to act
as I please.--I shall judge of my son-in-law and Celestine by their
conduct on my marriage; as they behave, so shall I. If they are nice
to their stepmother, I will receive them. I am a man, after all!'--In
short, all this rhodomontade! And an attitude like Napoleon on the
column."

The ten months' widowhood insisted on by the law had now elapsed some
few days since. The estate of Presles was purchased. Victorin and
Celestine had that very morning sent Lisbeth to make inquiries as to
the marriage of the fascinating widow to the Mayor of Paris, now a
member of the Common Council of the Department of Seine-et-Oise.

Celestine and Hortense, in whom the ties of affection had been drawn
closer since they had lived under the same roof, were almost
inseparable. The Baroness, carried away by a sense of honesty which
led her to exaggerate the duties of her place, devoted herself to the
work of charity of which she was the agent; she was out almost every
day from eleven till five. The sisters-in-law, united in their cares
for the children whom they kept together, sat at home and worked. They
had arrived at the intimacy which thinks aloud, and were a touching
picture of two sisters, one cheerful and the other sad. The less happy
of the two, handsome, lively, high-spirited, and clever, seemed by her
manner to defy her painful situation; while the melancholy Celestine,
sweet and calm, and as equable as reason itself, might have been
supposed to have some secret grief. It was this contradiction,
perhaps, that added to their warm friendship. Each supplied the other
with what she lacked.

Seated in a little summer-house in the garden, which the speculator's
trowel had spared by some fancy of the builder's, who believed that he
was preserving these hundred feet square of earth for his own
pleasure, they were admiring the first green shoots of the lilac-
trees, a spring festival which can only be fully appreciated in Paris
when the inhabitants have lived for six months oblivious of what
vegetation means, among the cliffs of stone where the ocean of
humanity tosses to and fro.

"Celestine," said Hortense to her sister-in-law, who had complained
that in such fine weather her husband should be kept at the Chamber,
"I think you do not fully appreciate your happiness. Victorin is a
perfect angel, and you sometimes torment him."

"My dear, men like to be tormented! Certain ways of teasing are a
proof of affection. If your poor mother had only been--I will not say
exacting, but always prepared to be exacting, you would not have had
so much to grieve over."

"Lisbeth is not come back. I shall have to sing the song of
/Malbrouck/," said Hortense. "I do long for some news of Wenceslas!--
What does he live on? He has not done a thing these two years."

"Victorin saw him, he told me, with that horrible woman not long ago;
and he fancied that she maintains him in idleness.--If you only would,
dear soul, you might bring your husband back to you yet."

Hortense shook her head.

"Believe me," Celestine went on, "the position will ere long be
intolerable. In the first instance, rage, despair, indignation, gave
you strength. The awful disasters that have come upon us since--two
deaths, ruin, and the disappearance of Baron Hulot--have occupied your
mind and heart; but now you live in peace and silence, you will find
it hard to bear the void in your life; and as you cannot, and will
never leave the path of virtue, you will have to be reconciled to
Wenceslas. Victorin, who loves you so much, is of that opinion. There
is something stronger than one's feelings even, and that is Nature!"

"But such a mean creature!" cried the proud Hortense. "He cares for
that woman because she feeds him.--And has she paid his debts, do you
suppose?--Good Heaven! I think of that man's position day and night!
He is the father of my child, and he is degrading himself."

"But look at your mother, my dear," said Celestine.

Celestine was one of those women who, when you have given them reasons
enough to convince a Breton peasant, still go back for the hundredth
time to their original argument. The character of her face, somewhat
flat, dull, and common, her light-brown hair in stiff, neat bands, her
very complexion spoke of a sensible woman, devoid of charm, but also
devoid of weakness.

"The Baroness would willingly go to join her husband in his disgrace,
to comfort him and hide him in her heart from every eye," Celestine
went on. "Why, she has a room made ready upstairs for Monsieur Hulot,
as if she expected to find him and bring him home from one day to the
next."

"Oh yes, my mother is sublime!" replied Hortense. "She has been so
every minute of every day for six-and-twenty years; but I am not like
her, it is not my nature.--How can I help it? I am angry with myself
sometimes; but you do not know, Celestine, what it would be to make
terms with infamy."

"There is my father!" said Celestine placidly. "He has certainly
started on the road that ruined yours. He is ten years younger than
the Baron, to be sure, and was only a tradesman; but how can it end?
This Madame Marneffe has made a slave of my father; he is her dog; she
is mistress of his fortune and his opinions, and nothing can open his
eyes. I tremble when I remember that their banns of marriage are
already published!--My husband means to make a last attempt; he thinks
it a duty to try to avenge society and the family, and bring that
woman to account for all her crimes. Alas! my dear Hortense, such
lofty souls as Victorin and hearts like ours come too late to a
comprehension of the world and its ways!--This is a secret, dear, and
I have told you because you are interested in it, but never by a word
or a look betray it to Lisbeth, or your mother, or anybody, for--"

"Here is Lisbeth!" said Hortense. "Well, cousin, and how is the
Inferno of the Rue Barbet going on?"

"Badly for you, my children.--Your husband, my dear Hortense, is more
crazy about that woman than ever, and she, I must own, is madly in
love with him.--Your father, dear Celestine, is gloriously blind.
That, to be sure, is nothing; I have had occasion to see it once a
fortnight; really, I am lucky never to have had anything to do with
men, they are besotted creatures.--Five days hence you, dear child,
and Victorin will have lost your father's fortune."

"Then the banns are cried?" said Celestine.

"Yes," said Lisbeth, "and I have just been arguing your case. I
pointed out to that monster, who is going the way of the other, that
if he would only get you out of the difficulties you are in by paying
off the mortgage on the house, you would show your gratitude and
receive your stepmother--"

Hortense started in horror.

"Victorin will see about that," said Celestine coldly.

"But do you know what Monsieur le Maire's answer was?" said Lisbeth.
" 'I mean to leave them where they are. Horses can only be broken in
by lack of food, sleep, and sugar.'--Why, Baron Hulot was not so bad
as Monsieur Crevel.

"So, my poor dears, you may say good-bye to the money. And such a fine
fortune! Your father paid three million francs for the Presles estate,
and he has thirty thousand francs a year in stocks! Oh!--he has no
secrets from me. He talks of buying the Hotel de Navarreins, in the
Rue du Bac. Madame Marneffe herself has forty thousand francs a year.
--Ah!--here is our guardian angel, here comes your mother!" she
exclaimed, hearing the rumble of wheels.

And presently the Baroness came down the garden steps and joined the
party. At fifty-five, though crushed by so many troubles, and
constantly trembling as if shivering with ague, Adeline, whose face
was indeed pale and wrinkled, still had a fine figure, a noble
outline, and natural dignity. Those who saw her said, "She must have
been beautiful!" Worn with the grief of not knowing her husband's
fate, of being unable to share with him this oasis in the heart of
Paris, this peace and seclusion and the better fortune that was
dawning on the family, her beauty was the beauty of a ruin. As each
gleam of hope died out, each day of search proved vain, Adeline sank
into fits of deep melancholy that drove her children to despair.

The Baroness had gone out that morning with fresh hopes, and was
anxiously expected. An official, who was under obligations to Hulot,
to whom he owed his position and advancement, declared that he had
seen the Baron in a box at the Ambigu-Comique theatre with a woman of
extraordinary beauty. So Adeline had gone to call on the Baron
Verneuil. This important personage, while asserting that he had
positively seen his old patron, and that his behaviour to the woman
indicated an illicit establishment, told Madame Hulot that to avoid
meeting him the Baron had left long before the end of the play.

"He looked like a man at home with the damsel, but his dress betrayed
some lack of means," said he in conclusion.

"Well?" said the three women as the Baroness came towards them.

"Well, Monsieur Hulot is in Paris; and to me," said Adeline, "it is a
gleam of happiness only to know that he is within reach of us."

"But he does not seem to have mended his ways," Lisbeth remarked when
Adeline had finished her report of her visit to Baron Verneuil. "He
has taken up some little work-girl. But where can he get the money
from? I could bet that he begs of his former mistresses--Mademoiselle
Jenny Cadine or Josepha."

The Baroness trembled more severely than ever; every nerve quivered;
she wiped away the tears that rose to her eyes and looked mournfully
up to heaven.

"I cannot think that a Grand Commander of the Legion of Honor will
have fallen so low," said she.

"For his pleasure what would he not do?" said Lisbeth. "He robbed the
State, he will rob private persons, commit murder--who knows?"

"Oh, Lisbeth!" cried the Baroness, "keep such thoughts to yourself."

At this moment Louise came up to the family group, now increased by
the arrival of the two Hulot children and little Wenceslas to see if
their grandmother's pockets did not contain some sweetmeats.

"What is it, Louise?" asked one and another.

"A man who wants to see Mademoiselle Fischer."

"Who is the man?" asked Lisbeth.

"He is in rags, mademoiselle, and covered with flue like a mattress-
picker; his nose is red, and he smells of brandy.--He is one of those
men who work half of the week at most."

This uninviting picture had the effect of making Lisbeth hurry into
the courtyard of the house in the Rue Louis-le-Grand, where she found
a man smoking a pipe colored in a style that showed him an artist in
tobacco.

"Why have you come here, Pere Chardin?" she asked. "It is understood
that you go, on the first Saturday in every month, to the gate of the
Hotel Marneffe, Rue Barbet-de-Jouy. I have just come back after
waiting there for five hours, and you did not come."

"I did go there, good and charitable lady!" replied the mattress-
picker. "But there was a game at pool going on at the Cafe des
Savants, Rue du Cerf-Volant, and every man has his fancy. Now, mine is
billiards. If it wasn't for billiards, I might be eating off silver
plate. For, I tell you this," and he fumbled for a scrap of paper in
his ragged trousers pocket, "it is billiards that leads on to a dram
and plum-brandy.--It is ruinous, like all fine things, in the things
it leads to. I know your orders, but the old 'un is in such a quandary
that I came on to forbidden grounds.--If the hair was all hair, we
might sleep sound on it; but it is mixed. God is not for all, as the
saying goes. He has His favorites--well, He has the right. Now, here
is the writing of your estimable relative and my very good friend--his
political opinion."

Chardin attempted to trace some zigzag lines in the air with the
forefinger of his right hand.

Lisbeth, not listening to him, read these few words:

  "DEAR COUSIN,--Be my Providence; give me three hundred francs this
  day.

"HECTOR."


"What does he want so much money for?"

"The lan'lord!" said Chardin, still trying to sketch arabesques. "And
then my son, you see, has come back from Algiers through Spain and
Bayonee, and, and--he has /found/ nothing--against his rule, for a
sharp cove is my son, saving your presence. How can he help it, he is
in want of food; but he will repay all we lend him, for he is going to
get up a company. He has ideas, he has, that will carry him--"

"To the police court," Lisbeth put in. "He murdered my uncle; I shall
not forget that."

"He--why, he could not bleed a chicken, honorable lady."

"Here are the three hundred francs," said Lisbeth, taking fifteen gold
pieces out of her purse. "Now, go, and never come here again."

She saw the father of the Oran storekeeper off the premises, and
pointed out the drunken old creature to the porter.

"At any time when that man comes here, if by chance he should come
again, do not let him in. If he should ask whether Monsieur Hulot
junior or Madame la Baronne Hulot lives here, tell him you know of no
such persons."

"Very good, mademoiselle."

"Your place depends on it if you make any mistake, even without
intending it," said Lisbeth, in the woman's ear.--"Cousin," she went
on to Victorin, who just now came in, "a great misfortune is hanging
over your head."

"What is that?" said Victorin.

"Within a few days Madame Marneffe will be your wife's stepmother."

"That remains to be seen," replied Victorin.

For six months past Lisbeth had very regularly paid a little allowance
to Baron Hulot, her former protector, whom she now protected; she knew
the secret of his dwelling-place, and relished Adeline's tears, saying
to her, as we have seen, when she saw her cheerful and hopeful, "You
may expect to find my poor cousin's name in the papers some day under
the heading 'Police Report.' "

But in this, as on a former occasion, she let her vengeance carry her
too far. She had aroused the prudent suspicions of Victorin. He had
resolved to be rid of this Damocles' sword so constantly flourished
over them by Lisbeth, and of the female demon to whom his mother and
the family owed so many woes. The Prince de Wissembourg, knowing all
about Madame Marneffe's conduct, approved of the young lawyer's secret
project; he had promised him, as a President of the Council can
promise, the secret assistance of the police, to enlighten Crevel and
rescue a fine fortune from the clutches of the diabolical courtesan,
whom he could not forgive either for causing the death of Marshal
Hulot or for the Baron's utter ruin.



The words spoken by Lisbeth, "He begs of his former mistresses,"
haunted the Baroness all night. Like sick men given over by the
physicians, who have recourse to quacks, like men who have fallen into
the lowest Dantesque circle of despair, or drowning creatures who
mistake a floating stick for a hawser, she ended by believing in the
baseness of which the mere idea had horrified her; and it occurred to
her that she might apply for help to one of those terrible women.

Next morning, without consulting her children or saying a word to
anybody, she went to see Mademoiselle Josepha Mirah, prima donna of
the Royal Academy of Music, to find or to lose the hope that had
gleamed before her like a will-o'-the-wisp. At midday, the great
singer's waiting-maid brought her in the card of the Baronne Hulot,
saying that this person was waiting at the door, having asked whether
Mademoiselle could receive her.

"Are the rooms done?"

"Yes, mademoiselle."

"And the flowers fresh?"

"Yes, mademoiselle."

"Just tell Jean to look round and see that everything is as it should
be before showing the lady in, and treat her with the greatest
respect. Go, and come back to dress me--I must look my very best."

She went to study herself in the long glass.

"Now, to put our best foot foremost!" said she to herself. "Vice under
arms to meet virtue!--Poor woman, what can she want of me? I cannot
bear to see.

    "The noble victim of outrageous fortune!"

And she sang through the famous aria as the maid came in again.

"Madame," said the girl, "the lady has a nervous trembling--"

"Offer her some orange-water, some rum, some broth--"

"I did, mademoiselle; but she declines everything, and says it is an
infirmity, a nervous complaint--"

"Where is she?"

"In the big drawing-room."

"Well, make haste, child. Give me my smartest slippers, the dressing-
gown embroidered by Bijou, and no end of lace frills. Do my hair in a
way to astonish a woman.--This woman plays a part against mine; and
tell the lady--for she is a real, great lady, my girl, nay, more, she
is what you will never be, a woman whose prayers can rescue souls from
your purgatory--tell her I was in bed, as I was playing last night,
and that I am just getting up."

The Baroness, shown into Josepha's handsome drawing-room, did not note
how long she was kept waiting there, though it was a long half hour.
This room, entirely redecorated even since Josepha had had the house,
was hung with silk in purple and gold color. The luxury which fine
gentlemen were wont to lavish on their /petites maisons/, the scenes
of their profligacy, of which the remains still bear witness to the
follies from which they were so aptly named, was displayed to
perfection, thanks to modern inventiveness, in the four rooms opening
into each other, where the warm temperature was maintained by a system
of hot-air pipes with invisible openings.

The Baroness, quite bewildered, examined each work of art with the
greatest amazement. Here she found fortunes accounted for that melt in
the crucible under which pleasure and vanity feed the devouring
flames. This woman, who for twenty-six years had lived among the dead
relics of imperial magnificence, whose eyes were accustomed to carpets
patterned with faded flowers, rubbed gilding, silks as forlorn as her
heart, half understood the powerful fascinations of vice as she
studied its results. It was impossible not to wish to possess these
beautiful things, these admirable works of art, the creation of the
unknown talent which abounds in Paris in our day and produces
treasures for all Europe. Each thing had the novel charm of unique
perfection. The models being destroyed, every vase, every figure,
every piece of sculpture was the original. This is the crowning grace
of modern luxury. To own the thing which is not vulgarized by the two
thousand wealthy citizens whose notion of luxury is the lavish display
of the splendors that shops can supply, is the stamp of true luxury--
the luxury of the fine gentlemen of the day, the shooting stars of the
Paris firmament.

As she examined the flower-stands, filled with the choicest exotic
plants, mounted in chased brass and inlaid in the style of Boulle, the
Baroness was scared by the idea of the wealth in this apartment. And
this impression naturally shed a glamour over the person round whom
all this profusion was heaped. Adeline imagined that Josepha Mirah--
whose portrait by Joseph Bridau was the glory of the adjoining boudoir
--must be a singer of genius, a Malibran, and she expected to see a
real star. She was sorry she had come. But she had been prompted by a
strong and so natural a feeling, by such purely disinterested
devotion, that she collected all her courage for the interview.
Besides, she was about to satisfy her urgent curiosity, to see for
herself what was the charm of this kind of women, that they could
extract so much gold from the miserly ore of Paris mud.

The Baroness looked at herself to see if she were not a blot on all
this splendor; but she was well dressed in her velvet gown, with a
little cape trimmed with beautiful lace, and her velvet bonnet of the
same shade was becoming. Seeing herself still as imposing as any
queen, always a queen even in her fall, she reflected that the dignity
of sorrow was a match for the dignity of talent.

At last, after much opening and shutting of doors, she saw Josepha.
The singer bore a strong resemblance to Allori's /Judith/, which
dwells in the memory of all who have ever seen it in the Pitti palace,
near the door of one of the great rooms. She had the same haughty
mien, the same fine features, black hair simply knotted, and a yellow
wrapper with little embroidered flowers, exactly like the brocade worn
by the immortal homicide conceived of by Bronzino's nephew.

"Madame la Baronne, I am quite overwhelmed by the honor you do me in
coming here," said the singer, resolved to play her part as a great
lady with a grace.

She pushed forward an easy-chair for the Baroness and seated herself
on a stool. She discerned the faded beauty of the woman before her,
and was filled with pity as she saw her shaken by the nervous palsy
that, on the least excitement, became convulsive. She could read at a
glance the saintly life described to her of old by Hulot and Crevel;
and she not only ceased to think of a contest with her, she humiliated
herself before a superiority she appreciated. The great artist could
admire what the courtesan laughed to scorn.

"Mademoiselle, despair brought me here. It reduces us to any means--"

A look in Josepha's face made the Baroness feel that she had wounded
the woman from whom she hoped for so much, and she looked at her. Her
beseeching eyes extinguished the flash in Josepha's; the singer
smiled. It was a wordless dialogue of pathetic eloquence.

"It is now two years and a half since Monsieur Hulot left his family,
and I do not know where to find him, though I know that he lives in
Paris," said the Baroness with emotion. "A dream suggested to me the
idea--an absurd one perhaps--that you may have interested yourself in
Monsieur Hulot. If you could enable me to see him--oh! mademoiselle, I
would pray Heaven for you every day as long as I live in this world--"

Two large tears in the singer's eyes told what her reply would be.

"Madame," said she, "I have done you an injury without knowing you;
but, now that I have the happiness of seeing in you the most perfect
virtue on earth, believe me I am sensible of the extent of my fault; I
repent sincerely, and believe me, I will do all in my power to remedy
it!"

She took Madame Hulot's hand and before the lady could do anything to
hinder her, she kissed it respectfully, even humbling herself to bend
one knee. Then she rose, as proud as when she stood on the stage in
the part of /Mathilde/, and rang the bell.

"Go on horseback," said she to the man-servant, "and kill the horse if
you must, to find little Bijou, Rue Saint-Maur-du-Temple, and bring
her here. Put her into a coach and pay the coachman to come at a
gallop. Do not lose a moment--or you lose your place.

"Madame," she went on, coming back to the Baroness, and speaking to
her in respectful tones, "you must forgive me. As soon as the Duc
d'Herouville became my protector, I dismissed the Baron, having heard
that he was ruining his family for me. What more could I do? In an
actress' career a protector is indispensable from the first day of her
appearance on the boards. Our salaries do not pay half our expenses;
we must have a temporary husband. I did not value Monsieur Hulot, who
took me away from a rich man, a conceited idiot. Old Crevel would
undoubtedly have married me--"

"So he told me," said the Baroness, interrupting her.

"Well, then, you see, madame, I might at this day have been an honest
woman, with only one legitimate husband!"

"You have many excuses, mademoiselle," said Adeline, "and God will
take them into account. But, for my part, far from reproaching you, I
came, on the contrary, to make myself your debtor in gratitude--"

"Madame, for nearly three years I have provided for Monsieur le
Baron's necessities--"

"You?" interrupted the Baroness, with tears in her eyes. "Oh, what can
I do for you? I can only pray--"

"I and Monsieur le Duc d'Herouville," the singer said, "a noble soul,
a true gentleman--" and Josepha related the settling and /marriage/ of
Monsieur Thoul.

"And so, thanks to you, mademoiselle, the Baron has wanted nothing?"

"We have done our best to that end, madame."

"And where is he now?"

"About six months ago, Monsieur le Duc told me that the Baron, known
to the notary by the name of Thoul, had drawn all the eight thousand
francs that were to have been paid to him in fixed sums once a
quarter," replied Josepha. "We have heard no more of the Baron,
neither I nor Monsieur d'Herouville. Our lives are so full, we artists
are so busy, that I really have not time to run after old Thoul. As it
happens, for the last six months, Bijou, who works for me--his--what
shall I say--?"

"His mistress," said Madame Hulot.

"His mistress," repeated Josepha, "has not been here. Mademoiselle
Olympe Bijou is perhaps divorced. Divorce is common in the thirteenth
arrondissement."

Josepha rose, and foraging among the rare plants in her stands, made a
charming bouquet for Madame Hulot, whose expectations, it may be said,
were by no means fulfilled. Like those worthy fold, who take men of
genius to be a sort of monsters, eating, drinking, walking, and
speaking unlike other people, the Baroness had hoped to see Josepha
the opera singer, the witch, the amorous and amusing courtesan; she
saw a calm and well-mannered woman, with the dignity of talent, the
simplicity of an actress who knows herself to be at night a queen, and
also, better than all, a woman of the town whose eyes, attitude, and
demeanor paid full and ungrudging homage to the virtuous wife, the
/Mater dolorosa/ of the sacred hymn, and who was crowning her sorrows
with flowers, as the Madonna is crowned in Italy.

"Madame," said the man-servant, reappearing at the end of half an
hour, "Madame Bijou is on her way, but you are not to expect little
Olympe. Your needle-woman, madame, is settled in life; she is
married--"

"More or less?" said Josepha.

"No, madame, really married. She is at the head of a very fine
business; she has married the owner of a large and fashionable shop,
on which they have spent millions of francs, on the Boulevard des
Italiens; and she has left the embroidery business to her sister and
mother. She is Madame Grenouville. The fat tradesman--"

"A Crevel?"

"Yes, madame," said the man. "Well, he has settled thirty thousand
francs a year on Mademoiselle Bijou by the marriage articles. And her
elder sister, they say, is going to be married to a rich butcher."

"Your business looks rather hopeless, I am afraid," said Josepha to
the Baroness. "Monsieur le Baron is no longer where I lodged him."

Ten minutes later Madame Bijou was announced. Josepha very prudently
placed the Baroness in the boudoir, and drew the curtain over the
door.

"You would scare her," said she to Madame Hulot. "She would let
nothing out if she suspected that you were interested in the
information. Leave me to catechise her. Hide there, and you will hear
everything. It is a scene that is played quite as often in real life
as on the stage--"

"Well, Mother Bijou," she said to an old woman dressed in tartan
stuff, and who looked like a porter's wife in her Sunday best, "so you
are all very happy? Your daughter is in luck."

"Oh, happy? As for that!--My daughter gives us a hundred francs a
month, while she rides in a carriage and eats off silver plate--she is
a millionary, is my daughter! Olympe might have lifted me above labor.
To have to work at my age? Is that being good to me?"

"She ought not to be ungrateful, for she owes her beauty to you,"
replied Josepha; "but why did she not come to see me? It was I who
placed her in ease by settling her with my uncle."

"Yes, madame, with old Monsieur Thoul, but he is very old and
broken--"

"But what have you done with him? Is he with you? She was very foolish
to leave him; he is worth millions now."

"Heaven above us!" cried the mother. "What did I tell her when she
behaved so badly to him, and he as mild as milk, poor old fellow? Oh!
didn't she just give it him hot?--Olympe was perverted, madame?"

"But how?"

"She got to know a /claqueur/, madame, saving your presence, a man
paid to clap, you know, the grand nephew of an old mattress-picker of
the Faubourg Saint-Marceau. This good-for-naught, as all your good-
looking fellows are, paid to make a piece go, is the cock of the walk
out on the Boulevard du Temple, where he works up the new plays, and
takes care that the actresses get a reception, as he calls it. First,
he has a good breakfast in the morning; then, before the play, he
dines, to be 'up to the mark,' as he says; in short, he is a born
lover of billiards and drams. 'But that is not following a trade,' as
I said to Olympe."

"It is a trade men follow, unfortunately," said Josepha.

"Well, the rascal turned Olympe's head, and he, madame, did not keep
good company--when I tell you he was very near being nabbed by the
police in a tavern where thieves meet. 'Wever, Monsieur Braulard, the
leader of the claque, got him out of that. He wears gold earrings, and
he lives by doing nothing, hanging on to women, who are fools about
these good-looking scamps. He spent all the money Monsieur Thoul used
to give the child.

"Then the business was going to grief; what embroidery brought in went
out across the billiard table. 'Wever, the young fellow had a pretty
sister, madame, who, like her brother, lived by hook and by crook, and
no better than she should be neither, over in the students' quarter."

"One of the sluts at the Chaumiere," said Josepha.

"So, madame," said the old woman. "So Idamore, his name is Idamore,
leastways that is what he calls himself, for his real name is Chardin
--Idamore fancied that your uncle had a deal more money than he owned
to, and he managed to send his sister Elodie--and that was a stage
name he gave her--to send her to be a workwoman at our place, without
my daughter's knowing who she was; and, gracious goodness! but that
girl turned the whole place topsy-turvy; she got all those poor girls
into mischief--impossible to whitewash them, saving your presence----

"And she was so sharp, she won over poor old Thoul, and took him away,
and we don't know where, and left us in a pretty fix, with a lot of
bills coming in. To this day as ever is we have not been able to
settle up; but my daughter, who knows all about such things, keeps an
eye on them as they fall due.--Then, when Idamore saw he had got hold
of the old man, through his sister, you understand, he threw over my
daughter, and now he has got hold of a little actress at the
/Funambules/.--And that was how my daughter came to get married, as
you will see--"

"But you must know where the mattress-picker lives?" said Josepha.

"What! old Chardin? As if he lived anywhere at all!--He is drunk by
six in the morning; he makes a mattress once a month; he hangs about
the wineshops all day; he plays at pools--"

"He plays at pools?" said Josepha.

"You do not understand, madame, pools of billiards, I mean, and he
wins three or four a day, and then he drinks."

"Water out of the pools, I suppose?" said Josepha. "But if Idamore
haunts the Boulevard, by inquiring through my friend Vraulard, we
could find him."

"I don't know, madame; all this was six months ago. Idamore was one of
the sort who are bound to find their way into the police courts, and
from that to Melun--and the--who knows--?"

"To the prison yard!" said Josepha.

"Well, madame, you know everything," said the old woman, smiling.
"Well, if my girl had never known that scamp, she would now be--Still,
she was in luck, all the same, you will say, for Monsieur Grenouville
fell so much in love with her that he married her--"

"And what brought that about?"

"Olympe was desperate, madame. When she found herself left in the
lurch for that little actress--and she took a rod out of pickle for
her, I can tell you; my word, but she gave her a dressing!--and when
she had lost poor old Thoul, who worshiped her, she would have nothing
more to say to the men. 'Wever, Monsieur Grenouville, who had been
dealing largely with us--to the tune of two hundred embroidered China-
crape shawls every quarter--he wanted to console her; but whether or
no, she would not listen to anything without the mayor and the priest.
'I mean to be respectable,' said she, 'or perish!' and she stuck to
it. Monsieur Grenouville consented to marry her, on condition of her
giving us all up, and we agreed--"

"For a handsome consideration?" said Josepha, with her usual
perspicacity.

"Yes, madame, ten thousand francs, and an allowance to my father, who
is past work."

"I begged your daughter to make old Thoul happy, and she has thrown me
over. That is not fair. I will take no interest in any one for the
future! That is what comes of trying to do good! Benevolence certainly
does not answer as a speculation!--Olympe ought, at least, to have
given me notice of this jobbing. Now, if you find the old man Thoul
within a fortnight, I will give you a thousand francs."

"It will be a hard task, my good lady; still, there are a good many
five-franc pieces in a thousand francs, and I will try to earn your
money."

"Good-morning, then, Madame Bijou."

On going into the boudoir, the singer found that Madame Hulot had
fainted; but in spite of having lost consciousness, her nervous
trembling kept her still perpetually shaking, as the pieces of a snake
that has been cut up still wriggle and move. Strong salts, cold water,
and all the ordinary remedies were applied to recall the Baroness to
her senses, or rather, to the apprehension of her sorrows.

"Ah! mademoiselle, how far has he fallen!" cried she, recognizing
Josepha, and finding that she was alone with her.

"Take heart, madame," replied the actress, who had seated herself on a
cushion at Adeline's feet, and was kissing her hands. "We shall find
him; and if he is in the mire, well, he must wash himself. Believe me,
with people of good breeding it is a matter of clothes.--Allow me to
make up for you the harm I have done you, for I see how much you are
attached to your husband, in spite of his misconduct--or you should
not have come here.--Well, you see, the poor man is so fond of women.
If you had had a little of our dash, you would have kept him from
running about the world; for you would have been what we can never be
--all the women man wants.

"The State ought to subsidize a school of manners for honest women!
But governments are so prudish! Still, they are guided by men, whom we
privately guide. My word, I pity nations!

"But the matter in question is how you can be helped, and not to laugh
at the world.--Well, madame, be easy, go home again, and do not worry.
I will bring your Hector back to you as he was as a man of thirty."

"Ah, mademoiselle, let us go to see that Madame Grenouville," said the
Baroness. "She surely knows something! Perhaps I may see the Baron
this very day, and be able to snatch him at once from poverty and
disgrace."

"Madame, I will show you the deep gratitude I feel towards you by not
displaying the stage-singer Josepha, the Duc d'Herouville's mistress,
in the company of the noblest, saintliest image of virtue. I respect
you too much to be seen by your side. This is not acted humility; it
is sincere homage. You make me sorry, madame, that I cannot tread in
your footsteps, in spite of the thorns that tear your feet and hands.
--But it cannot be helped! I am one with art, as you are one with
virtue."

"Poor child!" said the Baroness, moved amid her own sorrows by a
strange sense of compassionate sympathy; "I will pray to God for you;
for you are the victim of society, which must have theatres. When you
are old, repent--you will be heard if God vouchsafes to hear the
prayers of a--"

"Of a martyr, madame," Josepha put in, and she respectfully kissed the
Baroness' skirt.

But Adeline took the actress' hand, and drawing her towards her,
kissed her on the forehead. Coloring with pleasure Josepha saw the
Baroness into the hackney coach with the humblest politeness.

"It must be some visiting Lady of Charity," said the man-servant to
the maid, "for she does not do so much for any one, not even for her
dear friend Madame Jenny Cadine."

"Wait a few days," said she, "and you will see him, madame, or I
renounce the God of my fathers--and that from a Jewess, you know, is a
promise of success."



At the very time when Madame Hulot was calling on Josepha, Victorin,
in his study, was receiving an old woman of about seventy-five, who,
to gain admission to the lawyer, had used the terrible name of the
head of the detective force. The man in waiting announced:

"Madame de Saint-Esteve."

"I have assumed one of my business names," said she, taking a seat.

Victorin felt a sort of internal chill at the sight of this dreadful
old woman. Though handsomely dressed, she was terrible to look upon,
for her flat, colorless, strongly-marked face, furrowed with wrinkles,
expressed a sort of cold malignity. Marat, as a woman of that age,
might have been like this creature, a living embodiment of the Reign
of Terror.

This sinister old woman's small, pale eyes twinkled with a tiger's
bloodthirsty greed. Her broad, flat nose, with nostrils expanded into
oval cavities, breathed the fires of hell, and resembled the beak of
some evil bird of prey. The spirit of intrigue lurked behind her low,
cruel brow. Long hairs had grown from her wrinkled chin, betraying the
masculine character of her schemes. Any one seeing that woman's face
would have said that artists had failed in their conceptions of
Mephistopheles.

"My dear sir," she began, with a patronizing air, "I have long since
given up active business of any kind. What I have come to you to do, I
have undertaken, for the sake of my dear nephew, whom I love more than
I could love a son of my own.--Now, the Head of the Police--to whom
the President of the Council said a few words in his ear as regards
yourself, in talking to Monsieur Chapuzot--thinks as the police ought
not to appear in a matter of this description, you understand. They
gave my nephew a free hand, but my nephew will have nothing to say to
it, except as before the Council; he will not be seen in it."

"Then your nephew is--"

"You have hit it, and I am rather proud of him," said she,
interrupting the lawyer, "for he is my pupil, and he soon could teach
his teacher.--We have considered this case, and have come to our own
conclusions. Will you hand over thirty thousand francs to have the
whole thing taken off your hands? I will make a clean sweep of all,
and you need not pay till the job is done."

"Do you know the persons concerned?"

"No, my dear sir; I look for information from you. What we are told
is, that a certain old idiot has fallen into the clutches of a widow.
This widow, of nine-and-twenty, has played her cards so well, that she
has forty thousand francs a year, of which she has robbed two fathers
of families. She is now about to swallow down eighty thousand francs a
year by marrying an old boy of sixty-one. She will thus ruin a
respectable family, and hand over this vast fortune to the child of
some lover by getting rid at once of the old husband.--That is the
case as stated."

"Quite correct," said Victorin. "My father-in-law, Monsieur Crevel--"

"Formerly a perfumer, a mayor--yes, I live in his district under the
name of Ma'ame Nourrisson," said the woman.

"The other person is Madame Marneffe."

"I do not know," said Madame de Saint-Esteve. "But within three days I
will be in a position to count her shifts."

"Can you hinder the marriage?" asked Victorin.

"How far have they got?"

"To the second time of asking."

"We must carry off the woman.--To-day is Sunday--there are but three
days, for they will be married on Wednesday, no doubt; it is
impossible.--But she may be killed--"

Victorin Hulot started with an honest man's horror at hearing these
five words uttered in cold blood.

"Murder?" said he. "And how could you do it?"

"For forty years, now, monsieur, we have played the part of fate,"
replied she, with terrible pride, "and do just what we will in Paris.
More than one family--even in the Faubourg Saint-Germain--has told me
all its secrets, I can tell you. I have made and spoiled many a match,
I have destroyed many a will and saved many a man's honor. I have in
there," and she tapped her forehead, "a store of secrets which are
worth thirty-six thousand francs a year to me; and you--you will be
one of my lambs, hoh! Could such a woman as I am be what I am if she
revealed her ways and means? I act.

"Whatever I may do, sir, will be the result of an accident; you need
feel no remorse. You will be like a man cured by a clairvoyant; by the
end of a month, it seems all the work of Nature."

Victorin broke out in a cold sweat. The sight of an executioner would
have shocked him less than this prolix and pretentious Sister of the
Hulks. As he looked at her purple-red gown, she seemed to him dyed in
blood.

"Madame, I do not accept the help of your experience and skill if
success is to cost anybody's life, or the least criminal act is to
come of it."

"You are a great baby, monsieur," replied the woman; "you wish to
remain blameless in your own eyes, while you want your enemy to be
overthrown."

Victorin shook his head in denial.

"Yes," she went on, "you want this Madame Marneffe to drop the prey
she has between her teeth. But how do you expect to make a tiger drop
his piece of beef? Can you do it by patting his back and saying, 'Poor
Puss'? You are illogical. You want a battle fought, but you object to
blows.--Well, I grant you the innocence you are so careful over. I
have always found that there was material for hypocrisy in honesty!
One day, three months hence, a poor priest will come to beg of you
forty thousand francs for a pious work--a convent to be rebuilt in the
Levant--in the desert.--If you are satisfied with your lot, give the
good man the money. You will pay more than that into the treasury. It
will be a mere trifle in comparison with what you will get, I can tell
you."

She rose, standing on the broad feet that seemed to overflow her satin
shoes; she smiled, bowed, and vanished.

"The Devil has a sister," said Victorin, rising.

He saw the hideous stranger to the door, a creature called up from the
dens of the police, as on the stage a monster comes up from the third
cellar at the touch of a fairy's wand in a ballet-extravaganza.

After finishing what he had to do at the Courts, Victorin went to call
on Monsieur Chapuzot, the head of one of the most important branches
of the Central Police, to make some inquiries about the stranger.
Finding Monsieur Chapuzot alone in his office, Victorin thanked him
for his help.

"You sent me an old woman who might stand for the incarnation of the
criminal side of Paris."

Monsieur Chapuzot laid his spectacles on his papers and looked at the
lawyer with astonishment.

"I should not have taken the liberty of sending anybody to see you
without giving you notice beforehand, or a line of introduction," said
he.

"Then it was Monsieur le Prefet--?"

"I think not," said Chapuzot. "The last time that the Prince de
Wissembourg dined with the Minister of the Interior, he spoke to the
Prefet of the position in which you find yourself--a deplorable
position--and asked him if you could be helped in any friendly way.
The Prefet, who was interested by the regrets his Excellency expressed
as to this family affair, did me the honor to consult me about it.

"Ever since the present Prefet has held the reins of this department--
so useful and so vilified--he has made it a rule that family matters
are never to be interfered in. He is right in principle and in
morality; but in practice he is wrong. In the forty-five years that I
have served in the police, it did, from 1799 till 1815, great services
in family concerns. Since 1820 a constitutional government and the
press have completely altered the conditions of existence. So my
advice, indeed, was not to intervene in such a case, and the Prefet
did me the honor to agree with my remarks. The Head of the detective
branch has orders, in my presence, to take no steps; so if you have
had any one sent to you by him, he will be reprimanded. It might cost
him his place. 'The Police will do this or that,' is easily said; the
Police, the Police! But, my dear sir, the Marshal and the Ministerial
Council do not know what the Police is. The Police alone knows the
Police; but as for ours, only Fouche, Monsieur Lenoir, and Monsieur de
Sartines have had any notion of it.--Everything is changed now; we are
reduced and disarmed! I have seen many private disasters develop,
which I could have checked with five grains of despotic power.--We
shall be regretted by the very men who have crippled us when they,
like you, stand face to face with some moral monstrosities, which
ought to be swept away as we sweep away mud! In public affairs the
Police is expected to foresee everything, or when the safety of the
public is involved--but the family?--It is sacred! I would do my
utmost to discover and hinder a plot against the King's life, I would
see through the walls of a house; but as to laying a finger on a
household, or peeping into private interests--never, so long as I sit
in this office. I should be afraid."

"Of what?"

"Of the Press, Monsieur le Depute, of the left centre."

"What, then, can I do?" said Hulot, after a pause.

"Well, you are the Family," said the official. "That settles it; you
can do what you please. But as to helping you, as to using the Police
as an instrument of private feelings, and interests, how is it
possible? There lies, you see, the secret of the persecution,
necessary, but pronounced illegal, by the Bench, which was brought to
bear against the predecessor of our present chief detective. Bibi-
Lupin undertook investigations for the benefit of private persons.
This might have led to great social dangers. With the means at his
command, the man would have been formidable, an underlying fate--"

"But in my place?" said Hulot.

"Why, you ask my advice? You who sell it!" replied Monsieur Chapuzot.
"Come, come, my dear sir, you are making fun of me."

Hulot bowed to the functionary, and went away without seeing that
gentleman's almost imperceptible shrug as he rose to open the door.

"And he wants to be a statesman!" said Chapuzot to himself as he
returned to his reports.

Victorin went home, still full of perplexities which he could confide
to no one.

At dinner the Baroness joyfully announced to her children that within
a month their father might be sharing their comforts, and end his days
in peace among his family.

"Oh, I would gladly give my three thousand six hundred francs a year
to see the Baron here!" cried Lisbeth. "But, my dear Adeline, do not
dream beforehand of such happiness, I entreat you!"

"Lisbeth is right," said Celestine. "My dear mother, wait till the
end."

The Baroness, all feeling and all hope, related her visit to Josepha,
expressed her sense of the misery of such women in the midst of good
fortune, and mentioned Chardin the mattress-picker, the father of the
Oran storekeeper, thus showing that her hopes were not groundless.



By seven next morning Lisbeth had driven in a hackney coach to the
Quai de la Tournelle, and stopped the vehicle at the corner of the Rue
de Poissy.

"Go to the Rue des Bernardins," said she to the driver, "No. 7, a
house with an entry and no porter. Go up to the fourth floor, ring at
the door to the left, on which you will see 'Mademoiselle Chardin--
Lace and shawls mended.' She will answer the door. Ask for the
Chevalier. She will say he is out. Say in reply, 'Yes, I know, but
find him, for his /bonne/ is out on the quay in a coach, and wants to
see him.' "

Twenty minutes later, an old man, who looked about eighty, with
perfectly white hair, and a nose reddened by the cold, and a pale,
wrinkled face like an old woman's, came shuffling slowly along in list
slippers, a shiny alpaca overcoat hanging on his stooping shoulders,
no ribbon at his buttonhole, the sleeves of an under-vest showing
below his coat-cuffs, and his shirt-front unpleasantly dingy. He
approached timidly, looked at the coach, recognized Lisbeth, and came
to the window.

"Why, my dear cousin, what a state you are in!"

"Elodie keeps everything for herself," said Baron Hulot. "Those
Chardins are a blackguard crew."

"Will you come home to us?"

"Oh, no, no!" cried the old man. "I would rather go to America."

"Adeline is on the scent."

"Oh, if only some one would pay my debts!" said the Baron, with a
suspicious look, "for Samanon is after me."

"We have not paid up the arrears yet; your son still owes a hundred
thousand francs."

"Poor boy!"

"And your pension will not be free before seven or eight months.--If
you will wait a minute, I have two thousand francs here."

The Baron held out his hand with fearful avidity.

"Give it me, Lisbeth, and may God reward you! Give it me; I know where
to go."

"But you will tell me, old wretch?"

"Yes, yes. Then I can wait eight months, for I have discovered a
little angel, a good child, an innocent thing not old enough to be
depraved."

"Do not forget the police-court," said Lisbeth, who flattered herself
that she would some day see Hulot there.

"No.--It is in the Rue de Charonne," said the Baron, "a part of the
town where no fuss is made about anything. No one will ever find me
there. I am called Pere Thorec, Lisbeth, and I shall be taken for a
retired cabinet-maker; the girl is fond of me, and I will not allow my
back to be shorn any more."

"No, that has been done," said Lisbeth, looking at his coat.
"Supposing I take you there."

Baron Hulot got into the coach, deserting Mademoiselle Elodie without
taking leave of her, as he might have tossed aside a novel he had
finished.

In half an hour, during which Baron Hulot talked to Lisbeth of nothing
but little Atala Judici--for he had fallen by degrees to those base
passions that ruin old men--she set him down with two thousand francs
in his pocket, in the Rue de Charonne, Faubourg Saint-Antoine, at the
door of a doubtful and sinister-looking house.

"Good-day, cousin; so now you are to be called Thorec, I suppose? Send
none but commissionaires if you need me, and always take them from
different parts."

"Trust me! Oh, I am really very lucky!" said the Baron, his face
beaming with the prospect of new and future happiness.

"No one can find him there," said Lisbeth; and she paid the coach at
the Boulevard Beaumarchais, and returned to the Rue Louis-le-Grand in
the omnibus.

On the following day Crevel was announced at the hour when all the
family were together in the drawing-room, just after breakfast.
Celestine flew to throw her arms round her father's neck, and behaved
as if she had seen him only the day before, though in fact he had not
called there for more than two years.

"Good-morning, father," said Victorin, offering his hand.

"Good-morning, children," said the pompous Crevel. "Madame la Baronne,
I throw myself at your feet! Good Heavens, how the children grow! they
are pushing us off the perch--'Grand-pa,' they say, 'we want our turn
in the sunshine.'--Madame la Comtesse, you are as lovely as ever," he
went on, addressing Hortense.--"Ah, ha! and here is the best of good
money: Cousin Betty, the Wise Virgin."

"Why, you are really very comfortable here," said he, after scattering
these greetings with a cackle of loud laughter that hardly moved the
rubicund muscles of his broad face.

He looked at his daughter with some contempt.

"My dear Celestine, I will make you a present of all my furniture out
of the Rue des Saussayes; it will just do here. Your drawing-room
wants furnishing up.--Ha! there is that little rogue Wenceslas. Well,
and are we very good children, I wonder? You must have pretty manners,
you know."

"To make up for those who have none," said Lisbeth.

"That sarcasm, my dear Lisbeth, has lost its sting. I am going, my
dear children, to put an end to the false position in which I have so
long been placed; I have come, like a good father, to announce my
approaching marriage without any circumlocution."

"You have a perfect right to marry," said Victorin. "And for my part,
I give you back the promise you made me when you gave me the hand of
my dear Celestine--"

"What promise?" said Crevel.

"Not to marry," replied the lawyer. "You will do me the justice to
allow that I did not ask you to pledge yourself, that you gave your
word quite voluntarily and in spite of my desire, for I pointed out to
you at the time that you were unwise to bind yourself."

"Yes, I do remember, my dear fellow," said Crevel, ashamed of himself.
"But, on my honor, if you will but live with Madame Crevel, my
children, you will find no reason to repent.--Your good feeling
touches me, Victorin, and you will find that generosity to me is not
unrewarded.--Come, by the Poker! welcome your stepmother and come to
the wedding."

"But you have not told us the lady's name, papa," said Celestine.

"Why, it is an open secret," replied Crevel. "Do not let us play at
guess who can! Lisbeth must have told you."

"My dear Monsieur Crevel," replied Lisbeth, "there are certain names
we never utter here--"

"Well, then, it is Madame Marneffe."

"Monsieur Crevel," said the lawyer very sternly, "neither my wife nor
I can be present at that marriage; not out of interest, for I spoke in
all sincerity just now. Yes, I am most happy to think that you may
find happiness in this union; but I act on considerations of honor and
good feeling which you must understand, and which I cannot speak of
here, as they reopen wounds still ready to bleed----"

The Baroness telegraphed a signal to Hortense, who tucked her little
one under her arm, saying, "Come Wenceslas, and have your bath!--Good-
bye, Monsieur Crevel."

The Baroness also bowed to Crevel without a word; and Crevel could not
help smiling at the child's astonishment when threatened with this
impromptu tubbing.

"You, monsieur," said Victorin, when he found himself alone with
Lisbeth, his wife, and his father-in-law, "are about to marry a woman
loaded with the spoils of my father; it was she who, in cold blood,
brought him down to such depths; a woman who is the son-in-law's
mistress after ruining the father-in-law; who is the cause of constant
grief to my sister!--And you fancy that I shall seem to sanction your
madness by my presence? I deeply pity you, dear Monsieur Crevel; you
have no family feeling; you do not understand the unity of the honor
which binds the members of it together. There is no arguing with
passion--as I have too much reason to know. The slaves of their
passions are as deaf as they are blind. Your daughter Celestine has
too strong a sense of her duty to proffer a word of reproach."

"That would, indeed, be a pretty thing!" cried Crevel, trying to cut
short this harangue.

"Celestine would not be my wife if she made the slightest
remonstrance," the lawyer went on. "But I, at least, may try to stop
you before you step over the precipice, especially after giving you
ample proof of my disinterestedness. It is not your fortune, it is you
that I care about. Nay, to make it quite plain to you, I may add, if
it were only to set your mind at ease with regard to your marriage
contract, that I am now in a position which leaves me with nothing to
wish for--"

"Thanks to me!" exclaimed Crevel, whose face was purple.

"Thanks to Celestine's fortune," replied Victorin. "And if you regret
having given to your daughter as a present from yourself, a sum which
is not half what her mother left her, I can only say that we are
prepared to give it back."

"And do you not know, my respected son-in-law," said Crevel, striking
an attitude, "that under the shelter of my name Madame Marneffe is not
called upon to answer for her conduct excepting as my wife--as Madame
Crevel?"

"That is, no doubt, quite the correct thing," said the lawyer; "very
generous so far as the affections are concerned and the vagaries of
passion; but I know of no name, nor law, nor title that can shelter
the theft of three hundred thousand francs so meanly wrung from my
father!--I tell you plainly, my dear father-in-law, your future wife
is unworthy of you, she is false to you, and is madly in love with my
brother-in-law, Steinbock, whose debts she had paid."

"It is I who paid them!"

"Very good," said Hulot; "I am glad for Count Steinbock's sake; he may
some day repay the money. But he is loved, much loved, and often--"

"Loved!" cried Crevel, whose face showed his utter bewilderment. "It
is cowardly, and dirty, and mean, and cheap, to calumniate a woman!--
When a man says such things, monsieur, he must bring proof."

"I will bring proof."

"I shall expect it."

"By the day after to-morrow, my dear Monsieur Crevel, I shall be able
to tell you the day, the hour, the very minute when I can expose the
horrible depravity of your future wife."

"Very well; I shall be delighted," said Crevel, who had recovered
himself.

"Good-bye, my children, for the present; good-bye, Lisbeth."

"See him out, Lisbeth," said Celestine in an undertone.

"And is this the way you take yourself off?" cried Lisbeth to Crevel.

"Ah, ha!" said Crevel, "my son-in-law is too clever by half; he is
getting on. The Courts and the Chamber, judicial trickery and
political dodges, are making a man of him with a vengeance!--So he
knows I am to be married on Wednesday, and on a Sunday my gentleman
proposes to fix the hour, within three days, when he can prove that my
wife is unworthy of me. That is a good story!--Well, I am going back
to sign the contract. Come with me, Lisbeth--yes, come. They will
never know. I meant to have left Celestine forty thousand francs a
year; but Hulot has just behaved in a way to alienate my affection for
ever."

"Give me ten minutes, Pere Crevel; wait for me in your carriage at the
gate. I will make some excuse for going out."

"Very well--all right."

"My dears," said Lisbeth, who found all the family reassembled in the
drawing-room, "I am going with Crevel: the marriage contract is to be
signed this afternoon, and I shall hear what he has settled. It will
probably be my last visit to that woman. Your father is furious; he
will disinherit you--"

"His vanity will prevent that," said the son-in-law. "He was bent on
owning the estate of Presles, and he will keep it; I know him. Even if
he were to have children, Celestine would still have half of what he
might leave; the law forbids his giving away all his fortune.--Still,
these questions are nothing to me; I am only thinking of our honor.--
Go then, cousin," and he pressed Lisbeth's hand, "and listen carefully
to the contract."



Twenty minutes after, Lisbeth and Crevel reached the house in the Rue
Barbet, where Madame Marneffe was awaiting, in mild impatience, the
result of a step taken by her commands. Valerie had in the end fallen
a prey to the absorbing love which, once in her life, masters a
woman's heart. Wenceslas was its object, and, a failure as an artist,
he became in Madame Marneffe's hands a lover so perfect that he was to
her what she had been to Baron Hulot.

Valerie was holding a slipper in one hand, and Steinbock clasped the
other, while her head rested on his shoulder. The rambling
conversation in which they had been engaged ever since Crevel went out
may be ticketed, like certain lengthy literary efforts of our day,
"/All rights reserved/," for it cannot be reproduced. This masterpiece
of personal poetry naturally brought a regret to the artist's lips,
and he said, not without some bitterness:

"What a pity it is that I married; for if I had but waited, as Lisbeth
told me, I might now have married you."

"Who but a Pole would wish to make a wife of a devoted mistress?"
cried Valerie. "To change love into duty, and pleasure into a bore."

"I know you to be so fickle," replied Steinbock. "Did I not hear you
talking to Lisbeth of that Brazilian, Baron Montes?"

"Do you want to rid me of him?"

"It would be the only way to hinder his seeing you," said the ex-
sculptor.

"Let me tell you, my darling--for I tell you everything," said Valerie
--"I was saving him up for a husband.--The promises I have made to
that man!--Oh, long before I knew you," said she, in reply to a
movement from Wenceslas. "And those promises, of which he avails
himself to plague me, oblige me to get married almost secretly; for if
he should hear that I am marrying Crevel, he is the sort of man that--
that would kill me."

"Oh, as to that!" said Steinbock, with a scornful expression, which
conveyed that such a danger was small indeed for a woman beloved by a
Pole.

And in the matter of valor there is no brag or bravado in a Pole, so
thoroughly and seriously brave are they all.

"And that idiot Crevel," she went on, "who wants to make a great
display and indulge his taste for inexpensive magnificence in honor of
the wedding, places me in difficulties from which I see no escape."

Could Valerie confess to this man, whom she adored, that since the
discomfiture of Baron Hulot, this Baron Henri Montes had inherited the
privilege of calling on her at all hours of the day or night; and
that, notwithstanding her cleverness, she was still puzzled to find a
cause of quarrel in which the Brazilian might seem to be solely in the
wrong? She knew the Baron's almost savage temper--not unlike Lisbeth's
--too well not to quake as she thought of this Othello of Rio de
Janeiro.

As the carriage drove up, Steinbock released Valerie, for his arm was
round her waist, and took up a newspaper, in which he was found
absorbed. Valerie was stitching with elaborate care at the slippers
she was working for Crevel.

"How they slander her!" whispered Lisbeth to Crevel, pointing to this
picture as they opened the door. "Look at her hair--not in the least
tumbled. To hear Victorin, you might have expected to find two turtle-
doves in a nest."

"My dear Lisbeth," cried Crevel, in his favorite position, "you see
that to turn Lucretia into Aspasia, you have only to inspire a
passion!"

"And have I not always told you," said Lisbeth, "that women like a
burly profligate like you?"

"And she would be most ungrateful, too," said Crevel; "for as to the
money I have spent here, Grindot and I alone can tell!"

And he waved a hand at the staircase.

In decorating this house, which Crevel regarded as his own, Grindot
had tried to compete with Cleretti, in whose hands the Duc
d'Herouville had placed Josepha's villa. But Crevel, incapable of
understanding art, had, like all sordid souls, wanted to spend a
certain sum fixed beforehand. Grindot, fettered by a contract, had
found it impossible to embody his architectural dream.

The difference between Josepha's house and that in the Rue Barbet was
just that between the individual stamp on things and commonness. The
objects you admired at Crevel's were to be bought in any shop. These
two types of luxury are divided by the river Million. A mirror, if
unique, is worth six thousand francs; a mirror designed by a
manufacturer who turns them out by the dozen costs five hundred. A
genuine lustre by Boulle will sell at a public auction for three
thousand francs; the same thing reproduced by casting may be made for
a thousand or twelve hundred; one is archaeologically what a picture
by Raphael is in painting, the other is a copy. At what would you
value a copy of a Raphael? Thus Crevel's mansion was a splendid
example of the luxury of idiots, while Josepha's was a perfect model
of an artist's home.

"War is declared," said Crevel, going up to Madame Marneffe.

She rang the bell.

"Go and find Monsieur Berthier," said she to the man-servant, "and do
not return without him. If you had succeeded," said she, embracing
Crevel, "we would have postponed our happiness, my dear Daddy, and
have given a really splendid entertainment; but when a whole family is
set against a match, my dear, decency requires that the wedding shall
be a quiet one, especially when the lady is a widow."

"On the contrary, I intend to make a display of magnificence /a la/
Louis XIV.," said Crevel, who of late had held the eighteenth century
rather cheap. "I have ordered new carriages; there is one for monsieur
and one for madame, two neat coupes; and a chaise, a handsome
traveling carriage with a splendid hammercloth, on springs that
tremble like Madame Hulot."

"Oh, ho! /You intend?/--Then you have ceased to be my lamb?--No, no,
my friend, you will do what /I/ intend. We will sign the contract
quietly--just ourselves--this afternoon. Then, on Wednesday, we will
be regularly married, really married, in mufti, as my poor mother
would have said. We will walk to church, plainly dressed, and have
only a low mass. Our witnesses are Stidmann, Steinbock, Vignon, and
Massol, all wide-awake men, who will be at the mairie by chance, and
who will so far sacrifice themselves as to attend mass.

"Your colleague will perform the civil marriage, for once in a way, as
early as half-past nine. Mass is at ten; we shall be at home to
breakfast by half-past eleven.

"I have promised our guests that we will sit at table till the
evening. There will be Bixiou, your old official chum du Tillet,
Lousteau, Vernisset, Leon de Lora, Vernou, all the wittiest men in
Paris, who will not know that we are married. We will play them a
little trick, we will get just a little tipsy, and Lisbeth must join
us. I want her to study matrimony; Bixiou shall make love to her, and
--and enlighten her darkness."

For two hours Madame Marneffe went on talking nonsense, and Crevel
made this judicious reflection:

"How can so light-hearted a creature be utterly depraved? Feather-
brained, yes! but wicked? Nonsense!"

"Well, and what did the young people say about me?" said Valerie to
Crevel at a moment when he sat down by her on the sofa. "All sorts of
horrors?"

"They will have it that you have a criminal passion for Wenceslas--
you, who are virtue itself."

"I love him!--I should think so, my little Wenceslas!" cried Valerie,
calling the artist to her, taking his face in her hands, and kissing
his forehead. "A poor boy with no fortune, and no one to depend on!
Cast off by a carrotty giraffe! What do you expect, Crevel? Wenceslas
is my poet, and I love him as if he were my own child, and make no
secret of it. Bah! your virtuous women see evil everywhere and in
everything. Bless me, could they not sit by a man without doing wrong?
I am a spoilt child who has had all it ever wanted, and bonbons no
longer excite me.--Poor things! I am sorry for them!

"And who slandered me so?"

"Victorin," said Crevel.

"Then why did you not stop his mouth, the odious legal macaw! with the
story of the two hundred thousand francs and his mamma?"

"Oh, the Baroness had fled," said Lisbeth.

"They had better take care, Lisbeth," said Madame Marneffe, with a
frown. "Either they will receive me and do it handsomely, and come to
their stepmother's house--all the party!--or I will see them in lower
depths than the Baron has reached, and you may tell them I said so!--
At last I shall turn nasty. On my honor, I believe that evil is the
scythe with which to cut down the good."

At three o'clock Monsieur Berthier, Cardot's successor, read the
marriage-contract, after a short conference with Crevel, for some of
the articles were made conditional on the action taken by Monsieur and
Madame Victorin Hulot.

Crevel settled on his wife a fortune consisting, in the first place,
of forty thousand francs in dividends on specified securities;
secondly, of the house and all its contents; and thirdly, of three
million francs not invested. He also assigned to his wife every
benefit allowed by law; he left all the property free of duty; and in
the event of their dying without issue, each devised to the survivor
the whole of their property and real estate.

By this arrangement the fortune left to Celestine and her husband was
reduced to two millions of francs in capital. If Crevel and his second
wife should have children, Celestine's share was limited to five
hundred thousand francs, as the life-interest in the rest was to
accrue to Valerie. This would be about the ninth part of his whole
real and personal estate.



Lisbeth returned to dine in the Rue Louis-le-Grand, despair written on
her face. She explained and bewailed the terms of the marriage-
contract, but found Celestine and her husband insensible to the
disastrous news.

"You have provoked your father, my children. Madame Marneffe swears
that you shall receive Monsieur Crevel's wife and go to her house,"
said she.

"Never!" said Victorin.

"Never!" said Celestine.

"Never!" said Hortense.

Lisbeth was possessed by the wish to crush the haughty attitude
assumed by all the Hulots.

"She seems to have arms that she can turn against you," she replied.
"I do not know all about it, but I shall find out. She spoke vaguely
of some history of two hundred thousand francs in which Adeline is
implicated."

The Baroness fell gently backward on the sofa she was sitting on in a
fit of hysterical sobbing.

"Go there, go, my children!" she cried. "Receive the woman! Monsieur
Crevel is an infamous wretch. He deserves the worst punishment
imaginable.--Do as the woman desires you! She is a monster--she knows
all!"

After gasping out these words with tears and sobs, Madame Hulot
collected her strength to go to her room, leaning on her daughter and
Celestine.

"What is the meaning of all this?" cried Lisbeth, left alone with
Victorin.

The lawyer stood rigid, in very natural dismay, and did not hear her.

"What is the matter, my dear Victorin?"

"I am horrified!" said he, and his face scowled darkly. "Woe to
anybody who hurts my mother! I have no scruples then. I would crush
that woman like a viper if I could!--What, does she attack my mother's
life, my mother's honor?"

"She said, but do not repeat it, my dear Victorin--she said you should
all fall lower even than your father. And she scolded Crevel roundly
for not having shut your mouths with this secret that seems to be such
a terror to Adeline."

A doctor was sent for, for the Baroness was evidently worse. He gave
her a draught containing a large dose of opium, and Adeline, having
swallowed it, fell into a deep sleep; but the whole family were
greatly alarmed.

Early next morning Victorin went out, and on his way to the Courts
called at the Prefecture of the Police, where he begged Vautrin, the
head of the detective department, to send him Madame de Saint-Esteve.

"We are forbidden, monsieur, to meddle in your affairs; but Madame de
Saint-Esteve is in business, and will attend to your orders," replied
this famous police officer.

On his return home, the unhappy lawyer was told that his mother's
reason was in danger. Doctor Bianchon, Doctor Larabit, and Professor
Angard had met in consultation, and were prepared to apply heroic
remedies to hinder the rush of blood to the head. At the moment when
Victorin was listening to Doctor Bianchon, who was giving him, at some
length, his reasons for hoping that the crisis might be got over, the
man-servant announced that a client, Madame de Saint-Esteve, was
waiting to see him. Victorin left Bianchon in the middle of a sentence
and flew downstairs like a madman.

"Is there any hereditary lunacy in the family?" said Bianchon,
addressing Larabit.

The doctors departed, leaving a hospital attendant, instructed by
them, to watch Madame Hulot.

"A whole life of virtue!----" was the only sentence the sufferer had
spoken since the attack.

Lisbeth never left Adeline's bedside; she sat up all night, and was
much admired by the two younger women.

"Well, my dear Madame de Saint-Esteve," said Victorin, showing the
dreadful old woman into his study and carefully shutting the doors,
"how are we getting on?"

"Ah, ha! my dear friend," said she, looking at Victorin with cold
irony. "So you have thought things over?"

"Have you done anything?"

"Will you pay fifty thousand francs?"

"Yes," replied Victorin, "for we must get on. Do you know that by one
single phrase that woman has endangered my mother's life and reason?
So, I say, get on."

"We have got on!" replied the old woman.

"Well?" cried Victorin, with a gulp.

"Well, you do not cry off the expenses?"

"On the contrary."

"They run up to twenty-three thousand francs already."

Victorin looked helplessly at the woman.

"Well, could we hoodwink you, you, one of the shining lights of the
law?" said she. "For that sum we have secured a maid's conscience and
a picture by Raphael.--It is not dear."

Hulot, still bewildered, sat with wide open eyes.

"Well, then," his visitor went on, "we have purchased the honesty of
Mademoiselle Reine Tousard, a damsel from whom Madame Marneffe has no
secrets--"

"I understand!"

"But if you shy, say so."

"I will play blindfold," he replied. "My mother has told me that that
couple deserve the worst torments--"

"The rack is out of date," said the old woman.

"You answer for the result?"

"Leave it all to me," said the woman; "your vengeance is simmering."

She looked at the clock; it was six.

"Your avenger is dressing; the fires are lighted at the /Rocher de
Cancale/; the horses are pawing the ground; my irons are getting hot.
--Oh, I know your Madame Marneffe by heart!-- Everything is ready. And
there are some boluses in the rat-trap; I will tell you to-morrow
morning if the mouse is poisoned. I believe she will be; good evening,
my son."

"Good-bye, madame."

"Do you know English?"

"Yes."

"Well, my son, thou shalt be King. That is to say, you shall come into
your inheritance," said the dreadful old witch, foreseen by
Shakespeare, and who seemed to know her Shakespeare.

She left Hulot amazed at the door of his study.

"The consultation is for to-morrow!" said she, with the gracious air
of a regular client.

She saw two persons coming, and wished to pass in their eyes a
pinchbeck countess.

"What impudence!" thought Hulot, bowing to his pretended client.



Baron Montes de Montejanos was a /lion/, but a lion not accounted for.
Fashionable Paris, Paris of the turf and of the town, admired the
ineffable waistcoats of this foreign gentleman, his spotless patent-
leather boots, his incomparable sticks, his much-coveted horses, and
the negro servants who rode the horses and who were entirely slaves
and most consumedly thrashed.

His fortune was well known; he had a credit account up to seven
hundred thousand francs in the great banking house of du Tillet; but
he was always seen alone. When he went to "first nights," he was in a
stall. He frequented no drawing-rooms. He had never given his arm to a
girl on the streets. His name would not be coupled with that of any
pretty woman of the world. To pass his time he played whist at the
Jockey-Club. The world was reduced to calumny, or, which it thought
funnier, to laughing at his peculiarities; he went by the name of
Combabus.

Bixiou, Leon de Lora, Lousteau, Florine, Mademoiselle Heloise
Brisetout, and Nathan, supping one evening with the notorious
Carabine, with a large party of /lions/ and /lionesses/, had invented
this name with an excessively burlesque explanation. Massol, as being
on the Council of State, and Claude Vignon, erewhile Professor of
Greek, had related to the ignorant damsels the famous anecdote,
preserved in Rollin's /Ancient History/, concerning Combabus, that
voluntary Abelard who was placed in charge of the wife of a King of
Assyria, Persia, Bactria, Mesopotamia, and other geographical
divisions peculiar to old Professor du Bocage, who continued the work
of d'Anville, the creator of the East of antiquity. This nickname,
which gave Carabine's guests laughter for a quarter of an hour, gave
rise to a series of over-free jests, to which the Academy could not
award the Montyon prize; but among which the name was taken up, to
rest thenceforth on the curly mane of the handsome Baron, called by
Josepha the splendid Brazilian--as one might say a splendid
/Catoxantha/.

Carabine, the loveliest of her tribe, whose delicate beauty and
amusing wit had snatched the sceptre of the Thirteenth Arrondissement
from the hands of Mademoiselle Turquet, better known by the name of
Malaga--Mademoiselle Seraphine Sinet (this was her real name) was to
du Tillet the banker what Josepha Mirah was to the Duc d'Herouville.

Now, on the morning of the very day when Madame de Saint-Esteve had
prophesied success to Victorin, Carabine had said to du Tillet at
about seven o'clock:

"If you want to be very nice, you will give me a dinner at the /Rocher
de Cancale/ and bring Combabus. We want to know, once for all, whether
he has a mistress.--I bet that he has, and I should like to win."

"He is still at the Hotel des Princes; I will call," replied du
Tillet. "We will have some fun. Ask all the youngsters--the youngster
Bixiou, the youngster Lora, in short, all the clan."

At half-past seven that evening, in the handsomest room of the
restaurant where all Europe has dined, a splendid silver service was
spread, made on purpose for entertainments where vanity pays the bill
in bank-notes. A flood of light fell in ripples on the chased rims;
waiters, whom a provincial might have taken for diplomatists but for
their age, stood solemnly, as knowing themselves to be overpaid.

Five guests had arrived, and were waiting for nine more. These were
first and foremost Bixiou, still flourishing in 1843, the salt of
every intellectual dish, always supplied with fresh wit--a phenomenon
as rare in Paris as virtue is; Leon de Lora, the greatest living
painter of landscape and the sea who has this great advantage over all
his rivals, that he has never fallen below his first successes. The
courtesans could never dispense with these two kings of ready wit. No
supper, no dinner, was possible without them.

Seraphine Sinet, /dite/ Carabine, as the mistress /en titre/ of the
Amphitryon, was one of the first to arrive; and the brilliant lighting
showed off her shoulders, unrivaled in Paris, her throat, as round as
if turned in a lathe, without a crease, her saucy face, and dress of
satin brocade in two shades of blue, trimmed with Honiton lace enough
to have fed a whole village for a month.

Pretty Jenny Cadine, not acting that evening, came in a dress of
incredible splendor; her portrait is too well known to need any
description. A party is always a Longchamps of evening dress for these
ladies, each anxious to win the prize for her millionaire by thus
announcing to her rivals:

"This is the price I am worth!"

A third woman, evidently at the initial stage of her career, gazed,
almost shamefaced, at the luxury of her two established and wealthy
companions. Simply dressed in white cashmere trimmed with blue, her
head had been dressed with real flowers by a coiffeur of the old-
fashioned school, whose awkward hands had unconsciously given the
charm of ineptitude to her fair hair. Still unaccustomed to any
finery, she showed the timidity--to use a hackneyed phrase--
inseparable from a first appearance. She had come from Valognes to
find in Paris some use for her distracting youthfulness, her innocence
that might have stirred the senses of a dying man, and her beauty,
worthy to hold its own with any that Normandy has ever supplied to the
theatres of the capital. The lines of that unblemished face were the
ideal of angelic purity. Her milk-white skin reflected the light like
a mirror. The delicate pink in her cheeks might have been laid on with
a brush. She was called Cydalise, and, as will be seen, she was an
important pawn in the game played by Ma'ame Nourrisson to defeat
Madame Marneffe.

"Your arm is not a match for your name, my child," said Jenny Cadine,
to whom Carabine had introduced this masterpiece of sixteen, having
brought her with her.

And, in fact, Cydalise displayed to public admiration a fine pair of
arms, smooth and satiny, but red with healthy young blood.

"What do you want for her?" said Jenny Cadine, in an undertone to
Carabine.

"A fortune."

"What are you going to do with her?"

"Well--Madame Combabus!"

"And what are you to get for such a job?"

"Guess."

"A service of plate?"

"I have three."

"Diamonds?"

"I am selling them."

"A green monkey?"

"No. A picture by Raphael."

"What maggot is that in your brain?"

"Josepha makes me sick with her pictures," said Carabine. "I want some
better than hers."

Du Tillet came with the Brazilian, the hero of the feast; the Duc
d'Herouville followed with Josepha. The singer wore a plain velvet
gown, but she had on a necklace worth a hundred and twenty thousand
francs, pearls hardly distinguishable from her skin like white
camellia petals. She had stuck one scarlet camellia in her black hair
--a patch--the effect was dazzling, and she had amused herself by
putting eleven rows of pearls on each arm. As she shook hands with
Jenny Cadine, the actress said, "Lend me your mittens!"

Josepha unclasped them one by one and handed them to her friend on a
plate.

"There's style!" said Carabine. "Quite the Duchess! You have robbed
the ocean to dress the nymph, Monsieur le Duc," she added turning to
the little Duc d'Herouville.

The actress took two of the bracelets; she clasped the other twenty on
the singer's beautiful arms, which she kissed.

Lousteau, the literary cadger, la Palferine and Malaga, Massol,
Vauvinet, and Theodore Gaillard, a proprietor of one of the most
important political newspapers, completed the party. The Duc
d'Herouville, polite to everybody, as a fine gentleman knows how to
be, greeted the Comte de la Palferine with the particular nod which,
while it does not imply either esteem or intimacy, conveys to all the
world, "We are of the same race, the same blood--equals!"--And this
greeting, the shibboleth of the aristocracy, was invented to be the
despair of the upper citizen class.

Carabine placed Combabus on her left, and the Duc d'Herouville on her
right. Cydalise was next to the Brazilian, and beyond her was Bixiou.
Malaga sat by the Duke.

Oysters appeared at seven o'clock; at eight they were drinking iced
punch. Every one is familiar with the bill of fare of such a banquet.
By nine o'clock they were talking as people talk after forty-two
bottles of various wines, drunk by fourteen persons. Dessert was on
the table, the odious dessert of the month of April. Of all the party,
the only one affected by the heady atmosphere was Cydalise, who was
humming a tune. None of the party, with the exception of the poor
country girl, had lost their reason; the drinkers and the women were
the experienced /elite/ of the society that sups. Their wits were
bright, their eyes glistened, but with no loss of intelligence, though
the talk drifted into satire, anecdote, and gossip. Conversation,
hitherto confined to the inevitable circle of racing, horses,
hammerings on the Bourse, the different occupations of the /lions/
themselves, and the scandals of the town, showed a tendency to break
up into intimate /tete-a-tete/, the dialogues of two hearts.

And at this stage, at a signal from Carabine to Leon de Lora, Bixiou,
la Palferine, and du Tillet, love came under discussion.

"A doctor in good society never talks of medicine, true nobles never
speak of their ancestors, men of genius do not discuss their works,"
said Josepha; "why should we talk business? If I got the opera put off
in order to dine here, it was assuredly not to work.--So let us change
the subject, dear children."

"But we are speaking of real love, my beauty," said Malaga, "of the
love that makes a man fling all to the dogs--father, mother, wife,
children--and retire to Clichy."

"Talk away, then, 'don't know yer,' " said the singer.

The slang words, borrowed from the Street Arab, and spoken by these
women, may be a poem on their lips, helped by the expression of the
eyes and face.

"What, do not I love you, Josepha?" said the Duke in a low voice.

"You, perhaps, may love me truly," said she in his ear, and she
smiled. "But I do not love you in the way they describe, with such
love as makes the world dark in the absence of the man beloved. You
are delightful to me, useful--but not indispensable; and if you were
to throw me over to-morrow, I could have three dukes for one."

"Is true love to be found in Paris?" asked Leon de Lora. "Men have not
even time to make a fortune; how can they give themselves over to true
love, which swamps a man as water melts sugar? A man must be
enormously rich to indulge in it, for love annihilates him--for
instance, like our Brazilian friend over there. As I said long ago,
'Extremes defeat--themselves.' A true lover is like an eunuch; women
have ceased to exist for him. He is mystical; he is like the true
Christian, an anchorite of the desert!--See our noble Brazilian."

Every one at table looked at Henri Montes de Montejanos, who was shy
at finding every eye centred on him.

"He has been feeding there for an hour without discovering, any more
than an ox at pasture, that he is sitting next to--I will not say, in
such company, the loveliest--but the freshest woman in all Paris."

"Everything is fresh here, even the fish; it is what the house is
famous for," said Carabine.

Baron Montes looked good-naturedly at the painter, and said:

"Very good! I drink to your very good health," and bowing to Leon de
Lora, he lifted his glass of port wine and drank it with much dignity.

"Are you then truly in love?" asked Malaga of her neighbor, thus
interpreting his toast.

The Brazilian refilled his glass, bowed to Carabine, and drank again.

"To the lady's health then!" said the courtesan, in such a droll tone
that Lora, du Tillet, and Bixiou burst out laughing.

The Brazilian sat like a bronze statue. This impassibility provoked
Carabine. She knew perfectly well that Montes was devoted to Madame
Marneffe, but she had not expected this dogged fidelity, this
obstinate silence of conviction.

A woman is as often gauged by the attitude of her lover as a man is
judged from the tone of his mistress. The Baron was proud of his
attachment to Valerie, and of hers to him; his smile had, to these
experienced connoisseurs, a touch of irony; he was really grand to
look upon; wine had not flushed him; and his eyes, with their peculiar
lustre as of tarnished gold, kept the secrets of his soul. Even
Carabine said to herself:

"What a woman she must be! How she has sealed up that heart!"

"He is a rock!" said Bixiou in an undertone, imagining that the whole
thing was a practical joke, and never suspecting the importance to
Carabine of reducing this fortress.

While this conversation, apparently so frivolous, was going on at
Carabine's right, the discussion of love was continued on her left
between the Duc d'Herouville, Lousteau, Josepha, Jenny Cadine, and
Massol. They were wondering whether such rare phenomena were the
result of passion, obstinacy, or affection. Josepha, bored to death by
it all, tried to change the subject.

"You are talking of what you know nothing about. Is there a man among
you who ever loved a woman--a woman beneath him--enough to squander
his fortune and his children's, to sacrifice his future and blight his
past, to risk going to the hulks for robbing the Government, to kill
an uncle and a brother, to let his eye be so effectually blinded that
he did not even perceive that it was done to hinder his seeing the
abyss into which, as a crowning jest, he was being driven? Du Tillet
has a cash-box under his left breast; Leon de Lora has his wit; Bixiou
would laugh at himself for a fool if he loved any one but himself;
Massol has a minister's portfolio in the place of a heart; Lousteau
can have nothing but viscera, since he could endure to be thrown over
by Madame de Baudraye; Monsieur le Duc is too rich to prove his love
by his ruin; Vauvinet is not in it--I do not regard a bill-broker as
one of the human race; and you have never loved, nor I, nor Jenny
Cadine, nor Malaga. For my part, I never but once even saw the
phenomenon I have described. It was," and she turned to Jenny Cadine,
"that poor Baron Hulot, whom I am going to advertise for like a lost
dog, for I want to find him."

"Oh, ho!" said Carabine to herself, and looking keenly at Josepha,
"then Madame Nourrisson has two pictures by Raphael, since Josepha is
playing my hand!"

"Poor fellow," said Vauvinet, "he was a great man! Magnificent! And
what a figure, what a style, the air of Francis I.! What a volcano!
and how full of ingenious ways of getting money! He must be looking
for it now, wherever he is, and I make no doubt he extracts it even
from the walls built of bones that you may see in the suburbs of Paris
near the city gates--"

"And all that," said Bixiou, "for that little Madame Marneffe! There
is a precious hussy for you!"

"She is just going to marry my friend Crevel," said du Tillet.

"And she is madly in love with my friend Steinbock," Leon de Lora put
in.

These three phrases were like so many pistol-shots fired point-blank
at Montes. He turned white, and the shock was so painful that he rose
with difficulty.

"You are a set of blackguards!" cried he. "You have no right to speak
the name of an honest woman in the same breath with those fallen
creatures--above all, not to make it a mark for your slander!"

He was interrupted by unanimous bravos and applause. Bixiou, Leon de
Lora, Vauvinet, du Tillet, and Massol set the example, and there was a
chorus.

"Hurrah for the Emperor!" said Bixiou.

"Crown him! crown him!" cried Vauvinet.

"Three groans for such a good dog! Hurrah for Brazil!" cried Lousteau.

"So, my copper-colored Baron, it is our Valerie that you love; and you
are not disgusted?" said Leon de Lora.

"His remark is not parliamentary, but it is grand!" observed Massol.

"But, my most delightful customer," said du Tillet, "you were
recommended to me; I am your banker; your innocence reflects on my
credit."

"Yes, tell me, you are a reasonable creature----" said the Brazilian
to the banker.

"Thanks on behalf of the company," said Bixiou with a bow.

"Tell me the real facts," Montes went on, heedless of Bixiou's
interjection.

"Well, then," replied du Tillet, "I have the honor to tell you that I
am asked to the Crevel wedding."

"Ah, ha! Combabus holds a brief for Madame Marneffe!" said Josepha,
rising solemnly.

She went round to Montes with a tragic look, patted him kindly on the
head, looked at him for a moment with comical admiration, and nodded
sagely.

"Hulot was the first instance of love through fire and water," said
she; "this is the second. But it ought not to count, as it comes from
the Tropics."

Montes had dropped into his chair again, when Josepha gently touched
his forehead, and looked at du Tillet as he said:

"If I am the victim of a Paris jest, if you only wanted to get at my
secret----" and he sent a flashing look round the table, embracing all
the guests in a flaming glance that blazed with the sun of Brazil,--"I
beg of you as a favor to tell me so," he went on, in a tone of almost
childlike entreaty; "but do not vilify the woman I love."

"Nay, indeed," said Carabine in a low voice; "but if, on the contrary,
you are shamefully betrayed, cheated, tricked by Valerie, if I should
give you the proof in an hour, in my own house, what then?"

"I cannot tell you before all these Iagos," said the Brazilian.

Carabine understood him to say /magots/ (baboons).

"Well, well, say no more!" she replied, smiling. "Do not make yourself
a laughing-stock for all the wittiest men in Paris; come to my house,
we will talk it over."

Montes was crushed. "Proofs," he stammered, "consider--"

"Only too many," replied Carabine; "and if the mere suspicion hits you
so hard, I fear for your reason."

"Is this creature obstinate, I ask you? He is worse than the late
lamented King of Holland!--I say, Lousteau, Bixiou, Massol, all the
crew of you, are you not invited to breakfast with Madame Marneffe the
day after to-morrow?" said Leon de Lora.

"/Ya/," said du Tillet; "I have the honor of assuring you, Baron, that
if you had by any chance thought of marrying Madame Marneffe, you are
thrown out like a bill in Parliament, beaten by a blackball called
Crevel. My friend, my old comrade Crevel, has eighty thousand francs a
year; and you, I suppose, did not show such a good hand, for if you
had, you, I imagine, would have been preferred."

Montes listened with a half-absent, half-smiling expression, which
struck them all with terror.

At this moment the head-waiter came to whisper to Carabine that a
lady, a relation of hers, was in the drawing-room and wished to speak
to her.

Carabine rose and went out to find Madame Nourrisson, decently veiled
with black lace.

"Well, child, am I to go to your house? Has he taken the hook?"

"Yes, mother; and the pistol is so fully loaded, that my only fear is
that it will burst," said Carabine.

About an hour later, Montes, Cydalise, and Carabine, returning from
the /Rocher de Cancale/, entered Carabine's little sitting-room in the
Rue Saint-Georges. Madame Nourrisson was sitting in an armchair by the
fire.

"Here is my worthy old aunt," said Carabine.

"Yes, child, I came in person to fetch my little allowance. You would
have forgotten me, though you are kind-hearted, and I have some bills
to pay to-morrow. Buying and selling clothes, I am always short of
cash. Who is this at your heels? The gentleman looks very much put out
about something."

The dreadful Madame Nourrisson, at this moment so completely disguised
as to look like a respectable old body, rose to embrace Carabine, one
of the hundred and odd courtesans she had launched on their horrible
career of vice.

"He is an Othello who is not to be taken in, whom I have the honor of
introducing to you--Monsieur le Baron Montes de Montejanos."

"Oh! I have heard him talked about, and know his name.--You are
nicknamed Combabus, because you love but one woman, and in Paris, that
is the same as loving no one at all. And is it by chance the object of
your affections who is fretting you? Madame Marneffe, Crevel's woman?
I tell you what, my dear sir, you may bless your stars instead of
cursing them. She is a good-for-nothing baggage, is that little woman.
I know her tricks!"

"Get along," said Carabine, into whose hand Madame Nourrisson had
slipped a note while embracing her, "you do not know your Brazilians.
They are wrong-headed creatures that insist on being impaled through
the heart. The more jealous they are, the more jealous they want to
be. Monsieur talks of dealing death all round, but he will kill nobody
because he is in love.--However, I have brought him here to give him
the proofs of his discomfiture, which I have got from that little
Steinbock."

Montes was drunk; he listened as if the women were talking about
somebody else.

Carabine went to take off her velvet wrap, and read a facsimile of a
note, as follows:--

  "DEAR PUSS.--He dines with Popinot this evening, and will come to
  fetch me from the Opera at eleven. I shall go out at about half-
  past five and count on finding you at our paradise. Order dinner
  to be sent in from the /Maison d'or/. Dress, so as to be able to
  take me to the Opera. We shall have four hours to ourselves.
  Return this note to me; not that your Valerie doubts you--I would
  give you my life, my fortune, and my honor, but I am afraid of the
  tricks of chance."

"Here, Baron, this is the note sent to Count Steinbock this morning;
read the address. The original document is burnt."

Montes turned the note over and over, recognized the writing, and was
struck by a rational idea, which is sufficient evidence of the
disorder of his brain.

"And, pray," said he, looking at Carabine, "what object have you in
torturing my heart, for you must have paid very dear for the privilege
of having the note in your possession long enough to get it
lithographed?"

"Foolish man!" said Carabine, at a nod from Madame Nourrisson, "don't
you see that poor child Cydalise--a girl of sixteen, who has been
pining for you these three months, till she has lost her appetite for
food or drink, and who is heart-broken because you have never even
glanced at her?"

Cydalise put her handkerchief to her eyes with an appearance of
emotion--"She is furious," Carabine went on, "though she looks as if
butter would not melt in her mouth, furious to see the man she adores
duped by a villainous hussy; she would kill Valerie--"

"Oh, as for that," said the Brazilian, "that is my business!"

"What, killing?" said old Nourrisson. "No, my son, we don't do that
here nowadays."

"Oh!" said Montes, "I am not a native of this country. I live in a
parish where I can laugh at your laws; and if you give me proof--"

"Well, that note. Is that nothing?"

"No," said the Brazilian. "I do not believe in the writing. I must see
for myself."

"See!" cried Carabine, taking the hint at once from a gesture of her
supposed aunt. "You shall see, my dear Tiger, all you wish to see--on
one condition."

"And that is?"

"Look at Cydalise."

At a wink from Madame Nourrisson, Cydalise cast a tender look at the
Baron.

"Will you be good to her? Will you make her a home?" asked Carabine.
"A girl of such beauty is well worth a house and a carriage! It would
be a monstrous shame to leave her to walk the streets. And besides--
she is in debt.--How much do you owe?" asked Carabine, nipping
Cydalise's arm.

"She is worth all she can get," said the old woman. "The point is that
she can find a buyer."

"Listen!" cried Montes, fully aware at last of this masterpiece of
womankind "you will show me Valerie--"

"And Count Steinbock.--Certainly!" said Madame Nourrisson.

For the past ten minutes the old woman had been watching the
Brazilian; she saw that he was an instrument tuned up to the murderous
pitch she needed; and, above all, so effectually blinded, that he
would never heed who had led him on to it, and she spoke:--

"Cydalise, my Brazilian jewel, is my niece, so her concerns are partly
mine. All this catastrophe will be the work of a few minutes, for a
friend of mine lets the furnished room to Count Steinbock where
Valerie is at this moment taking coffee--a queer sort of coffee, but
she calls it her coffee. So let us understand each other, Brazil!--I
like Brazil, it is a hot country.--What is to become of my niece?"

"You old ostrich," said Montes, the plumes in the woman's bonnet
catching his eye, "you interrupted me.--If you show me--if I see
Valerie and that artist together--"

"As you would wish to be--" said Carabine; "that is understood."

"Then I will take this girl and carry her away--"

"Where?" asked Carabine.

"To Brazil," replied the Baron. "I will make her my wife. My uncle
left me ten leagues square of entailed estate; that is how I still
have that house and home. I have a hundred negroes--nothing but
negroes and negresses and negro brats, all bought by my uncle--"

"Nephew to a nigger-driver," said Carabine, with a grimace. "That
needs some consideration.--Cydalise, child, are you fond of the
blacks?"

"Pooh! Carabine, no nonsense," said the old woman. "The deuce is in
it! Monsieur and I are doing business."

"If I take up another Frenchwoman, I mean to have her to myself," the
Brazilian went on. "I warn you, mademoiselle, I am king there, and not
a constitutional king. I am Czar; my subjects are mine by purchase,
and no one can escape from my kingdom, which is a hundred leagues from
any human settlement, hemmed in by savages on the interior, and
divided from the sea by a wilderness as wide as France."

"I should prefer a garret here."

"So thought I," said Montes, "since I sold all my land and possessions
at Rio to come back to Madame Marneffe."

"A man does not make such a voyage for nothing," remarked Madame
Nourrisson. "You have a right to look for love for your own sake,
particularly being so good-looking.--Oh, he is very handsome!" said
she to Carabine.

"Very handsome, handsomer than the /Postillon de Longjumeau/," replied
the courtesan.

Cydalise took the Brazilian's hand, but he released it as politely as
he could.

"I came back for Madame Marneffe," the man went on where he had left
off, "but you do not know why I was three years thinking about it."

"No, savage!" said Carabine.

"Well, she had so repeatedly told me that she longed to live with me
alone in a desert--"

"Oh, ho! he is not a savage after all," cried Carabine, with a shout
of laughter. "He is of the highly-civilized tribe of Flats!"

"She had told me this so often," Montes went on, regardless of the
courtesan's mockery, "that I had a lovely house fitted up in the heart
of that vast estate. I came back to France to fetch Valerie, and the
first evening I saw her--"

"Saw her is very proper!" said Carabine. "I will remember it."

"She told me to wait till that wretched Marneffe was dead; and I
agreed, and forgave her for having admitted the attentions of Hulot.
Whether the devil had her in hand I don't know, but from that instant
that woman has humored my every whim, complied with all my demands--
never for one moment has she given me cause to suspect her!--"

"That is supremely clever!" said Carabine to Madame Nourrisson, who
nodded in sign of assent.

"My faith in that woman," said Montes, and he shed a tear, "was a
match for my love. Just now, I was ready to fight everybody at
table--"

"So I saw," said Carabine.

"And if I am cheated, if she is going to be married, if she is at this
moment in Steinbock's arms, she deserves a thousand deaths! I will
kill her as I would smash a fly--"

"And how about the gendarmes, my son?" said Madame Nourrisson, with a
smile that made your flesh creep.

"And the police agents, and the judges, and the assizes, and all the
set-out?" added Carabine.

"You are bragging, my dear fellow," said the old woman, who wanted to
know all the Brazilian's schemes of vengeance.

"I will kill her," he calmly repeated. "You called me a savage.--Do
you imagine that I am fool enough to go, like a Frenchman, and buy
poison at the chemist's shop?--During the time while we were driving
her, I thought out my means of revenge, if you should prove to be
right as concerns Valerie. One of my negroes has the most deadly of
animal poisons, and incurable anywhere but in Brazil. I will
administer it to Cydalise, who will give it to me; then by the time
when death is a certainty to Crevel and his wife, I shall be beyond
the Azores with your cousin, who will be cured, and I will marry her.
We have our own little tricks, we savages!--Cydalise," said he,
looking at the country girl, "is the animal I need.--How much does she
owe?"

"A hundred thousand francs," said Cydalise.

"She says little--but to the purpose," said Carabine, in a low tone to
Madame Nourrisson.

"I am going mad!" cried the Brazilian, in a husky voice, dropping on
to a sofa. "I shall die of this! But I must see, for it is impossible!
--A lithographed note! What is to assure me that it is not a forgery?
--Baron Hulot was in love with Valerie?" said he, recalling Josepha's
harangue. "Nay; the proof that he did not love is that she is still
alive--I will not leave her living for anybody else, if she is not
wholly mine."

Montes was terrible to behold. He bellowed, he stormed; he broke
everything he touched; rosewood was as brittle as glass.

"How he destroys things!" said Carabine, looking at the old woman. "My
good boy," said she, giving the Brazilian a little slap, "Roland the
Furious is very fine in a poem; but in a drawing-room he is prosaic
and expensive."

"My son," said old Nourrisson, rising to stand in front of the
crestfallen Baron, "I am of your way of thinking. When you love in
that way, and are joined 'till death does you part,' life must answer
for love. The one who first goes, carries everything away; it is a
general wreck. You command my esteem, my admiration, my consent,
especially for your inoculation, which will make me a Friend of the
Negro.--But you love her! You will hark back?"

"I?--If she is so infamous, I--"

"Well, come now, you are talking too much, it strikes me. A man who
means to be avenged, and who says he has the ways and means of a
savage, doesn't do that.--If you want to see your 'object' in her
paradise, you must take Cydalise and walk straight in with her on your
arm, as if the servant had made a mistake. But no scandal! If you mean
to be revenged, you must eat the leek, seem to be in despair, and
allow her to bully you.--Do you see?" said Madame Nourrisson, finding
the Brazilian quite amazed by so subtle a scheme.

"All right, old ostrich," he replied. "Come along: I understand."

"Good-bye, little one!" said the old woman to Carabine.

She signed to Cydalise to go on with Montes, and remained a minute
with Carabine.

"Now, child, I have but one fear, and that is that he will strangle
her! I should be in a very tight place; we must do everything gently.
I believe you have won your picture by Raphael; but they tell me it is
only a Mignard. Never mind, it is much prettier; all the Raphaels are
gone black, I am told, whereas this one is as bright as a Girodet."

"All I want is to crow over Josepha; and it is all the same to me
whether I have a Mignard or a Raphael!--That thief had on such pearls
this evening!--you would sell your soul for them."

Cydalise, Montes, and Madame Nourrisson got into a hackney coach that
was waiting at the door. Madame Nourrisson whispered to the driver the
address of a house in the same block as the Italian Opera House, which
they could have reached in five or six minutes from the Rue Saint-
Georges; but Madame Nourrisson desired the man to drive along the Rue
le Peletier, and to go very slowly, so as to be able to examine the
carriages in waiting.

"Brazilian," said the old woman, "look out for your angel's carriage
and servants."

The Baron pointed out Valerie's carriage as they passed it.

"She has told them to come for her at ten o'clock, and she is gone in
a cab to the house where she visits Count Steinbock. She has dined
there, and will come to the Opera in half an hour.--It is well
contrived!" said Madame Nourrisson. "Thus you see how she has kept you
so long in the dark."

The Brazilian made no reply. He had become the tiger, and had
recovered the imperturbable cool ferocity that had been so striking at
dinner. He was as calm as a bankrupt the day after he has stopped
payment.

At the door of the house stood a hackney coach with two horses, of the
kind known as a /Compagnie Generale/, from the Company that runs them.

"Stay here in the box," said the old woman to Montes. "This is not an
open house like a tavern. I will send for you."

The paradise of Madame Marneffe and Wenceslas was not at all like that
of Crevel--who, finding it useless now, had just sold his to the Comte
Maxime de Trailles. This paradise, the paradise of all comers,
consisted of a room on the fourth floor opening to the landing, in a
house close to the Italian Opera. On each floor of this house there
was a room which had originally served as the kitchen to the
apartments on that floor. But the house having become a sort of inn,
let out for clandestine love affairs at an exorbitant price, the
owner, the real Madame Nourrisson, an old-clothes buyer in the Rue
Nueve Saint-Marc, had wisely appreciated the great value of these
kitchens, and had turned them into a sort of dining-rooms. Each of
these rooms, built between thick party-walls and with windows to the
street, was entirely shut in by very thick double doors on the
landing. Thus the most important secrets could be discussed over a
dinner, with no risk of being overheard. For greater security, the
windows had shutters inside and out. These rooms, in consequence of
this peculiarity, were let for twelve hundred francs a month. The
whole house, full of such paradises and mysteries was rented by Madame
Nourrisson the First for twenty-eight thousand francs of clear profit,
after paying her housekeeper, Madame Nourrisson the Second, for she
did not manage it herself.

The paradise let to Count Steinbock had been hung with chintz; the
cold, hard floor, of common tiles reddened with encaustic, was not
felt through a soft thick carpet. The furniture consisted of two
pretty chairs and a bed in an alcove, just now half hidden by a table
loaded with the remains of an elegant dinner, while two bottles with
long necks and an empty champagne-bottle in ice strewed the field of
bacchus cultivated by Venus.

There were also--the property, no doubt, of Valerie--a low easy-chair
and a man's smoking-chair, and a pretty toilet chest of drawers in
rosewood, the mirror handsomely framed /a la/ Pompadour. A lamp
hanging from the ceiling gave a subdued light, increased by wax
candles on the table and on the chimney-shelf.

This sketch will suffice to give an idea, /urbi et orbi/, of
clandestine passion in the squalid style stamped on it in Paris in
1840. How far, alas! from the adulterous love, symbolized by Vulcan's
nets, three thousand years ago.

When Montes and Cydalise came upstairs, Valerie, standing before the
fire, where a log was blazing, was allowing Wenceslas to lace her
stays.

This is a moment when a woman who is neither too fat nor too thin, but
like Valerie, elegant and slender, displays divine beauty. The rosy
skin, mostly soft, invites the sleepiest eye. The lines of her figure,
so little hidden, are so charmingly outlined by the white pleats of
the shift and the support of the stays, that she is irresistible--like
everything that must be parted from.

With a happy face smiling at the glass, a foot impatiently marking
time, a hand put up to restore order among the tumbled curls, and eyes
expressive of gratitude; with the glow of satisfaction which, like a
sunset, warms the least details of the countenance--everything makes
such a moment a mine of memories.

Any man who dares look back on the early errors of his life may,
perhaps, recall some such reminiscences, and understand, though not
excuse, the follies of Hulot and Crevel. Women are so well aware of
their power at such a moment, that they find in it what may be called
the aftermath of the meeting.

"Come, come; after two years' practice, you do not yet know how to
lace a woman's stays! You are too much a Pole!--There, it is ten
o'clock, my Wenceslas!" said Valerie, laughing at him.

At this very moment, a mischievous waiting-woman, by inserting a
knife, pushed up the hook of the double doors that formed the whole
security of Adam and Eve. She hastily pulled the door open--for the
servants of these dens have little time to waste--and discovered one
of the bewitching /tableaux de genre/ which Gavarni has so often shown
at the Salon.

"In here, madame," said the girl; and Cydalise went in, followed by
Montes.

"But there is some one here.--Excuse me, madame," said the country
girl, in alarm.

"What?--Why! it is Valerie!" cried Montes, violently slamming the
door.

Madame Marneffe, too genuinely agitated to dissemble her feelings,
dropped on to the chair by the fireplace. Two tears rose to her eyes,
and at once dried away. She looked at Montes, saw the girl, and burst
into a cackle of forced laughter. The dignity of the insulted woman
redeemed the scantiness of her attire; she walked close up to the
Brazilian, and looked at him so defiantly that her eyes glittered like
knives.

"So that," said she, standing face to face with the Baron, and
pointing to Cydalise--"that is the other side of your fidelity? You,
who have made me promises that might convert a disbeliever in love!
You, for whom I have done so much--have even committed crimes!--You
are right, monsieur, I am not to compare with a child of her age and
of such beauty!

"I know what you are going to say," she went on, looking at Wenceslas,
whose undress was proof too clear to be denied. "This is my concern.
If I could love you after such gross treachery--for you have spied
upon me, you have paid for every step up these stairs, paid the
mistress of the house, and the servant, perhaps even Reine--a noble
deed!--If I had any remnant of affection for such a mean wretch, I
could give him reasons that would renew his passion!--But I leave you,
monsieur, to your doubts, which will become remorse.--Wenceslas, my
gown!"

She took her dress and put it on, looked at herself in the glass, and
finished dressing without heeding the Baron, as calmly as if she had
been alone in the room.

"Wenceslas, are you ready?--Go first."

She had been watching Montes in the glass and out of the corner of her
eye, and fancied she could see in his pallor an indication of the
weakness which delivers a strong man over to a woman's fascinations;
she now took his hand, going so close to him that he could not help
inhaling the terrible perfumes which men love, and by which they
intoxicate themselves; then, feeling his pulses beat high, she looked
at him reproachfully.

"You have my full permission to go and tell your history to Monsieur
Crevel; he will never believe you. I have a perfect right to marry
him, and he becomes my husband the day after to-morrow.--I shall make
him very happy.--Good-bye; try to forget me."

"Oh! Valerie," cried Henri Montes, clasping her in his arms, "that is
impossible!--Come to Brazil!"

Valerie looked in his face, and saw him her slave.

"Well, if you still love me, Henri, two years hence I will be your
wife; but your expression at this moment strikes me as very
suspicious."

"I swear to you that they made me drink, that false friends threw this
girl on my hands, and that the whole thing is the outcome of chance!"
said Montes.

"Then I am to forgive you?" she asked, with a smile.

"But you will marry, all the same?" asked the Baron, in an agony of
jealousy.

"Eighty thousand francs a year!" said she, with almost comical
enthusiasm. "And Crevel loves me so much that he will die of it!"

"Ah! I understand," said Montes.

"Well, then, in a few days we will come to an understanding," said
she.

And she departed triumphant.

"I have no scruples," thought the Baron, standing transfixed for a few
minutes. "What! That woman believes she can make use of his passion to
be quit of that dolt, as she counted on Marneffe's decease!--I shall
be the instrument of divine wrath."

Two days later those of du Tillet's guests who had demolished Madame
Marneffe tooth and nail, were seated round her table an hour after she
has shed her skin and changed her name for the illustrious name of a
Paris mayor. This verbal treason is one of the commonest forms of
Parisian levity.

Valerie had had the satisfaction of seeing the Brazilian in the
church; for Crevel, now so entirely the husband, had invited him out
of bravado. And the Baron's presence at the breakfast astonished no
one. All these men of wit and of the world were familiar with the
meanness of passion, the compromises of pleasure.

Steinbock's deep melancholy--for he was beginning to despise the woman
whom he had adored as an angel--was considered to be in excellent
taste. The Pole thus seemed to convey that all was at an end between
Valerie and himself. Lisbeth came to embrace her dear Madame Crevel,
and to excuse herself for not staying to the breakfast on the score of
Adeline's sad state of health.

"Be quite easy," said she to Valerie, "they will call on you, and you
will call on them. Simply hearing the words /two hundred thousand
francs/ has brought the Baroness to death's door. Oh, you have them
all hard and fast by that tale!--But you must tell it to me."

Within a month of her marriage, Valerie was at her tenth quarrel with
Steinbock; he insisted on explanations as to Henri Montes, reminding
her of the words spoken in their paradise; and, not content with
speaking to her in terms of scorn, he watched her so closely that she
never had a moment of liberty, so much was she fettered by his
jealousy on one side and Crevel's devotion on the other.

Bereft now of Lisbeth, whose advice had always been so valuable she
flew into such a rage as to reproach Wenceslas for the money she had
lent him. This so effectually roused Steinbock's pride, that he came
no more to the Crevels' house. So Valerie had gained her point, which
was to be rid of him for a time, and enjoy some freedom. She waited
till Crevel should make a little journey into the country to see Comte
Popinot, with a view to arranging for her introduction to the
Countess, and was then able to make an appointment to meet the Baron,
whom she wanted to have at her command for a whole day to give him
those "reasons" which were to make him love her more than ever.

On the morning of that day, Reine, who estimated the magnitude of her
crime by that of the bribe she received, tried to warn her mistress,
in whom she naturally took more interest than in strangers. Still, as
she had been threatened with madness, and ending her days in the
Salpetriere in case of indiscretion, she was cautious.

"Madame, you are so well off now," said she. "Why take on again with
that Brazilian?--I do not trust him at all."

"You are very right, Reine, and I mean to be rid of him."

"Oh, madame, I am glad to hear it; he frightens me, does that big
Moor! I believe him to be capable of anything."

"Silly child! you have more reason to be afraid for him when he is
with me."

At this moment Lisbeth came in.

"My dear little pet Nanny, what an age since we met!" cried Valerie.
"I am so unhappy! Crevel bores me to death; and Wenceslas is gone--we
quarreled."

"I know," said Lisbeth, "and that is what brings me here. Victorin met
him at about five in the afternoon going into an eating-house at five-
and-twenty sous, and he brought him home, hungry, by working on his
feelings, to the Rue Louis-le-Grand.--Hortense, seeing Wenceslas lean
and ill and badly dressed, held out her hand. This is how you throw me
over--"

"Monsieur Henri, madame," the man-servant announced in a low voice to
Valerie.

"Leave me now, Lisbeth; I will explain it all to-morrow." But, as will
be seen, Valerie was ere long not in a state to explain anything to
anybody.



Towards the end of May, Baron Hulot's pension was released by
Victorin's regular payment to Baron Nucingen. As everybody knows,
pensions are paid half-yearly, and only on the presentation of a
certificate that the recipient is alive: and as Hulot's residence was
unknown, the arrears unpaid on Vauvinet's demand remained to his
credit in the Treasury. Vauvinet now signed his renunciation of any
further claims, and it was still indispensable to find the pensioner
before the arrears could be drawn.

Thanks to Bianchon's care, the Baroness had recovered her health; and
to this Josepha's good heart had contributed by a letter, of which the
orthography betrayed the collaboration of the Duc d'Herouville. This
was what the singer wrote to the Baroness, after twenty days of
anxious search:--

  "MADAME LA BARONNE,--Monsieur Hulot was living, two months since,
  in the Rue des Bernardins, with Elodie Chardin, a lace-mender, for
  whom he had left Mademoiselle Bijou; but he went away without a
  word, leaving everything behind him, and no one knows where he
  went. I am not without hope, however, and I have put a man on this
  track who believes he has already seen him in the Boulevard
  Bourdon.

  "The poor Jewess means to keep the promise she made to the
  Christian. Will the angel pray for the devil? That must sometimes
  happen in heaven.--I remain, with the deepest respect, always your
  humble servant,


"JOSEPHA MIRAH."

The lawyer, Maitre Hulot d'Ervy, hearing no more of the dreadful
Madame Nourrisson, seeing his father-in-law married, having brought
back his brother-in-law to the family fold, suffering from no
importunity on the part of his new stepmother, and seeing his mother's
health improve daily, gave himself up to his political and judicial
duties, swept along by the tide of Paris life, in which the hours
count for days.

One night, towards the end of the session, having occasion to write up
a report to the Chamber of Deputies, he was obliged to sit at work
till late at night. He had gone into his study at nine o'clock, and,
while waiting till the man-servant should bring in the candles with
green shades, his thoughts turned to his father. He was blaming
himself for leaving the inquiry so much to the singer, and had
resolved to see Monsieur Chapuzot himself on the morrow, when he saw
in the twilight, outside the window, a handsome old head, bald and
yellow, with a fringe of white hair.

"Would you please to give orders, sir, that a poor hermit is to be
admitted, just come from the Desert, and who is instructed to beg for
contributions towards rebuilding a holy house."

This apparition, which suddenly reminded the lawyer of a prophecy
uttered by the terrible Nourrisson, gave him a shock.

"Let in that old man," said he to the servant.

"He will poison the place, sir," replied the man. "He has on a brown
gown which he has never changed since he left Syria, and he has no
shirt--"

"Show him in," repeated the master.

The old man came in. Victorin's keen eye examined this so-called
pilgrim hermit, and he saw a fine specimen of the Neapolitan friars,
whose frocks are akin to the rags of the /lazzaroni/, whose sandals
are tatters of leather, as the friars are tatters of humanity. The
get-up was so perfect that the lawyer, though still on his guard, was
vexed with himself for having believed it to be one of Madame
Nourrisson's tricks.

"How much to you want of me?"

"Whatever you feel that you ought to give me."

Victorin took a five-franc piece from a little pile on his table, and
handed it to the stranger.

"That is not much on account of fifty thousand francs," said the
pilgrim of the desert.

This speech removed all Victorin's doubts.

"And has Heaven kept its word?" he said, with a frown.

"The question is an offence, my son," said the hermit. "If you do not
choose to pay till after the funeral, you are in your rights. I will
return in a week's time."

"The funeral!" cried the lawyer, starting up.

"The world moves on," said the old man, as he withdrew, "and the dead
move quickly in Paris!"

When Hulot, who stood looking down, was about to reply, the stalwart
old man had vanished.

"I don't understand one word of all this," said Victorin to himself.
"But at the end of the week I will ask him again about my father, if
we have not yet found him. Where does Madame Nourrisson--yes, that was
her name--pick up such actors?"

On the following day, Doctor Bianchon allowed the Baroness to go down
into the garden, after examining Lisbeth, who had been obliged to keep
to her room for a month by a slight bronchial attack. The learned
doctor, who dared not pronounce a definite opinion on Lisbeth's case
till he had seen some decisive symptoms, went into the garden with
Adeline to observe the effect of the fresh air on her nervous
trembling after two months of seclusion. He was interested and allured
by the hope of curing this nervous complaint. On seeing the great
physician sitting with them and sparing them a few minutes, the
Baroness and her family conversed with him on general subjects.

"You life is a very full and a very sad one," said Madame Hulot. "I
know what it is to spend one's days in seeing poverty and physical
suffering."

"I know, madame," replied the doctor, "all the scenes of which charity
compels you to be a spectator; but you will get used to it in time, as
we all do. It is the law of existence. The confessor, the magistrate,
the lawyer would find life unendurable if the spirit of the State did
not assert itself above the feelings of the individual. Could we live
at all but for that? Is not the soldier in time of war brought face to
face with spectacles even more dreadful than those we see? And every
soldier that has been under fire is kind-hearted. We medical men have
the pleasure now and again of a successful cure, as you have that of
saving a family from the horrors of hunger, depravity, or misery, and
of restoring it to social respectability. But what comfort can the
magistrate find, the police agent, or the attorney, who spend their
lives in investigating the basest schemes of self-interest, the social
monster whose only regret is when it fails, but on whom repentance
never dawns?

"One-half of society spends its life in watching the other half. A
very old friend of mine is an attorney, now retired, who told me that
for fifteen years past notaries and lawyers have distrusted their
clients quite as much as their adversaries. Your son is a pleader; has
he never found himself compromised by the client for whom he held a
brief?"

"Very often," said Victorin, with a smile.

"And what is the cause of this deep-seated evil?" asked the Baroness.

"The decay of religion," said Bianchon, "and the pre-eminence of
finance, which is simply solidified selfishness. Money used not to be
everything; there were some kinds of superiority that ranked above it
--nobility, genius, service done to the State. But nowadays the law
takes wealth as the universal standard, and regards it as the measure
of public capacity. Certain magistrates are ineligible to the Chamber;
Jean-Jacques Rousseau would be ineligible! The perpetual subdivision
of estate compels every man to take care of himself from the age of
twenty.

"Well, then, between the necessity for making a fortune and the
depravity of speculation there is no check or hindrance; for the
religious sense is wholly lacking in France, in spite of the laudable
endeavors of those who are working for a Catholic revival. And this is
the opinion of every man who, like me, studies society at the core."

"And you have few pleasures?" said Hortense.

"The true physician, madame, is in love with his science," replied the
doctor. "He is sustained by that passion as much as by the sense of
his usefulness to society.

"At this very time you see in me a sort of scientific rapture, and
many superficial judges would regard me as a man devoid of feeling. I
have to announce a discovery to-morrow to the College of Medicine, for
I am studying a disease that had disappeared--a mortal disease for
which no cure is known in temperate climates, though it is curable in
the West Indies--a malady known here in the Middle Ages. A noble fight
is that of the physician against such a disease. For the last ten days
I have thought of nothing but these cases--for there are two, a
husband and wife.--Are they not connections of yours? For you, madame,
are surely Monsieur Crevel's daughter?" said he, addressing Celestine.

"What, is my father your patient?" asked Celestine. "Living in the Rue
Barbet-de-Jouy?"

"Precisely so," said Bianchon.

"And the disease is inevitably fatal?" said Victorin in dismay.

"I will go to see him," said Celestine, rising.

"I positively forbid it, madame," Bianchon quietly said. "The disease
is contagious."

"But you go there, monsieur," replied the young woman. "Do you think
that a daughter's duty is less binding than a doctor's?"

"Madame, a physician knows how to protect himself against infection,
and the rashness of your devotion proves to me that you would probably
be less prudent than I."

Celestine, however, got up and went to her room, where she dressed to
go out.

"Monsieur," said Victorin to Bianchon, "have you any hope of saving
Monsieur and Madame Crevel?"

"I hope, but I do not believe that I may," said Bianchon. "The case is
to me quite inexplicable. The disease is peculiar to negroes and the
American tribes, whose skin is differently constituted to that of the
white races. Now I can trace no connection with the copper-colored
tribes, with negroes or half-castes, in Monsieur or Madame Crevel.

"And though it is a very interesting disease to us, it is a terrible
thing for the sufferers. The poor woman, who is said to have been very
pretty, is punished for her sins, for she is now squalidly hideous if
she is still anything at all. She is losing her hair and teeth, her
skin is like a leper's, she is a horror to herself; her hands are
horrible, covered with greenish pustules, her nails are loose, and the
flesh is eaten away by the poisoned humors."

"And the cause of such a disease?" asked the lawyer.

"Oh!" said the doctor, "the cause lies in a form of rapid blood-
poisoning; it degenerates with terrific rapidity. I hope to act on the
blood; I am having it analyzed; and I am now going home to ascertain
the result of the labors of my friend Professor Duval, the famous
chemist, with a view to trying one of those desperate measures by
which we sometimes attempt to defeat death."

"The hand of God is there!" said Adeline, in a voice husky with
emotion. "Though that woman has brought sorrows on me which have led
me in moments of madness to invoke the vengeance of Heaven, I hope--
God knows I hope--you may succeed, doctor."

Victorin felt dizzy. He looked at his mother, his sister, and the
physician by turns, quaking lest they should read his thoughts. He
felt himself a murderer.

Hortense, for her part, thought God was just.

Celestine came back to beg her husband to accompany her.

"If you insist on going, madame, and you too, monsieur, keep at least
a foot between you and the bed of the sufferer, that is the chief
precaution. Neither you nor your wife must dream of kissing the dying
man. And, indeed, you ought to go with your wife, Monsieur Hulot, to
hinder her from disobeying my injunctions."

Adeline and Hortense, when they were left alone, went to sit with
Lisbeth. Hortense had such a virulent hatred of Valerie that she could
not contain the expression of it.

"Cousin Lisbeth," she exclaimed, "my mother and I are avenged! that
venomous snake is herself bitten--she is rotting in her bed!"

"Hortense, at this moment you are not a Christian. You ought to pray
to God to vouchsafe repentance to this wretched woman."

"What are you talking about?" said Betty, rising from her couch. "Are
you speaking of Valerie?"

"Yes," replied Adeline; "she is past hope--dying of some horrible
disease of which the mere description makes one shudder----"

Lisbeth's teeth chattered, a cold sweat broke out all over her; the
violence of the shock showed how passionate her attachment to Valerie
had been.

"I must go there," said she.

"But the doctor forbids your going out."

"I do not care--I must go!--Poor Crevel! what a state he must be in;
for he loves that woman."

"He is dying too," replied Countess Steinbock. "Ah! all our enemies
are in the devil's clutches--"

"In God's hands, my child--"

Lisbeth dressed in the famous yellow Indian shawl and her black velvet
bonnet, and put on her boots; in spite of her relations'
remonstrances, she set out as if driven by some irresistible power.

She arrived in the Rue Barbet a few minutes after Monsieur and Madame
Hulot, and found seven physicians there, brought by Bianchon to study
this unique case; he had just joined them. The physicians, assembled
in the drawing-room, were discussing the disease; now one and now
another went into Valerie's room or Crevel's to take a note, and
returned with an opinion based on this rapid study.

These princes of science were divided in their opinions. One, who
stood alone in his views, considered it a case of poisoning, of
private revenge, and denied its identity with the disease known in the
Middle Ages. Three others regarded it as a specific deterioration of
the blood and the humors. The rest, agreeing with Bianchon, maintained
that the blood was poisoned by some hitherto unknown morbid infection.
Bianchon produced Professor Duval's analysis of the blood. The
remedies to be applied, though absolutely empirical and without hope,
depended on the verdict in this medical dilemma.

Lisbeth stood as if petrified three yards away from the bed where
Valerie lay dying, as she saw a priest from Saint-Thomas d'Aquin
standing by her friend's pillow, and a sister of charity in
attendance. Religion could find a soul to save in a mass of rottenness
which, of the five senses of man, had now only that of sight. The
sister of charity who alone had been found to nurse Valerie stood
apart. Thus the Catholic religion, that divine institution, always
actuated by the spirit of self-sacrifice, under its twofold aspect of
the Spirit and the Flesh, was tending this horrible and atrocious
creature, soothing her death-bed by its infinite benevolence and
inexhaustible stores of mercy.

The servants, in horror, refused to go into the room of either their
master or mistress; they thought only of themselves, and judged their
betters as righteously stricken. The smell was so foul that in spite
of open windows and strong perfumes, no one could remain long in
Valerie's room. Religion alone kept guard there.

How could a woman so clever as Valerie fail to ask herself to what end
these two representatives of the Church remained with her? The dying
woman had listened to the words of the priest. Repentance had risen on
her darkened soul as the devouring malady had consumed her beauty. The
fragile Valerie had been less able to resist the inroads of the
disease than Crevel; she would be the first to succumb, and, indeed,
had been the first attacked.

"If I had not been ill myself, I would have come to nurse you," said
Lisbeth at last, after a glance at her friend's sunken eyes. "I have
kept my room this fortnight or three weeks; but when I heard of your
state from the doctor, I came at once."

"Poor Lisbeth, you at least love me still, I see!" said Valerie.
"Listen. I have only a day or two left to think, for I cannot say to
live. You see, there is nothing left of me--I am a heap of mud! They
will not let me see myself in a glass.--Well, it is no more than I
deserve. Oh, if I might only win mercy, I would gladly undo all the
mischief I have done."

"Oh!" said Lisbeth, "if you can talk like that, you are indeed a dead
woman."

"Do not hinder this woman's repentance, leave her in her Christian
mind," said the priest.

"There is nothing left!" said Lisbeth in consternation. "I cannot
recognize her eyes or her mouth! Not a feature of her is there! And
her wit has deserted her! Oh, it is awful!"

"You don't know," said Valerie, "what death is; what it is to be
obliged to think of the morrow of your last day on earth, and of what
is to be found in the grave.--Worms for the body--and for the soul,
what?--Lisbeth, I know there is another life! And I am given over to
terrors which prevent my feeling the pangs of my decomposing body.--I,
who could laugh at a saint, and say to Crevel that the vengeance of
God took every form of disaster.-- Well, I was a true prophet.--Do not
trifle with sacred things, Lisbeth; if you love me, repent as I do."

"I!" said Lisbeth. "I see vengeance wherever I turn in nature; insects
even die to satisfy the craving for revenge when they are attacked.
And do not these gentlemen tell us"--and she looked at the priest--
"that God is revenged, and that His vengeance lasts through all
eternity?"

The priest looked mildly at Lisbeth and said:

"You, madame, are an atheist!"

"But look what I have come to," said Valerie.

"And where did you get this gangrene?" asked the old maid, unmoved
from her peasant incredulity.

"I had a letter from Henri which leaves me in no doubt as to my fate.
He has murdered me. And--just when I meant to live honestly--to die an
object of disgust!

"Lisbeth, give up all notions of revenge. Be kind to that family to
whom I have left by my will everything I can dispose of. Go, child,
though you are the only creature who, at this hour, does not avoid me
with horror--go, I beseech you, and leave me.--I have only time to
make my peace with God!"

"She is wandering in her wits," said Lisbeth to herself, as she left
the room.

The strongest affection known, that of a woman for a woman, had not
such heroic constancy as the Church. Lisbeth, stifled by the miasma,
went away. She found the physicians still in consultation. But
Bianchon's opinion carried the day, and the only question now was how
to try the remedies.

"At any rate, we shall have a splendid /post-mortem/," said one of his
opponents, "and there will be two cases to enable us to make
comparisons."

Lisbeth went in again with Bianchon, who went up to the sick woman
without seeming aware of the malodorous atmosphere.

"Madame," said he, "we intend to try a powerful remedy which may save
you--"

"And if you save my life," said she, "shall I be as good-looking as
ever?"

"Possibly," said the judicious physician.

"I know your /possibly/," said Valerie. "I shall look like a woman who
has fallen into the fire! No, leave me to the Church. I can please no
one now but God. I will try to be reconciled to Him, and that will be
my last flirtation; yes, I must try to come round God!"

"That is my poor Valerie's last jest; that is all herself!" said
Lisbeth in tears.

Lisbeth thought it her duty to go into Crevel's room, where she found
Victorin and his wife sitting about a yard away from the stricken
man's bed.

"Lisbeth," said he, "they will not tell me what state my wife is in;
you have just seen her--how is she?"

"She is better; she says she is saved," replied Lisbeth, allowing
herself this play on the word to soothe Crevel's mind.

"That is well," said the Mayor. "I feared lest I had been the cause of
her illness. A man is not a traveler in perfumery for nothing; I had
blamed myself.--If I should lose her, what would become of me? On my
honor, my children, I worship that woman."

He sat up in bed and tried to assume his favorite position.

"Oh, Papa!" cried Celestine, "if only you could be well again, I would
make friends with my stepmother--I make a vow!"

"Poor little Celestine!" said Crevel, "come and kiss me."

Victorin held back his wife, who was rushing forward.

"You do not know, perhaps," said the lawyer gently, "that your disease
is contagious, monsieur."

"To be sure," replied Crevel. "And the doctors are quite proud of
having rediscovered in me some long lost plague of the Middle Ages,
which the Faculty has had cried like lost property--it is very funny!"

"Papa," said Celestine, "be brave, and you will get the better of this
disease."

"Be quite easy, my children; Death thinks twice of it before carrying
off a Mayor of Paris," said he, with monstrous composure. "And if,
after all, my district is so unfortunate as to lose a man it has twice
honored with its suffrages--you see, what a flow of words I have!--
Well, I shall know how to pack up and go. I have been a commercial
traveler; I am experienced in such matters. Ah! my children, I am a
man of strong mind."

"Papa, promise me to admit the Church--"

"Never," replied Crevel. "What is to be said? I drank the milk of
Revolution; I have not Baron Holbach's wit, but I have his strength of
mind. I am more /Regence/ than ever, more Musketeer, Abbe Dubois, and
Marechal de Richelieu! By the Holy Poker!--My wife, who is wandering
in her head, has just sent me a man in a gown--to me! the admirer of
Beranger, the friend of Lisette, the son of Voltaire and Rousseau.--
The doctor, to feel my pulse, as it were, and see if sickness had
subdued me--'You saw Monsieur l'Abbe?' said he.--Well, I imitated the
great Montesquieu. Yes, I looked at the doctor--see, like this," and
he turned to show three-quarters face, like his portrait, and extended
his hand authoritatively--"and I said:

             "The slave was here,
  He showed his order, but he nothing gained.

"/His order/ is a pretty jest, showing that even in death Monsieur le
President de Montesquieu preserved his elegant wit, for they had sent
him a Jesuit. I admire that passage--I cannot say of his life, but of
his death--the passage--another joke!--The passage from life to death
--the Passage Montesquieu!"

Victorin gazed sadly at his father-in-law, wondering whether folly and
vanity were not forces on a par with true greatness of soul. The
causes that act on the springs of the soul seem to be quite
independent of the results. Can it be that the fortitude which upholds
a great criminal is the same as that which a Champcenetz so proudly
walks to the scaffold?

By the end of the week Madame Crevel was buried, after dreadful
sufferings; and Crevel followed her within two days. Thus the
marriage-contract was annulled. Crevel was heir to Valerie.

On the very day after the funeral, the friar called again on the
lawyer, who received him in perfect silence. The monk held out his
hand without a word, and without a word Victorin Hulot gave him eighty
thousand-franc notes, taken from a sum of money found in Crevel's
desk.

Young Madame Hulot inherited the estate of Presles and thirty thousand
francs a year.

Madame Crevel had bequeathed a sum of three hundred thousand francs to
Baron Hulot. Her scrofulous boy Stanislas was to inherit, at his
majority, the Hotel Crevel and eighty thousand francs a year.



Among the many noble associations founded in Paris by Catholic
charity, there is one, originated by Madame de la Chanterie, for
promoting civil and religious marriages between persons who have
formed a voluntary but illicit union. Legislators, who draw large
revenues from the registration fees, and the Bourgeois dynasty, which
benefits by the notary's profits, affect to overlook the fact that
three-fourths of the poorer class cannot afford fifteen francs for the
marriage-contract. The pleaders, a sufficiently vilified body,
gratuitously defend the cases of the indigent, while the notaries have
not as yet agreed to charge nothing for the marriage-contract of the
poor. As to the revenue collectors, the whole machinery of Government
would have to be dislocated to induce the authorities to relax their
demands. The registrar's office is deaf and dumb.

Then the Church, too, receives a duty on marriages. In France the
Church depends largely on such revenues; even in the House of God it
traffics in chairs and kneeling stools in a way that offends
foreigners; though it cannot have forgotten the anger of the Saviour
who drove the money-changers out of the Temple. If the Church is so
loath to relinquish its dues, it must be supposed that these dues,
known as Vestry dues, are one of its sources of maintenance, and then
the fault of the Church is the fault of the State.

The co-operation of these conditions, at a time when charity is too
greatly concerned with the negroes and the petty offenders discharged
from prison to trouble itself about honest folks in difficulties,
results in the existence of a number of decent couples who have never
been legally married for lack of thirty francs, the lowest figure for
which the Notary, the Registrar, the Mayor and the Church will unite
two citizens of Paris. Madame de la Chanterie's fund, founded to
restore poor households to their religious and legal status, hunts up
such couples, and with all the more success because it helps them in
their poverty before attacking their unlawful union.

As soon as Madame Hulot had recovered, she returned to her
occupations. And then it was that the admirable Madame de la Chanterie
came to beg that Adeline would add the legalization of these voluntary
unions to the other good works of which she was the instrument.

One of the Baroness' first efforts in this cause was made in the
ominous-looking district, formerly known as la Petite Pologne--Little
Poland--bounded by the Rue du Rocher, Rue de la Pepiniere, and Rue de
Miromenil. There exists there a sort of offshoot of the Faubourg
Saint-Marceau. To give an idea of this part of the town, it is enough
to say that the landlords of some of the houses tenanted by working
men without work, by dangerous characters, and by the very poor
employed in unhealthy toil, dare not demand their rents, and can find
no bailiffs bold enough to evict insolvent lodgers. At the present
time speculating builders, who are fast changing the aspect of this
corner of Paris, and covering the waste ground lying between the Rue
d'Amsterdam and the Rue Faubourg-du-Roule, will no doubt alter the
character of the inhabitants; for the trowel is a more civilizing
agent than is generally supposed. By erecting substantial and handsome
houses, with porters at the doors, by bordering the streets with
footwalks and shops, speculation, while raising the rents, disperses
the squalid class, families bereft of furniture, and lodgers that
cannot pay. And so these districts are cleared of such objectionable
residents, and the dens vanish into which the police never venture but
under the sanction of the law.

In June 1844, the purlieus of the Place de Laborde were still far from
inviting. The genteel pedestrian, who by chance should turn out of the
Rue de la Pepiniere into one of those dreadful side-streets, would
have been dismayed to see how vile a bohemia dwelt cheek by jowl with
the aristocracy. In such places as these, haunted by ignorant poverty
and misery driven to bay, flourish the last public letter-writers who
are to be found in Paris. Wherever you see the two words "Ecrivain
Public" written in a fine copy hand on a sheet of letter-paper stuck
to the window pane of some low entresol or mud-splashed ground-floor
room, you may safely conclude that the neighborhood is the lurking
place of many unlettered folks, and of much vice and crime, the
outcome of misery; for ignorance is the mother of all sorts of crime.
A crime is, in the first instance, a defect of reasoning powers.

While the Baroness had been ill, this quarter, to which she was a
minor Providence, had seen the advent of a public writer who settled
in the Passage du Soleil--Sun Alley--a spot of which the name is one
of the antitheses dear to the Parisian, for the passage is especially
dark. This writer, supposed to be a German, was named Vyder, and he
lived on matrimonial terms with a young creature of whom he was so
jealous that he never allowed her to go anywhere excepting to some
honest stove and flue-fitters, in the Rue Saint-Lazare, Italians, as
such fitters always are, but long since established in Paris. These
people had been saved from a bankruptcy, which would have reduced them
to misery, by the Baroness, acting in behalf of Madame de la
Chanterie. In a few months comfort had taken the place of poverty, and
Religion had found a home in hearts which once had cursed Heaven with
the energy peculiar to Italian stove-fitters. So one of Madame Hulot's
first visits was to this family.

She was pleased at the scene that presented itself to her eyes at the
back of the house where these worthy folks lived in the Rue Saint-
Lazare, not far from the Rue du Rocher. High above the stores and
workshops, now well filled, where toiled a swarm of apprentices and
workmen--all Italians from the valley of Domo d'Ossola--the master's
family occupied a set of rooms, which hard work had blessed with
abundance. The Baroness was hailed like the Virgin Mary in person.

After a quarter of an hour's questioning, Adeline, having to wait for
the father to inquire how his business was prospering, pursued her
saintly calling as a spy by asking whether they knew of any families
needing help.

"Ah, dear lady, you who could save the damned from hell!" said the
Italian wife, "there is a girl quite near here to be saved from
perdition."

"A girl well known to you?" asked the Baroness.

"She is the granddaughter of a master my husband formerly worked for,
who came to France in 1798, after the Revolution, by name Judici. Old
Judici, in Napoleon's time, was one of the principal stove-fitters in
Paris; he died in 1819, leaving his son a fine fortune. But the
younger Judici wasted all his money on bad women; till, at last, he
married one who was sharper than the rest, and she had this poor
little girl, who is just turned fifteen."

"And what is wrong with her?" asked Adeline, struck by the resemblance
between this Judici and her husband.

"Well, madame, this child, named Atala, ran away from her father, and
came to live close by here with an old German of eighty at least,
named Vyder, who does odd jobs for people who cannot read and write.
Now, if this old sinner, who bought the child of her mother, they say
for fifteen hundred francs, would but marry her, as he certainly has
not long to live, and as he is said to have some few thousand of
francs a year--well, the poor thing, who is a sweet little angel,
would be out of mischief, and above want, which must be the ruin of
her."

"Thank you very much for the information. I may do some good, but I
must act with caution.--Who is the old man?"

"Oh! madame, he is a good old fellow; he makes the child very happy,
and he has some sense too, for he left the part of town where the
Judicis live, as I believe, to snatch the child from her mother's
clutches. The mother was jealous of her, and I dare say she thought
she could make money out of her beauty and make a /mademoiselle/ of
the girl.

"Atala remembered us, and advised her gentleman to settle near us; and
as the good man sees how decent we are, he allows her to come here.
But get them married, madame, and you will do an action worthy of you.
Once married, the child will be independent and free from her mother,
who keeps an eye on her, and who, if she could make money by her,
would like to see her on the stage, or successful in the wicked life
she meant her to lead."

"Why doesn't the old man marry her?"

"There was no necessity for it, you see," said the Italian. "And
though old Vyder is not a bad old fellow, I fancy he is sharp enough
to wish to remain the master, while if he once got married--why, the
poor man is afraid of the stone that hangs round every old man's
neck."

"Could you send for the girl to come here?" said Madame Hulot. "I
should see her quietly, and find out what could be done--"

The stove-fitter's wife signed to her eldest girl, who ran off. Ten
minutes later she returned, leading by the hand a child of fifteen and
a half, a beauty of the Italian type. Mademoiselle Judici inherited
from her father that ivory skin which, rather yellow by day, is by
artificial light of lily-whiteness; eyes of Oriental beauty, form, and
brilliancy, close curling lashes like black feathers, hair of ebony
hue, and that native dignity of the Lombard race which makes the
foreigner, as he walks through Milan on a Sunday, fancy that every
porter's daughter is a princess.

Atala, told by the stove-fitter's daughter that she was to meet the
great lady of whom she had heard so much, had hastily dressed in a
black silk gown, a smart little cape, and neat boots. A cap with a
cherry-colored bow added to the brilliant effect of her coloring. The
child stood in an attitude of artless curiosity, studying the Baroness
out of the corner of her eye, for her palsied trembling puzzled her
greatly.

Adeline sighed deeply as she saw this jewel of womanhood in the mire
of prostitution, and determined to rescue her to virtue.

"What is your name, my dear?"

"Atala, madame."

"And can you read and write?"

"No, madame; but that does not matter, as monsieur can."

"Did your parents ever take you to church? Have you been to your first
Communion? Do you know your Catechism?"

"Madame, papa wanted to make me do something of the kind you speak of,
but mamma would not have it--"

"Your mother?" exclaimed the Baroness. "Is she bad to you, then?"

"She was always beating me. I don't know why, but I was always being
quarreled over by my father and mother--"

"Did you ever hear of God?" cried the Baroness.

The girl looked up wide-eyed.

"Oh, yes, papa and mamma often said 'Good God,' and 'In God's name,'
and 'God's thunder,' " said she, with perfect simplicity.

"Then you never saw a church? Did you never think of going into one?"

"A church?--Notre-Dame, the Pantheon?--I have seen them from a
distance, when papa took me into town; but that was not very often.
There are no churches like those in the Faubourg."

"Which Faubourg did you live in?"

"In the Faubourg."

"Yes, but which?"

"In the Rue de Charonne, madame."

The inhabitants of the Faubourg Saint-Antoine never call that
notorious district other than /the/ Faubourg. To them it is the one
and only Faubourg; and manufacturers generally understand the words as
meaning the Faubourg Saint-Antoine.

"Did no one ever tell you what was right or wrong?"

"Mamma used to beat me when I did not do what pleased her."

"But did you not know that it was very wicked to run away from your
father and mother to go to live with an old man?"

Atala Judici gazed at the Baroness with a haughty stare, but made no
reply.

"She is a perfect little savage," murmured Adeline.

"There are a great many like her in the Faubourg, madame," said the
stove-fitter's wife.

"But she knows nothing--not even what is wrong. Good Heavens!--Why do
you not answer me?" said Madame Hulot, putting out her hand to take
Atala's.

Atala indignantly withdrew a step.

"You are an old fool!" said she. "Why, my father and mother had had
nothing to eat for a week. My mother wanted me to do much worse than
that, I think, for my father thrashed her and called her a thief!
However, Monsieur Vyder paid all their debts, and gave them some money
--oh, a bagful! And he brought me away, and poor papa was crying. But
we had to part!--Was it wicked?" she asked.

"And are you very fond of Monsieur Vyder?"

"Fond of him?" said she. "I should think so! He tells me beautiful
stories, madame, every evening; and he has given me nice gowns, and
linen, and a shawl. Why, I am figged out like a princess, and I never
wear sabots now. And then, I have not known what it is to be hungry
these two months past. And I don't live on potatoes now. He brings me
bonbons and burnt almonds, and chocolate almonds.--Aren't they good?--
I do anything he pleases for a bag of chocolate.--Then my old Daddy is
very kind; he takes such care of me, and is so nice; I know now what
my mother ought to have been.--He is going to get an old woman to help
me, for he doesn't like me to dirty my hands with cooking. For the
past month, too, he has been making a little money, and he gives me
three francs every evening that I put into a money-box. Only he will
never let me out except to come here--and he calls me his little
kitten! Mamma never called me anything but bad names--and thief, and
vermin!"

"Well, then, my child, why should not Daddy Vyder be your husband?"

"But he is, madame," said the girl, looking at Adeline with calm
pride, without a blush, her brow smooth, her eyes steady. "He told me
that I was his little wife; but it is a horrid bore to be a man's wife
--if it were not for the burnt almonds!"

"Good Heaven!" said the Baroness to herself, "what monster can have
had the heart to betray such perfect, such holy innocence? To restore
this child to the ways of virtue would surely atone for many sins.--I
knew what I was doing." thought she, remembering the scene with
Crevel. "But she--she knows nothing."

"Do you know Monsieur Samanon?" asked Atala, with an insinuating look.

"No, my child; but why do you ask?"

"Really and truly?" said the artless girl.

"You have nothing to fear from this lady," said the Italian woman.
"She is an angel."

"It is because my good old boy is afraid of being caught by Samanon.
He is hiding, and I wish he could be free--"

"Why?"

"On! then he would take me to Bobino, perhaps to the Ambigu."

"What a delightful creature!" said the Baroness, kissing the girl.

"Are you rich?" asked Atala, who was fingering the Baroness' lace
ruffles.

"Yes, and No," replied Madame Hulot. "I am rich for dear little girls
like you when they are willing to be taught their duties as Christians
by a priest, and to walk in the right way."

"What way is that?" said Atala; "I walk on my two feet."

"The way of virtue."

Atala looked at the Baroness with a crafty smile.

"Look at madame," said the Baroness, pointing to the stove-fitter's
wife, "she has been quite happy because she was received into the
bosom of the Church. You married like the beasts that perish."

"I?" said Atala. "Why, if you will give me as much as Daddy Vyder
gives me, I shall be quite happy unmarried again. It is a grind.--Do
you know what it is to--?"

"But when once you are united to a man as you are," the Baroness put
in, "virtue requires you to remain faithful to him."

"Till he dies," said Atala, with a knowing flash. "I shall not have to
wait long. If you only knew how Daddy Vyder coughs and blows.--Poof,
poof," and she imitated the old man.

"Virtue and morality require that the Church, representing God, and
the Mayor, representing the law, should consecrate your marriage,"
Madame Hulot went on. "Look at madame; she is legally married--"

"Will it make it more amusing?" asked the girl.

"You will be happier," said the Baroness, "for no one could then blame
you. You would satisfy God! Ask her if she was married without the
sacrament of marriage!"

Atala looked at the Italian.

"How is she any better than I am?" she asked. "I am prettier than she
is."

"Yes, but I am an honest woman," said the wife, "and you may be called
by a bad name."

"How can you expect God to protect you if you trample every law, human
and divine, under foot?" said the Baroness. "Don't you know that God
has Paradise in store for those who obey the injunctions of His
Church?"

"What is there in Paradise? Are there playhouses?"

"Paradise!" said Adeline, "is every joy you can conceive of. It is
full of angels with white wings. You see God in all His glory, you
share His power, you are happy for every minute of eternity!"

Atala listened to the lady as she might have listened to music; but
Adeline, seeing that she was incapable of understanding her, thought
she had better take another line of action and speak to the old man.

"Go home, then, my child, and I will go to see Monsieur Vyder. Is he a
Frenchman?"

"He is an Alsatian, madame. But he will be quite rich soon. If you
would pay what he owes to that vile Samanon, he would give you back
your money, for in a few months he will be getting six thousand francs
a year, he says, and we are to go to live in the country a long way
off, in the Vosges."

At the word /Vosges/ the Baroness sat lost in reverie. It called up
the vision of her native village. She was roused from her melancholy
meditation by the entrance of the stove-fitter, who came to assure her
of his prosperity.

"In a year's time, madame, I can repay the money you lent us, for it
is God's money, the money of the poor and wretched. If ever I make a
fortune, come to me for what you want, and I will render through you
the help to others which you first brought us."

"Just now," said Madame Hulot, "I do not need your money, but I ask
your assistance in a good work. I have just seen that little Judici,
who is living with an old man, and I mean to see them regularly and
legally married."

"Ah! old Vyder; he is a very worthy old fellow, with plenty of good
sense. The poor old man has already made friends in the neighborhood,
though he has been here but two months. He keeps my accounts for me.
He is, I believe, a brave Colonel who served the Emperor well. And how
he adores Napoleon!--He has some orders, but he never wears them. He
is waiting till he is straight again, for he is in debt, poor old boy!
In fact, I believe he is hiding, threatened by the law--"

"Tell him that I will pay his debts if he will marry the child."

"Oh, that will soon be settled.--Suppose you were to see him, madame;
it is not two steps away, in the Passage du Soleil."

So the lady and the stove-fitter went out.

"This way, madame," said the man, turning down the Rue de la
Pepiniere.

The alley runs, in fact, from the bottom of this street through to the
Rue du Rocher. Halfway down this passage, recently opened through,
where the shops let at a very low rent, the Baroness saw on a window,
screened up to a height with a green, gauze curtain, which excluded
the prying eyes of the passer-by, the words:


"ECRIVAIN PUBLIC";

and on the door the announcement:

BUSINESS TRANSACTED.

/Petitions Drawn Up, Accounts Audited, Etc./

/With Secrecy and Dispatch./


The shop was like one of those little offices where travelers by
omnibus wait the vehicles to take them on to their destination. A
private staircase led up, no doubt, to the living-rooms on the
entresol which were let with the shop. Madame Hulot saw a dirty
writing-table of some light wood, some letter-boxes, and a wretched
second-hand chair. A cap with a peak and a greasy green shade for the
eyes suggested either precautions for disguise, or weak eyes, which
was not unlikely in an old man.

"He is upstairs," said the stove-fitter. "I will go up and tell him to
come down."

Adeline lowered her veil and took a seat. A heavy step made the narrow
stairs creak, and Adeline could not restrain a piercing cry when she
saw her husband, Baron Hulot, in a gray knitted jersey, old gray
flannel trousers, and slippers.

"What is your business, madame?" said Hulot, with a flourish.

She rose, seized Hulot by the arm, and said in a voice hoarse with
emotion:

"At last--I have found you!"

"Adeline!" exclaimed the Baron in bewilderment, and he locked the shop
door. "Joseph, go out the back way," he added to the stove-fitter.

"My dear!" she said, forgetting everything in her excessive joy, "you
can come home to us all; we are rich. Your son draws a hundred and
sixty thousand francs a year! Your pension is released; there are
fifteen thousand francs of arrears you can get on showing that you are
alive. Valerie is dead, and left you three hundred thousand francs.

"Your name is quite forgotten by this time; you may reappear in the
world, and you will find a fortune awaiting you at your son's house.
Come; our happiness will be complete. For nearly three years I have
been seeking you, and I felt so sure of finding you that a room is
ready waiting for you. Oh! come away from this, come away from the
dreadful state I see you in!"

"I am very willing," said the bewildered Baron, "but can I take the
girl?"

"Hector, give her up! Do that much for your Adeline, who has never
before asked you to make the smallest sacrifice. I promise you I will
give the child a marriage portion; I will see that she marries well,
and has some education. Let it be said of one of the women who have
given you happiness that she too is happy; and do not relapse into
vice, into the mire."

"So it was you," said the Baron, with a smile, "who wanted to see me
married?--Wait a few minutes," he added; "I will go upstairs and
dress; I have some decent clothes in a trunk."

Adeline, left alone, and looking round the squalid shop, melted into
tears.

"He has been living here, and we rolling in wealth!" said she to
herself. "Poor man, he has indeed been punished--he who was elegance
itself."

The stove-fitter returned to make his bow to his benefactress, and she
desired him to fetch a coach. When he came back, she begged him to
give little Atala Judici a home, and to take her away at once.

"And tell her that if she will place herself under the guidance of
Monsieur the Cure of the Madeleine, on the day when she attends her
first Communion I will give her thirty thousand francs and find her a
good husband, some worthy young man."

"My eldest son, then madame! He is two-and-twenty, and he worships the
child."

The Baron now came down; there were tears in his eyes.

"You are forcing me to desert the only creature who had ever begun to
love me at all as you do!" said he in a whisper to his wife. "She is
crying bitterly, and I cannot abandon her so--"

"Be quite easy, Hector. She will find a home with honest people, and I
will answer for her conduct."

"Well, then, I can go with you," said the Baron, escorting his wife to
the cab.

Hector, the Baron d'Ervy once more, had put on a blue coat and
trousers, a white waistcoat, a black stock, and gloves. When the
Baroness had taken her seat in the vehicle, Atala slipped in like an
eel.

"Oh, madame," she said, "let me go with you. I will be so good, so
obedient; I will do whatever you wish; but do not part me from my
Daddy Vyder, my kind Daddy who gives me such nice things. I shall be
beaten--"

"Come, come, Atala," said the Baron, "this lady is my wife--we must
part--"

"She! As old as that! and shaking like a leaf!" said the child. "Look
at her head!" and she laughingly mimicked the Baroness' palsy.

The stove-fitter, who had run after the girl, came to the carriage
door.

"Take her away!" said Adeline. The man put his arms round Atala and
fairly carried her off.

"Thanks for such a sacrifice, my dearest," said Adeline, taking the
Baron's hand and clutching it with delirious joy. "How much you are
altered! you must have suffered so much! What a surprise for Hortense
and for your son!"

Adeline talked as lovers talk who meet after a long absence, of a
hundred things at once.

In ten minutes the Baron and his wife reached the Rue Louis-le-Grand,
and there Adeline found this note awaiting her:--

  "MADAME LA BARONNE,--

  "Monsieur le Baron Hulot d'Ervy lived for one month in the Rue de
  Charonne under the name of Thorec, an anagram of Hector. He is now
  in the Passage du Soleil by the name of Vyder. He says he is an
  Alsatian, and does writing, and he lives with a girl named Atala
  Judici. Be very cautious, madame, for search is on foot; the Baron
  is wanted, on what score I know not.

  "The actress has kept her word, and remains, as ever,

"Madame la Baronne, your humble servant,
"J. M."


The Baron's return was hailed with such joy as reconciled him to
domestic life. He forgot little Atala Judici, for excesses of
profligacy had reduced him to the volatility of feeling that is
characteristic of childhood. But the happiness of the family was
dashed by the change that had come over him. He had been still hale
when he had gone away from his home; he had come back almost a
hundred, broken, bent, and his expression even debased.

A splendid dinner, improvised by Celestine, reminded the old man of
the singer's banquets; he was dazzled by the splendor of his home.

"A feast in honor of the return of the prodigal father?" said he in a
murmur to Adeline.

"Hush!" said she, "all is forgotten."

"And Lisbeth?" he asked, not seeing the old maid.

"I am sorry to say that she is in bed," replied Hortense. "She can
never get up, and we shall have the grief of losing her ere long. She
hopes to see you after dinner."

At daybreak next morning Victorin Hulot was informed by the porter's
wife that soldiers of the municipal guard were posted all round the
premises; the police demanded Baron Hulot. The bailiff, who had
followed the woman, laid a summons in due form before the lawyer, and
asked him whether he meant to pay his father's debts. The claim was
for ten thousand francs at the suit of an usurer named Samanon, who
had probably lent the Baron two or three thousand at most. Victorin
desired the bailiff to dismiss his men, and paid.

"But is it the last?" he anxiously wondered.

Lisbeth, miserable already at seeing the family so prosperous, could
not survive this happy event. She grew so rapidly worse that Bianchon
gave her but a week to live, conquered at last in the long struggle in
which she had scored so many victories.

She kept the secret of her hatred even through a painful death from
pulmonary consumption. And, indeed, she had the supreme satisfaction
of seeing Adeline, Hortense, Hulot, Victorin, Steinbock, Celestine,
and their children standing in tears round her bed and mourning for
her as the angel of the family.

Baron Hulot, enjoying a course of solid food such as he had not known
for nearly three years, recovered flesh and strength, and was almost
himself again. This improvement was such a joy to Adeline that her
nervous trembling perceptibly diminished.

"She will be happy after all," said Lisbeth to herself on the day
before she died, as she saw the veneration with which the Baron
regarded his wife, of whose sufferings he had heard from Hortense and
Victorin.

And vindictiveness hastened Cousin Betty's end. The family followed
her, weeping, to the grave.

The Baron and Baroness, having reached the age which looks for perfect
rest, gave up the handsome rooms on the first floor to the Count and
Countess Steinbock, and took those above. The Baron by his son's
exertions found an official position in the management of a railroad,
in 1845, with a salary of six thousand francs, which, added to the six
thousand of his pension and the money left to him by Madame Crevel,
secured him an income of twenty-four thousand francs. Hortense having
enjoyed her independent income during the three years of separation
from Wenceslas, Victorin now invested the two hundred thousand francs
he had in trust, in his sister's name and he allowed her twelve
thousand francs.

Wenceslas, as the husband of a rich woman, was not unfaithful, but he
was an idler; he could not make up his mind to begin any work, however
trifling. Once more he became the artist /in partibus/; he was popular
in society, and consulted by amateurs; in short, he became a critic,
like all the feeble folk who fall below their promise.

Thus each household, though living as one family, had its own fortune.
The Baroness, taught by bitter experience, left the management of
matters to her son, and the Baron was thus reduced to his salary, in
hope that the smallness of his income would prevent his relapsing into
mischief. And by some singular good fortune, on which neither the
mother nor the son had reckoned, Hulot seemed to have foresworn the
fair sex. His subdued behaviour, ascribed to the course of nature, so
completely reassured the family, that they enjoyed to the full his
recovered amiability and delightful qualities. He was unfailingly
attentive to his wife and children, escorted them to the play,
reappeared in society, and did the honors to his son's house with
exquisite grace. In short, this reclaimed prodigal was the joy of his
family.

He was a most agreeable old man, a ruin, but full of wit, having
retained no more of his vice than made it an added social grace.

Of course, everybody was quite satisfied and easy. The young people
and the Baroness lauded the model father to the skies, forgetting the
death of the two uncles. Life cannot go on without much forgetting!

Madame Victorin, who managed this enormous household with great skill,
due, no doubt, to Lisbeth's training, had found it necessary to have a
man-cook. This again necessitated a kitchen-maid. Kitchen-maids are in
these days ambitious creatures, eager to detect the /chef's/ secrets,
and to become cooks as soon as they have learnt to stir a sauce.
Consequently, the kitchen-maid is liable to frequent change.

At the beginning of 1845 Celestine engaged as kitchen-maid a sturdy
Normandy peasant come from Isigny--short-waisted, with strong red
arms, a common face, as dull as an "occasional piece" at the play, and
hardly to be persuaded out of wearing the classical linen cap peculiar
to the women of Lower Normandy. This girl, as buxom as a wet-nurse,
looked as if she would burst the blue cotton check in which she
clothed her person. Her florid face might have been hewn out of stone,
so hard were its tawny outlines.

Of course no attention was paid to the advent in the house of this
girl, whose name was Agathe--an ordinary, wide-awake specimen, such as
is daily imported from the provinces. Agathe had no attractions for
the cook, her tongue was too rough, for she had served in a suburban
inn, waiting on carters; and instead of making a conquest of her chief
and winning from him the secrets of the high art of the kitchen, she
was the object of his great contempt. The /chef's/ attentions were, in
fact, devoted to Louise, the Countess Steinbock's maid. The country
girl, thinking herself ill-used, complained bitterly that she was
always sent out of the way on some pretext when the /chef/ was
finishing a dish or putting the crowning touch to a sauce.

"I am out of luck," said she, "and I shall go to another place."

And yet she stayed though she had twice given notice to quit.

One night, Adeline, roused by some unusual noise, did not see Hector
in the bed he occupied near hers; for they slept side by side in two
beds, as beseemed an old couple. She lay awake an hour, but he did not
return. Seized with a panic, fancying some tragic end had overtaken
him--an apoplectic attack, perhaps--she went upstairs to the floor
occupied by the servants, and then was attracted to the room where
Agathe slept, partly by seeing a light below the door, and partly by
the murmur of voices. She stood still in dismay on recognizing the
voice of her husband, who, a victim to Agathe's charms, to vanquish
this strapping wench's not disinterested resistance, went to the
length of saying:

"My wife has not long to live, and if you like you may be a Baroness."

Adeline gave a cry, dropped her candlestick, and fled.

Three days later the Baroness, who had received the last sacraments,
was dying, surrounded by her weeping family.

Just before she died, she took her husband's hand and pressed it,
murmuring in his ear:

"My dear, I had nothing left to give up to you but my life. In a
minute or two you will be free, and can make another Baronne Hulot."

And, rare sight, tears oozed from her dead eyes.

This desperateness of vice had vanquished the patience of the angel,
who, on the brink of eternity, gave utterance to the only reproach she
had ever spoken in her life.

The Baron left Paris three days after his wife's funeral. Eleven
months after Victorin heard indirectly of his father's marriage to
Mademoiselle Agathe Piquetard, solemnized at Isigny, on the 1st
February 1846.

"Parents may hinder their children's marriage, but children cannot
interfere with the insane acts of their parents in their second
childhood," said Maitre Hulot to Maitre Popinot, the second son of the
Minister of Commerce, who was discussing this marriage.



ADDENDUM

The following personages appear in other stories of the Human Comedy.

Beauvisage, Phileas
  The Member for Arcis

Berthier (Parisian notary)
  Cousin Pons

Bianchon, Horace
  Father Goriot
  The Atheist's Mass
  Cesar Birotteau
  The Commission in Lunacy
  Lost Illusions
  A Distinguished Provincial at Paris
  A Bachelor's Establishment
  The Secrets of a Princess
  The Government Clerks
  Pierrette
  A Study of Woman
  Scenes from a Courtesan's Life
  Honorine
  The Seamy Side of History
  The Magic Skin
  A Second Home
  A Prince of Bohemia
  Letters of Two Brides
  The Muse of the Department
  The Imaginary Mistress
  The Middle Classes
  The Country Parson
In addition, M. Bianchon narrated the following:
  Another Study of Woman
  La Grande Breteche

Bixiou, Jean-Jacques
  The Purse
  A Bachelor's Establishment
  The Government Clerks
  Modeste Mignon
  Scenes from a Courtesan's Life
  The Firm of Nucingen
  The Muse of the Department
  The Member for Arcis
  Beatrix
  A Man of Business
  Gaudissart II.
  The Unconscious Humorists
  Cousin Pons

Braulard
  A Distinguished Provincial at Paris
  Cousin Pons

Bridau, Joseph
  The Purse
  A Bachelor's Establishment
  A Distinguished Provincial at Paris
  A Start in Life
  Modeste Mignon
  Another Study of Woman
  Pierre Grassou
  Letters of Two Brides
  The Member for Arcis

Brisetout, Heloise
  Cousin Pons
  The Middle Classes

Cadine, Jenny
  Beatrix
  The Unconscious Humorists
  The Member for Arcis

Chanor
  Cousin Pons

Chocardelle, Mademoiselle
  Beatrix
  A Prince of Bohemia
  A Man of Business
  The Member for Arcis

Colleville, Flavie Minoret, Madame
  The Government Clerks
  The Middle Classes

Collin, Jacqueline
  Scenes from a Courtesan's Life
  The Unconscious Humorists

Crevel, Celestin
  Cesar Birotteau
  Cousin Pons

Esgrignon, Victurnien, Comte (then Marquis d')
  Jealousies of a Country Town
  Letters of Two Brides
  A Man of Business
  The Secrets of a Princess

Falcon, Jean
  The Chouans
  The Muse of the Department

Graff, Wolfgang
  Cousin Pons

Grassou, Pierre
  Pierre Grassou
  A Bachelor's Establishment
  The Middle Classes
  Cousin Pons

Grindot
  Cesar Birotteau
  Lost Illusions
  A Distinguished Provincial at Paris
  A Start in Life
  Scenes from a Courtesan's Life
  Beatrix
  The Middle Classes

Hannequin, Leopold
  Albert Savarus
  Beatrix
  Cousin Pons

Herouville, Duc d'
  The Hated Son
  Jealousies of a Country Town
  Modeste Mignon

Hulot (Marshal)
  The Chouans
  The Muse of the Department

Hulot, Victorin
  The Member for Arcis

La Bastie la Briere, Madame Ernest de
  Modeste Mignon
  The Member for Arcis

La Baudraye, Madame Polydore Milaud de
  The Muse of the Department
  A Prince of Bohemia

La Chanterie, Baronne Henri le Chantre de
  The Seamy Side of History

Laginski, Comte Adam Mitgislas
  Another Study of Woman
  The Imaginary Mistress

La Palferine, Comte de
  A Prince of Bohemia
  A Man of Business
  Beatrix
  The Imaginary Mistress

La Roche-Hugon, Martial de
  Domestic Peace
  The Peasantry
  A Daughter of Eve
  The Member for Arcis
  The Middle Classes

Lebas, Joseph
  At the Sign of the Cat and Racket
  Cesar Birotteau

Lebas, Madame Joseph (Virginie)
  At the Sign of the Cat and Racket
  Cesar Birotteau

Lebas
  The Muse of the Department

Lefebvre, Robert
  The Gondreville Mystery

Lenoncourt-Givry, Duc de
  Letters of Two Brides
  The Member for Arcis

Lora, Leon de
  The Unconscious Humorists
  A Bachelor's Establishment
  A Start in Life
  Pierre Grassou
  Honorine
  Beatrix

Lousteau, Etienne
  A Distinguished Provincial at Paris
  A Bachelor's Establishment
  Scenes from a Courtesan's Life
  A Daughter of Eve
  Beatrix
  The Muse of the Department
  A Prince of Bohemia
  A Man of Business
  The Middle Classes
  The Unconscious Humorists

Massol
  Scenes from a Courtesan's Life
  The Magic Skin
  A Daughter of Eve
  The Unconscious Humorists

Montauran, Marquis de (younger brother of Alphonse de)
  The Chouans
  The Seamy Side of History

Montcornet, Marechal, Comte de
  Domestic Peace
  Lost Illusions
  A Distinguished Provincial at Paris
  Scenes from a Courtesan's Life
  The Peasantry
  A Man of Business

Navarreins, Duc de
  A Bachelor's Establishment
  Colonel Chabert
  The Muse of the Department
  The Thirteen
  Jealousies of a Country Town
  The Peasantry
  Scenes from a Courtesan's Life
  The Country Parson
  The Magic Skin
  The Gondreville Mystery
  The Secrets of a Princess

Nourrisson, Madame
  Scenes from a Courtesan's Life
  The Unconscious Humorists

Nucingen, Baron Frederic de
  The Firm of Nucingen
  Father Goriot
  Pierrette
  Cesar Birotteau
  Lost Illusions
  A Distinguished Provincial at Paris
  Scenes from a Courtesan's Life
  Another Study of Woman
  The Secrets of a Princess
  A Man of Business
  The Muse of the Department
  The Unconscious Humorists

Paz, Thaddee
  The Imaginary Mistress

Popinot, Anselme
  Cesar Birotteau
  Gaudissart the Great
  Cousin Pons

Popinot, Madame Anselme
  Cesar Birotteau
  A Prince of Bohemia
  Cousin Pons

Popinot, Vicomte
  Cousin Pons

Rastignac, Eugene de
  Father Goriot
  A Distinguished Provincial at Paris
  Scenes from a Courtesan's Life
  The Ball at Sceaux
  The Commission in Lunacy
  A Study of Woman
  Another Study of Woman
  The Magic Skin
  The Secrets of a Princess
  A Daughter of Eve
  The Gondreville Mystery
  The Firm of Nucingen
  The Member for Arcis
  The Unconscious Humorists

Rivet, Achille
  Cousin Pons

Rochefide, Marquis Arthur de
  Beatrix

Ronceret, Madame Fabien du
  Beatrix
  The Muse of the Department
  The Unconscious Humorists

Samanon
  A Distinguished Provincial at Paris
  The Government Clerks
  A Man of Business

Sinet, Seraphine
  The Unconscious Humorists

Steinbock, Count Wenceslas
  The Imaginary Mistress

Stidmann
  Modeste Mignon
  Beatrix
  The Member for Arcis
  Cousin Pons
  The Unconscious Humorists

Tillet, Ferdinand du
  Cesar Birotteau
  The Firm of Nucingen
  The Middle Classes
  A Bachelor's Establishment
  Pierrette
  Melmoth Reconciled
  A Distinguished Provincial at Paris
  The Secrets of a Princess
  A Daughter of Eve
  The Member for Arcis
  The Unconscious Humorists

Trailles, Comte Maxime de
  Cesar Birotteau
  Father Goriot
  Gobseck
  Ursule Mirouet
  A Man of Business
  The Member for Arcis
  The Secrets of a Princess
  The Member for Arcis
  Beatrix
  The Unconscious Humorists

Turquet, Marguerite
  The Imaginary Mistress
  The Muse of the Department
  A Man of Business

Vauvinet
  The Unconscious Humorists

Vernisset, Victor de
  The Seamy Side of History
  Beatrix

Vernou, Felicien
  A Bachelor's Establishment
  Lost Illusions
  A Distinguished Provincial at Paris
  Scenes from a Courtesan's Life
  A Daughter of Eve

Vignon, Claude
  A Distinguished Provincial at Paris
  A Daughter of Eve
  Honorine
  Beatrix
  The Unconscious Humorists





End of The Project Gutenberg Etext of Cousin Betty, by Honore de Balzac